Search results for ""Otago University Press""

Bringing together this environment and the scientists who study it, The Natural History of Southern New Zealand is a major new book published by Otago University Press in association with the Otago Museum. Fifty-three authors, most from scientific disciplines and leaders in their specialist fields, combine hundreds of years of collective expertise and research to describe the nature of the region in thirteen chapters.

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Landfall is a place, a mythic place, a piece of valuable cultural estate, consistently representing over time the robust heritage of Aotearoa New Zealand arts and letters. This book maintains the momentum, keeps the flag flying, and acts as a compass to home ground. The cover signals a turn to geopolitics and Maori land rights revisited, with Emily Karaka's colourful landscape painting of Tamaki Makaurau-Auckland as disputed territory, while inside, the book proves to be a strongly multicultural issue, reflecting the diversity and energy of contemporary New Zealand writing, with contributions by, among others, writers of Mexican, Samoan, Rotuman, Chinese, Irish and Indian backgrounds. Landfall 230 is then a pan-Pacific grab-bag of the best we have. Celebrating the power of the literary imagination with inside stories and true confessions, short fictions and thoughtful critiques, this book is testament to the rich variety and dynamism of the current state of New Zealand culture.

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This engrossing history of the domestic kitchen in New Zealand covers 10 decades that saw culinary traditions accommodate extraordinary changes in technology and the irresistible process of globalization. Each chapter surveys the external influences on households and their kitchens, samples the dishes prepared during the decade, and discusses the structure of meals. A study of kitchen equipment and design then closes each chapter, cumulatively revealing more innovation in these aspects than in what people ate. Kitchens is the culmination of a 10-year research and writing project by anthropologist Helen Leach, supported by the Marsden Fund of the Royal Society of New Zealand, focusing on the material culture of cooking by New Zealanders.

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This book illustrates the contribution made to New Zealand letters by our oldest and most prestigious literary fellowship. Edited and introduced by Professor Lawrence Jones, the anthology, by turns playful and serious, celebrates the Fellowship's golden jubilee. Beginning with novelist Ian Cross in 1959 and ending with the 2008 Burns Fellow, poet Sue Wootton, Nurse to the Imagination showcases the output of leading New Zealand literary figures such as James K. Baxter, Michael King and Janet Frame alongside newer voices, with pieces written at the time of the Fellow's tenure. There are lots of interesting trends here, of which the shift from male-dominated literature up to 1980 to the rich representation of women writers since then is just one.

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The period 1995 to 2004 was the UN's International Decade of World Indigenous Peoples. This reflected the increasing organisation of indigenous peoples around a commonality of concerns, needs and ambitions. In both New Zealand and Canada, these politics challenge the colonial structures that social and political systems are built upon.

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Soundings is another landmark in the development of an important and widely read New Zealand poet. This collection continues and develops the themes of homeland and loss, colonisation and displacement that have been constantly important to McQueen. She writes as a descendant of both the colonized - on far Scottish Islands - and those who colonise - in exploring Richard Greynvile's handling of the colony at Roanoke in Virginia. Her writing also reflects the history and present reality of the Maori in southern New Zealand.

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