Search results for ""Harvard University Press""

A university press is a curious institution, dedicated to the dissemination of learning yet apart from the academic structure; a publishing firm that is in business, but not to make money; an arm of the university that is frequently misunderstood and occasionally attacked by faculty and administration. Max Hall here chronicles the early stages and first sixty years of Harvard University Press in a rich and entertaining book that is at once Harvard history, publishing history, printing history, business history, and intellectual history.The tale begins in 1638 when the first printing press arrived in British North America. It became the property of Harvard College and remained so for nearly half a century. Hall sketches the various forerunners of the “real” Harvard University Press, founded in 1913, and then follows the ups and downs of its first six decades, during which the Press published steadily if not always serenely a total of 4,500 books. He describes the directors and others who left their stamp on the Press or guided its fortunes during these years. And he gives the stories behind such enduring works as Lovejoy’s Great Chain of Being, Giedion’s Space, Time and Architecture, Langer’s Philosophy in a New Key, and Kelly’s Eleanor of Aquitaine and the Four Kings.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Europe and the World Beyond focuses geographically on peoples of South America and the Mediterranean as well as Africa—but conceptually it emphasizes the many ways that visual constructions of blacks mediated between Europe and a faraway African continent that was impinging ever more closely on daily life, especially in cities and ports engaged in slave trade.

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Agriculture is the largest economic sector in most countries of Latin American, Africa, and Asia, and the taxation of agricultural land is a potentially important instrument in the development policies of such nations. But there is a large gap between theory and practice, a gap that needs explaining. In addition, there have been interesting changes in thought on the role of such taxation in development. Richard M. Bird covers all this in a complete rethinking of the whole subject. His book is a distinguished successor to Haskell P. Wald’s classic study, Taxation of Agricultural Land in Underdeveloped Economics, published by Harvard University Press in 1959. With abundant evidence Bird argues that the tax system of each country, in order to be effective as a part of development policy, must be tailored carefully to peculiar circumstances and objectives of that country.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.The much-awaited Artists of the Renaissance and Baroque has been written by an international team of distinguished scholars, and covers the sixteenth and seventeenth centuries. The rise of slavery and the presence of black people in Europe irrevocably affected the works of the best artists of the time. Essays on the black Magus and the image of the black in Italy, Spain, and Britain, with detailed studies of Rembrandt and Heliodorus’s Aethiopica, all presented with superb color plates, make this new volume a worthy addition to this classic series.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.The new edition of From the Pharaohs to the Fall of the Roman Empire offers a comprehensive look at the fascinating and controversial subject of the representation of black people in the ancient world. Classic essays by distinguished scholars are aptly contextualized by Jeremy Tanner’s new introduction, which guides the reader through enormous changes in the field in the wake of the “Black Athena” story.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Slaves and Liberators looks at the political implications of the representation of Africans, from the earliest discussions of the morality of slavery, through the rise of abolitionism, to the imposition of European imperialism on Africa. Popular imagery and great works, like Gericault’s Raft of the Medusa and Turner’s Slave Ship, are considered in depth, casting light on widely differing European responses to Africans and their descendants.

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The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt—positioned properly as part of African history—this volume focuses on the figure of the black as rendered by artists from Africa, East Asia, and the Indian subcontinent. The aesthetic traditions illustrated here are as diverse as the political and social histories of these regions. From Igbo Mbari sculptures to modern photography from Mali, from Indian miniatures to Japanese prints, African and Asian artists portrayed the black body in ways distinct from the European tradition, even as they engaged with Western art through the colonial encounter and the forces of globalization.This volume complements the vision of art patrons Dominique and Jean de Menil who, during the 1960s, founded an image archive to collect the ways that people of African descent have been represented in Western art from the ancient world to modern times. A half‐century later, Harvard University Press and the Hutchins Center for African and African American Research completed the historic publication of The Image of the Black in Western Art—ten books in total—beginning with Egyptian antiquities and concluding with images that span the twentieth century. The Image of the Black in African and Asian Art reinvigorates the de Menil family’s original mission and reorients the study of the black body with a new focus on Africa and Asia.

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More than twenty years after its original appearance in Italian, The Open Work remains significant for its powerful concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Umberto Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general.This entirely new edition, edited for the English-language audience with the approval of Eco himself, includes an authoritative introduction by David Robey that explores Eco's thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco's mentor Luigi Pareyson, on television and mass culture, and on the politics of art. Harvard University Press will publish separately and simultaneously the extended study of James Joyce that was originally part of The Open Work, entitled The Aesthetics of Chaosmos: The Middle Ages of James Joyce. The Open Work explores a set of issues in aesthetics that remain central to critical theory, and does so in a characteristically vivid style. Eco's convincing manner of presenting ideas and his instinct for the lively example are threaded compellingly throughout. This book is at once a major treatise in modern aesthetics and an excellent introduction to Eco's thought.

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A continuing, comprehensive and timely survey of the state of knowledge of ocean science, this distinguished series provides an overview of research frontiers as ocean science progresses. Areas covered include physical, biological, and chemical oceanography, marine geology, and geophysics and the interactions of the oceans with the atmosphere, the solid earth, and ice. Because ocean science is evolving so rapidly, straining the boundaries of traditional sub-disciplines, interdisciplinary topics have a special place in this series--including those topics related to the application of ocean science, for example, to ocean technology, marine operations, and the resources of the sea. As a treatise on advances and new developments, each topical volume starts with fundamentals and covers recent progress, so as to provide a balanced account of how oceanography is evolving.Previous volumes (1-13) in the series are now available from Harvard University Press.In the manifold, multidisciplinary efforts of science to understand and manage our planet, contemporary ocean science plays an essential role. Volumes 13 and 14 of the series The Sea focus on two of the most important components in the interdisciplinary field of ocean science today--the coastal ocean and its interactions with the deep sea, and coupled physical-biogeochemical and ecosystem dynamics. Comprehensive, definitive studies, these volumes chart the real progress being made by ocean scientists in achieving lasting scientific understanding; specifically, they address issues surrounding significant applications--for coastal regions and in general--such as: the development of monitoring and prediction systems; functionality and stability of ecosystems; eutrophication; harmful algae blooms; habitat modification; and regime shift.Intended as companion volumes to Volumes 10 and 11 on physical coastal oceanography, these studies of the global coastal ocean continue the series' overall effort to encourage and facilitate coastal and shelf ocean sciences and technology on a global basis.

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Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a desk drawer, revealed her true self. She did not live in time, as did that other great poet of the day, Walt Whitman, but in universals. As she knowingly put it: “There is one thing to be grateful for—that one is one’s self and not somebody else.”Dickinson lived and died without fame: she saw only a few poems published. Her great legacy was later rescued from her desk drawer—an astonishing body of work revealing her acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Her family sought publication of Dickinson’s poetry over the years, selecting verses, often altering her words or her punctuation, until, in 1955, the first important attempt was made to collect and publish Dickinson’s work, edited by Thomas H. Johnson for the Belknap Press of Harvard University Press.Now, after many years of preparation by Ralph W. Franklin, the foremost scholar of Dickinson’s manuscripts, a new comprehensive edition is available. This three-volume work contains 1,789 poems, the largest number ever assembled. The poems, arranged chronologically, based on new dating, are drawn from a range of archives, most frequently from holographs, but also from various secondary sources representing lost manuscripts. The text of each manuscript is rendered individually, including, within the capacity of standard type, Dickinson’s spelling, capitalization, and punctuation. Franklin gives Dickinson’s alternative readings for the poems, her revisions, and the line and page, or column, divisions in the source. Each entry identifies Franklin’s editorial emendations and records the publication history, including variants. Fourteen appendices of tables and lists give additional information, including poems attributed to Emily Dickinson. The poems are indexed by numbers from the Johnson edition, as well as by first lines.Franklin has provided an introduction that serves as a guide to this edition and surveys the history of the editing of Dickinson’s poems. His account of how Dickinson conducted her workshop is a reconstruction of a remarkable poetic life.

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A prominent religious figure, Meletij Smotryc´kyj was caught up in the struggle between Orthodox and Uniate beliefs. His polemics served as the cornerstone of the Orthodox response to the Polish-Lithuanian Reformation and Counter-Reformation. The works collected here offer unique insight into the elite of early modern Rus´.

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In his theory of the novel, Guido Mazzoni explains that novels consist of stories told in any way whatsoever about the experiences of ordinary men and women who exist as contingent beings within time and space. Novels allow readers to step into other lives and other versions of truth, each a small, local world, absolute in its particularity.

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Instead of conceiving ethical commands as divine revelations or as the discoveries of brilliant thinkers, we should see our ethical practices as evolving over tens of thousands of years, as members of our species have worked out how to live together and prosper. Here, Kitcher elaborates his radical vision of this millennia-long ethical project.

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In the sixteenth century, the city-state of Florence failed. In its place the Medicis created a principality, becoming first dukes of Florence and then grand dukes of Tuscany. The Fruit of Liberty analyzes the slow transformations that predated and facilitated the institutional shift from republic to principality, from citizen to subject.

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Freccero enables us to see the Divine Comedy for the bold, poetic experiment that it is. Too many critics have domesticated Dante by separating his theology from his poetics. Freccero argues that to fail to see the convergence of the letter and the spirit, the pilgrim and the poet, is to fail to understand Dante's poetics of conversion.

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Wilhelm Reich’s experiments in the 1930s with cutting-edge light microscopy and time-lapse micro-cinematography were considered discredited, but not because of shoddy lab technique, as has been claimed. Scientific opposition to Reich’s experiments, James Strick argues, grew out of resistance to his unorthodox sexual theories and Marxist leanings.

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Hilary Putnam argues that all facts are dependent on cognitive values. Ruth Anna Putnam turns the problem around, illuminating the factual basis of moral principles. Together, they offer a pragmatic vision that in Hilary’s words serves “as a manifesto for what the two of us would like philosophy to look like in the twenty-first century and beyond.”

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Stephen Neff tells the story of how international law has been formulated, debated, contested, and put into practice from ancient times to the present. He avoids technical jargon in this survey of doctrines from natural law to feminism, and of practice from the Warring States of China to international criminal courts today.

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How did humans acquire cognition more powerful than a hunting-gathering primate needed to survive? Combining state-of-the-art research with forty years of writing about language evolution, Derek Bickerton resolves a crucial problem that both biology and cognitive science have ignored: how animal thinking escaped the prison of the here and now.

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In the final ten years of his life, the author tackled the largest project any critic in English can take on - writing a preface to each of Shakespeare's plays. This title collects these prefaces. It introduces some of the most significant scholarship on Shakespeare to show the reader how certain critics frame large issues in a useful way.

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One of America's preeminent constitutional scholars, Sunstein mounts a defense of the most striking characteristic of modern constitutional law: the inclination to decide one case at a time. Examining various controversies, he shows how—and why—the Court has avoided broad rulings, and in doing so has fostered public debate on difficult topics.

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Priene provides a complete picture of life in an ancient Greek city of the late Classical and Hellenistic period. This study presents the first comprehensive look at the architecture of the city, combining material from the first excavation of 1894 and more recent work at the site. It includes redrawn architectural plans and reconstructions.

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Kant sought throughout his life to provide a philosophy adequate to the sciences of his time—especially Euclidean geometry and Newtonian physics. Friedman argues that Kant’s efforts to find a metaphysics that could provide a foundation for the sciences is of utmost importance in understanding the development of his philosophical thought.

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The noted historian and philosopher of science John Forrester raises a provocative point: no matter how you feel about Freud, you can't escape the influence of his theories. Through questions central to our century's ways of thinking, Forrester explores dreams, history, ethics, political theory, and psychoanalysis as a scientific movement.

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This is the first book to explore how pessimism could be the psychological basis for the Victorians’ progressive conception of history. Throughout, von Arx skillfully interweaves threads of religion, politics, and history, showing how ideas in one sphere cannot be understood without reference to the others.

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Trent E. Maxey documents how religion came to be seen as the "greatest problem" by the architects of the modern Japanese state. Maxey shows that in Meiji Japan, religion designated a cognitive and social pluralism that resisted direct state control. It also provided the state with a means to contain, regulate, and neutralize that plurality.

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In this text, Wilson's work on the biological basis of social behavior in all species from amoeba colonies to human societies has been trimmed to its essential argument and most compelling examples.

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This book is an invitation to the life of philosophy in the United States, as Emerson once lived it and as Stanley Cavell now lives it—in all its topographical ambiguity.

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Long before sugar and slaves made Jamaica Britain’s most valuable colony, its conquest sparked conflicts with European powers and opened vast tropical spaces to English exploitation. Carla Gardina Pestana captures the moment when Cromwell’s plan to take Spain’s American empire altered his revolutionary state’s engagement with the wider world.

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The title of this book by Perry Miller, a world-famous interpreter of the American past, nearly poses the question it has been his lifelong purpose to answer: What was the underlying aim of the first colonists in coming to America? Miller emphasizes the need for understanding the human sources from which the American mainstream has risen.

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Venantius Fortunatus, a master of the short praise poem and a canonical Christian Latin poet, wrote eleven volumes of hymns, epigrams, elegies, and other religious and epistolary verses addressed to kings, bishops, and abbesses. This volume presents for the first time in English translation all of his poetry, apart from a single long saint’s life.

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Sociologist Mike Savage shows how economic inequality aggravates cultural, social, and political conflicts, challenging the framework of liberal democracy. By fracturing social bonds, inequality turns back the clock, reviving conditions we have struggled for centuries to escape, including empire, dynastic elitism, and explosive ethnic division.

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Giacomo Corneo presents a refreshingly antidogmatic review of economic systems, in the form of a fictional argument between a daughter indignant about economic injustice and her father, an economics professor. They tour tried and proposed systems in which production and consumption obey noncapitalistic rules and test their economic feasibility.

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In this richly illustrated book, Shih-shan Susan Huang investigates the visual culture of Daoism, China’s primary indigenous religion, from the tenth through thirteenth centuries with references to earlier and later times. Huang shows how Daoist image-making goes beyond the usual dichotomy of text and image to incorporate writings in image design.

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Plutarch (ca. AD 45–120) wrote on many subjects. His forty-six Parallel Lives are biographies planned to be ethical examples in pairs, one Greek figure and one similar Roman, though the last four lives are single. They not only record careers and illustrious deeds but also offer rounded portraits of statesmen, orators, and military leaders.

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Ming and Qing China were well populated with foxes, shape changers who transgressed the boundaries of species, gender, and the metaphysical realm. In human form, they were immoral succubi and good wives/good mothers, tricksters and Confucian paragons. Huntington investigates the fox as alien and attempts to establish the boundaries of the human.

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In this inventive book, Peter Fritzsche explores how Europeans and Americans saw themselves in the drama of history, how they took possession of a past thought to be slipping away, and how they generated countless stories about the sorrowful, eventful paths they chose to follow.

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The book argues that as Neo-Confucians put their philosophy of learning into practice in local society, they justified a new social ideal in which society at the local level was led by the literati with state recognition and support.

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This volume explores the origins of Iblīs as a tragic figure in the Qur’an. Although it is often said that there is no place for tragedy in Islam, Bodman’s careful examination of the Iblīs story shows that the tragic exists even in the Qur’an and forms part of the vision of medieval Sufi mystics and modern social critics alike.

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Barnes’s reconstruction of Athanasius’s career analyzes the nature and extent of the Bishop’s power, especially as it intersected with imperial policies. Untangling classic misconceptions, Barnes reveals the Bishop’s true role in the struggles within Christianity, and in the relations between the Roman emperor and the Church at a critical juncture.

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Historians have dismissed the pageantry of the Vienna Congress as window dressing when compared with the serious maneuverings of sovereigns and statesmen. By seeing these two dimensions as interconnected, Brian Vick reveals how one of the most important diplomatic summits in history managed to redraw the map of Europe and the international system.

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Giannozzo Manetti’s Apologeticus was a defense of the study of Hebrew and of the need for a new translation. It constituted the most extensive treatise on the art of translation of the Renaissance. This ITRL edition contains the first complete translation of the work into English.

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Hellman develops a much-needed general theory of discrimination. She demonstrates that many familiar ideas about when discrimination is wrong—when it is motivated by prejudice, grounded in stereotypes, or simply departs from merit-based decision-making—won’t adequately explain our widely shared intuitions.

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