Search results for ""Harvard University Press""

A university press is a curious institution, dedicated to the dissemination of learning yet apart from the academic structure; a publishing firm that is in business, but not to make money; an arm of the university that is frequently misunderstood and occasionally attacked by faculty and administration. Max Hall here chronicles the early stages and first sixty years of Harvard University Press in a rich and entertaining book that is at once Harvard history, publishing history, printing history, business history, and intellectual history.The tale begins in 1638 when the first printing press arrived in British North America. It became the property of Harvard College and remained so for nearly half a century. Hall sketches the various forerunners of the “real” Harvard University Press, founded in 1913, and then follows the ups and downs of its first six decades, during which the Press published steadily if not always serenely a total of 4,500 books. He describes the directors and others who left their stamp on the Press or guided its fortunes during these years. And he gives the stories behind such enduring works as Lovejoy’s Great Chain of Being, Giedion’s Space, Time and Architecture, Langer’s Philosophy in a New Key, and Kelly’s Eleanor of Aquitaine and the Four Kings.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Europe and the World Beyond focuses geographically on peoples of South America and the Mediterranean as well as Africa—but conceptually it emphasizes the many ways that visual constructions of blacks mediated between Europe and a faraway African continent that was impinging ever more closely on daily life, especially in cities and ports engaged in slave trade.

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Agriculture is the largest economic sector in most countries of Latin American, Africa, and Asia, and the taxation of agricultural land is a potentially important instrument in the development policies of such nations. But there is a large gap between theory and practice, a gap that needs explaining. In addition, there have been interesting changes in thought on the role of such taxation in development. Richard M. Bird covers all this in a complete rethinking of the whole subject. His book is a distinguished successor to Haskell P. Wald’s classic study, Taxation of Agricultural Land in Underdeveloped Economics, published by Harvard University Press in 1959. With abundant evidence Bird argues that the tax system of each country, in order to be effective as a part of development policy, must be tailored carefully to peculiar circumstances and objectives of that country.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.The much-awaited Artists of the Renaissance and Baroque has been written by an international team of distinguished scholars, and covers the sixteenth and seventeenth centuries. The rise of slavery and the presence of black people in Europe irrevocably affected the works of the best artists of the time. Essays on the black Magus and the image of the black in Italy, Spain, and Britain, with detailed studies of Rembrandt and Heliodorus’s Aethiopica, all presented with superb color plates, make this new volume a worthy addition to this classic series.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.The new edition of From the Pharaohs to the Fall of the Roman Empire offers a comprehensive look at the fascinating and controversial subject of the representation of black people in the ancient world. Classic essays by distinguished scholars are aptly contextualized by Jeremy Tanner’s new introduction, which guides the reader through enormous changes in the field in the wake of the “Black Athena” story.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Slaves and Liberators looks at the political implications of the representation of Africans, from the earliest discussions of the morality of slavery, through the rise of abolitionism, to the imposition of European imperialism on Africa. Popular imagery and great works, like Gericault’s Raft of the Medusa and Turner’s Slave Ship, are considered in depth, casting light on widely differing European responses to Africans and their descendants.

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Europe and the World Beyond focuses geographically on peoples of South America and the Mediterranean as well as Africa—but conceptually it emphasizes the many ways that visual constructions of blacks mediated between Europe and a faraway African continent that was impinging ever more closely on daily life, especially in cities and ports engaged in slave trade.The Eighteenth Century features a particularly rich collection of images of Africans representing slavery’s apogee and the beginnings of abolition. Old visual tropes of a master with adoring black slave gave way to depictions of Africans as victims and individuals, while at the same time the intellectual foundations of scientific racism were established.

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The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt—positioned properly as part of African history—this volume focuses on the figure of the black as rendered by artists from Africa, East Asia, and the Indian subcontinent. The aesthetic traditions illustrated here are as diverse as the political and social histories of these regions. From Igbo Mbari sculptures to modern photography from Mali, from Indian miniatures to Japanese prints, African and Asian artists portrayed the black body in ways distinct from the European tradition, even as they engaged with Western art through the colonial encounter and the forces of globalization.This volume complements the vision of art patrons Dominique and Jean de Menil who, during the 1960s, founded an image archive to collect the ways that people of African descent have been represented in Western art from the ancient world to modern times. A half‐century later, Harvard University Press and the Hutchins Center for African and African American Research completed the historic publication of The Image of the Black in Western Art—ten books in total—beginning with Egyptian antiquities and concluding with images that span the twentieth century. The Image of the Black in African and Asian Art reinvigorates the de Menil family’s original mission and reorients the study of the black body with a new focus on Africa and Asia.

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More than twenty years after its original appearance in Italian, The Open Work remains significant for its powerful concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Umberto Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general.This entirely new edition, edited for the English-language audience with the approval of Eco himself, includes an authoritative introduction by David Robey that explores Eco's thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco's mentor Luigi Pareyson, on television and mass culture, and on the politics of art. Harvard University Press will publish separately and simultaneously the extended study of James Joyce that was originally part of The Open Work, entitled The Aesthetics of Chaosmos: The Middle Ages of James Joyce. The Open Work explores a set of issues in aesthetics that remain central to critical theory, and does so in a characteristically vivid style. Eco's convincing manner of presenting ideas and his instinct for the lively example are threaded compellingly throughout. This book is at once a major treatise in modern aesthetics and an excellent introduction to Eco's thought.

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A continuing, comprehensive and timely survey of the state of knowledge of ocean science, this distinguished series provides an overview of research frontiers as ocean science progresses. Areas covered include physical, biological, and chemical oceanography, marine geology, and geophysics and the interactions of the oceans with the atmosphere, the solid earth, and ice. Because ocean science is evolving so rapidly, straining the boundaries of traditional sub-disciplines, interdisciplinary topics have a special place in this series--including those topics related to the application of ocean science, for example, to ocean technology, marine operations, and the resources of the sea. As a treatise on advances and new developments, each topical volume starts with fundamentals and covers recent progress, so as to provide a balanced account of how oceanography is evolving.Previous volumes (1-13) in the series are now available from Harvard University Press.In the manifold, multidisciplinary efforts of science to understand and manage our planet, contemporary ocean science plays an essential role. Volumes 13 and 14 of the series The Sea focus on two of the most important components in the interdisciplinary field of ocean science today--the coastal ocean and its interactions with the deep sea, and coupled physical-biogeochemical and ecosystem dynamics. Comprehensive, definitive studies, these volumes chart the real progress being made by ocean scientists in achieving lasting scientific understanding; specifically, they address issues surrounding significant applications--for coastal regions and in general--such as: the development of monitoring and prediction systems; functionality and stability of ecosystems; eutrophication; harmful algae blooms; habitat modification; and regime shift.Intended as companion volumes to Volumes 10 and 11 on physical coastal oceanography, these studies of the global coastal ocean continue the series' overall effort to encourage and facilitate coastal and shelf ocean sciences and technology on a global basis.

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Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a desk drawer, revealed her true self. She did not live in time, as did that other great poet of the day, Walt Whitman, but in universals. As she knowingly put it: “There is one thing to be grateful for—that one is one’s self and not somebody else.”Dickinson lived and died without fame: she saw only a few poems published. Her great legacy was later rescued from her desk drawer—an astonishing body of work revealing her acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Her family sought publication of Dickinson’s poetry over the years, selecting verses, often altering her words or her punctuation, until, in 1955, the first important attempt was made to collect and publish Dickinson’s work, edited by Thomas H. Johnson for the Belknap Press of Harvard University Press.Now, after many years of preparation by Ralph W. Franklin, the foremost scholar of Dickinson’s manuscripts, a new comprehensive edition is available. This three-volume work contains 1,789 poems, the largest number ever assembled. The poems, arranged chronologically, based on new dating, are drawn from a range of archives, most frequently from holographs, but also from various secondary sources representing lost manuscripts. The text of each manuscript is rendered individually, including, within the capacity of standard type, Dickinson’s spelling, capitalization, and punctuation. Franklin gives Dickinson’s alternative readings for the poems, her revisions, and the line and page, or column, divisions in the source. Each entry identifies Franklin’s editorial emendations and records the publication history, including variants. Fourteen appendices of tables and lists give additional information, including poems attributed to Emily Dickinson. The poems are indexed by numbers from the Johnson edition, as well as by first lines.Franklin has provided an introduction that serves as a guide to this edition and surveys the history of the editing of Dickinson’s poems. His account of how Dickinson conducted her workshop is a reconstruction of a remarkable poetic life.

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Inscriptions: Architecture Before Speech presents a theory of contemporary architecture that spans the work of 112 practices in 750 images. Against the popular characterization of contemporary architecture as a centerless field where anything goes and everything is possible, this book argues that much recent work belongs to a collective undertaking. Underneath the impression of kaleidoscopic difference produced by the rapid circulation of design images is a shared mechanism, an agreement about how architectural objects emerge from the procedures of design. This mechanism, which we call inscription, manages to both offer fundamentally intelligible form to architecture’s audiences and advance the field toward novel outcomes. The ensuing work is nothing less than democratically optimistic in its wide appeal and challenging in its cuts against convention.Featuring essays by Catherine Ingraham, Lucia Allais, Stan Allen, Phillip Denny, Edward Eigen, Sylvia Lavin, Antoine Picon, and Marrikka Trotter, Inscriptions offers a broad array of critical perspectives on work that defines architecture’s second decade of the twenty-first century.

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Place and orientation are important aspects of human experience. Place evokes geography and culture and conjures up history and myth. Place is not only a particular physical location but an idea, a mental construction that captures and directs the human relationship to the world.The distinguished contributors to this volume invite us to reflect on the significance of places, real and imagined, in the religious traditions they study and on how places are known, imagined, remembered, and struggled for. Whether looking at the ways myth and ritual reinforce the Yoruba's bond to the land or at Australian Aboriginal engagements with the origins of the created world, exploring Hildegard of Bingen's experience of heaven or myths of the underworld in contemporary American millennialism, listening to oral narratives of divine politics and deserted places of Rajasthan or investigating literal and literary images of the Promised Land, these essays underscore that place is constructed in the intersection of material conditions, political realities, narrative, and ritual performance.

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This controversial and groundbreaking book revisits the origins of one of the most beloved works of East Slavic literature, the Slovo o polku Igoreve (The Igorʹ Tale). Edward Keenan delves into the history of the publication of the Tale and produces a meticulous analysis of its language in order to demonstrate that the text is not an authentic twelfth-century document. Rather, Keenan argues that it is a product of the late eighteenth century, created by the Bohemian scholar Josef Dobrovský. Keenan’s thought-provoking insights into the creation and publication of the Tale will spark scholarly debate for many years.

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Ukrainian Cossacks used icon painting to investigate their relationship not only with God but also their relationship with the Russian tsar. Could Emperor Peter I and his adversary in the Battle of Poltava (1709)—the Cossack Hetman Ivan Mazepa—be depicted in the same icon? Why did the Cossack colonels commission icons with the portraits of their tsars, but not of their own Cossack leaders, the hetmans? Could a Catholic king be portrayed in an Orthodox icon? Why are the Russian tsars and Orthodox hierarchs missing on some of the Zaporozhian Cossack icons?In this groundbreaking study, Serhii Plokhy provides answers to these and many other questions pertaining to the political and religious culture of Ukrainian Cossackdom, as reflected in the Cossack-era paintings, icons, and woodcuts. By encouraging the iconography to “speak,” Tsars and Cossacks helps to broaden and deepen our understanding of Ukrainian iconography as well as Russian imperial political culture.

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Ottoman survey registers are recognized as unparalleled sources on the demographic, economic, and linguistic characteristics of the regions for which they were made. The register for Kamaniçe (the region of Podolia and the city of Kam'janec', which the Ottomans conquered in 1672) is the only surviving survey register of Ukrainian lands. The full text of the defter is given in transcription in the first part, with a facsimile edition given in the second part. All narrative documents are translated in appendices, while narrative segments of the registry portion of the defter are translated in the notes. Commentary includes extensive notes and an introduction. The Ottoman Survey Register of Podolia provides important new information on the Ottomans and their subjects living in Ukrainian territory. Interpretive maps keyed to the register and indices and glossaries are included.

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This collection examines the Ukrainian economy during the late 20th century-a period of epochal change. The papers are divided into five sections: Framework; Resources; Performance; Welfare; and External Relations, and will be of interest both to specialists and to students and others interested in Ukraine today.

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The present volume contains papers presented at the Fourth Quinquennial Conference on Ukrainian Economics at the Ukrainian Research Institute of Harvard University in September 1990. Contributions by Tetiana Pakhomova and Serhii Mischenko and four discussants have been added in order to round out the collection.The volume from the previous quinquennial conference dealt with Ukrainian economic history prior to World War I. The present collection deals with the Ukrainian economy during the late twentieth century—a period of epochal change. The papers are divided into five sections: Framework; Resources; Performance; Welfare; and External Relations. A recurrent theme centers on the nature of Ukrainian–Soviet economic relations in the past, whether this relationship was exploitative, and, if so, to what degree. Each author reviews economic trends in Ukraine to the end of 1990, and analyzes the potential for future Ukrainian economic policy and development. The analyses are supported by a large amount of statistical information, presented in eighty tables. Four maps help orient the reader with Ukrainian geography.The contributors are from the U.S., Canada, England, and the Ukraine; they represent various schools of economic thought and employ different methodologies. The discussion papers at the end of each section facilitate the synthesis of the material in the papers and introduce an element of scholarly discussion on issues that presently are of vital importance to Ukraine. Because of the wide range of topics and extensive source material, this collection will be useful not only to specialists, but also to students and others interested in Ukraine today.

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Justin's artfully condensed version of the lost Philippic History of Trogus, a contemporary of Livy, is a universal history of the world apart from Rome, from mythic beginnings through Alexander the Great, the Hellenistic kingdoms, and Parthia, and was among the most widely read and influential books in the Middle Ages and Renaissance.

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Three foundational Roman poets.The Loeb Classical Library series Fragmentary Republican Latin continues with three highly influential pioneers in the creation and development of Latin poetry.Livius Andronicus (born ca. 292 BC) was regarded by the Romans as the founder of Latin literature, introducing tragedy and comedy, adapting Homer’s Odyssey into Saturnian verse, and composing a nationally important hymn for Juno. A meeting place for writers and actors was established in the temple of Minerva on the Aventine in recognition of his poetic achievements.Naevius (born ca. 280–260), though most famous for his comedies, also wrote tragedy and epic. He innovated by incorporating Roman material into his Greek models and writing on Roman subjects independently. The inventor of the fabula praetexta, drama on a Roman theme, he also introduced new topics to Roman tragedy, especially those relating to Troy, and his Punic War, the first epic on a Roman historical subject, was a longtime school text and a favorite of Augustus.Caecilius (born probably in the 220s), a friend of the older Ennius, excelled at comedy, of which he was Rome’s leading exponent during his career, and was so considered by posterity. Caecilius continued the Naevian practice of inserting Roman allusions into his works and was admired by later critics particularly for his substantive and well-constructed plots, and for his ability to arouse emotion.The texts are based on the most recent and reliable editions of the source authors and have been revised, freshly translated, and amply annotated in light of current scholarship.

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Mock trial—Roman style.The Major Declamations stand out for their unique contribution to our understanding of the final stage in Greco-Roman rhetorical training. These exercises, in which students learned how to compose and deliver speeches on behalf of either the prosecution or the defense at imaginary trials, demonstrate how standard themes, recurring situations and arguments, and technical rules were to be handled by the aspiring orator. And what is more, they lay bare the mistakes that students often made in this process.Declamation was practiced in the ancient world from as early as the fifth century BC, but most of its vast tradition has disappeared. The surviving material is mainly in Greek, from the second century AD onward. In Latin the nineteen declamations in the present anthology are by far the most important evidence. In antiquity they were attributed to Quintilian, but they are now thought to be the work of several authors and to date from around AD 100 to the mid- or late third century.A wide variety of fascinating ethical, social, and legal details animates the fictional world conjured up by these oratorical exercises, and although the themes of declamation can be unrealistic and even absurd (often reminiscent of ancient novel and tragedy), they seem to provide a safe space in which a student could confront a range of complex issues, so as to attain both the technical knowledge necessary to speak persuasively and the soft skills needed to manage the challenges of adult life under the Roman empire.

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Rome, from the beginning.Livy (Titus Livius), the great Roman historian, was born at Patavium (Padua) in 64 or 59 BC, where after years in Rome he died in AD 12 or 17. Livy’s history, composed as the imperial autocracy of Augustus was replacing the republican system that had stood for over five hundred years, presents in splendid style a vivid narrative of Rome’s rise from the traditional foundation of the city in 753 or 751 BC to 9 BC and illustrates the collective and individual virtues necessary to achieve and maintain such greatness.Of its 142 books, conventionally divided into pentads and decades, we have 1–10 and 21–45 complete, and short summaries (periochae) of all the rest except 41 and 43–45; 11–20 are lost, and of the rest only fragments and the summaries remain.The third decade constitutes our fullest surviving account of the momentous Second Punic (or Hannibalic) War, featuring a famous gallery of leaders Roman, Carthaginian, and Greek, all memorably drawn. It comprises two recognizable pentads: Books 21–25 narrate the run-up to conflict and Rome’s struggles in its first phase, with Hannibal dominant; Books 26–30 relate Rome’s revival and final victory, as the focus shifts to Scipio Africanus.This edition of the third decade, which replaces the original Loeb editions by B. O. Foster (Books 21–22) and Frank Gardner Moore (Books 23–30), offers a text based on the critical editions by John Briscoe (Books 21–25) and P. G. Walsh (Books 26–30), a fresh translation, and ample annotation fully current with modern scholarship.

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Rhetorical remnants.The Loeb Classical Library series Fragmentary Republican Latin continues with oratory, an important element of Roman life from the earliest times, essential to running public affairs and for advancing individual careers long before it acquired literary dimensions, which happened once orators decided to write up and circulate written versions of their speeches after delivery.Beginning with Appius Claudius Caecus (340–273 BC), this three-volume edition covers the full range of speech-making—political, juridical, and epideictic (display)—and with the exceptions of Cato the Elder and Cicero includes all individuals for whom speech-making is attested and for whose speeches quotations, descriptive testimonia, or historiographic recreations survive.Such an overview provides insight into the typical forms and themes of Roman oratory as well as its wide variety of occasions and styles. By including orators from different phases within the Republican period as well as men given high or low rankings by contemporaries and later ancient critics, the collection offers a fuller panorama of Roman Republican oratory than a selection guided simply by an orator’s alleged or canonical quality, or by the amount of evidence available.This edition includes all the orators recognized by Malcovati and follows her numbering, but the texts have been drawn from the most recent and reliable editions of the source authors and revised in light of current scholarship; additional material has been included with its own separate numbering. Helping to guide readers through the material are faithful translations, informative introductions, and ample annotation.

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Rhetorical remnants.The Loeb Classical Library series Fragmentary Republican Latin continues with oratory, an important element of Roman life from the earliest times, essential to running public affairs and for advancing individual careers long before it acquired literary dimensions, which happened once orators decided to write up and circulate written versions of their speeches after delivery.Beginning with Appius Claudius Caecus (340–273 BC), this three-volume edition covers the full range of speech-making—political, juridical, and epideictic (display)—and with the exceptions of Cato the Elder and Cicero includes all individuals for whom speech-making is attested and for whose speeches quotations, descriptive testimonia, or historiographic recreations survive.Such an overview provides insight into the typical forms and themes of Roman oratory as well as its wide variety of occasions and styles. By including orators from different phases within the Republican period as well as men given high or low rankings by contemporaries and later ancient critics, the collection offers a fuller panorama of Roman Republican oratory than a selection guided simply by an orator’s alleged or canonical quality, or by the amount of evidence available.This edition includes all the orators recognized by Malcovati and follows her numbering, but the texts have been drawn from the most recent and reliable editions of the source authors and revised in light of current scholarship; additional material has been included with its own separate numbering. Helping to guide readers through the material are faithful translations, informative introductions, and ample annotation.

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The fragments and testimonia of the early Greek philosophers (often labeled the Presocratics) have always been not only a fundamental source for understanding archaic Greek culture and ancient philosophy but also a perennially fresh resource that has stimulated Western thought until the present day. This new systematic conception and presentation of the evidence differs in three ways from Hermann Diels’s groundbreaking work, as well as from later editions: it renders explicit the material’s thematic organization; it includes a selection from such related bodies of evidence as archaic poetry, classical drama, and the Hippocratic corpus; and it presents an overview of the reception of these thinkers until the end of antiquity. Volume I contains introductory and reference materials essential for using all other parts of the edition. Volumes II–III include chapters on ancient doxography, background, and the Ionians from Pherecydes to Heraclitus. Volumes IV–V present western Greek thinkers from the Pythagoreans to Hippo. Volumes VI–VII comprise later philosophical systems and their aftermath in the fifth and early fourth centuries. Volumes VIII–IX present fifth-century reflections on language, rhetoric, ethics, and politics (the so-called sophists and Socrates) and conclude with an appendix on philosophy and philosophers in Greek drama.

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The fragments and testimonia of the early Greek philosophers (often labeled the Presocratics) have always been not only a fundamental source for understanding archaic Greek culture and ancient philosophy but also a perennially fresh resource that has stimulated Western thought until the present day. This new systematic conception and presentation of the evidence differs in three ways from Hermann Diels’s groundbreaking work, as well as from later editions: it renders explicit the material’s thematic organization; it includes a selection from such related bodies of evidence as archaic poetry, classical drama, and the Hippocratic corpus; and it presents an overview of the reception of these thinkers until the end of antiquity. Volume I contains introductory and reference materials essential for using all other parts of the edition. Volumes II–III include chapters on ancient doxography, background, and the Ionians from Pherecydes to Heraclitus. Volumes IV–V present western Greek thinkers from the Pythagoreans to Hippo. Volumes VI–VII comprise later philosophical systems and their aftermath in the fifth and early fourth centuries. Volumes VIII–IX present fifth-century reflections on language, rhetoric, ethics, and politics (the so-called sophists and Socrates) and conclude with an appendix on philosophy and philosophers in Greek drama.

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Galen of Pergamum (129–?199/216), physician to the court of the emperor Marcus Aurelius, was a philosopher, scientist, and medical historian, a theoretician and practitioner, who wrote forcefully and prolifically on an astonishing range of subjects and whose impact on later eras rivaled that of Aristotle. Galen synthesized the entirety of Greek medicine as a basis for his own doctrines and practice, which comprehensively embraced theory, practical knowledge, experiment, logic, and a deep understanding of human life and society.New to the Loeb Classical Library is Method of Medicine, a systematic and comprehensive account of the principles of treating injury and disease and one of Galen’s greatest and most influential works. Enlivening the detailed case studies are many theoretical and polemical discussions, acute social commentary, and personal reflections.

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In the writings of Philostratus (ca. 170-ca. 250 CE), the renaissance of Greek literature in the second century CE reached its height. His Life of Apollonius of Tyana, Lives of the Sophists, and Imagines reconceive in different ways Greek religion, philosophy, and art in and for the world of the Roman Empire. In this volume, Heroicus and Gymnasticus, two works of equal creativity and sophistication, together with two brief Discourses (Dialexeis), complete the Loeb edition of his writings.Heroicus is a conversation in a vineyard amid ruins of the Protesilaus shrine (opposite Troy on the Hellespont), between a wise and devout vinedresser and an initially skeptical Phoenician sailor, about the beauty, continuing powers, and worship of the Homeric heroes. With information from his local hero, the vinedresser reveals unknown stories of the Trojan campaign especially featuring Protesilaus and Palamedes, and describes complex, miraculous, and violent rituals in the cults of Achilles.Gymnasticus is the sole surviving ancient treatise on sports. It reshapes conventional ideas about the athletic body and expertise of the athletic trainer and also explores the history of the Olympic Games and other major Greek athletic festivals, portraying them as distinctive venues for the display of knowledge.

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The era of Old Comedy (c. 485 – c. 380 BCE), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes, but there were many other poets whose comedies survive only in fragments. This new Loeb edition, the most extensive selection of the fragments available in English, presents the work of fifty-six poets, including Cratinus and Eupolis, the other members (along with Aristophanes) of the canonical Old Comic triad. For each poet and play there is an introduction, brief notes, and select bibliography. Also included is a selection of ancient testimonia to Old Comedy, nearly one hundred unattributed fragments (both book and papyri), and descriptions of twenty-five vase-paintings illustrating Old Comic scenes. The texts are based on the monumental edition of Kassel and Austin, updated to reflect the latest scholarship.

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The era of Old Comedy (c. 485 – c. 380 BCE), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes, but there were many other poets whose comedies survive only in fragments. This new Loeb edition, the most extensive selection of the fragments available in English, presents the work of fifty-six poets, including Cratinus and Eupolis, the other members (along with Aristophanes) of the canonical Old Comic triad. For each poet and play there is an introduction, brief notes, and select bibliography. Also included is a selection of ancient testimonia to Old Comedy, nearly one hundred unattributed fragments (both book and papyri), and descriptions of twenty-five vase-paintings illustrating Old Comic scenes. The texts are based on the monumental edition of Kassel and Austin, updated to reflect the latest scholarship.

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Peripatetic potpourri.Aristotle of Stagirus (384–322 BC), the great Greek philosopher, researcher, logician, and scholar, studied with Plato at Athens and taught in the Academy (367–347). Subsequently he spent three years in Asia Minor at the court of his former pupil Hermeias, where he married Pythias, one of Hermeias’ relations. After some time at Mitylene, he was appointed in 343/2 by King Philip of Macedon to be tutor of his teen-aged son Alexander. After Philip’s death in 336, Aristotle became head of his own school (of “Peripatetics”), the Lyceum at Athens. Because of anti-Macedonian feeling there after Alexander’s death in 323, he withdrew to Chalcis in Euboea, where he died the following year.Problems, the third-longest work in the Aristotelian corpus, contains thirty-eight books covering more than 900 problems about living things, meteorology, ethical and intellectual virtues, parts of the human body, and other topics. Although Problems is an accretion of multiple authorship over several centuries, it offers a fascinating technical view of Peripatetic method and thought. Both Problems, in two volumes, and Rhetoric to Alexander replace the earlier Loeb edition by Hett and Rackham, with texts and translations incorporating the latest scholarship.

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Galen of Pergamum (129–?199/216), physician to the court of the emperor Marcus Aurelius, was a philosopher, scientist, and medical historian, a theoretician and practitioner, who wrote forcefully and prolifically on an astonishing range of subjects and whose impact on later eras rivaled that of Aristotle. Galen synthesized the entirety of Greek medicine as a basis for his own doctrines and practice, which comprehensively embraced theory, practical knowledge, experiment, logic, and a deep understanding of human life and society.New to the Loeb Classical Library is Method of Medicine, a systematic and comprehensive account of the principles of treating injury and disease and one of Galen’s greatest and most influential works. Enlivening the detailed case studies are many theoretical and polemical discussions, acute social commentary, and personal reflections.

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Rome’s foreign wars, nation by nation.Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.

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Two racy Greek romances.In Longus’ ravishing Daphnis and Chloe (second or early third century AD), one of the great works of world literature, an innocent boy and girl gradually discover their sexuality in an idealized pastoral environment. In Xenophon’s Anthia and Habrocomes (first century AD), perhaps the earliest extant novel and a new addition to the Loeb Classical Library, a newlywed couple, separated by mischance, survive hair-raising adventures and desperate escapes as they traverse the Mediterranean and the Near East en route to a joyful reunion. The pairing of these two novels well illustrates both the basic conventions of the genre and its creative range. This new edition offers fresh translations and texts by Jeffrey Henderson, based on the recent critical editions of Longus by M. D. Reeve and Xenophon by J. N. O’Sullivan.

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Eighteen of the ninety or so plays composed by Euripides between 455 and 406 BCE survive in a complete form and are included in the first six volumes of the Loeb Euripides. A further fifty-two tragedies and eleven satyr plays, including a few of disputed authorship, are known from ancient quotations and references and from numerous papyri discovered since 1880. No more than one-fifth of any play is represented, but many can be reconstructed with some accuracy in outline, and many of the fragments are striking in themselves. The extant plays and the fragments together make Euripides by far the best known of the classic Greek tragedians.This edition of the fragments, concluded in this second volume, offers the first complete English translation together with a selection of testimonia bearing on the content of the plays. The texts are based on the recent comprehensive edition of R. Kannicht. A general Introduction discusses the evidence for the lost plays. Each play is prefaced by a select bibliography and an introductory discussion of its mythical background, plot, and location of the fragments, general character, chronology, and impact on subsequent literary and artistic traditions.

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Eclectic essays on ethics, education, and much else besides.Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned. Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion. The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.

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A central work in the history of rhetoric.Quintilian, born in Spain about AD 35, became a widely known and highly successful teacher of rhetoric in Rome. The Orator’s Education (Institutio Oratoria), a comprehensive training program in twelve books, draws on his own rich experience. It is a work of enduring importance, not only for its insights on oratory, but for the picture it paints of education and social attitudes in the Roman world. Quintilian offers both general and specific advice. He gives guidelines for proper schooling (beginning with the young boy); analyzes the structure of speeches; recommends devices that will engage listeners and appeal to their emotions; reviews a wide range of Greek and Latin authors of use to the orator; and counsels on memory, delivery, and gestures. Donald Russell’s five-volume Loeb Classical Library edition of The Orator’s Education, which replaces an eighty-year-old translation by H. E. Butler, provides a text and facing translation that are fully up to date in light of current scholarship and well tuned to today’s manner of expression. Russell also provides unusually rich explanatory notes, which enable full appreciation of this central work in the history of rhetoric.

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A literary cabinet of curiosities.Aelian’s Historical Miscellany is a pleasurable example of light reading for Romans of the early third century. Offering engaging anecdotes about historical figures, retellings of legendary events, and enjoyable descriptive pieces—in sum: amusement, information, and variety—Aelian’s collection of nuggets and narratives could be enjoyed by a wide reading public. A rather similar book had been published in Latin in the previous century by Aulus Gellius; Aelian is a late, perhaps the last, representative of what had been a very popular genre. Here then are anecdotes about the famous Greek philosophers, poets, historians, and playwrights; myths instructively retold; moralizing tales about heroes and rulers, athletes and wise men; reports about styles in dress, food and drink, lovers, gift-giving practices, entertainments, religious beliefs and death customs; and comments on Greek painting. Some of the information is not preserved in any other source. Underlying it all are Aelian’s Stoic ideals as well as this Roman’s great admiration for the culture of the Greeks (whose language he borrowed for his writings).The Historical Miscellany is now added to the Loeb Classical Library, the Greek text facing a skillful and helpfully annotated new translation by Nigel Wilson. In his trenchant Introduction he discusses the literary genre of Aelian’s miscellany, its style and historical setting.

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The medical treatises collected under Hippocrates' name are essential sources of information about the practice of medicine in antiquity and about Greek theories concerning the human body. In this seventh volume of the ongoing Loeb edition of the Hippocratic Collection, Wesley Smith presents the first modern English translation of Books 2 and 4–7 of the Epidemics (the other two books are available in the first volume).In the casebooks and notes that make up the seven books called Epidemics—the title originally meant 'visits'—we can watch ancient physicians observing patients, noting and pondering symptoms, evaluating treatments, and developing theories about the body. They appear to be physicians' notebooks from several areas of the Aegean basin. Smith supplements his clear translation with explanatory notes.The other works available in the Loeb Classical Library edition of Hippocrates are the following. Volume I: Ancient Medicine. Airs, Waters, Places. Epidemics 1 and 3. The Oath. Precepts. Nutriment. Volume II: Prognostic. Regimen in Acute Diseases. The Sacred Disease. The Art. Breaths. Law. Decorum. Physician (Ch. 1). Dentition. Volume III: On Wounds in the Head. In the Surgery. On Fractures. On Joints. Mochlicon. Volume IV: Nature of Man. Regimen in Health. Humours. Aphorisms. Regimen 1–3. Dreams. Volume V: Affections. Diseases 1–2. Volume VI: Diseases 3. Internal Affections. Regimen in Acute Diseases. Volume VIII: Places in Man. Glands. Fleshes. Prorrhetic I–II. Physician. Use of Liquids. Ulcers. Haemorrhoids and Fistulas. Volume IV also contains the fragments of Heracleitus, On the Universe.

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The first fruits of Greek botany.Theophrastus of Eresus in Lesbos, born about 370 BC, is the author of the most important botanical works that have survived from classical antiquity. He was in turn student, collaborator, and successor of Aristotle. Like his predecessor he was interested in all aspects of human knowledge and experience, especially natural science. His writings on plants form a counterpart to Aristotle’s zoological works. In the Enquiry into Plants Theophrastus classifies and describes varieties—covering trees, plants of particular regions, shrubs, herbaceous plants, and cereals; in the last of the nine books he focuses on plant juices and medicinal properties of herbs. This edition is in two volumes; the second contains two additional treatises, On Odours and Weather Signs. In De causis plantarum Theophrastus turns to plant physiology. Books 1 and 2 are concerned with generation, sprouting, flowering and fruiting, and the effects of climate. In Books 3 and 4 Theophrastus studies cultivation and agricultural methods. In Books 5 and 6 he discusses plant breeding; diseases and other causes of death; and distinctive flavors and odors. The Loeb Classical Library edition is in three volumes. Theophrastus’ celebrated Characters is of a quite different nature. This collection of descriptive sketches is the earliest known character-writing and a striking reflection of contemporary life.

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Hippocrates, said to have been born in Cos in or before 460 BCE, learned medicine and philosophy; travelled widely as a medical doctor and teacher; was consulted by King Perdiccas of Macedon and Artaxerxes of Persia; and died perhaps at Larissa. Apparently he rejected superstition in favour of inductive reasoning and the study of real medicine as subject to natural laws, in general and in individual people as patients for treatment by medicines and surgery. Of the roughly 70 works in the 'Hippocratic Collection' many are not by Hippocrates; even the famous oath may not be his. But he was undeniably the 'Father of Medicine'.The works available in the Loeb Classical Library edition of Hippocrates are the following. Volume I: Ancient Medicine. Airs, Waters, Places. Epidemics 1 and 3. The Oath. Precepts. Nutriment. Volume II: Prognostic. Regimen in Acute Diseases. The Sacred Disease. The Art. Breaths. Law. Decorum. Physician (Ch. 1). Dentition. Volume III: On Wounds in the Head. In the Surgery. On Fractures. On Joints. Mochlicon. Volume IV: Nature of Man. Regimen in Health. Humours. Aphorisms. Regimen 1–3. Dreams. Volume V: Affections. Diseases 1–2. Volume VI: Diseases 3. Internal Affections. Regimen in Acute Diseases. Volume VII: Epidemics 2 and 4–7. Volume VIII: Places in Man. Glands. Fleshes. Prorrhetic I–II. Physician. Use of Liquids. Ulcers. Haemorrhoids and Fistulas. Volume IV also contains the fragments of Heracleitus, On the Universe.

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The History of Herodian (born ca. 178–179 CE) covers a period of the Roman empire from the death of the emperor Marcus Aurelius (180 CE) to the accession of Gordian III (238), half a century of turbulence, in which we can see the onset of the revolution which, in the words of Gibbon, "will ever be remembered, and is still felt by the nations of the earth." In these years, a succession of frontier crises and a disastrous lack of economic planning established a pattern of military coups and increasing cultural pluralism.Of this revolutionary epoch we know all too little. The selection of chance has destroyed all but a handful of the literary sources that deal with the immediate post- Antonine scene. Herodian's work is one of the few that have survived, and it has come down to us completely intact. Of the author we know virtually nothing, except that he served in some official capacity in the empire of which he wrote. His History was apparently produced for the benefit of people in the Greek-speaking half of the Roman empire. It betrays the faults of an age when truth was distorted by rhetoric and stereotypes were a substitute for sound reason. But it is an essential document for any who would try to understand the nature of the Roman empire in an era of rapidly changing social and political institutions.The Loeb Classical Library edition of Herodian is in two volumes.

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Plotinus (204/5-270 CE) was the first and greatest of Neoplatonic philosophers. His writings were edited by his disciple Porphyry, who published them many years after his master's death in six sets of nine treatises each (the Enneads).Plotinus regarded Plato as his master, and his own philosophy is a profoundly original development of the Platonism of the first two centuries of the Christian era and the closely related thought of the Neopythagoreans, with some influences from Aristotle and his followers and the Stoics, whose writings he knew well but used critically. He is a unique combination of mystic and Hellenic rationalist. His thought dominated later Greek philosophy and influenced both Christians and Moslems, and is still alive today because of its union of rationality and intense religious experience.In his acclaimed edition of Plotinus, Armstrong provides excellent introductions to each treatise. His invaluable notes explain obscure passages and give reference to parallels in Plotinus and others.

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Plotinus (204/5-270 CE) was the first and greatest of Neoplatonic philosophers. His writings were edited by his disciple Porphyry, who published them many years after his master's death in six sets of nine treatises each (the Enneads).Plotinus regarded Plato as his master, and his own philosophy is a profoundly original development of the Platonism of the first two centuries of the Christian era and the closely related thought of the Neopythagoreans, with some influences from Aristotle and his followers and the Stoics, whose writings he knew well but used critically. He is a unique combination of mystic and Hellenic rationalist. His thought dominated later Greek philosophy and influenced both Christians and Moslems, and is still alive today because of its union of rationality and intense religious experience.In his acclaimed edition of Plotinus, Armstrong provides excellent introductions to each treatise. His invaluable notes explain obscure passages and give reference to parallels in Plotinus and others.

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Plotinus (204/5-270 CE) was the first and greatest of Neoplatonic philosophers. His writings were edited by his disciple Porphyry, who published them many years after his master's death in six sets of nine treatises each (the Enneads).Plotinus regarded Plato as his master, and his own philosophy is a profoundly original development of the Platonism of the first two centuries of the Christian era and the closely related thought of the Neopythagoreans, with some influences from Aristotle and his followers and the Stoics, whose writings he knew well but used critically. He is a unique combination of mystic and Hellenic rationalist. His thought dominated later Greek philosophy and influenced both Christians and Moslems, and is still alive today because of its union of rationality and intense religious experience.In his acclaimed edition of Plotinus, Armstrong provides excellent introductions to each treatise. His invaluable notes explain obscure passages and give reference to parallels in Plotinus and others.

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Inductive zoology.In History of Animals Aristotle analyzes “differences”—in parts, activities, modes of life, and character—across the animal kingdom, in preparation for establishing their causes, which are the concern of his other zoological works. Over 500 species of animals are considered: shellfish, insects, birds, fish, reptiles, amphibians, and mammals—including human beings.In Books I–IV, Aristotle gives a comparative survey of internal and external body parts, including tissues and fluids, and of sense faculties and voice. Books V–VI study reproductive methods, breeding habits, and embryogenesis as well as some secondary sex differences. In Books VII–IX, Aristotle examines differences among animals in feeding; in habitat, hibernation, migration; in enmities and sociability; in disposition (including differences related to gender) and intelligence. Here too he describes the human reproductive system, conception, pregnancy, and obstetrics. Book X establishes the female’s contribution to generation.The Loeb Classical Library edition of History of Animals is in three volumes. A full index to all ten books is included in Volume Three.Related Volumes:Aristotle’s biological corpus includes not only History of Animals, but also Parts of Animals, Movement of Animals, Progression of Animals, Generation of Animals, and significant parts of On the Soul and Parva Naturalia. Aristotle’s general methodology—“first we must grasp the differences, then try to discover the causes” (HA 1.6)—is applied to the study of plants by his younger co-worker and heir to his school, Theophrastus: Enquiry into Plants studies differences across the plant kingdom, while De Causis Plantarum studies their causes. In the later ancient world, both Pliny’s Natural History and Aelian’s On the Characteristics of Animals draw significantly on Aristotle’s biological work. The only work by a classical author at all comparable to Aristotle’s treatises on animals is Xenophon’s On Horses (included in Volume VII of the Loeb edition of Xenophon).

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Inductive zoology.In History of Animals Aristotle analyzes “differences”—in parts, activities, modes of life, and character—across the animal kingdom, in preparation for establishing their causes, which are the concern of his other zoological works. Over 500 species of animals are considered: shellfish, insects, birds, fish, reptiles, amphibians, and mammals—including human beings.In Books I–IV, Aristotle gives a comparative survey of internal and external body parts, including tissues and fluids, and of sense faculties and voice. Books V–VI study reproductive methods, breeding habits, and embryogenesis as well as some secondary sex differences. In Books VII–IX, Aristotle examines differences among animals in feeding; in habitat, hibernation, migration; in enmities and sociability; in disposition (including differences related to gender) and intelligence. Here too he describes the human reproductive system, conception, pregnancy, and obstetrics. Book X establishes the female’s contribution to generation.The Loeb Classical Library edition of History of Animals is in three volumes. A full index to all ten books is included in Volume Three.Related Volumes:Aristotle’s biological corpus includes not only History of Animals, but also Parts of Animals, Movement of Animals, Progression of Animals, Generation of Animals, and significant parts of On the Soul and Parva Naturalia. Aristotle’s general methodology—“first we must grasp the differences, then try to discover the causes” (HA 1.6)—is applied to the study of plants by his younger co-worker and heir to his school, Theophrastus: Enquiry into Plants studies differences across the plant kingdom, while De Causis Plantarum studies their causes. In the later ancient world, both Pliny’s Natural History and Aelian’s On the Characteristics of Animals draw significantly on Aristotle’s biological work. The only work by a classical author at all comparable to Aristotle’s treatises on animals is Xenophon’s On Horses (included in Volume VII of the Loeb edition of Xenophon).

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Antiquity’s satirist supreme.Lucian (ca. AD 120–190), the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful traveling lecturer before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt.Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the lively, cynical wit of the humorous dialogues in which he satirizes human folly, superstition, and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall tales about a voyage to the moon), Dialogues of the Gods (a "reductio ad absurdum" of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal or Symposium (philosophers misbehave at a party), Timon (the problems of being rich), Twice Accused (Lucian's defense of his literary career) and (if by Lucian) The Ass (the amusing adventures of a man who is turned into an ass).The Loeb Classical Library edition of Lucian is in eight volumes.

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