Search results for ""Author Arturo""

In Pluriversal Politics Arturo Escobar engages with the politics of the possible and how established notions of what is real and attainable preclude the emergence of radically alternative visions of the future. Reflecting on the experience, philosophy, and practice of indigenous and Afro-descendant activist-intellectuals and on current Latin American theoretical-political debates, Escobar chronicles the social movements mobilizing to defend their territories from large-scale extractive operations in the region. He shows how these movements engage in an ontological politics aimed at bringing about the pluriverse—a world consisting of many worlds, each with its own ontological and epistemic grounding. Such a politics, Escobar contends, is key to crafting myriad world-making stories telling of different possible futures that could bring about the profound social transformations that are needed to address planetary crises. Both a call to action and a theoretical provocation, Pluriversal Politics finds Escobar at his critically incisive best.

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Encuadernación: RústicaColección: Letras UniversalesEste libro recoge en esencia la vida del escritor suizo Ulrich Bräker, nacido en 1735 en una familia campesina muy pobre, criado en medio de grandes necesidades, que fue soldado mercenario, escapó de la guerra, volvió a casa, se casó, se dedicó al negocio del hilo, tuvo hijos. y poco más. Una vida como la de muchos de sus paisanos y vecinos, nada especial, y sin embargo esta autobiografía novelada, o novela autobiográfica, ha recibido los elogios de autores como Hofmannsthal o Walter Benjamin.Hay en la obra de Bräker un carácter tan atormentado y temeroso de Dios como firme en su individualidad, un carácter marcado por la introspección reflexiva y una curiosidad y admiración por el mundo que trata de ver en lo anecdótico tanto las leyes naturales o del hombre como los designios del Todopoderoso. Esto es lo que permite a Bräker contemplarse desde cierta distancia y narrar su discurrir por el mundo exterior e interior de form

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In Pluriversal Politics Arturo Escobar engages with the politics of the possible and how established notions of what is real and attainable preclude the emergence of radically alternative visions of the future. Reflecting on the experience, philosophy, and practice of indigenous and Afro-descendant activist-intellectuals and on current Latin American theoretical-political debates, Escobar chronicles the social movements mobilizing to defend their territories from large-scale extractive operations in the region. He shows how these movements engage in an ontological politics aimed at bringing about the pluriverse—a world consisting of many worlds, each with its own ontological and epistemic grounding. Such a politics, Escobar contends, is key to crafting myriad world-making stories telling of different possible futures that could bring about the profound social transformations that are needed to address planetary crises. Both a call to action and a theoretical provocation, Pluriversal Politics finds Escobar at his critically incisive best.

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In Designs for the Pluriverse Arturo Escobar presents a new vision of design theory and practice aimed at channeling design's world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth. Noting that most design—from consumer goods and digital technologies to built environments—currently serves capitalist ends, Escobar argues for the development of an “autonomous design” that eschews commercial and modernizing aims in favor of more collaborative and placed-based approaches. Such design attends to questions of environment, experience, and politics while focusing on the production of human experience based on the radical interdependence of all beings. Mapping autonomous design’s principles to the history of decolonial efforts of indigenous and Afro-descended people in Latin America, Escobar shows how refiguring current design practices could lead to the creation of more just and sustainable social orders.

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Algorithmic design is not simply the use of computer to design architecture and objects. Algorithms allow designers to overcome the limitations of traditional CAD software and 3D modelers, reaching a level of complexity and control which is beyond the human manual ability. Algorithms-Aided Design presents design methods based on the use of Grasshopper®, a visual algorithm editor tightly integrated with Rhinoceros®, the 3D modeling software by McNeel & Associates allowing users to explore accurate freeform shapes. The book provides computational techniques to develop and control complex geometries, covering parametric modeling, digital fabrication techniques, form-finding strategies, environmental analysis and structural optimization. It also features case studies and contributions by researchers and designers from world's most influential universities and leading architecture firms. 

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El conflicto entre Occidente y Oriente ? tan de moda en la actualidad ? no es nuevo, sino que hunde sus raíces en la Antigüedad. A la muerte de Alejandro Magno (323 a.C) esa lucha se enquistó entre sus herederos y los partos, que libraron cruentas luchas

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La actuación de los pretorianos estuvo marcada por el heroísmo y la traición. Su poder creció hasta convertirse en la llave de la política de Roma y no tardaron en aprovecharse de ello. Su preparación era la mejor, sus medios ilimitados y su capacidad no tenía igual. No existían soldados más diestros entre las tropas romanas. Este es un relato épico sobre la guardia imperial, los guerreros seleccionados para proteger la integridad del Estado cuyo destino estaba en sus manos. Siempre preparados para neutralizar cualquier amenaza, quizá salvaron la vida a tantos emperadores como a los que se la arrebataron. Roma. En la residencia palatina, el soberano del más grande imperio occidental ni siquiera se permite pasear por sus jardines sin ser vigilado. El poder genera ambición por ocuparlo, y no había mayor poder en la Antigüedad que el emperador. Las campañas fronterizas contra los germanos o los partos suponen un peligro adicional. Nunca sus enemigos extranjeros tendrán otra oportunidad co

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Colonial discourse in the United States has tended to criminalize, pathologize, and depict as savage not only Native Americans but Mexican immigrants, indigenous peoples in Mexico, and Chicanas/os as well. While postcolonial studies of the past few decades have focused on how these ethnicities have been constructed by others, Disrupting Savagism reveals how each group, in turn, has actively attempted to create for itself a social and textual space in which certain negative prevailing discourses are neutralized and rendered ineffective. Arturo J. Aldama begins by presenting a genealogy of the term “savage,” looking in particular at the work of American ethnologist Lewis Henry Morgan and a sixteenth-century debate between Juan Ginés de Sepúlveda and Bartolomé de las Casas. Aldama then turns to more contemporary narratives, examining ethnography, fiction, autobiography, and film to illuminate the historical ideologies and ethnic perspectives that contributed to identity formation over the centuries. These works include anthropologist Manuel Gamio’s The Mexican Immigrant: His Life Story, Leslie Marmon Silko’s Ceremony, Gloria Anzaldúa’s Borderlands/La Frontera, and Miguel Arteta’s film Star Maps. By using these varied genres to investigate the complex politics of racialized, subaltern, feminist, and diasporic identities, Aldama reveals the unique epistemic logic of hybrid and mestiza/o cultural productions.The transcultural perspective of Disrupting Savagism will interest scholars of feminist postcolonial processes in the United States, as well as students of Latin American, Native American, and literary studies.

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In this fourth instalment, Captain Alatriste becomes involved in a mission to save the King of Spain's gold... Swashbuckling adventure and high octane action.The year is 1626, and a battle-weary Captain Alatriste and his companions sail home from the on-going war in Flanders. He returns to a Spain that is rotten to the core, as gold from the Americas floods into the port of Seville, brought by the country's infamous treasure fleet.As various factions within the Court vie for supremacy, certain interests are creaming off undeclared profits from the galleons' cargo, thus depriving the royal treasury of its lifeblood. Indeed some of the booty is finding its way into the hands of the same rebel provinces Spain is fighting to suppress.The King and his most trusted advisor, the Count-Duke Olivares, have become aware of one such plot and have decided to teach the perpetrator a lesson. Once more, they must call upon Captain Alatriste's blade in a dangerous adventure that will bring the captain face to face with his nemesis, and with a ruthless man who has designs on the throne...

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The third in the bestselling Captain Alatriste series.Flanders, 1625. After his tussles with the Inquisition and the intrigue of the Spanish court, Captain Alatriste has returned to the mud and desperation of the long war in Flanders. This is Iñigo's first experience of war and the realities of hand to hand combat. It is on the battlefield that he will finally have the chance to become a man and prove his worth.The troops are weary and ill-nourished and the winter has been long. As Spain sinks ever further into depravity and corruption, the soldiers have not been paid and must survive by whatever ways they can. Mutiny is in the air, but the Spaniards are strong and their famous iron discipline has brought them many victories against the Calvinist forces of the heretics. Reputation, honour, and the glory of Spain will keep them in the fight, but for how long? Meanwhile, the Captain's trusted friend Quevedo's star is rising at court and he keeps Alatriste appraised of the machinations of his arch-enemy Luis de Alquézar and the notorious assassin with the black heart, Gualterio Malatesta.

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Charming yarns spun around a series of artist-made knitted creatures provide entertainment as well as warm-hearted life lessons. The curious creatures with unusual problems arrive daily at Dr Knit’s laboratory and consulting rooms. The solutions he provides will engage and amuse the reader. Enjoy the tale of the owl whose impaired vision turns out to be due to the fact that he is blind to love, and whose enlightenment clears his vision. Or read about the cupcake whose sadness, despite her impressive shoe collection, is the result of the baker forgetting to make her a heart—easily solved by Dr Knit with a little cake-colored knitted heart. Each case study is illustrated with photographs and illustrations that bring the stories to life, while the patterns for the characters and their accessories are supplied at the back of the book.

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In Designs for the Pluriverse Arturo Escobar presents a new vision of design theory and practice aimed at channeling design's world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth. Noting that most design—from consumer goods and digital technologies to built environments—currently serves capitalist ends, Escobar argues for the development of an “autonomous design” that eschews commercial and modernizing aims in favor of more collaborative and placed-based approaches. Such design attends to questions of environment, experience, and politics while focusing on the production of human experience based on the radical interdependence of all beings. Mapping autonomous design’s principles to the history of decolonial efforts of indigenous and Afro-descended people in Latin America, Escobar shows how refiguring current design practices could lead to the creation of more just and sustainable social orders.

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Shingen el conquistador, volumen quinto de la monumental obra de Terje Solum La saga de los samuráis, recorre una década encarnizada cuya principal característica es la desmedida ambición e insaciable sed de conquista del clan Takeda. Una década en la que el conflicto por la supremacía sobre Shinano alcanzará su punto álgido en la cruenta e impredecible cuarta batalla de Kawanakajima (1561), testigo del duelo personal real o legendario entre los archienemigos Shingen y Kenshin, al tiempo que el fragor y la devastación de la guerra se extenderá por doquier, alcanzando al Echigo de los poderosos Uesugi, al norte, Kozuke al oeste y Suruga al sur, feudo de los Imagawa. Siempre alerta de cualquier amenaza externa o conjura interna, Takeda Shingen desarrollará una compleja y tupida red de espías o shinobi, de cuya labor da cuenta el presente volumen, así como de otra de sus estratagemas a medio camino entre la realidad y el mito, el kagemusha o ?general sombra?.Con 6 láminas a color, map

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UN HOMBRE, TRES MUJERES Y UNA REVOLUCIÓN.UN VIAJE AL CORAZÓN HUMANO Y A LA AVENTURA.UNO DE LOS LIBROS DEL AÑO SEGÚN EL CORREOLa etapa creativa que está atravesando Arturo Pérez-Reverte resulta asombrosa. [Revolución es] la mejor novela de Pérez-Reverte? Al menos y sin duda, una de las mejores.Sergio Vila-Sanjuán, La VanguardiaÉsta es la historia de un hombre, tres mujeres, una revolución y un tesoro. La revolución fue la de México en tiempos de Emiliano Zapata y Francisco Villa. El tesoro fueron quince mil monedas de oro de a veinte pesos de las denominadas maximilianos, robadas en un banco de Ciudad Juárez el 8 de mayo de 1911. El hombre se llamaba Martín Garret Ortiz y era un joven ingeniero de minas español. Todo empezó para él ese mismo día, cuando desde su hotel oyó un primer disparo lejano. Salió a la calle para ver qué ocurría y a partir de ese momento su vida cambió para siempre...Revolución es m

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UNA HISTORIA DE AMOR, MAR Y GUERRA.Nada traiciona, tanto tiempo después, la mujer que desde hace dos años vive sola junto al mar con un perro y unos libros. Qué otra cosa, decide, sería el impulso, o el deseo, de permanecer abrazada a ese hombre para siempre. Ignora qué habrá en su cabeza dentro de un par de horas, cuando la claridad del día la despeje del todo e ilumine con más crudeza su conciencia. Lo cierto esque en este momento, sin duda alguna, desearía morir si él muriera.En los años 1942 y 1943, durante la Segunda Guerra Mundial, buzos de combate italianos hundieron o dañaron catorce barcos aliados en Gibraltar y la bahía de Algeciras. En esta novela, inspirada en hechos reales, sólo algunos personajes y situaciones sonimaginarios. Elena Arbués, una librera de veintisiete años, encuentra una madrugada mientras pasea por la playa a uno de esos buzos, desvanecido entre la arena y el agua. Al socorrerlo, la joven ignora que esa determinación cambiará

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Un marino sin barco, desterrado del mar, conoce a una extraña mujer que posee, tal vez sin saberlo, respuestas a preguntas que ciertos hombres se hacen desde siglos.Cazadores de naufragios en busca del fantasma de un barco perdido en el Mediterráneo, problemas de latitud y longitud cuyo secreto yace oculto en antiguos derroteros y cartas náuticas, museos navales, bibliotecas...Nunca el mar y la Historia, la ciencia de la navegación, la aventura y el misterio se habían combinado de un modo tan extraordinario en una novela, como en La carta esférica. De Melville a Stevenson y Conrad, de Homero a Patrick O?Brian, toda la gran literatura escrita sobre el mar late en las páginas de esta historia fascinante e inolvidable. Web oficial de Arturo Pérez-Reverte

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