Search results for ""Author Emile Zola""

El paraíso de los gatos es una fábula sobre la vida de los gatos, esos buenos amigos de los hombres. El filósofo francés Taine, amigo de Zola, dijo que habiendo estudiado detenidamente a los filósofos y a los gatos, encontraba mucho más sabios a los gatos. El cuento plantea una interesante discusión. Debemos buscar en la vida la seguridad ante todo? O hay otras cosas que quizás valgan más la pena, como la búsqueda de aventuras o de ideales? El simpático gato protagonista de esta historia nos cuenta con toda sinceridad su experiencia y sus razones, y también las de sus compañeros de aventuras, y con ello nos trasladan estas preguntas a los lectores.

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ESTOS RELATOS MARCAN LA CIMA EN ZOLA, POR ENCIMA DE SUS NOVELAS MÁS CONOCIDAS.Las narraciones incluidas en el presente libro superan, sin duda, sus novelas de mayor renombre, lastradas, en muchos casos,por una extensión excesiva y un exceso de tremendismo pesimista en su descripción de la sociedad de la época. Escritos para ser publicados en revistas, elaborados con anterioridad a sus laboriosos ciclos novelescos, se puede decir que casi baten al coetáneo y brillante Maupassant en su mismo terreno -el naturalismo límpido, emotivo, impactante- y manifiestan una vertiente de Zola que, de haber abundado en la misma, lo hubiera convertido, quizá, en un autor tan vigente y atractivo como son esos otros grandes realistas decimonónicos, Flaubert y Balzac. Originales, llenos de emoción, estos relatos propician una lectura apasionante y manifiestan una faceta lúdica a la vez que muy humana del autor que finalmente resultó, quizá por desgracia, ofuscada por su condición de escritor socialmente c

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Con La conquista de Plassans (1874), la cuarta novela del ciclo, Zola vuelve al lugar de origen de los Rougon-Macquart. Aquí, en la engañosa tranquilidad de la provincia, descrita con un ojo agudísimo y sarcástico, es un matrimonio entre primos de las dos ramas de la familia, Marthe Rougon y François Mouret, quien va a hospedar a un inquilino no menos sospechoso: un extraño sacerdote, sucio y pagado de sí mismo, que en poco tiempo se dispone a regir los destinos de Plassans y a influir en las decisiones de sus ciudadanos. El matrimonio verá poco a poco cómo no sólo su casa y su ciudad dejan de ser suyos, sino cómo ellos mismos son desposeídos de su personalidad, abocados al éxtasis y a la locura.

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Now the basis for the major BBC tv adaptation The Paradise, this is a lavish drama and a timeless commentary on consumer capitalism. The Penguin Classics edition of Émile Zola's The Ladies' Delight is based on an acclaimed, vivid and modern translation by Robin Buss, who has also introduced the novel.The Ladies' Delight is the glittering Paris department store run by Octave Mouret. He has used charm and drive to become director of this mighty emporium, unscrupulously exploiting his young female staff and seducing his lady customers with luxurious displays of shimmering silks, satins, velvets and lace. Then Denise Baudu, a naïve provincial girl, becomes an assistant at the store - and Mouret discovers that he in turn can also be enchanted. With its greedy customers, gossiping staff and vibrant sense of theatre, The Ladies' Delight (Au Bonheur des Dames in the original French) is one of the most richly exciting novels in Zola's Les Rougon-Macquart cycle.This edition also contains a bibliography, introduction, chronology and explanatory notes.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).'A complete page-turner about the consumer society, greed, fashion and instant gratification'India Knight'A fine translation'The Times Literary Supplement

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His haunting, impressionistic study of a man's slow corruption by jealousy, Emile Zola's The Beast Within (La Bete Humaine) is translated from the French with an introduction and notes by Roger Whitehouse in Penguin Classics.Roubaud is consumed by a jealous rage when he discovers a sordid secret about his young wife's past. The only way he can rest is by forcing her to help him murder the man involved, but there is a witness - Jacques Lantier, a fellow railway employee. Jacques, meanwhile, must contend with his own terrible impulses, for every time he sees a woman he feels the overwhelming desire to kill. In the company of Roubaud's wife, Severine, he finds peace briefly, yet his feelings for her soon bring disasterous consequences. A key work in the Rougon-Macquart cycle, The Beast Within is one of Zola's most dark and violent works - a tense thriller of political corruption and a graphic exploration of the criminal mind.Roger Whitehouse's vivid translation is accompanied by an introduction discussing Zola's depiction of the railways, politics and the legal system and the influence of the studies of criminology and the Jack the Ripper murders on his novel. This edition also includes a chronology, suggestions for further reading and notes.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).If you enjoyed The Beast Within, you might like Zola's The Drinking Den, also available in Penguin Classics.

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"I recall the long hours I sat for him... From time to time, as I posed, half-asleep, I looked at the artist standing at his easel, with features drawn, clear-eyed, engrossed in his work. He had forgotten me, he no longer knew I was there, he simply copied me, as if I were some kind of human beast, with a concentration and artistic integrity that I have seen nowhere else." Zola's writings on Manet, the most important of which are presented in this volume, were the first to identify the painter's seminal role in the emergence of modern art.

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'It was the time when the rush for spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.' The Kill (La Curée) is the second volume in Zola's great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola's narrative world. Conceived as a representation of the uncontrollable 'appetites' unleashed by the Second Empire (1852-70) and the transformation of the city by Baron Haussmann, the novel combines into a single, powerful vision the twin themes of lust for money and lust for pleasure. The all-pervading promiscuity of the new Paris is reflected in the dissolute and frenetic lives of an unscrupulous property speculator, Saccard, his neurotic wife Renée, and her dandified lover, Saccard's son Maxime. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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'I really don't understand how people can blame a priest so much, when he strays from the path.' The Sin of Abbé Mouret tells the compelling story of the young priest Serge Mouret. Striving after spiritual purity and sanctity, he lives a life of constant prayer, but his neglect of all physical needs leads to serious illness, followed by amnesia. No longer knowing he is a priest, he falls in love with his nurse Albine. Together, like a latter-day Adam and Eve, they roam through an Eden-like garden called the 'Paradou', seeking a forbidden tree in whose shade they will make love. Zola memorably shows their gradual awakening to sexuality, and his poetic descriptions of the luxuriant and beautiful Paradou create a lyrical celebration of Nature. When Serge regains his memory and recalls his priestly vows, anguish inevitably follows. The whole story, with its numerous biblical parallels, becomes a poetic reworking of the Fall of Man and a questioning of the very meaning of innocence and sin. Zola explores the conflict between Church and Nature, the sterility of the Church and the fertility of Nature. This new translation includes a wide-ranging and helpful introduction and explanatory notes.

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In this moving depiction of a pilgrimage to Lourdes, the master French realist has created a novel of vivid characters and subtle commentary on suffering and the belief in miracles as the last desperate refuge from pain. Based on his own trip to the fabled grotto, the novel follows a simple five-part structure corresponding to the five-day train trip from Paris to Lourdes and back. Zola's brilliant observational powers are at their best as he moves from character to character describing in great detail the physical effects of their illnesses, their hopes, beliefs, fears, and above all endurance. The great novelist himself makes a brief appearance in the story, disguised as a skeptical reporter whose probing questions embarrass a doctor in charge of verifying the alleged miracles. In the end, amidst the tumult of emotions whipped up by religious fervor a miracle of a sort does take place, a psychosomatic cure of a woman suffering from hysterical paralysis. To a few skeptical observers in the entourage the event is a predictable natural occurrence, but to the majority of simple believers it is proof of divine intervention. In our age of televangelists and faith healers, this story has lost none of its relevance.

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A gripping psychological thriller adapted for the stage by Émile Zola himself from his own notorious novel, in a version by Nicholas Wright. Stifled by an oppressive mother-in-law and a sickly husband, Thérèse Raquin falls passionately for another man. Their feverish affair drives the lovers to an act of terrible desperation, which catapults them headlong into a world more claustrophobic than the one they sought to destroy. This English version of Thérèse Raquin was first staged at the National Theatre, London, in 2006.

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Zola's prophetic celebration of unbridled commerce and consumerism, "The Ladies' Paradise" ("Au bonheur des dames", 1883) recounts the frenzied transformations that made late nineteenth-century Paris the fashion capital of the world. The novel's capitalist hero, Octave Mouret, creates a giant department store that devours the dusty, outmoded boutiques surrounding it. Paralleling the story of commercial triumph is the love story between Mouret and the innocent Denise Baudu, who comes to work in "The Ladies' Paradise". She provides the crucial link between Mouret and the three essential social groups in the novel: the female clientele, the shopgirls, and the petit bourgeois shopkeepers of the neighborhood. But the store itself plays the leading role. Zola celebrates capitalism, commerce, and consumerism with a kind of prophetic optimism, calling this novel 'a poem of modern activity.' The work's interest for readers in feminist, cultural, and social history and theory is made abundantly clear in the introduction by Kristin Ross, and the fiction is reproduced in its colorful, 1886 English translation.

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'He loved power for power's sake . . . He was without question the greatest of the Rougons.' His Excellency Eugène Rougon (1876) is the sixth novel in Zola's twenty-volume Rougon-Macquart cycle. A political novel set in the corridors of power and in the upper échelons of French Second Empire society, including the Imperial court, it focuses on the fluctuating fortunes of the authoritarian Eugène Rougon, the 'vice-Emperor'. But it is more than just a chronicle. It plunges the reader into the essential dynamics of the political: the rivalries, the scheming, the jockeying for position, the ups and downs, the play of interests, the lobbying and gossip, the patronage and string-pulling, the bribery and blackmail, and, especially, the manipulation of language for political purposes. The novel's themes-especially its treatment of political discourse-have remarkable contemporary resonance. His Excellency Eugène Rougon is about politics everywhere.

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In contrast with the epic scope of the Rougon-Macquart novels, Zola’s short stories are concerned with the everyday aspects of human existence and the interests of ordinary people. From the cruel irony of ‘Captain Burle’ to the Rabelaisian exuberance of ‘Coqueville on the Spree’, these stories display the broad range of Zola’s imagination, using a variety of tones, from the quietly cynical to the compassionate, from the playful to the tragic. Contains: Dead Men Tell No Tales Coqueville on the Spree Captain Burle Shellfish for Monsieur Chabre

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'He thought he could see, in a flash, the future of the Rougon-Macquart family, a pack of wild satiated appetites in the midst of a blaze of gold and blood.' Set in the fictitious Provençal town of Plassans, The Fortune of the Rougons tells the story of Silvère and Miette, two idealistic young supporters of the republican resistance to Louis-Napoleon Bonaparte's coup d'état in December 1851. They join the woodcutters and peasants of the Var to seize control of Plassans, opposed by the Bonapartist loyalists led by Silvère's uncle, Pierre Rougon. Meanwhile, the foundations of the Rougon family and its illegitimate Macquart branch are being laid in the brutal beginnings of the Imperial regime. The Fortune of the Rougons is the first in Zola's famous Rougon-Macquart series of novels. In it we learn how the two branches of the family came about, and the origins of the hereditary weaknesses passed down the generations. Murder, treachery, and greed are the keynotes, and just as the Empire was established through violence, the 'fortune' of the Rougons is paid for in blood. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Thérèse Raquin is a clinically observed, sinister tale of adultery and murder among the lower orders in nineteenth-century Paris. Zola's dispassionate dissection of the motivations of his characters, mere `human beasts' who kill in order to satisfy their lust, is much more than an atmospheric Second Empire period-piece. Many readers were scandalized by an approach to character-drawing which seemed to undermine not only the moral values of a deeply conservative society, but also the whole code of psychological description on which the realist novel was based. Together with the important `Preface to the Second Edition' in which Zola defended himself against charges of immorality, Thérèse Raquin stands as a key early manifesto of the French Naturalist movement, of which Zola was the founding father. Even today, this novel has lost none of its power to shock. This new translation is based on the second edition of 1868. The Introduction situates the novel in the context of Naturalism, medicine, and the scientific ideas of Zola's day. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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