Search results for ""Author Ralph Waldo Emerson""

Featuring excerpts from Ralph Waldo Emerson's essays, poems, and lectures, Everyday Emerson offers 365 snippets of wisdom and insight from one of America's greatest writers and philosophers. An astute observer of both nature and society, Emerson's writing touches on themes of individuality, freedom, and human potential, all of it shot through with a profound love and awe of the natural world. The excerpts in Everyday Emerson are inspiring and thought provoking-a daily invitation to engage with the world with imagination and intention. Both long time appreciators of Emerson's work and readers who would be intimidated by a complete book of essays will find something delightful in its pages. The book features a designed interior and square trim, making it perfect for the gift market.

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Through his writing and his own personal philosophy, Ralph Waldo Emerson unburdened his young country of Europe's traditional sense of history and showed Americans how to be creators of their own circumstances. His mandate, which called for harmony with, rather than domestication of, nature, and for a reliance on individual integrity, rather than on materialistic institutions, is echoed in many of the great American philosophical and literary works of his time and ours, and has given an impetus to modern political and social activism.Larzer Ziff's introduction to this collection of fifteen of Emerson's most significant writings provides the important backdrop to the society in which Emerson lived during his formative years.

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Ralph Waldo Emerson, potencia los valores del individuo y del yo, es afirmativo, vitalista y optimista."Cuando el ser humano se encuentra en contacto con la naturaleza, haciendo uso de su intuición y de su observación, es cuando puede entrar en contacto con la energía cósmica; lafuente creadora de la vida, con "Dios" o el orden para los deístas y con la "totalidad" para los panteístas".Buscaba encontrar la inspiración y la vida espiritual propia, las cuales si lograban alcanzarse, eran entendidas como manifestaciones del espíritu de la Naturaleza."En nuestro mundo, en la naturaleza, existe la belleza por doquier y sus rasgos fundamentales son la armonía, la perfección y la espiritualidad. Por ello: "La creación de belleza es arte".A partir de 1980, se ha vuelto a entender, aunque de manera incompleta, la importancia de Emerson dentro no sólo de la cultura norteamericana, sino de filosofía y la estética en general.Ahora si puede decirse que la obra de Emers

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La fuerza de la escritura de Emerson es un hecho incontrovertible. De pocos autores modernos puede afirmarse con la misma rotundidad que de Emerson que sus libros " leen " a sus lectores, antes que ser leídos por ellos. Renovar el sentido de sus páginas significa, por tanto, renovar nuestra capacidad de leer, de leer en ellas indicios de que este mundo no tendrá verdaderos fundadores a menos que sea descubierto por nosotros. La renovación de la mirada y el consiguiente trastorno de las convicciones han convertido a Emerson, como decía Dewey, en el paradigmático filósofo de la democracia.Esta edición presenta por vez primera en castellano las dos series de los " Ensayos " de Emerson, publicadas por separado en 1841 y 1844, tal como fueron concebidas por su autor. El volumen ocupa una posición central en la producción del filósofo de Concord, entre las iniciales perspectivas de " Naturaleza " y sus posteriores elaboraciones culturales en " Hombres representativos " y " La conducta de

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Essays and Poems

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This final volume marks the twilight years of this American writer's life. In the seventh decade of his life, Emerson was still a prolific writer and speaker, publishing "Society and Solitude" (1870), "Parnassus" (1875), and "Letters and Societal Aims" (1876) and lecturing frequently at Harvard University. Since Columbia University Press first published Ralph L. Rusk's six-volume set of "The Letters" in 1939, some 2000 new letters have been uncovered. These letters, including many to Henry David Thoreau, William Henry Furness, Margaret Fuller, and Thomas Carlyle among others offer an intimate portrait of Emerson. In the final four volumes of this edition, Tilton provides detailed annotations to create a running documentary history of Ralph Waldo Emerson's life and times. Volume Ten includes a name index covering volumes seven through ten, supplementing the index to the first six volumes included at the end of Volume Six.

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This is the penultimate volume in the continuation of Ralph L. Rusk's 1939 edition of Emerson's letters. Vol 9 covers the years 1860-1869, when Emerson switched from using small, local publishers to the prestigious firm of Ticknor and Fields. This edition contains correspondence with the major political figures of the time, including Henry David Thoreau, Samuel Gray Ward, Hermann Grimm, John Sterling and William Henry Furness. It also contains new information about Emerson's response to Thoreau's death in 1862.

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Known for challenging traditional thought and for his faith in the individual, Emerson was the chief spokesman for the Transcendentalist movement. His poems speak to his most passionately held belief: that external authority should be disregarded in favor of one's own experience. From the embattled farmers who "fired the shot heard round the world" in the stirring "Concord Hymn," to the flower in "The Rhodora," whose existence demonstrates "that if eyes were made for seeing, / Then Beauty is its own excuse for being," Emerson celebrates the existence of the sublime in the human and in nature. Combining intensity of feeling with his famous idealism, Emerson's poems reveal a moving, more intimate side of the man revered as the Sage of Concord.

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Arranged for daily inspiration, wisdom from one of America’s great visionary and philosophical minds.“A chief event of life is that day on which we have encountered a mind that startled us.” A Year with Emerson is a feast of 365 such days. Known throughout the world for his cogent, epigrammatic writing, admired as the “George Washington of American Literature,” his work is even more enriching in bigger doses. Daily almanac entries present the heart of Ralph Waldo Emerson’s ideas and philosophy. Some were written on the very day in which they appear in the book, some are speculations and musings of the season and the natural world, but all are unfailingly wise, still relevant to our modern times.Emerson’s mind ranged across the universe even as he traveled the length and breadth of the United States and Europe. With Emerson as a companion and guide, we meet the ideas and personalities he championed and encountered, from Lincoln to John Muir, from Carlyle to Montaigne, and, of course, the close New England circle of Hawthorne, Thoreau, Margaret Fuller, and the Alcotts. With company such as this, and the scope of Emerson’s vision, you're sure to encounter rich food for thought every day of the year.

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One of Fortune's 'Best Books of 2021'When Ralph Waldo Emerson published his seminal essay on self-reliance in 1841, the United States was still reeling from the effects of a calamitous financial collapse four years earlier. His positive vision for the power of individualism and personal responsibility was issued in a climate of panic and uncertainty, at a time when the values of society and humanity were shifting. Emerson’s text is widely available to read online, but this new edition, produced with Design Observer, elevates his wisdom through the printed word. The global pandemic of 2020 has reshaped our world as well as our thinking, but Emerson’s call to independence remains as relevant and energizing as ever. Written as the first waves of the virus surged, Jessica Helfand's twelve accompanying essays address various aspects of artistic engagement — writing, drawing, thinking, making — expanding on the spirit of Emerson’s essay to reimagine the process and practice of what it means to be truly creative. Presented in a covetable pocket-book format intended to be read, carried, consulted and to inspire throughout our new daily lives, and featuring two marker ribbons for easy reference, this is a timeless book for all places and all seasons.

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When Emerson died in 1882 he was the most famous public intellectual in America. Yet his most remarkable literary creation--his journals--remained unpublished. Begun when he was a precocious Harvard junior of 16 and continued without significant lapse for almost 60 years, Emerson's journals were his life's work. They were the starting point for virtually everything in his celebrated essays, lectures, and poems. It would be a hundred years after his death before these intimate records would appear in print in their entirety, and they are still, at over three million words, among the least known and least available of Emerson's writings. With Selected Journals 1820-1842 and its companion volume Selected Journals 1841-1877, The Library of America presents the most ample and comprehensive nonspecialist edition of Emerson's great work ever published--one that retains the original order in which he composed his thoughts and preserves the dramatic range of his unique style in long, uninterrupted passages, but without the daunting critical apparatus of the 16-volume scholarly edition. Each volume includes a 16-page portfolio of images of Emerson and his contemporaries, a note on the selections, extensive notes, biographical sketches, a chronology, and an index. This volume begins with Emerson's first journal entry, on January 25, 1820, in a homemade booklet he titled The Wide World, and follows him through his early years at Harvard College and the Divinity School, his ordination as a Unitarian minister, his marriage to Ellen Tucker and her untimely death, his fateful decision to leave the ministry, and his travels in England and on the Continent. It offers an irreplaceable perspective on the intellectual currents of the day--the emergence of Transcendentalism; the furor over Emerson's "Divinity School Address"; the founding of The Dial; experiments in communal living at Fruitlands and Brook Farm--and intimate sketches of Emerson's friends and contemporaries, including Henry David Thoreau, Margaret Fuller, Thomas Carlyle, William Wordsworth, Samuel Taylor Coleridge, Nathaniel Hawthorne, and others. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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A compilation of the best essays written by the father of transcendentalism, with selections from Emerson’s lectures on history, art, politics, and moreIn the words of Harold Bloom, “Emerson's prose is his triumph, both as eloquence and as insight. After Shakespeare, it matches anything else in the language.” Here are Ralph Waldo Emerson's classic essays, including the exhortation to “Self-Reliance,” the embattled realizations of “Circles” and “Experience,” and the groundbreaking achievement of “Nature.” Our most eloquent champion of individualism, Emerson acknowledges at the same time the countervailing pressures of society in American life. Even as he extols what he calls “the great and crescive self,” he dramatizes and records its vicissitudes. Also gathered here are his wide-ranging discourses on history, art, politics, friendship, love, and much more. For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes.

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When Emerson died in 1882 he was the most famous public intellectual in America. Yet his most remarkable literary creation--his journals--remained unpublished. Begun when he was a precocious Harvard junior of 16 and continued without significant lapse for almost 60 years, Emerson's journals were his life's work. They were the starting point for virtually everything in his celebrated essays, lectures, and poems; a "Savings Bank," in which his occasional insights began to cohere and yield interest; a commonplace book, in which he gathered the choicest anecdotes, ideas, and phrases from his voracious and wide-ranging reading; and a fascinating diary in the ordinary sense of the term. It would be a hundred years after his death before these intimate records would appear in print in their entirety, and they are still, at over three million words, among the least known and least available of Emerson's writings. The journals reveal what Emerson called "the infinitude of the private man"-by turns whimsical, incisive, passionate, curious, and candid-in astonishing new ways. With Selected Journals 1841-1877 and its companion volume Selected Journals 1820-1842, The Library of America presents the most ample and comprehensive nonspecialist edition of Emerson's great work ever published-one that retains the original order in which he composed his thoughts and preserves the dramatic range of his unique style in long, uninterrupted passages, but without the daunting critical apparatus of the 16-volume scholarly edition. Each volume includes a 16-page portfolio of images of Emerson and his contemporaries, a note on the selections, extensive notes, biographical sketches, a chronology, and an index. This volume opens with an Emerson at the height of his powers, soon to write his celebrated essays "Experience" and "Self-Reliance," and in the midst of a vibrant intellectual circle. It follows his anguished reactions to the nation's intensifying political turmoil: his anger at the Fugitive Slave Law of 1850, his antislavery activism, and his day- to-day experience of the Civil War (including a wartime trip to Washington, D.C., where he met President Lincoln).LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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The journals of 1835–1838, perhaps the richest Ralph Waldo Emerson had yet written, cover the pivotal years when he brought to Concord his second wife, Lydia Jackson of Plymouth, published Nature (1836), and wrote “The American Scholar” (1837) and the Divinity School Address (1838). As he turned from the pulpit to the lecture platform in the 1830’s, the journals became more and more repository for the substance of future lectures; his annual winter series, particularly those dealing with The Philosophy of History, in 1836–1837, and Human Culture, in 1837–1838, were drawn largely from materials contained in this volume.Along with lecture material, the journals of these years include Emerson’s notes on his extensive reading, expressions of his griefs and joys, and his perennial reflections on man and his relation to nature and the divine. The birth of his son Waldo in October of 1836 compensated perhaps for the death of his beloved brother Charles the previous May. New friendships with Margaret Fuller, Henry Thoreau, and especially Bronson Alcott (whom Emerson called “the highest genius of the time”) replaced to a degree the close intellectual companionship he had enjoyed with Charles.Printed here for the first time are the complete texts of these journals. They reveal the continuity of Emerson’s development and add to the understanding both of his thought and of his methods of literary composition.

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Emerson's journals of 1847-1848 deal primarily with his second visit to Europe, occasioned by a British lecture tour that began at Manchester and Liverpool in November of 1847, took him to Scotland in the following February, and concluded in London during June after he had spent a month as a sightseer in Paris. The journals of these years, along with associated notebooks and letters, recorded the materials for lectures that Emerson composed while abroad, for additional lectures on England and the English that he wrote shortly after his return to Concord, and ultimately, for English Traits, the book growing out of his travels that he was to publish in 1856.Travel abroad provided a needed change for Emerson in 1847 as it had done on previous occasions, though with his usual discounting of the values of mere change of place he was slow in deciding to make the trip. Discouragement with the prevailing political climate at the time of the Mexican War and the old uncertainty about his own proper role in the "Lilliput" of American society were much on his mind as the year began. In March he thought of withdrawing temporarily "from all domestic & accustomed relations"--preferably to enjoy "an absolute leisure with books," though he also recognized the want of some "stated task" to stimulate his flagging vitality; in July he finally agreed to accept a long-standing invitation to visit England as a lecturer. As matters turned out, a full schedule of lectures and travel, unexpectedly heavy social engagements along the way, and proliferating correspondence left Emerson little time for reading but did not prevent him from filling his journals with sharp observations on the passing scene.As Emerson moved about England his acknowledged admiration for the English rose every day, though he was careful to distinguish their less admirable qualities.The Englishman's "stuff or substance seems to be the best of the world," he told Margaret Fuller. "I forgive him all his pride. My respect is the more generous that I have no sympathy with him, only an admiration." He took a wry amusement from the new experience of being lionized by his hosts. In his journals are lively portraits of those who entertained him, such as Richard Monckton Milnes, his particular sponsor in the society of London and Paris, and sketches of literary notables including Rogers, Dc Quincey, Wilson, Tennyson, and Dickens. He renewed acquaintance with Wordsworth and recorded in detail the pronouncements of his old friend Carlyle. Settling in London in March and April of 1848, he divided his time between work at his desk, visits to nearby points of interest, and the mixed pleasures of a busy social life. In May he went to France just as an abortive uprising against the new provisional government was brewing. Four weeks in Paris served to correct his old "prejudice" against the French, who on closer acquaintance rose in his estimation just as the English had done. In June he returned to London to lecture, and in July, after visiting Stonehenge with Carlyle, he sailed home. As the journals reveal, he reached Concord refreshed and renewed by the change of scene, the new acquaintance, and the generous reception that the trip had brought him, and with an enlarged perspective that revealed to him once again the "proper glory" of his own country.

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Ralph Waldo Emerson’s decision to quit the ministry, arrived at painfully during the summer and fall of 1832, was accompanied by illness so severe that he was forced to give up any immediate thought of a new career. Instead, in December, he embarked on a tour of Europe that was to take him to Italy, France, Scotland, and England. Within a year after his return in the fall in 1833, his health largely restored, he went to live in the town of Concord, his home from then on.The record of Emerson’s ten months in Europe which makes up a large part of this book is unusually detailed and personal, actually a diary recording what Emerson saw and did as well as what he thought. He describes cities, scenes, and buildings that he found striking in one way or another and he gives impressions of the people he met. During his travels he made the acquaintance of Landor, of Lafayette, and of Carlyle, Wordsworth, and Coleridge, all of whom stimulated him. In Paris he was so much stirred by a visit to the Jardin des Plantes that he determined “to become a naturalist.”On his return to America, still without a profession, he reverted in his journals to the more impersonal form they had taken in his days as a minister, focusing on his inner experiences rather than on external events. Notes start dotting the pages once again, this time not so much for future sermons—although for years he did a certain amount of occasional preaching as for the addresses of the public lecturer he would soon become.Through the thirty-four months covered by this volume, the journals continue to he the advancing record of Emerson’s mind, demonstrating a growing maturity and firmness of style by compression and aphorism.

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"At first reading, Representative Men seems the most alien of Emerson's books. First published in 1850 (having taken form over the five preceding years as a series of lectures intended as 'winter evening entertainments'), it was inspired by the romantic belief that there exists a 'general mind' that expresses itself with special intensity through certain individual lives. It was an appreciation of genius as a quality distributed to the few for the benefit of the many. When, according to Longfellow, Emerson began to speak on these themes in Boston in 1845, the Odeon theater was jammed with 'old men and young, bald heads and flowing transcendental locks, matrons and maidens, misanthropists and lovers.' The crowds were rapt and grateful, as were their counterparts two years later in England where the lecture series continued...This edition of Representative Men is reproduced from the fourth volume of The Collected Works of Ralph Waldo Emerson, text established by Douglas Emory Wilson.

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In faithfully reproducing all of Ralph Waldo Emerson’s handwritten journals and notebooks, this edition is succeeding in revealing Emerson the man and the thinker. The old image of the ideal nineteenth-century gentleman, created by editorial omission of his spontaneous thoughts, is replaced by the picture of Emerson as he really was. His frank and often bitter criticisms of men and society, his “nihilizing,” his views of woman, his ideas of the Negro, of religion, of God—these and other expressions of his private thought and feeling, formerly deleted or subdued, are here restored. Restored also is the full evidence needed for studies of his habits of composition, the development of his style, and the sources of his ideas. Canceled passages are reproduced, misreadings are corrected, and hitherto unpublished manuscripts are now printed.Here is the twelfth volume, which makes available nine of Emerson’s lecture notebooks, covering a span of twenty-seven years, from 1835 to 1862, from apprenticeship to fame. These notebooks contain materials Emerson collected for the composition of his lectures, articles, and essays during those years, a complex mixture of index-like surveys of his journals, lists of possible topics and titles, salvaged journal passages and revisions, new drafts ranging from brief paragraphs to several pages in length, notes and translations from his reading, working notes, and partial outlines. In them we see Emerson at work, balancing his aspirations as orator and writer against the practicalities of deadlines, finances, and audiences.

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Emerson's Essays have become the signature writings of the famous American transcendentalist Ralph Waldo Emerson. Not only did these essays turn heads and open eyes in the mid nineteenth century, but they are still doing the same today. His spiritual insights can be seen most profoundly in New Thought and the work of Ernest Holmes and the Science of Mind philosophy. So much so, that specific essays are required reading in New Thought introductory classes. One teacher who has earned the esteem of spiritual leaders throughout New Thought, Dr. Carol Carnes has now provided readers with the specific essays that influenced Ernest Holmes the most: Self-Reliance, The Over-Soul, Spiritual Laws, Compensation, and Circles. Each chapter includes an essay and Carol's commentary along with her insightful questions for the reader. The entire book has been edited to allow each reader to easily understand and grasp these concepts on a personal level in the world of today.

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The journals from 1854 to 1861 show the ripeness of Ralph Waldo Emerson’s thought overshadowed by the gravest problem of his time—slavery. In addition to completing English Traits (1856) and Conduct of Life (1860), Emerson wrote many of the lectures and articles that made up his next book, Society and Solitude. He also contributed often to The Atlantic Monthly after helping to found that magazine in 1857. Throughout these years he extended his strenuous trips as a lyceum lecturer, crossing and recrossing the frozen Mississippi several times each winter. In Concord, he continued his omnivorous reading, his beloved walks, and his friendships with Alcott, Channing, and Thoreau, but at home or away he saw America’s future darkening daily. In 1856, Emerson wrote to his brother William, “But what times are these, & how they make our studies impertinent, & even ourselves the same! I am looking into the map to see where I shall go with my children when Boston & Massachusetts surrender to the slave-trade.”Influenced by events such as the murder of New England men in bloody Kansas and the assault on Charles Sumner in the U.S. Congress in 1856, by a growing friendship with Theodore Parker, and by John Brown’s visits to Concord in 1857 and 1859, Emerson became one of the most notable speakers against slavery. He armed himself for his emergence from the study by marshalling his thoughts on liberty as he would have ranged his thoughts on any other topic. Notebook WO Liberty, rediscovered in the Library of Congress in 1964, collects his ideas on slavery and human liberty. Probably begun in 1854 it contains drafts or records of seven antislavery speeches, including his major antislavery address, “American Slavery,” first given in January, 1855. These notebooks and journals bring the philosopher of "the infinitude of the private man" to January 1861 and the brink of war.

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With the appearance of the tenth and final volume of Collected Works, a project fifty years in the making reaches completion: the publication of critically edited texts of all of Emerson’s works published in his lifetime and under his supervision. The Uncollected Prose Writings is the definitive gathering of Emerson’s previously published prose writings that he left uncollected at the time of his death.The Uncollected Prose Writings supersedes the three posthumous volumes of Emerson’s prose that James Elliot Cabot and Edward Waldo Emerson added to his canon. Seeing as their primary task the expansion of the Emerson canon, they embellished and improvised. By contrast, Ronald A. Bosco and Joel Myerson have undertaken the restoration of Emerson’s uncollected prose canon, printing only what Emerson alone wrote, authorized for publication, and saw into print.In their Historical Introduction and Textual Introduction, the editors survey the sweep of Emerson’s uncollected published prose. The evidence they marshal reveals Emerson’s progressive reliance on lectures as forerunners to his published prose in major periodicals and clarifies what has been a slowly emerging portrait of the last decade and a half of his life as a public intellectual.

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The Civil War is a pervasive presence in the journals in this volume. “The war searches character,” Ralph Waldo Emerson wrote. Both his reading and his writing reflected his concern for the endurance of the nation, whose strength lay in the moral strength of the people. He read military biographies and memoirs, while turning again to Persian, Chinese, and Indian literature. The deaths of Clough, Thoreau, Hawthorne, and his aunt Mary Moody Emerson prompted him to reread their letters and journals, remembering and reappraising.These were stirring, poignant years for Emerson. The times were hard, his lecturing was curtailed, and a new book seemed out of the question. He felt the losses, fears, and frustrations that come to those who believe in a cause they are too old to fight for. But his respected position as a man of letters brought him some unusual experiences, such as a trip to Washington in which he met President Lincoln, Secretaries Seward and Chase, and other key figures in the government. Inspecting West Point as a member of the Board of Visitors, he was deeply impressed by the character and spartan training of the cadets who were soon to see action.At the war’s end, busy again with a heavy lecture schedule and feeling his age a little, he took a long look back at the conflict and concluded that war “heals a deeper wound than any it makes.”

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In July 1841, Ralph Waldo Emerson wrote to Thomas Carlyle: “My whole philosophy…teaches acquiescence and optimism.” The journals in this volume, beginning in the summer of 1841, record the spiritual history of two years that can be viewed as the most critical test in Emerson’s life of his ability to maintain the two aspects of that philosophy.Early in 1842 his son Waldo died, and the man who only months before had described himself as “professor of the joyous Science” found himself once again confronting the full implications of grief. Seeking to comprehend the loss, he used his journals to articulate and rediscover the vital faith upon which his philosophy rested. In passages that went eventually into “Experience,” and in the earliest drafts of the poem “Threnody,” which appear for the first time in these pages, he discovered that even this harsh event had its “compensations.” Waldo’s death forced a reassessment of the convictions that gave life to his earlier writings. He transformed his numb responses into his most moving poetry and prose, giving new and significant meaning to his “old motto”: “I am Defeated all the time, yet to Victory I am born.”Emerson’s motto is revealing, for its concepts display aptly the bipolarity that characterizes so much of his thought during these crucial years. He carried on at length an internal debate between the active and passive life styles. He saw his friends committed in their various ways to a more emphatic practice of their philosophies than he was able to undertake. Moving between engagement and withdrawal, commitment and aloofness, action and passivity, he consistently sought that point of equilibrium where the opposing forces of his thought could be held in creative tension.As Emerson’s private experience deepened, he was becoming more completely the public man of letters: writing, publishing, editing The Dial, and lecturing. His travels brought him in contact with the leading men of his day, and with sights and exposures which even his beloved New England could not offer. Amidst the public duties, however, it was Concord which remained the still, vital center of his life. A brilliant and widely diversified range of visitors brought the world to Emerson’s home and inspired him to explore personal and literary issues which he would develop in his journals and later utilize in lectures and essays.Emerson saw his calling as that of a poet; these journals are abundant in verse. Working versions of some of his most noted poems reveal the complex relationship between his private and literary life and the manner in which he attempted to fuse the diversities of his thought. In the eight regular journals and three miscellaneous notebooks of this volume is the record of these fusions. This period of his life closes, as it opened, with “acquiescence and optimism.” But the creative skepticism which is so characteristic of the second series of essays and the poems of 1841–1843 is the mark of a “very real philosophy,” tempered and tried by adversity, by success, and by “Experience.”

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The pages of these five journals covering the years 1843 to 1847 are filled with Ralph Waldo Emerson’s struggle to formulate the true attitude of the scholar to the vexing question of public involvement. Pulled between his belief that a disinterested independence was a requisite for the writer and the public demands heaped upon him as a leading intellectual figure, he notes to himself that he “pounds…tediously” on the “exemption of the writer from all secular works.”Although Emerson concluded his editorship of The Dial in 1844, he was continually beset by calls for public service, most of which drew their impetus from the reformist syndrome of the 1840s. In response to such issues as the Temperance Movement, the utopian communities, and Henry Thoreau’s experiment in self-reliance at Walden Pond, Emerson exercised sympathetic skepticism and held a growing conviction that the society of the day was not the lost cause many of his contemporaries believed it to be.These journals record Emerson’s optimistic attitudes and show how later they existed side-by-side with concerns that, under the impulse of abolition, Texas, and the Mexican War, led him to some bitter conclusions about the state of the nation. Thoreau’s refusal to pay his poll tax in demonstration against slavery and the war particularly horrified him, and he confides in his journal that Thoreau’s action diverted attention from the possibility of real reform.The moral ambivalence and cynicism of the day strengthened Emerson’s belief that the self-reliant individual was the only answer. These individuals—men like Garrison, Phillips, and Carlyle—were, in Emerson’s estimation, destined to set the standards by which society would be judged. Encouraged by the prospective publication of his first volume of poetry in 1846, Emerson also spent much of this period composing verse. Among the poems in these journals are “Uriel,” “Merlin,” “Ode to Beauty,” and a section from “Initial, Daemonic, and Celestial Love.”In anticipation of his second visit to Europe, Emerson began preparing a lecture series on “Mind and Manners of the Nineteenth Century.” In these lectures he would take to the Old World his observations on the complexities of the times.

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Ralph Waldo Emerson, the man and thinker, will be fully revealed for the first time in this new edition of his journals and notebooks. The old image of the ideal nineteenth-century gentleman, created by editorial omissions of his spontaneous thoughts, is replaced by the picture of Emerson as he really was. His frank and often bitter criticisms of men and society, his “nihilizing,” his anguish at the death of his first wife, his bleak struggles with depression and loneliness, his sardonic views of woman, his earthy humor, his ideas of the Negro, of religion, of God—these and other expressions of his private thought and feeling, formerly deleted or subdued, are here restored. Restored also is the full evidence needed for studies of his habits of composition, the development of his style, and the sources of his ideas.The second volume prints the exact texts of nine journals and three notebooks. It reveals the shape of some of Emerson’s enduring interests, in embryo “essays” on the moral sense, moral beauty, taste, greatness and fame, friendship, compensation, and the unity of God and the universe. Restored from oblivion are suppressed passages on the Negro and revelations of acute melancholy and rebelliousness. These records of his developing thought are also the history of his early obscurity, when the fame he sought was still painfully remote.

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