Search results for ""Archetype""

A comprehensive study of Rudolf Steiner's social 'threefold' thinking.

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Explore the light and shadow of ancient archetypal patterns of behaviour, and gain a deeper insight into your own psyche with this 80-card deck. The deck that people who loved Caroline's books have been waiting for. These cards are designed to help people to obtain greater insights into the Archetypes that are most active in our psyches. Archetypes are the ancient patterns of behaviour that are embedded in what Carl Jung described as the "collective unconscious". Caroline Myss has developed these archetypes and created 80 cards, that are individually designed to provide the basic Light and Shadow attributes of each archetype. The deck comes with an instruction booklet and can be used by itself, or in conjunction with 'Sacred Contracts'.

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Create your own personal mythology with this groundbreaking oracle deck by New York Times bestselling author and artist Nick Bantock. Imagine your inner life as a hero s quest and this deck as your band of faithful companions. The Archeo features 40 archetype cards, a full-colour guidebook detailing their skills and personalities, and two blank cards to create your own archetypal characters. From the alchemist to the trickster, these marvellous cards help you understand your full potential as a person of many parts.

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This landmark book explores the Great Mother as a primordial image of the human psyche. Here the renowned analytical psychologist Erich Neumann draws on ritual, mythology, art, and records of dreams and fantasies to examine how this archetype has been outwardly expressed in many cultures and periods since prehistory. He shows how the feminine has been represented as goddess, monster, gate, pillar, tree, moon, sun, vessel, and every animal from snakes to birds. Neumann discerns a universal experience of the maternal as both nurturing and fearsome, an experience rooted in the dialectical relation of growing consciousness, symbolized by the child, to the unconscious and the unknown, symbolized by the Great Mother. Featuring a new foreword by Martin Liebscher, this Princeton Classics edition of The Great Mother introduces a new generation of readers to this profound and enduring work.

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Established following the 125th anniversary of the Chair of Fine Art at the University of Edinburgh and named after the painter Sir John Watson Gordon, the Watson Gordon Lectures Typify the long-standing positive collaboration between the University of Edinburgh and the National Galleries of Scotland: two partners in the Visual Arts Research Institute in Edinburgh. The fifth lecture was given by Hal Foster of Princeton University. Professor Foster is an acknowledged expert on modernist art and architecture, and has a particular fascination with Pop art. His wide-ranging lecture on Roy Lichtenstein is a gripping engagement with the multiple aspects of the artist's work: the conjunctions of art and technology, the satirical playing with previous modernist styles, and the sinister background of the military-industrial complex.

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What if the goddess Athena, who sprang fully-grown from Zeus's head and denied she had a mother, became aware of the compelling existence of her other parent? What if she discovered that her mother, Metis-first wife of Zeus and "wiser than all gods and mortal men," according to Hesiod-was swallowed by her father and continued to impart her wisdom to him from inside his belly? Recent Spanish novels by women parallel this hypothetical situation based on Greek myth by featuring female protagonists who obsessively re-examine the lives of their mothers, seeking to know and understand them. In Mother and Myth in Spanish Novels, Sandra J. Schumm examines six narratives by Spanish authors published since 2000 that focus on a daughter's search to know more about her matriarchal heritage: Carme Riera's La mitad del alma, Lucía Etxebarria's Un milagro en equilibrio, Rosa Montero's El corazón del tártaro, Cristina Cerezales's De oca a oca, María de la Pau Janer's Las mujeres que hay en mí, and Soledad Purtolas's Historia de un abrigo. In each of these novels, the protagonist realizes that failure to integrate the loss of her mother into her life results in the inability to define her self. Without valorization of the maternal subject, the legacy of the daughter is at risk-she is also objectified and swallowed-and the whole society suffers. The daughters' attention to their mothers in these novels is as if Athena had finally recognized that her mother, Metis, had been ingested by Zeus. The myth of Metis and Athena becomes a metaphor of the daughter's quest toward wholeness and individuation in these works; she begins to understand that her maternal legacy is a source of wisdom that has been obscured. These novels by Spanish women strengthen the mother's voice, rescue her from anonymity, and rewrite the matriarchal archetype.

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The Rose Cross meditation is central to the western - Rosicrucian - path of personal development as presented by Rudolf Steiner. Steiner repeatedly referred to the meditation as a 'symbol of human development' that illustrates the transformation of the human being's instincts and desires. These work unconsciously in the soul, and in thought, feeling and will. Through personal development, the 'I' - the essential self - can gain mastery over these unconscious forces of the soul. The Rose Cross meditation features the red rose as an image to which the student, via specific means, aspires. To the plant is added the black cross which, pointing to the mystery of death and resurrection, provides a symbol of the higher development of the human I. The metamorphosis of the roses and the cross into the symbol of the Rose Cross is brought about by the student's inner efforts, creating an entirely new image. This becomes the starting point for further steps along the meditative path.The Rose Cross meditation is the only pictorial meditation whose content and structure Steiner described in such detail. In this invaluable book, the editor has drawn together virtually all Rudolf Steiner's statements on the subject, arranging them chronologically within the motif of each chapter. His words are supported by commentary and notes.

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Why did your life turn out this way? Who are the most important people in your world? What would you do differently, if you had the chance? Ever since you were a child, you have been writing your life script. You use fragments of story to weave your own personal narrative. The parts in your script are acted by people around you. Some of the oldest stories in the world are the ones called myths. The characters in them are easy to recognize: the princess, the hero, the good mother, the wise old man. These characters are based on universal figures called 'archetypes'. LifeWorks introduces the twelve major archetypes, with examples from books and films. For each figure there is a story, followed by points to consider and tasks to perform. You use classic stories and archetypal figures to compose your own life script. LifeWorks is a practical handbook which combines insights from psychology and anthropology. You will learn how to identify relationship patterns and life themes. Stories and exercises help you to develop your own personal mythology.

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Delve into the many aspects of the evolving archetype of Lucifer, from his multifaceted creation to his almost endearing charm on today’s world stage. Explore myths and legends of not only Satan, but what Lucifer represents in our culture and the effects it has had over the centuries—from dogmatic repression of pagan beliefs to the fervor during the heights of the “Satanic Panic” of the 1980s and 1990s. Examine the defense of old Nick by the Romantic writers and Anton LaVey’s Church of Satan, as well as literature and film’s role in redefining his ever-changing guise. Learn the aspects of his origins and see what has been borrowed from other faiths to shape our mental picture of the being known as The Devil. Suspend preconceived notions and look at the evolution of this mythic persona from his origin up to modern times. Find out if the Devil made you do it...

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In astrology, each planet in our solar system is symbolically associated with specific archetypes, characteristics, themes and patterns in human experience. The discovery in 2005 of Eris -- a dwarf planet beyond Pluto -- was therefore an event of great significance for astrology as well as astronomy.In this unique book, Keiron Le Grice considers the astrological significance of Eris. How, he asks, can we determine Eris's meaning? What archetypal themes is it associated with? In what ways might the myths of Eris, the Greek goddess of strife, be relevant to the astrological meaning? What can Eris's discovery tell us about the evolutionary challenges we now face? Drawing on a wide variety of perspectives -- including mythology, ecology, religion, history, philosophy and Jungian psychology -- Le Grice carefully constructs a multi-faceted picture of Eris's possible meaning, helping to illuminate the unprecedented events of our time and providing clues to our possible future directions.

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Storytelling-Case Archetype Decoding and Assignment Manual (SCADAM) reviews cultural and tourism/hospitality applications of Carl Jung's work on archetypes in shaping behavior and unconscious/conscious thought. SCADAM includes a testing manual on how to use Donald T. Campbell's "degrees of freedom" (DOF) test for story-archetype assignments of what consumers and brands tell about consumption experiences of product/service brands, places, and drama/life enactments. SCADAM includes assignment testing and example scoring for each of 12 archetypes: 1. Caregiver (CA); 2. Creator (CR); 3. Everyman/woman (EV); 4. Explorer (EX); 5. Hero (HE); 6. Innocent (IN); 7. Jester (JE); 8. Lover (LO); 9. Magician (MA); 10. Ruler (RU); 11. Sage (SA); 12. Shadow (SH). SCADAM increases accuracy of researchers' interpretations of consumers' (emic) interpretations of dramas in consumption experiences; SCADAM provides for comparing DOF testing in scoring alternative archetypes. Thus, this manual provides tools for confirming relevancy and falsifying incorrect archetype assignments of stories consumers and brands tell. SCADAM builds on prior studies in the literature by the authors and colleagues.

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Mis/takes departs from the bulk of screen discourse by applying Jungian and Post-Jungian ideas on unconscious processes to popular film and television. This perspective offers a rich insight into the way that various myths infiltrate popular culture. By examining the function of psychological motifs and symbols in cinema and television, Terrie Waddell opens up another way of thinking about how identity can be constructed and disrupted. Mulholland Drive, Memento, The Others, The X-Files, Twin Peaks, The Sopranos, Spider, Intimacy and Absolutely Fabulous all lend themselves to this approach. The close analysis of these films/programs are guided by a number of core archetypes from trickster and Self to incest and the grotesque. The book’s four parts reflect these dominant patterns: Jung, trickster and the screen Mistaken identities, self-deception and the undead Redeemers, bad dads and matricide Excesses of the sad and the sassy Mis/takes gives readers a chance to engage with screen material in an original and subversive way. This study will be of great interest to Jungian analysts and students of film, cultural studies, media, gender studies and analytical psychology.

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The Circular Archetype in Microcosm is the culmination of seven years research into the Carved Stone Balls of Late Neolithic Scotland. It is the first study of these enigmatic artefacts since that undertaken by Dorothy Marshall in 1977 and includes all currently known examples in both museums and private hands, described and analysed in considerable detail. For the first time, visual geological characterisation has been undertaken on approximately a third of carved stone balls, which has enabled a more detailed analysis of their potential origin and the landscapes in which they were found. The book offers a revised classification/typology of these artefacts which, following careful analysis, suggests that it is possible to determine individual craftspeople with a wide range of skills. It suggests that carved stone balls were used as unique and distinctive gestalts that represented the ideology of the core area of Aberdeenshire and enabled disparate groups to recognise one another.

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With its title borrowed from Machiavelli, The Persian Prince goes far beyond Machiavelli's wildest imagination as to how to rule the world. Hamid Dabashi articulates a bold new idea of the Persian Prince—a metaphor of political authority, a figurative ideal deeply rooted in the collective memories of multiple nations, and a literary construct that connected Muslim empires across time and space and continues to inform political debate today. Drawing on works from Classical Antiquity and the vast Persianate worlds from India to the Mediterranean, as well as the Hebrew Bible and European medieval mirrors for princes, Dabashi engages a diverse body of political thought to reveal the construction of the Persian Prince as a potent archetype. He traces this archetype through its varied historic gestations and finds it resurfacing in postcolonial political thought as a rebel, a prophet, a poet, and a nomad. Bringing poetics and politics together, Dabashi shows how this archetypal figure has long defined political authority throughout the wider Iranian and Islamic worlds. With meticulous attention to literary and poetic texts, moral and philosophical treatises, allegorical and anecdotal stories, sacred and secular evidence, visual and performing arts, histories of global empires and colonial conquests, this sweeping work offers a deeply learned, richly erudite, and transformative piece of critical thinking. As Dabashi shows, the Persian Prince remains the stuff of current debate across the Muslim and Persianate worlds, in contestations over the public domain and the collective will to power, and above all in the prospects of democratic institutions.

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With its title borrowed from Machiavelli, The Persian Prince goes far beyond Machiavelli's wildest imagination as to how to rule the world. Hamid Dabashi articulates a bold new idea of the Persian Prince—a metaphor of political authority, a figurative ideal deeply rooted in the collective memories of multiple nations, and a literary construct that connected Muslim empires across time and space and continues to inform political debate today. Drawing on works from Classical Antiquity and the vast Persianate worlds from India to the Mediterranean, as well as the Hebrew Bible and European medieval mirrors for princes, Dabashi engages a diverse body of political thought to reveal the construction of the Persian Prince as a potent archetype. He traces this archetype through its varied historic gestations and finds it resurfacing in postcolonial political thought as a rebel, a prophet, a poet, and a nomad. Bringing poetics and politics together, Dabashi shows how this archetypal figure has long defined political authority throughout the wider Iranian and Islamic worlds. With meticulous attention to literary and poetic texts, moral and philosophical treatises, allegorical and anecdotal stories, sacred and secular evidence, visual and performing arts, histories of global empires and colonial conquests, this sweeping work offers a deeply learned, richly erudite, and transformative piece of critical thinking. As Dabashi shows, the Persian Prince remains the stuff of current debate across the Muslim and Persianate worlds, in contestations over the public domain and the collective will to power, and above all in the prospects of democratic institutions.

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People worldwide are questioning the materialistic, mechanistic scientific pradigm that has been the dominant cosmology for the past one hundred years or so. The purpose of The New Paradigm is to provide a philosophical foundation for a spiritual cosmology that can incorporate both modern science and ancient wisdom. This is a paradigm that many have hoped would arise to usher in the predicted New Age of elevated spiritual awareness and understanding. The New Paradigm offers insights into the nature of people and their relationship to the one universal Spirit they have called God. This philosophical treatise makes a strong case to the effect that people are created from the substance of Spirit and hence are powerful spiritual beings who have forgotten their true nature and origin.

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