Search results for ""Marvel Comics""

Hoy día resulta difícil no toparse con la marca Marvel. La gran popularidad de sus personajes, sus películas y su ubicuo merchandising la han convertido en uno de los mayores referentes de la actual cultura de masas. Cuesta creer que todo empezara como un entretenimiento barato para críos realizado por artistas marginados que no tenían otro modo de expresar sus historias.Trabajando desde una diminuta oficina en la Avenida Madison a primeros de los años sesenta, una editorial al borde de la quiebra presentó en rápida sucesión a una serie de personajes de coloridos disfraces que no tardaron en distinguirse por su frescura, sus defectos humanos, su épica y su sentido del humor: los Cuatro Fantásticos, Spiderman, el increíble Hulk, los Vengadores, Iron Man, Thor, la Patrulla-X, Daredevil... estos superhéroes conquistaron los corazones de los lectores y estimularon la imaginación de artistas pop, famosos intelectuales y radicales universitarios. En el transcurso de medio siglo, el Unive

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Reprinted for the first time, the world’s smallest comic books—originally printed in 1966 and now enlarged to a more readable size—in a seven-book collectable boxed set In 1966, Marvel printed what the Guinness Book of World Records certified as the world’s smallest comic books. Smaller than a postage stamp, and sold in gumball machines across the country, these six books told the quirky origin stories of Marvel’s most beloved characters at that time: the Amazing Spider-Man, the Incredible Hulk, the Mighty Thor, Captain America, Sergeant Nick Fury, and Millie the Model. Marvel Comics Mini Books reproduces facsimile editions of all six books in one affordable box set—along with a seventh book written by Mark Evanier that details the history and creation of these rare, vintage collectables.

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Now back in print and timed for its 50th anniversary—the landmark book Origins of Marvel Comics by Stan Lee! Originally published in 1974, Origins of Marvel Comics features the first appearance of characters who have dominated the pantheon of Marvel’s modern storytelling mythology—Spider-Man, the Fantastic Four, the Hulk, Thor, and Doctor Strange—along with a second Silver Age tale featuring these special heroes, all hand-picked and introduced by the one and only Stan Lee, and serving as an essential showcase for writers and artists such as Stan himself, Jack Kirby, Steve Ditko, John Romita, and Marie Severin. Whether viewed as a historical artifact that launched an industry of presenting Marvel Comics to a broad audience of fans or a collection of the best in Silver Age comics by many of the greatest creators to ever put pencil to paper, Origins of Marvel Comics highlights both the lasting greatness of these iconic characters

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Japanese artists celebrate the phenomenon that is the Marvel Universe!Experience a fresh take on the Marvel Universe with this collection of stunning illustrations from over twenty exceptional Japanese artists, including Yasuhiro Nightow, Akira Himekawa, Peach Momoko, Yusuke Murata, and Yoshitaka Amano. Marvel Comics: A Manga Tribute explores Marvel’s rich and enduring legacy as a pop-culture phenomenon by paying homage to its most iconic characters and beloved stories. The book features a range of unique artwork, collected for the first time, celebrating characters from across the multiverse. A must-have for fans of Marvel Comics and Japanese art alike!

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Marvel Comic Retro fans can now play with this brand new bespoke Waddingtons Number 1 playing cards.

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Now back in print and timed for its 50th anniversary—the landmark book Origins of Marvel Comics by Stan Lee! A deluxe, collector’s edition of the original Origins of Marvel Comics including a new cover, essays, and more. Originally published in 1974, Origins of Marvel Comics features the first appearance of characters who have dominated the pantheon of Marvel’s modern storytelling mythology—Spider-Man, the Fantastic Four, the Hulk, Thor, and Doctor Strange—along with a second Silver Age tale featuring these special heroes, all hand-picked and introduced by the one and only Stan Lee, and serving as an essential showcase for writers and artists such as Stan himself, Jack Kirby, Steve Ditko, John Romita, and Marie Severin. Whether viewed as a historical artifact that launched an industry of presenting Marvel Comics to a broad audience of fans or a collection of the best in Silver Age comics by many of the greatest creator

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This new volume in the ongoing Marvel Comics in the... series takes you all the way back to that company''s legendary beginnings, when gunfighters traveled the West and monsters roamed the Earth! The company''s output in other genres influenced the development of their super-hero characters from Thor to Spider-Man, and featured here are the best of those stories not covered previously, completing issue-by-issue reviews of every Marvel comic of note from 1961-1965! Presented are scores of handy, easy to reference entries on Amazing Fantasy, Tales of Suspense (and Astonish), Strange Tales, Journey Into Mystery, Rawhide Kid, plus issues of Fantastic Four, Avengers, Amazing Spider-Man, and others that weren''t in the previous 1960s edition. It''s author Pierre Comtois'' last word on Marvel's early years, when Jack Kirby, Steve Ditko, and Don Heck, together with writer/editor Stan Lee (and brother Larry!), built an unprecedented new universe of excitement!

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Operating out of a tiny office on Madison Avenue in the early 1960s, a struggling company called Marvel Comics presented a cast of brightly costumed characters distinguished by smart banter and compellingly human flaws. Spider-Man, the Fantastic Four, Captain America, the Incredible Hulk, the Avengers, Iron Man, Thor, the X-Men, Daredevil - these superheroes quickly won children's hearts and sparked the imaginations of pop artists, public intellectuals, and campus radicals. Over the course of a half century, Marvel's epic universe would become the most elaborate fictional narrative in history and serve as a modern American mythology for millions of readers. Throughout this decades-long journey to becoming a multibillion-dollar enterprise, Marvel's identity has continually shifted, careening between scrappy underdog and corporate behemoth. As the company has weathered Wall Street machinations, Hollywood failures, and the collapse of the comic book market, its characters have been passed along among generations of editors, artists, and writers-also known as the celebrated Marvel Bullpen. Entrusted to carry on tradition, Marvel's contributors-impoverished child prodigies, hallucinating peaceniks, and mercenary careerists among them-struggled with commercial mandates, a fickle audience, and, over matters of credit and control, one another. For the first time, Marvel Comics reveals the outsized personalities behind the scenes, including Martin Goodman, the self-made publisher who forayed into comics after a get-rich-quick tip in 1939; Stan Lee, the energetic editor who would shepherd the company through thick and thin for decades; and Jack Kirby, the World War II veteran who'd co-created Captain America in 1940 and, twenty years later, developed with Lee the bulk of the company's marquee characters in a three-year frenzy of creativity that would be the grounds for future legal battles and endless debates. Drawing on more than one hundred original interviews with Marvel insiders then and now, Marvel Comics is a story of fertile imaginations, lifelong friendships, action-packed fistfights, reformed criminals, unlikely alliances, and third-act betrayals - a narrative of one of the most extraordinary, beloved, and beleaguered pop cultural entities in America's history.

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A deluxe collection of Marvel Comics superhero posters from renowned comics artist Alex Ross From Angel to Wolverine, all your favorite Marvel Comics superheroes are featured in this exclusive collection of painted portraits by Alex Ross—one of most respected and influential artists working in comics. This first-ever collection of these iconic images includes 35 ready-to-frame, removeable art prints—perfect for longtime Marvel fans and those just discovering these classic heroes for the first time—as well as commentary by Ross, preliminary sketches, and a bonus four-page gatefold of the portraits, assembled into a mural that was commissioned for Marvel’s New York City offices. These heroic posters showcase the Marvel superheroes as you’ve never seen them before—as realistic as any on the silver screen—painted in the award-winning, breathtaking style that made Alex Ross famous.

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Thirteen years after his Eisner Award-winning, nationally best-selling Mythology--here is the long-awaited Marvel Comics counterpart, a retrospective celebration of the other half of the comics galaxy that is currently ruling the world: Spider-Man, Iron Man, Captain America, Black Panther, the Avengers, the X-Men, Doctor Strange, the Guardians of the Galaxy, and the Fantastic Four. "Alex is a legend. Even if you don't consider yourself a comics-head, you should check out his work to see what the best of the form has to offer." --Ta-Nehisi Coates As he did for the DC characters in Mythology, Alex Ross now brings the heroes of the Marvel universe into dynamic life as never before. Marvelocity includes more than 50 never-been-published sketches, paintings, photographs and working models, and other preparatory art, and a 14-panel portfolio gallery of Marvel's most beloved characters. And Ross has written a new 10-page story pitting Spider-Man against the Sinister Six--the webslinger's most popular villains--that ends with a stunning twist. With an introduction by J. J. Abrams

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Wakanda forever! Celebrate the flavors of Africa with this cookbook inspired by over fifty years of Black Panther comics. Create meals fit for a king with this cookbook featuring over seventy delicious recipes from Wakanda and the African continent. Whether you're welcoming Wakandan envoys, or simply hosting a watch party with friends, the 70+ African cuisine-inspired recipes in Marvel's Black Panther: The Official Wakanda Cookbook make it a must-have volume for any kitchen.

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An in-depth, beautifully illustrated companion book which explores the origins and rich history of the largest comic book publishing company in the world, from the minds of infamous creators such as Stan Lee, Jack Kirby and Steve Ditko - Marvel Comics! For 80 years, Marvel Comics has inspired millions of fans worldwide with iconic characters and timeless stories that have brought the Marvel Universe to the forefront of contemporary pop culture. Though now the company is famous for their blockbuster hits such as the Avengers, Guardians of the Galaxy, X-Men, and Spider-Man, this book will explore the company's humble beginnings and it's struggle to become the powerhouse of publishing that it is today. Featuring all-encompassing overviews of the trials and triumphs from each decade, with marvelous milestones, characters, creators, incredible illustrations, and behind-the-scenes trivia. It's the ultimate love letter to the world's mightiest Super Heroes.

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By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. “I was writing these characters and I thought it would fun to put them together in a team,” he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk to create the Avengers. Right away it was clear this team was different. If the Fantastic Four were family, then the Avengers were the co-workers you didn’t choose. Not everyone got along—the Hulk fought with everyone—but working together they could defeat the baddest of Marvel’s bad guys, like Loki, Kang the Conqueror, the Masters of Evil, and Immortus. The lineup was ever changing: The Hulk departed, Captain America joined, and Ant-Man grew up to become Giant-Man. Then, remarkably, villains Hawkeye, Quicksilver, and the Scarlet Witch became heroes—and Avengers—and the group’s founding members shockingly departed, leaving Captain America to lead the newly-minted heroes. Relive the classic early adventures of Avengers Nos. 1–20 in an XXL-sized edition that’s bigger than the Hulk’s fist, weightier than Thor’s hammer, and with more extras than Iron Man’s armor. TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has then been digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off of a world-class 1960s printing press. Accompanying the stories are an original foreword by Marvel Studios President Kevin Feige and an in-depth history by the Eisner Award-winning writer Kurt Busiek that’s illustrated with original art, little-seen photographs, and rare documents. This mighty collection about Earth’s Mightiest Heroes is worthy of Tony Stark’s library—or yours. Also available in a Collector’s Edition of 1,000 numbered copies. © 2022 MARVEL

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From renowned comics artist Alex Ross, the companion volume to The Alex Ross Marvel Comics Poster Book—a deluxe poster collection of Marvel Comics’s greatest villains From Abomination to Venom, all your favorite Marvel Comics super villains are featured in this exclusive collection of painted portraits by Alex Ross—one of the most respected and influential artists working in comics. This eagerly anticipated follow-up to The Alex Ross Marvel Comics Poster Book is the first-ever collection of these stunning and dynamic portraits and comes with 37 ready-to-frame, removable art prints as well as an all-new introduction and commentary by Ross, preparatory sketches and ancillary illustrations, and a bonus four-page gatefold of all 37 iconic portraits. These villainous posters showcase Marvel’s rogue’s gallery as you’ve never seen them before—as realistic as any on the silver screen—painted in the award-winning, breathtaking style that has made Ross famous.

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Their collaboration on Spider-Man couldn’t last forever—but the five-years of Stan Lee and Steve Ditko’s remarkable partnership lasted long enough for their character to evolve into a timeless icon and create a fandom that would last generations. TASCHEN’s second volume of Amazing Spider-Man stories collects the latter half of the duo’s magnum opus, featuring brand new arch-villains the Scorpion, Molten Man, and the Crime-Master, return engagements with Kraven the Hunter and the Green Goblin—and the three-part “Master Planner Saga” that reignited a feud with an iconic mystery villain, and left behind what many comics critics declare to be the greatest super hero story of all time. Beyond the action that faced Spider-Man—all choreographed with aplomb by the master stylist Ditko—there was also the matter of Peter Parker’s maturation during a decade of social upheaval and change. With Stan Lee’s blend of soap opera melodramatics and finger-on-the-pulse social sensitivities, Peter graduated from high school to college and started to deal with a myriad of adult struggles, mirroring the life experiences of the book’s readership. A scrawny teenager no more, Lee and Ditko would widen his network of friends and frenemies, debuting Gwen Stacy, Harry Osborn, and, in a series of hilarious cameos, Mary Jane Watson—all characters that would develop into one of the deepest and most substantive supporting casts in all of comics. Also introduced is Harry’s father, Norman Osborn, the short-tempered industrialist who would later be revealed as Spider-Man’s most dreaded foe. Meanwhile, Peter’s up-and-down romance with Betty Brant would reach its culmination with both changed forever. Collected in an XXL-size volume that closely simulates the size and proportions of the original comic artboards, all individual issues have been sourced from the collection of Bob Bretall, holder of the Guinness World Record for largest comics collection. Bretall’s pedigreed collection has been photographed using TASCHEN’s sterling reproduction methods, resembling the way these comics first looked when initially published in 1965 and 1966, while also being digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing. A custom paper stock was exclusively developed for this series to simulate the newsprint feel and color holding of the original comics. The Marvel Comics Library has earned well-deserved raves from comic collecting diehards for combining an old school comic book reading experience with a luxurious oversized book format, winning the industry’s coveted Eisner Award for Best Publication Design. Complementing the comics is an incisive and often side-splitting essay by British TV and radio host Jonathan Ross. Accompanying his essay is a gallery of original art, photographs, rarities, and other ephemera of the era. © 2023 MARVEL

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Hoping to break out of a sales slump at Marvel in the early 1960s, veteran comic creators Stan Lee and Jack Kirby hit on the idea of doing a super team. Kirby, who thought superheroes were due for a revival after 15 years of being pushed aside by romance, horror, and war comics, saw it as smart business. Lee just once wanted to “do the type of story I myself would enjoy reading.” The Fantastic Four forever changed their careers, their lives, and the comic book industry. Some of the most iconic moments in Marvel history are here, starting with Reed Richards, his girlfriend Sue Storm, his best friend Ben Grimm, and her little brother Johnny Storm crash landing their rocket after it has been hit cosmic rays and discovering they have been transformed into Mr. Fantastic, the Invisible Girl, the Thing, and the Human Torch in issue No. 1. They were emotionally complex characters, who weren’t always sure whether their powers were a benefit or burden. Stories were set in New York City, not some fictional stand-in, and Marvel heroes regularly crossed over into each other’s books. The art was dynamic and the writing conversational and engaging. Lee and Kirby were like the Lennon and McCartney of comic books. Where the talents of one ended and the other began was not always clear, but together one plus one equaled three. Collected here in an XXL-size volume are the first 20 issues reproduced from the most pristine pedigreed original comics, which were cracked open and photographed in close collaboration with Marvel and the Certified Guaranty Company. Featured alongside the comics is an in-depth essay by acclaimed Marvel writer Mark Waid, a foreword by former NASA astronaut Mike Massimino, and original art, photographs, and other rarities. Welcome true believers to the Marvel Age of Comics. © 2022 MARVEL

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The AvengersMarvel's dynamic ensemble of super heroesreturn in a second volume of Marvel Age classics. Rediscover the glory years of Avengers legends Stan Lee and Don Heck with epic battles, new characters and the expansion of the Marvel universe in meticulously reproduced, large-format detail over the course of 20 original issues.Also available in a Collector's Edition of 1,000 numbered copies

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The reactionary Comicsgate campaign against alleged “forced” diversity in superhero comics revealed the extent to which comics have become a key battleground in America’s Culture Wars. In the first in-depth scholarly study of Marvel Comics’ most recent engagement with progressive politics, Superhero Culture Wars explores how the drive towards greater diversity among its characters and creators has interacted with the company’s commercial marketing and its traditional fan base. Along the way the book covers such topics as: · Major characters such as Miles Morales’s Spider-man, Kamala Khan’s Ms. Marvel, Jane Foster’s Thor, Sam Wilson’s Captain America and the Secret Empire series’ turncoat Captain America · Creators such as G. Willow Wilson, Jason Aaron, Nick Spencer and Michael Bendis · Marketing, the Marvel Universe, and online fan culture Superhero Culture Wars demonstrates how the marketing of Marvel comics as politically progressive has both indelibly shaped its in-world universe and characters, and led to conflicts between its corporate interests, its creators, and it audience.

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Introduced by Stan Lee and Jack Kirby in the fertile pages of The Fantastic Four, the Silver Surfer quickly established himself as one of Marvel’s most far-out characters. Enslaved by Galactus to prowl the cosmos for the demi-god’s next planet-sized meal, the Surfer was as tragic a figure as any in comics—and he looked impossibly cool at the same time! A smash hit with fans and a regular supporting character in Fantastic Four, the character struck a creative nerve with Lee, who couldn’t wait to begin to tell some Surfer solo stories, but the timing had to be right.In the spring of 1968, things came together for both writer and character, with Lee giving the Surfer Marvel’s very first ongoing double-sized book. Lee also recruited artist John Buscema, who had recently been lending his extraordinary pencils to The Avengers. Together, they spun off a run of legendary tales that helped define the character forevermore.The feature stories from the entire 18-issue run of the 1968 Silver Surfer series are collected in this cosmic-sized XXL tome from the Eisner Award-winning Marvel Comics Library series. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off a world-class 1960s printing press. A custom paper stock was exclusively developed for this series to simulate the feel of the original comics.Texts by author and critic Douglas Wolk and Marvel artist and brother of John Buscema, Sal Buscema, accompany original artwork, photographs, and rare memorabilia. © 2023 MARVEL

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Their collaboration on Spider-Man couldn’t last forever—but the five-years of Stan Lee and Steve Ditko’s remarkable partnership lasted long enough for their character to evolve into a timeless icon and create a fandom that would last generations. TASCHEN’s second volume of Amazing Spider-Man stories collects the latter half of the duo’s magnum opus, featuring brand new arch-villains the Scorpion, Molten Man, and the Crime-Master, return engagements with Kraven the Hunter and the Green Goblin—and the three-part “Master Planner Saga” that reignited a feud with an iconic mystery villain, and left behind what many comics critics declare to be the greatest super hero story of all time. Beyond the action that faced Spider-Man—all choreographed with aplomb by the master stylist Ditko—there was also the matter of Peter Parker’s maturation during a decade of social upheaval and change. With Stan Lee’s blend of soap opera melodramatics and finger-on-the-pulse social sensitivities, Peter graduated from high school to college and started to deal with a myriad of adult struggles, mirroring the life experiences of the book’s readership. A scrawny teenager no more, Lee and Ditko would widen his network of friends and frenemies, debuting Gwen Stacy, Harry Osborn, and, in a series of hilarious cameos, Mary Jane Watson—all characters that would develop into one of the deepest and most substantive supporting casts in all of comics. Also introduced is Harry’s father, Norman Osborn, the short-tempered industrialist who would later be revealed as Spider-Man’s most dreaded foe. Meanwhile, Peter’s up-and-down romance with Betty Brant would reach its culmination with both changed forever. Collected in an XXL-size volume that closely simulates the size and proportions of the original comic artboards, all individual issues have been sourced from the collection of Bob Bretall, holder of the Guinness World Record for largest comics collection. Bretall’s pedigreed collection has been photographed using TASCHEN’s sterling reproduction methods, resembling the way these comics first looked when initially published in 1965 and 1966, while also being digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing. A custom paper stock was exclusively developed for this series to simulate the newsprint feel and color holding of the original comics. The Marvel Comics Library has earned well-deserved raves from comic collecting diehards for combining an old school comic book reading experience with a luxurious oversized book format, winning the industry’s coveted Eisner Award for Best Publication Design. Complementing the comics is an incisive and often side-splitting essay by British TV and radio host Jonathan Ross. Accompanying his essay is a gallery of original art, photographs, rarities, and other ephemera of the era. © 2023 MARVEL

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When Stan Lee first pitched the idea of Spider-Man in 1962, his boss was full of objections: People hate spiders. Teenagers aren’t lead characters; they’re sidekicks. He should be glamorous and successful, not a friendless loser. But Stan persisted and Martin Goodman let him give the unlikely hero a tryout in Amazing Fantasy, which was already slated for cancellation. With Spider-Man on the cover, No. 15 shot to the top of Marvel’s best-seller list for the year, and the rest is history. Amazing Spider-Man, which debuted seven months later, broke the comics mold. Peter Parker lived in uncool Queens, was always broke, continually worried about his Aunt May, was unlucky in love, and was constantly getting yelled at by his boss, Daily Bugle publisher J. Jonah Jameson. Spider-Man had the quips and confidence that Parker lacked, but learning to use his powers wasn’t always easy. He often seemed on the verge of defeat against the rogue’s gallery of classic foes that debuted in the first couple of years: Vulture, Doctor Octopus, Sandman, Lizard, Electro, Kraven the Hunter, Mysterio, and the Green Goblin. Much of the credit for Spider-Man’s greatness goes to co-creator and artist Steve Ditko, who had a knack for portraying teenagers and their problems. His artwork infused Spider-Man with a loose-limbed energy, and, while maybe everyone was scared of spiders, Ditko made swinging through New York seem like the coolest adventure ever. This XXL-sized collector’s dream, close in size to the original artworks, features the first 21 stories of the world’s favorite web slinger from 1962–1964. Rather than recolor the original artwork (as has been done in previous decades’ reprints of classic comics), TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off of a world-class 1960s printing press. A custom paper stock was exclusively developed for this series to simulate the feel of the original comics. With an in-depth historical essay by Marvel editor Ralph Macchio, an introduction by uber-collector David Mandel, and original art, rare photographs, and other gems, these 698 pages of wall-crawling wonder will make anyone’s spider-sense tingle with anticipation. © 2021 MARVEL

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When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into—not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants—youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth—led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise.The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind.Along the way, Lee and Kirby—who were on fire taking comics into the Marvel Age—introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas to begin their long run on the title.Close in size to the original artworks, this XXL-sized edition features the first 21 stories of our favorite oddball super heroes from 1963–1966. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off of a world-class 1960s printing press. A custom paper stock was exclusively developed for this series to simulate the feel of the original comics.In addition to these seminal tales are an original foreword by modern X-Men mastermind Chris Claremont, reliving the heyday of Lee and Kirby’s foundational years, and an in-depth essay by X-Men writer Fabian Nicieza alongside original art, photographs, and memorabilia from the early years of X.Also available in a Collector’s Edition of 1,000 numbered copies© 2023 MARVEL

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Hoping to break out of a sales slump at Marvel in the early 1960s, veteran comic creators Stan Lee and Jack Kirby hit on the idea of doing a super team. Kirby, who thought superheroes were due for a revival after 15 years of being pushed aside by romance, horror, and war comics, saw it as smart business. Lee just once wanted to “do the type of story I myself would enjoy reading.” The Fantastic Four forever changed their careers, their lives, and the comic book industry. Some of the most iconic moments in Marvel history are here, starting with Reed Richards, his girlfriend Sue Storm, his best friend Ben Grimm, and her little brother Johnny Storm crash landing their rocket after it has been hit cosmic rays and discovering they have been transformed into Mr. Fantastic, the Invisible Girl, the Thing, and the Human Torch in issue No. 1. They were emotionally complex characters, who weren’t always sure whether their powers were a benefit or burden. Stories were set in New York City, not some fictional stand-in, and Marvel heroes regularly crossed over into each other’s books. The art was dynamic and the writing conversational and engaging. Lee and Kirby were like the Lennon and McCartney of comic books. Where the talents of one ended and the other began was not always clear, but together one plus one equaled three. Collected here in an XXL-size volume are the first 20 issues reproduced from the most pristine pedigreed original comics, which were cracked open and photographed in close collaboration with Marvel and the Certified Guaranty Company. Featured alongside the comics is an in-depth essay by acclaimed Marvel writer Mark Waid, a foreword by former NASA astronaut Mike Massimino, and original art, photographs, and other rarities. Welcome true believers to the Marvel Age of Comics. © 2022 MARVEL

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Marvel Comics in the 1970s explores a forgotten chapter in the story of the rise of comics as an art form. Bridging Marvel's dizzying innovations and the birth of the underground comics scene in the 1960s and the rise of the prestige graphic novel and postmodern superheroics in the 1980s, Eliot Borenstein reveals a generation of comic book writers whose work at Marvel in the 1970s established their own authorial voice within the strictures of corporate comics. Through a diverse cast of heroes (and the occasional antihero)—Black Panther, Shang-Chi, Deathlok, Dracula, Killraven, Man-Thing, and Howard the Duck—writers such as Steve Gerber, Doug Moench, and Don McGregor made unprecedented strides in exploring their characters' inner lives. Visually, dynamic action was still essential, but the real excitement was taking place inside their heroes' heads. Marvel Comics in the 1970s highlights the brilliant and sometimes gloriously imperfect creations that laid the groundwork for the medium's later artistic achievements and the broader acceptance of comic books in the cultural landscape today.

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If the Punisher became a valuable piece of intellectual property during the closing decades of the twentieth century, he has become a global icon in the twenty-first. In this pathbreaking study, Kent Worcester explores the sometimes ridiculous and often socially resonate storyverse of the most famous rageaholic in popular culture: Frank Castle, aka the Punisher. Worcester pays particular attention to nearly five decades' worth of punishment-themed comics and graphic novels published between the 1970s and the present day. These texts provide the material resources for a close reading of the Punisher's distinctive and extreme form of justice discourse. Punishment, after all, is a political and social construct. Violence does not imply or claim legitimacy. Punishment does. To talk about punishment is to ask who deserves to be punished, who decides who deserves to be punished, and what form the punishment should take. All costumed heroes have their political moments; the Punisher is political. Frank Castle inhabits the most politically engaged corner of the entire Marvel Universe. His adventures should attract our interest for precisely this reason.

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Marvel Comics in the 1970s explores a forgotten chapter in the story of the rise of comics as an art form. Bridging Marvel's dizzying innovations and the birth of the underground comics scene in the 1960s and the rise of the prestige graphic novel and postmodern superheroics in the 1980s, Eliot Borenstein reveals a generation of comic book writers whose work at Marvel in the 1970s established their own authorial voice within the strictures of corporate comics. Through a diverse cast of heroes (and the occasional antihero)—Black Panther, Shang-Chi, Deathlok, Dracula, Killraven, Man-Thing, and Howard the Duck—writers such as Steve Gerber, Doug Moench, and Don McGregor made unprecedented strides in exploring their characters' inner lives. Visually, dynamic action was still essential, but the real excitement was taking place inside their heroes' heads. Marvel Comics in the 1970s highlights the brilliant and sometimes gloriously imperfect creations that laid the groundwork for the medium's later artistic achievements and the broader acceptance of comic books in the cultural landscape today.

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If the Punisher became a valuable piece of intellectual property during the closing decades of the twentieth century, he has become a global icon in the twenty-first. In this pathbreaking study, Kent Worcester explores the sometimes ridiculous and often socially resonate storyverse of the most famous rageaholic in popular culture: Frank Castle, aka the Punisher. Worcester pays particular attention to nearly five decades' worth of punishment-themed comics and graphic novels published between the 1970s and the present day. These texts provide the material resources for a close reading of the Punisher's distinctive and extreme form of justice discourse. Punishment, after all, is a political and social construct. Violence does not imply or claim legitimacy. Punishment does. To talk about punishment is to ask who deserves to be punished, who decides who deserves to be punished, and what form the punishment should take. All costumed heroes have their political moments; the Punisher is political. Frank Castle inhabits the most politically engaged corner of the entire Marvel Universe. His adventures should attract our interest for precisely this reason.

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Marvel Comics ha producido algunos de los mitos modernos más populares del siglo XX, en buena medida porque sus personajes no solo vivían increíbles aventuras, sino que también reflejaban el mundo y las inquietudes de su tiempo: el Capitán América y su lucha contra los totalitarismos, los X-Men y su mensaje de tolerancia e integración, el monstruoso Hulk y el miedo a la energía atómica. Sin embargo, estos personajes y sus cómics no se crearon solos. Tras ellos nos encontramos varias generaciones de autores y autoras que volcaron en aquellas historietas sus miedos y esperanzas, pero también diversos públicos que hicieron suyas aquellas aventuras y su mensaje. En Los fabricantes de viñetas, José Joaquín Rodríguez Moreno analiza el sistema de producción de estas historietas, la constante tensión entre los factores creativos y comerciales, la discriminación de las autoras en unas editoriales predominantemente masculinas, la evolución del consumo de las historietas y los géneros preferidos,

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Few, if any, comic magazines have had such an abundance of amazing artists as The Savage Sword of Conan. This eighth Marvel Omnibus edition is proof positive with work by a host of talents including the iconic energy of Ernie Chan, the flowing beauty of Rudy Nebres, the airbrushed action of Dave Simons and the Conan artist of all Conan artist Big John Buscema, who illustrates the never before reprinted adaptation of Conan the Destroyer! New visual talents join as well with Gary Kwapisz crafting a new visual pace for Savage. Conan''s exploits in this volume include the return of Captain Bor''aqh Sharaq, the resurrection of the Devourer of Souls and all-out war with an undead army! Collecting: Savage Sword of Conan (1974) 102-116; Marvel Comics Super Special (1977) 35.

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Worlds collide in the first-ever crossover between the Marvel Universe and the Predator mythos! Brace yourself for the bloodthirsty saga you''ve been waiting for! Wolverine has lived one of the longest and most storied lives in Marvel Comics history. He''s fought hundreds, perhaps thousands of foes - but none compare to this. Witness the untold greatest battle of Logan''s life - against one of the galaxy''s most ruthless and relentless warriors, the alien hunter known as a Predator! Collecting: Predator vs. Wolverine (2023) 1-4

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Celebrate 80 years of Marvel Comics, decade by decade - with high-profile stories that sparked a media frenzy in the Tumultuous 2000s! The House of Ideas garnered mainstream attention like never before as they shook things up, introducing a brand new Ultimate universe for a new generation of readers! Telling the story they said could never be told... the origin of Wolverine! And revealing hidden secrets of the program that produced Captain America! Red-hot creator Joss Whedon revamped the X-Men, while Civil War led to Spider-Man''s secret identity going public - and Captain America''s shocking death! Plus, living legends meet when Spider-Man teams up with President Barack Obama! Collecting: Ultimate Spider-Man (2000) 1; Origin 2; Ultimates (2002) 1; Truth: Red, White & Black 1; Astonishing X-Men (2004) 1; Civil War (2006) 2; Captain America (2004) 25; material from Amazing Spider-Man (1999) 583

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