Search results for ""Seagull Books London Ltd""

This novel by esteemed Swiss writer Max Frisch is an exploration of the question: 'Why don't we live when we know we're here just this one time, just one single, unrepeatable time in this unutterably magnificent world?!' This outcry against the emptiness of ordinary, everyday life uttered by the hero of Frisch's book is countered by 'an answer from the silence' he meets when face to face with death. "When An Answer from the Silence" begins, the protagonist has just turned thirty and is engaged to be married and about to start work as a teacher. Frightened by the idea of settling down, he journeys to the Alps in a do-or-die effort to climb the unclimbed North Ridge, and by doing so prove he is not ordinary. But having reached the top he returns not in triumph, but in frostbitten shock, having come dangerously close to death. This highly personal early novel reflects a crisis in Frisch's own life, and perhaps because of this intimate connection, he refused to allow it to be included in his 'Collected Works in the 1970s'. Now available in English, this distinctive book will thrill fans of Frisch's other works.

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French cultural theorist and urbanist Paul Virilio is best known for his writings on media, technology, and architecture. Gathered here in "A Winter's Journey" are four remarkable conversations in which Virilio and architectural writer Marianne Brausch look at a twentieth century characterized by enormous technological acceleration and by technocultural accidents of barbarism and horror. The dialogues in "A Winter's Journey" - structured loosely around the dates 1940, 1950, 1960, and 1980 - chart Virilio's intimate intellectual biography, from his childhood lived against the unstable backdrop of a heavily bombed, wartime Nantes to maturity in a crisis space that is neither entirely militarized nor yet fully civilian, but somewhere between the two. In the course of these conversations, Virilio and Brausch ultimately find hope that in understanding the events of the last century and the cultural responses spawned by them, we can create a more humane era that is more adept at handling the transformations of its technology and culture. "A Winter's Journey" is a revealing and engaging look into the intellectual life and ideas of one of the most influential theorists of contemporary civilization.

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Yasmine Beverly Rana's "The War Zone Is My Bed and Other Plays" follows journeys of spiritual destruction and redemption from the banks of the Mississippi River and the fallen levees of New Orleans to the conflict-ravaged streets of Sarajevo and Kabul. The characters in Rana's politically charged and moving plays attempt to seek and sustain love in violent circumstances. In the title play, "The War Zone Is My Bed", a prostitute from Kabul and a journalist from Bosnia stumble through a maze of brutality to find solace within each other. In "Blood Sky" a traumatic event is triggered by a mysterious, animalistic call. Also collected here are Returning, in which a photographer from Sarajevo is torn between his role as an artist and victim of war, and Paradise, where, as the Mississippi River rises, two lovers, who are also illegal immigrants, debate whether they should stay in New Orleans and risk their lives or flee - and thereby reveal their illegal status. This stunning collection presents the topical and intense plays of one of the most interesting new voices in American theater.

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Tolerated in Britain for over 300 years-and ubiquitous throughout the world for much longer - visual satire gives offence in the quickest way and in its purest form. Cartoons have long since established themselves as a legitimate part of the general political discourse. As a cartoonist, it is Rowson's job to give offence. But the flip side of giving offence is, of course, giving comfort to the opponents or victims of the offended. In "Giving Offence", Rowson explains how and why cartoons work, why they matter and why the reactions of the offended are often an even blunter political weapon than the cartoons themselves. This book is in collaboration with "Index on Censorship".

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Yves Bonnefoy’s final poetic work, a collection of reflections about poetry, legacy, and life. The international community of letters mourned the recent death of Yves Bonnefoy, universally acclaimed as one of France’s greatest poets of the last half-century. A prolific author, he was often considered a candidate for the Nobel Prize and published a dozen major collections of poetry in verse and prose, several books of dream-like tales, and numerous studies of literature and art. His oeuvre has been translated into scores of languages, and he himself was a celebrated translator of Shakespeare, Yeats, Keats, and Leopardi.Together Still is his final poetic work, composed just months before his death. The book is nothing short of a literary testament, addressed to his wife, his daughter, his friends, and his readers throughout the world. In these pages, he ruminates on his legacy to future generations, his insistence on living in the present, his belief in the triumphant lessons of beauty, and, above all, his courageous identification of poetry with hope.

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An experiment with the sonnet form by one of the foremost French poets of his generation. Yves Bonnefoy has wowed the literary world for decades with his diffuse volumes. First published in France in 2008, The Anchor’s Long Chain is an indispensable addition to his oeuvre. Enriching Bonnefoy’s earlier work, the volume, translated by Beverley Bie Brahic, also innovates, including an unprecedented sequence of nineteen sonnets. These sonnets combine the strictness of the form with the freedom to vary line length and create evocative fragments. Compressed, emotionally powerful, and allusive, the poems are also autobiographical—but only in glimpses. Throughout, Bonnefoy conjures up life’s eternal questions with each new poem. Longer, discursive pieces, including the title poem’s meditation on a prehistoric stone circle and a legend about a ship, are also part of this volume, as are a number of poetic prose pieces in which Bonnefoy, like several of his great French predecessors, excels. Long-time fans will find much to praise here, while newer readers will quickly find themselves under the spell of Bonnefoy’s powerful, discursive poetry.

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A major collection of essays and interviews from an iconic 20th-century philosopher in five volumes, now all available together in paperback. Roland Barthes was a restless, protean thinker. A constant innovator—often as a daring smuggler of ideas from one discipline to another—he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France’s preeminent Collège de France, where he chose to style himself as a professor of literary semiology until his death in 1980. The greater part of Barthes’s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume two, The “Scandal” of Marxism, contains a wide range of his more overtly political writings, with an emphasis on his early work and the serious national turbulence in the French 1950s.

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Recorded during Jorge Luis Borges’s final years, this second volume of his conversations with Osvaldo Ferrari provides a wide-ranging reflection on the life and work of Argentina’s master writer and favorite conversationalist. In Conversations: Volume 2, Borges and Ferrari engage in a dialogue that is both improvisational and frequently humorous as they touch on subjects as diverse as epic poetry, detective fiction, Buddhism, and the moon landing. With his signature wit, Borges offers insight into the philosophical basis of his stories and poems, his fascination with religious mysticism, and the idea of life as a dream. He also dwells on more personal themes, including the influence of his mother and father on his intellectual development, his friendships, and living with blindness. These recollections are alive to the passage of history, whether in the changing landscape of Buenos Aires or a succession of political conflicts, leading Borges to contemplate what he describes as his “South American destiny.” The recurrent theme of these conversations, however, is a life lived through books. Borges draws on the resources of a mental library that embraces world literature—ancient and modern. He recalls the works that were a constant presence in his memory and maps his changing attitudes to a highly personal canon. In the prologue to the volume, Borges celebrates dialogue and the transmission of culture across time and place. These conversations are a testimony to the supple ways that Borges explored his own relation to numerous traditions.

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A reissue of a comic and tragic play that asks just how much of our life we could—or would—change if we got another chance. In this play by Swiss playwright and novelist Max Frisch, a middle-aged behavioral researcher Kürmann is given the opportunity to start his life over at any point he chooses and change his decisions and actions in matters both serious and mundane—He could save his marriage, become politically active, take better care of his health, or even change the color of his living room furniture. Despite his intention to apply the wisdom he has acquired with age, Kürmann finds himself inexorably trapped in the same decisions. Ultimately proving fatal, Kürmann’s life game interrogates how much of our own path is shaped by seemingly random factors and how much is in fact predetermined by our own limited, conditioned selves. The play’s central idea—that our lives are nothing but a self-conscious play with imaginary identities—is brilliantly captured in Biography’s dramaturgical form, setting up a theatre rehearsal as the metaphor for the endless possibilities and variables of the game of life. Frisch’s own revised, dramatically heightened version of his play celebrates not only the theatre as a form of self-expression but also the human condition in all its potential and limitations as it showcases both comic and tragic outcomes that define all our lives.

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A unique and modern approach to money, wealth, greed, and financial ignorance presented via a story of a family in the Munich suburbs. The Federmanns live a pleasant but painfully normal life in the Munich suburbs. All that the three children really know about money is that there’s never enough of it in their family. Every so often, their impish Great-Aunt Fé descends on the city. After repeated cycles of boom and bust, profligacy and poverty, the grand old lady has become enormously wealthy and lives alone in a villa on the shore of Lake Geneva. But what does Great-Aunt Fé want from the Federmanns, her only surviving relatives? This time, she invites the children to tea at her luxury hotel where she spoils, flummoxes, and inspires them. Dismayed at their ignorance of the financial ways of the world, she gives them a crash course in economics that piques their curiosity, unsettles their parents, and throws open a whole new world. The young Federmanns are for once taken seriously and together they try to answer burning questions: Where does money come from? Why are millionaires and billionaires never satisfied? And why are those with the most always showered with more? In this rich volume, the renowned poet, translator, and essayist Hans Magnus Enzensberger turns his gimlet eye on the mechanisms and machinations of banks and politicians—the human greed, envy, and fear that fuels the global economy. A modern, but moral-less fable, Money, Money, Money! is shot through with Enzensberger’s trademark erudition, wit, and humanist desire to cut through jargon and forearm his readers against obscurantism.

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Dark stories of failed dreams and contemporary desperation in Los Angeles. In a rundown Los Angeles apartment building—the titular Starlite Terrace—Patrick Roth unfurls the tragic linked stories of Rex, Moss, Gary, and June, four neighbors, in a sort of burlesque of the Hollywood modern. In each of their singular collisions with fame, Roth’s dark prose presages a universal and mythical fate of desperation. In “The Man at Noah’s Window,” Rex shares the story of his father, a supposed hand double for Gary Cooper in High Noon. In “Eclipse of the Sun,” Moss, who lives in fear of the next holocaust, awaits a visit from the long-lost daughter he has tracked down. In “Rider on the Storm,” Gary, a rock drummer and born-again Christian, who “almost played” on the Turtles’ 60s-hit “Happy Together,” strives to find an escape from his personal guilt. And in “The Woman in the Sea of Stars,” June, a former Hollywood studio secretary whose husband once cheated on her with Marilyn Monroe, makes the best of a disconnected life until she emerges reborn through ashes strewn in the illuminated swimming pool of the Starlite Terrace. In each of these four tales of wannabes and almost-weres, Roth's L.A. portraits unfold in rare style, and, in Krishna Winston’s masterful translation, the hopeless, loveless perversion of an Ed Ruscha-inspired California becomes a compelling pageant of all-American grotesques that is not to be missed.

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A big, ambitious, over-the-top masterpiece that was hailed an immediate classic upon first publication in German. Set in the East Friesia region of Germany in the mid-1970s, Against the World tells the story of Daniel Kuper, the nominal heir to a drugstore dynasty, and his struggle to free himself from the petty suspicions and violence of small-town life. A delicate, secretive boy with too much imagination and too few opportunities, he becomes the target of outrage and fear when strange phenomena convulse the town: snowfall in summer, inexplicable corn circles, a boy dead under the wheels of a train, swastikas crudely daubed on walls. Fingers point and they single out Kuper. The more he tries to prove his innocence, the more fierce the accusations are until his only option is open war against the village and its inhabitants. An unforgettable debut, Against the World is an epic account of growing up an outsider, and the pain, violence, and betrayal that accompany exclusion.

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A novel at once about social justice, romance, and Gramsci.Is it possible to fight for social justice if you’ve never really loved another person? Can you save a country if you’re in love? Forty-six-year-old Anton Stöver’s marriage is broken. His affairs are a thing of the past, and his career at the university has reached a dead end. One day he is offered the chance to go to Rome to conduct research on Antonio Gramsci, at one time the leading figure of Italian communism. Once there, he falls obsessively in love with a young woman he has met while continuing to focus his attention on the past: the frail and feverish Gramsci recovering in a Soviet sanatorium. Though Gramsci is supposed to save Italy from Mussolini’s seizure of power, he falls in love with a Russian comrade instead. With a subtle sense of the absurd, Nora Bossong explores the conflicts between having intense feelings for another and fighting for great ideals.

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A unique portrait of a revolutionary movement that is largely unknown outside Spain. Northern Spain is the only part of Western Europe where anarchism played a significant role in the political life of the twentieth century. Enjoying wide-ranging support among both the urban and rural working class, its importance peaked during its “brief summer”—the civil war between the Republic and General Franco’s Falangists, during which anarchists even participated in the government of Catalonia. Anarchy’s Brief Summer brings anarchism to life by focusing on the charismatic leader Buenaventura Durruti (1896–1936), who became a key figure in the Spanish Civil War after a militant and adventurous youth. The basis of the book is a compilation of texts: personal testimony, interviews with survivors, contemporary documents, memoirs, and academic assessments. They are all linked by Enzenberger’s own assessment in a series of glosses—a literary form that is somewhere between retelling and reconstruction—with the contradiction between fiction and fact reflecting the political contradictions of the Spanish Revolution.

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A beautiful and timely collection of poems written during the pandemic. The poems in Alice Attie’s new volume, Bending into the Light, are poised on an ever-shifting threshold where words “up and down, side to side” appear as “figures in the distance approaching, each a declaration, each persisting”. Beings, things, ideas, present or vanishing, flow through the vessel of language wherein each exudes “its own aura, its own being, its own disappearance.” Attie’s voice is intricate and intimate, shaping and reshaping the space of being and the space of non-being. These contemplative poems, interspersed with a few haunting photographs and artworks, extol, and mourn, melding the quotidian with the philosophical where we are formed and transformed in the profound knowledge that “the voice has no center.”

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A comprehensive collection of texts from the most influential and iconic figure of Italian second-wave feminism. Recently rediscovered in Italy and abroad, the works of Carla Lonzi tend to fall under the remit of art history or feminist theory. Art historians focus on the texts written in the 1960s, when Lonzi was still actively working as a critic, whereas feminist scholars engage with her more openly political interventions, published after her declared embrace of a separatist feminism. In 1970 Lonzi decided to leave the art world for good and dedicate herself to her newly founded feminist collective, Rivolta Femminile. While recognizing the break in Lonzi’s life and work, this anthology maps the overall arc of her intellectual and political production, giving equal weight to her seminal contributions to art criticism and her trailblazing feminist writings. A comprehensive collection of texts from the most influential and iconic figure of Italian second-wave feminism, Feminism in Revolt seeks to shed light on Lonzi’s versatile approach to literary genres and compositions by juxtaposing essayistic texts, poems, diary excerpts, and manifestos.

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A richly illustrated analysis from one of Europe’s greatest living philosophers. In Pinocchio, Giorgio Agamben turns his keen philosopher’s eye to the famous nineteenth-century novel by Carlo Collodi. To Agamben, Pinocchio’s adventures are a kind of initiation into life itself. Like us, the mischievous puppet is caught between two worlds. He is faced with the alternatives of submitting to authority or of carrying on, stubbornly indulging his way of being. From Agamben’s virtuoso interpretation of this classic story, we learn that we can harbor the mystery of existence only if we are not aware of it, only if we manage to cohabit with an area of non-knowledge, immemorial and very near. Richly illustrated with images from three early editions of Collodi’s novel, this new volume will delight enthusiasts of both literature and philosophy.

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A book-length cycle of forty-nine poems written over the course of more than a decade that together serve as a lament for Durs Grünbein’s hometown, Dresden, which was destroyed in the Allied firebombing of February 1945. Porcelain is a book-length cycle of forty-nine poems written over the course of more than a decade that together serve as a lament for Durs Grünbein’s hometown, Dresden, which was destroyed in the Allied firebombing of February 1945. The book is at once a history and “declaration of love” to the famed “Venice on the Elbe,” so catastrophically razed by British bombs; a musical fusion of eyewitness accounts, family memories, and stories, of monuments and relics; the story of the city’s destiny as seen through a prism of biographical enigmas, its intimate relation to the “white gold” porcelain that made its fortune and reflections on the power and limits of poetry. Musical, fractured, ironic, and elegiac, Porcelain is controversial, too, in setting itself against what Grünbein calls the “myth” of the Germans as innocent victims of a war crime. At the same time, it never loses sight of the horror deliberately visited on an unwitting civilian population, nor the devastation that looms so large in the German memory. Published for the first time in English, on the seventy-fifth year anniversary of the firebombing, this edition contains new images, notes, Grünbein’s own reflections, and an additional canto—an extraordinary act of poetic kintsugi for the fractured remains of Dresden’s memory.

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Set in Slovakia, a revealing narrative about contemporary society. An accidental pregnancy, a good-looking man who cares about no one but himself, marriage because the man “had a bit of a Christian upbringing,” divorce—that is the trajectory of Pipina’s life, leading to single motherhood and a thousand cruelties of everyday life because she is an ugly woman in a world where ugliness is worse than a death sentence. At every turn, she is reminded of her inferiority. She can’t wait for the end of each day when she can sit in the stairwell outside of her dilapidated apartment and retreat into her thoughts. Her drab life full of indignities dissolves only in her beautiful, cinematic dreams. In them, she experiences whatever she can’t do or have in real life. She creates a rich inner world, and her razor-sharp observations, interlaced with a good dose of humor, produce a revealing narrative about contemporary society. In the first English translation of her work, the brilliant Slovak author Zuzana Cigánová pulls back the veil on people’s most private thoughts—thoughts that could very much be our own.

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A trenchant, darkly humorous, and unsentimental look at Calcutta society. Set in Calcutta in the mid-1980s, Truth/Untruth is a fast-paced thriller built around the death of the pregnant Jamuna—a maid in a newly affluent residential apartment complex—and Arjun, the upwardly mobile businessman who seduced her. Packed with a cast of colorful characters, this novel is a trenchant, darkly humorous, and unsentimental look at the different segments of Calcutta society: from the middle-class culture vultures to the unscrupulous “promoter” class and the domestic helpers and slum goons who form an intrinsic part of the city’s life. All are implicated in a complex web of guilt and bizarre twists and turns. Sex, lies, death—the great modernist themes—run like a thread through this book, exposing societal greed, lust, corruption, and moral hypocrisy with a sardonic tone that spares none. An unusual novel by an author who is otherwise known for her hard-hitting activist-feminist stories, Truth/Untruth underlines the exploitative vicious cycle that defines urban relations between the haves and have-nots.

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A romantic novel like no other. A writer has penned a novel about the great love of his youth. After a public reading, he is approached by a woman he doesn’t recognize—but it’s his lover. He is the author; she, the figure in his novel. The young girl from back then has turned into an interesting and attractive woman—but she’s also married. Soon the situation becomes a little strange: they sit down together, have a glass of wine, talk about French romantic novels, ask each other what one expects of love when one grows older. And all the while her husband is sitting in the next room. How is this going to end? Navid Kermani has written a romantic novel like no other—surprising, witty, profound—and one can barely put it down.

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The first complete publication of Robert Walser’s poems translated into English. Admired by the likes of Kafka, Musil, and Walter Benjamin and acclaimed “unforgettable, heart-rending” by J. M. Coetzee, Swiss writer Robert Walser (1878–1956) remains one of the most influential authors of modern literature. Walser left school at fourteen and led a wandering and precarious existence while producing poems, stories, essays, and novels. In 1933, he abandoned writing and entered a sanatorium, where he remained for the rest of his life. “I am not here to write,” Walser said, “but to be mad.” This first collection of Walser’s poems in English translation allows English-speaking readers to experience the author as he saw himself at the beginning and the end of his literary career––as a poet. The book also includes notes on dates of composition, draft versions of the printed poems, and brief biographical information on characters and locations that appear in the poems and may not be known to readers. Few writers have ever experienced such a steady rise in their reputation and public profile as Walser has seen in recent years, and this collection of his poems will help readers discover a unique writer whose off-kilter sensibility and innovations in form are perfectly suited to our fragmented, distracted, bewildering era.

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A biographic novel that captures the tempestuous and moving life of the poet Marina Tsvetaeva. The life of Marina Tsvetaeva (1892–1941) coincided with turbulent years in Russian history. She was an eminent Russian poet and a passionate lover involved with several men at the same time, including Rilke, who chose Lou Andreas-Salomé over her, and Pasternak, who married someone else, but protected her until her death. Her life included many trials such as her poverty during the grueling Russian civil war, her young daughter’s death from hunger in an orphanage, and the death of her husband, who fought against the Communist regime and was executed by the Soviet state. Rejected by official poets, then by the wealthy Russian diaspora in France, she finally returned to her country to end her wandering life. She hanged herself from a rope in an attic from which she could see the field where she had dug with bare hands for potatoes abandoned by local farmers. A poet-martyr of the Stalinist era—buried in an unmarked plot in the cemetery of Yelabuga—Tsvetaeva is brought to life in this poetic biographical novel by celebrated Lebanese author Vénus Khoury-Ghata.

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Bernhard’s Collected Poem is a key to understanding Bernhard’s irascible black comedy found in virtually all of his writings—even down to his last will and testament. Beloved Austrian writer Thomas Bernhard (1931–89) began his career in the early 1950s as a poet. Over the next decade, Bernhard wrote thousands of poems and published four volumes of intensely wrought and increasingly personal verse, with such titles as On Earth and in Hell, In Hora Mortis, and Under the Iron of the Moon. Bernhard’s early poetry, bearing the influence of Georg Trakl, begins with a deep connection to his Austrian homeland. As his poems saw publication and recognition, Bernhard seemed always on the verge of joining the ranks of Ingeborg Bachmann, Paul Celan, and other young post-war poets writing in German. During this time, however, his poems became increasingly more obsessive, filled with undulant self-pity, counterpointed by a defamatory, bardic voice utterly estranged from his country, all of which resulted in a magisterial work of anti-poetry—one that represents Bernhard’s own harrowing experience with his leitmotif of success and failure, which makes his fiction such a pleasure. There is much to be found in these pages for Bernhard fans of every stripe.

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A magnificent example of Widmer’s characteristic humor, literary genius, and unparalleled imagination. In the wildly entertaining novel The Blue Soda Siphon, the narrator unexpectedly finds himself back in the world of his childhood: Switzerland in the 1940s. He returns to his childhood home to find his parents frantic because their son is missing. Then, in another switch, the young boy that he was back then turns up in the present of the early 1990s, during the Gulf War, where he meets himself as an older man, and meets his adult self’s young daughter. These head-scratching, hilarious time shifts happen when both the adult narrator and his childhood self go to the cinema and see films, the subjects of which echo their own lives. Translated into English for the first time by Donal McLaughlin, this novel, in which the eponymous blue soda siphon bottle is a recurring symbol, is a magnificent example of Urs Widmer’s characteristic humor, literary genius, and unparalleled imagination.

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A new play from Nobel Prize winner Elfriede Jelinek that deals with the 2015 terror attack on the satirical French magazine Charlie Hebdo’s offices in Paris. In Greek mythology, it is Hera who blinds the hero Heracles, so that, in a fit of fury, he kills his own family. In the twenty-first century, the gods have another name. So did the three young men who stormed a magazine’s editorial office and a Jewish supermarket in Paris in January 2015 and murdered twelve people. The blind fury, however, remained and more virulent than ever, not least because the weapons were so much more effective. In this raging text, arguably one of her darkest, Nobel Prize winner Elfriede Jelinek investigates topical political events in the context of enduring history and myths. Fury expresses itself not only multi-voiced and from the changing perspective of Islamist terrorists (and their special hatred of Jews), in the shape of furious German citizens, individual narcissistic humiliation, or brutal distribution battles around the globe. Rather, fury also appears as the motor that has driven people with a devastating force for centuries. With her characteristic linguistic power, Jelinek articulates her own disconcertedness in the face of these crimes. In passing, she returns repeatedly to the contradiction between religious laws against representation and the deluge of images online, where movies of assassination, severed heads, and other atrocities are exhibited for millions to see. Fury is a compact grand epic that starts in primal times and attempts to describe the indescribable, relating the inexplicable in our times.

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In the ten conversations with the writer and theologian Klaus Dermutz collected here, Kiefer returns to the essential elements of his art, his aesthetics, and his creative processes. The only visual artist to have won the Peace Prize of the German Book Trade, Anselm Kiefer is a profoundly literary painter. In these conversations, Kiefer describes how the central materials of his art-lead, sand, water, fire, ashes, plants, clothing, oil paint, watercolor, and ink-influence the act of creation. No less decisive are his intellectual and artistic touchstones: the sixteenth-century Jewish mystic Isaac Luria, the German Romantic poet Novalis, Ingeborg Bachmann, Paul Celan, Martin Heidegger, Marcel Proust, Adalbert Stifter, the operas of Richard Wagner, the Catholic liturgy, and the innovative theater director and artist Tadeusz Kantor. Kiefer and Dermutz discuss all of these influential thinkers, as well as Kiefer's own status as a controversial figure. His relentless examination of Germa

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Now in paperback, a biography of the German scientist who came up with the idea of continental drift, telling of how he ended up journeying to Greenland in the winter of 1930—and died there. How, in 1930, did Alfred Wegener, the son of a minister from Berlin, find himself in the most isolated spot on earth, attempting to survive an unthinkably cold winter in the middle of Greenland? In All the Land, Jo Lendle sets out to chronicle Wegener’s extraordinary journey from his childhood in Germany to the most unforgiving corner of the planet. As Lendle shows, Wegener’s life was anything but ordinary. Surrounded by children at the orphanage his parents ran, Wegener was driven by his scientific spirit in search not only of answers to big questions but of solitude. Though Wegener’s life ended in tragedy during his long winter in Greenland, he left us with a scientific legacy: the theory of continental drift, mocked by his peers and only recognized decades after his death. Lendle gives us the story of this great adventurer, of the experiences that shaped him, resulting in a tale that is both thrilling and tender.

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Now in paperback, the thrilling, psychological tale of a twenty-year-old cold case and the detective committed to solving it. After years on the job, police detective Jakob Franck has retired. Finally, the dead-with all their mysteries-will no longer have any claim on him. Or so he thinks. On a cold autumn afternoon, a case he thought he'd long put behind him returns to his life-and turns it upside down. The Nameless Day tells the story of that twenty-year-old case, which began with Franck carrying the news of the suicide of a seventeen-year-old girl to her mother, and holding her for seven hours as, in her grief, she said not a single word. Now her father has appeared, swearing to Franck that his daughter was murdered. Can Franck follow the cold trail of evidence two decades later to see whether he's telling the truth? Could he live with himself if he didn't? A psychological crime novel certain to thrill fans of Henning Mankell and Jo Nesbo, The Nameless Day is a masterpiece, a tightly plotted story of contemporary alienation, loss, and violence.

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A collection of inventive and surprising short stories from one of India’s most prominent countercultural writers. In this wildly inventive collection of Nabarun Bhattacharya’s stories, we meet characters such as a trigger-happy cop in an authoritarian police state, a man who holds on to a piece of rope from a deadly noose, a retired revolutionary thrilled by delusions of grandeur, and people working for a corporation that arranges lavish suicides for a price. Ranging from scathing satires of society to surreal investigations of violence and love, these stories are also a window onto the political and social climate in Bengal, tracing both pan-Indian developments like the 1975 Emergency and local ones like militant-leftist Naxalism and the decades-long Communist reign in the state. Expertly translated from the Bengali, Hawa Hawa and Other Stories is a journey through the mind of one of the most daring countercultural writers of India, one with particular resonance in these chaotic times.

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A collection of essays on renowned French writers, including Sarraute, Renard, and Gide. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. In this collection of brief, insightful essays, we find ourselves face to face with Sartre the literary critic, as he carefully examines the works of renowned French writers such as François Mauriac, Nathalie Sarraute, Jean Giraudoux, and Jules Renard. Most moving is an essay on André Gide, written right after his death, in which Sartre writes, “We thought him scared and embalmed; he dies and we discover how alive he was.”

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Four essays by the French master addressing other philosophers and their work. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. The four essays of varying length assembled in this volume bear witness to Sartre’s preoccupation with philosophers and their work. In these pages he examines Descartes’s concept of freedom; comments on a fundamental idea in Husserl’s phenomenology: intentionality; writes a mixed review of Denis de Rougemont’s monumental Love in the Western World; and provides an extensive critical analysis of the work of Brice Parain, one of France’s leading philosophers of language.

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An in-depth analysis of two of Sartre’s contemporaries, Bataille and Blanchot. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. “There is a crisis of the essay,” begins Sartre as he ventures into a long analysis of the work of one of his contemporaries who he argues might save this form: Georges Bataille. From there, Sartre moves on in this compact volume to consider Aminadab, the most important work of another hugely influential philosopher, Maurice Blanchot, through whom, writes Sartre, “the literature of the fantastic continues the steady progress that will inevitably unite it, ultimately, with what it has always been.”

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A window onto one of the most consequential friendships in philosophical history, that of Sartre and Camus—and on its end. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. Sartre met Albert Camus in Occupied France in 1943, and from the start, they were an odd pair: one from the upper reaches of French society; the other, a pied-noir born into poverty in Algeria. The love of “freedom,” however, quickly bound them in friendship, while their fight for justice united them politically. But in 1951 the two writers fell out spectacularly over their literary and political views, their split a media sensation in France. This volume holds up a remarkable mirror to that fraught relationship. It features an early review by Sartre of Camus’s The Stranger; his famous 1952 letter to Camus that begins, “Our friendship was not easy, but I shall miss it”; and a moving homage written after Camus’s sudden death in 1960.

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A collection of pieces on politically engaged fiction of Sartre’s day, including works by André Gorz and Paul Nizan. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. Political Fictions includes Sartre’s long foreword to André Gorz’s The Traitor, which has often been called the most intimate and profound book to emerge from the existentialist movement. Sartre also presents a detailed portrait of his friend and fellow writer Paul Nizan (1905–1940), once a committed communist, who died fighting the Nazis at the Battle of Dunkirk. Also featured here is Sartre’s famous foreword to Nizan’s novel The Conspiracy, which made the novel famous on its republication in the 1960s, when it was adopted as an iconic text during the events of May ’68.

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A compact collection of eight wide-ranging essays by Sartre from the immediate postwar years. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. Post-War Reflections collects eight of Sartre’s essays that were written in his most creative period, just after World War II. Sartre’s extraordinary range of engagement is manifest in this collection, which features writings on postwar America, the social impact of war in Europe, contemporary philosophy, race, and avant-garde art.

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A collection of essays on the mysteries of the body from one of Italy’s leading postwar communist intellectuals. Politician, translator, and journalist Rossana Rossanda was the most important female left-wing intellectual in post-war Italy. Central to the Italian Communist Party’s cultural wing during the 1950s and ’60s, she left an indelible mark on the life of the mind. The essays in this volume, however, bring together Rossanda’s reflections on the body—how it ages, how it is gendered, what it means to examine one’s own body. The product of a decades-long dialogue with the Italian women’s movement (above all with Lea Melandri, a vital feminist writer who provides an afterword to the current volume), these essays represent an honest and raw meeting between communist and feminist thought. Ranging from reflections on her own hands through to Chinese cinema, from figures such as the Russian cross-dressing soldier Nadezhda Durova to the Jacobin revolutionary Theroigne de Mericourt, here we see Rossanda’s fierce intellect and extraordinary breadth of knowledge applied to the body as a central question of human experience.

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Drawing on twenty years of research, this is the definitive biography of Primo Levi. Over the last seventy years, Primo Levi (1919–87) has been recognized as the foremost literary witness of the extermination of the European Jews. In Primo Levi: An Identikit, a product of twenty years of research, Marco Belpoliti explores Levi’s tormented life, his trajectory as a writer and intellectual, and, above all, his multifaceted and complex oeuvre. Organized in a mosaic format, this volume devotes a different chapter to each of Levi’s books. In addition to tracing the history of each book’s composition, publication, and literary influences, Belpoliti explores their contents across the many worlds of Primo Levi: from chemistry to anthropology, biology to ethology, space flights to linguistics. If This Is a Man, his initially rejected masterpiece, is also reread with a fresh perspective. We learn of dreams, animals, and travel; of literary writing, comedy, and tragedy; of shame, memory, and the relationship with other writers such as Franz Kafka and Georges Perec, Jean Améry and Varlam Shalamov. Fundamental themes such as Judaism, the camp, and testimony innervate the book, which is complemented with photographs and letters found by the author in hitherto unexplored archives. This will be the definitive book on Primo Levi, a treasure trove of stories and reflections that paint a rich, nuanced composite portrait of one of the twentieth century’s most unique and urgent voices.

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An engrossing novel about the lives in a small Slovak town during the tumultuous twentieth century. In this highly acclaimed novel, Jana Bodnárová offers an engrossing portrayal of a small Slovak town and its inhabitants in the north of the country against the backdrop of the tumultuous history of the twentieth century. As Sara, the protagonist of Necklace/Choker, returns to her native town after many years in exile to sell the old family house and garden, she begins to piece together her family’s history from snippets and fragments of her own memory and the diaries of her artist father, Imro. A talented painter, he survived the Holocaust only to be crushed by the constraints imposed on his art by Stalinist censorship, and Sara herself was later driven into exile after dreams of socialism with a human face were shattered by the Soviet-led invasion of Czechoslovakia in 1968. Through their stories, and that of Sara’s friend, Iboja, the daughter of a hotelier, readers will be immersed in key moments of Slovak history and their bearing on the people in this less familiar part of Central Europe.

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Now in paperback, A Cage in Search of a Bird is the gripping story of two women caught in the vise of a terrible delusion. Laura Wilmote is a television journalist living in Paris. Her life couldn’t be better—a stimulating job, a loving boyfriend, interesting friends—until her phone rings in the middle of one night. It is C., an old school friend whom Laura recently helped find a job at the same television station: “My phone rang. I knew right away it was you.” Thus begins the story of C.’s unrelenting, obsessive, incurable love/hatred of Laura. She is convinced that Laura shares her love, but cannot—or will not—admit it. C. begins to dress as Laura, to make her friends and family her own, and even succeeds in working alongside Laura on the unique program that is Laura’s signature achievement. The obsession escalates, yet is artfully hidden. It is Laura who is perceived as the aggressor at work, Laura who appears unwell, Laura who is losing it. Even Laura’s adoring boyfriend begins to question her. Laura seeks the counsel of a psychiatrist who diagnoses C. with De Clérambault syndrome—she is convinced that Laura is in love with her. And worse, the syndrome can only end in one of two ways: the death of the patient, or that of the object of the obsession.A Cage in Search of a Bird is the gripping story of two women caught in the vise of a terrible delusion. Florence Noiville brilliantly narrates this story of obsession and one woman’s attempts to escape the irrational love of another—an inescapable, never-ending love, a love that can only end badly.

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In Accounts and Drawings from Underground, published in 2015, renowned artist William Kentridge and scholar Rosalind C. Morris brought us an unprecedented collaboration, taking pages of the 1906 Cash Book of the East Rand Proprietary Mines Corporation in South Africa and transforming them into something entirely new. While Kentridge contributed breathtaking landscape drawings in response to the transient terrain mining created, Morris plumbed the text of the cash book to generate a unique narrative account. Now, they revisit those ruined mines, with a visual and verbal addendum that provides an account of the ongoing metamorphosis of the world that gold mines created. Kentridge works on the threshold between the visible and the invisible, while Morris mines the unsaid in order to make it understandable. Together they’ve created a landmark book that chronicles the exploitation of African communities and sheds further light on global Black history. With fifteen stunning new color drawings by Kentridge and an additional coda, this revised edition of Accounts and Drawings from Underground continues its remarkable documentation of the stories of migrant laborers and the flows of capital and desire, providing us with a palpable sense of a vanished world.

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“Last Kingdom is a set of books that . . . is neither philosophical argumentation nor little disparate, scholarly essays, nor novelistic narrative; gradually, for me, all genres have fallen away.” So writes Pascal Quignard of his monumental book series, Last Kingdom. In the latest volume, The Fount of Time, he focuses on the paradoxically immediate presence in our lives of the deepest, most distant past. He explores this subject through a multitude of mediums: fragments of autobiography; curious folktales; literary snippets; historical anecdotes both classical and modern; ruminations on biology, archaeology, and linguistics. Using all of these forms, he confronts dimensions of human experience which, though customarily conveyed in legend, myth, and dreams, run somehow beneath the everyday world and yet are part of our most tangible reality. To enter Quignard’s horizonless time-space is to embrace a rich vision in which the totality of human history and culture is placed disconcertingly on a single footing. In The Fount of Time we are able to glimpse—whether through obscure cultural detail or unusual anecdote—“another world beneath the world.”

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Should you find yourself strolling along the coastal heights of Douarnenez, a Brittany town near the westernmost point of continental France, you would do well to look out for a signpost marked, “Georges Perros (1923–1978) ‘Dazzled by the sea.’” Perros, who famously made that remark and settled there in 1959, was initially an actor but is now best known for his literary output, which was marked by stylistic freshness and frank criticism. Perros lived anonymously in the fishing port of Douarnenez, scraping by as a freelance author and manuscript reader who taught and published a few books, but mostly corresponded with fellow writers or rode his motorcycle along the country roads. Indeed, Perros is known for his fame-shunning habits and for choosing to take up residence far from the sophistication of the capital city. But behind the folksy, sometimes sighing, sometimes bitter, sometimes sardonic, sometimes even resigned voice lurks an intensely sensitive, highly cultivated ruminator on the human condition. He is best remembered for the autobiographical poems collected in Blue Poems and An Ordinary Life, as well as for Paper Collage, his compendium of maxims, vignettes, short prose narratives, occasional diary-like notations, critical remarks, and personal essays. Making this essential work available for the first time in English, this book presents a selection of these touching and thought-provoking short texts alongside numerous maxims, a genre in which Perros excelled. With typical modesty, the author called himself a journalier des pensées, a day labourer who tills thoughts. As readers, we can do no better than to read the tilled thoughts of Georges Perros.

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The poems of Ulrike Almut Sandig are at once simple and fantastic. This new collection finds her on her way to imaginary territories. Thick of It charts a journey through two hemispheres to “the center of the world” and navigates a “thicket” that is at once the world, the psyche, and language itself. The poems explore an urgently urban reality, but that reality is interwoven with references to nightmares, the Bible, fairy tales, and nursery rhymes—all overlaid with a finely tuned longing for a disappearing world. The old names are forgotten, identities fall away; things disappear from the kitchen; everything is sliding away. Powerful themes emerge, but always mapped onto the local, the fractured individual in “the thick of it” all. This is language at its most crafted and transformative, blisteringly contemporary, but with a kind of austerity, too. By turns comic, ironic, skeptical, nostalgic, these poems are also profoundly musical, exploiting multiple meanings and stretching syntax, so that the audience is constantly kept guessing, surprised by the next turn in the line.

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For distinguished philosopher Hans Blumenberg, lions were a life-long obsession. Lions, translated by Kári Driscoll, collects thirty-two of Blumenberg’s philosophical vignettes to reveal that the figure of the lion unites two of his other great preoccupations: metaphors and anecdotes as non-philosophical forms of knowledge. Each of these short texts, sparkling with erudition and humor, is devoted to a peculiar leonine presence—or, in many cases, absence—in literature, art, philosophy, religion, and politics. From Ecclesiastes to the New Testament Apocrypha, Dürer to Henri Rousseau, Aesop and La Fontaine to Rilke and Thomas Mann, the extraordinary breadth of Blumenberg’s knowledge and intellectual curiosity is on full display. Lions has much to offer readers, both those already familiar with Blumenberg’s oeuvre and newcomers looking for an introduction to the thought of one of Germany’s most important postwar philosophers.

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When Kurt Weber inherits his great-uncle’s lakeside house, he finds traces of the dark secrets of his family’s past. The early inhabitants of the house haunt his dreams nightly. And one day a ghostlike woman appears before him, hiding herself in a room that had been kept locked throughout his childhood. Inside, Kurt finds a hidden stash of photographs, letters, and documents. As he deciphers them, he gradually understands the degree of complicity in wartime horrors by his family and among his neighbors. As the story unfolds, it becomes clear that the entire village adheres to an old and widely understood agreement not to expose the many members in the community who had been involved with a nearby prison camp during World War II. This knowledge wraps the entire community—those involved, and those who know of the involvement—in inescapable guilt for generations. Translated from the original German by Tess Lewis, Ludwig’s Room is a story of love, betrayal, honor, and cowardice, as well as the burden of history and the moral demands of the present.

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Set in the early days of the Jewish state, Yankinton tells the stories of refugees from the Holocaust and antisemitism who struggled to build new lives in Israel. Through the eyes of a young Orthodox Jewish girl growing up in Tel Aviv, we watch a colorful mosaic of characters from Soviet revolutionaries to weapons runners during the War of Independence. Faced with the difficulties of the traumatized adults around her, from panic attacks to suicide attempts, the girl seeks moments of wonder among the struggle and tragedy. We join her as she moves through the Tel Aviv streets, avoiding the spots exposed to Arab sniper fire; seeks literature of the wider world in a city awash in translations of Soviet propaganda novels; and navigates the idiosyncrasies of the adults around her. With her, we listen in on political discussions, reminiscences of Russia and wartime Eastern Europe, and Soviet revolutionary songs accompanied by balalaikas. We track the lives of the couple for which the novel is named. Mrs. Yankinton smuggled grenades in her baby’s carriage during Israel’s War of Independence; for years after, she would end every day standing at attention, alone in her living room, when the national anthem came over the radio. Mr. Yankinton, whose arrest as a revolutionary in Soviet Russia foiled his plans to study medicine, became the proud curator of the Zionist visionary Jabotinsky’s complete works. In this rich mosaic of scenes and characters from postwar Tel Aviv, Shihor muses on the vital significance of the act of remembering and of the search for flashes of magic in the darkness.

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Two plays about the legal battle to decriminalize homosexuality in India. On September 6, 2018, a decades-long battle to decriminalize queer intimacy in India came to an end. The Supreme Court of India ruled that Section 377, the colonial anti-sodomy law, violated the country’s constitution. “LGBT persons,” the Court said, “deserve to live a life unshackled from the shadow of being ‘unapprehended felons.’” But how definitive was this end? How far does the law’s shadow fall? How clear is the line between the past and the future? What does it mean to live with full sexual citizenship? In Love and Reparation, Danish Sheikh navigates these questions with a deft interweaving of the legal, the personal, and the poetic. The two plays in this volume leap across court transcripts, affidavits (real and imagined), archival research, and personal memoir. Through his re-staging, Sheikh crafts a genre-bending exploration of a litigation battle, and a celebration of defiant love that burns bright in the shadow of the law.

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