Search results for ""vellum publishing""

FROM THE ACCLAIMED AUTHOR OF DEAR MICHAEL, LOVE DAD & OUT OF THE MADHOUSE 'I am Ian Wilkerson. 54 years old. Married forever. Three children. I have been made redundant. I believe I have cancer. And... I am losing my mind.' The announcement of a baby - his first grandchild - tips Ian's world upside down. As he struggles with his thoughts and feelings, a short walk with Bernard, his Jack Russell, turns into their longest journey. A story of love, loss and family ties, Ian and Bernard's funny, thought-provoking and emotional adventure will stay with you long after it comes to its dramatic ending.

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From bestselling, internationally acclaimed author Dorota Masłowska comes a hilarious and devastating satire of consumer culture. Set in a bizarro, all-too-real imaginarium of American pop culture, Honey, I Killed the Cats introduces us to two independent young women struggling to live the lives that television and glossy magazines have promised them. In a collision of street slang and mass-media sloganeering, Masłowska's electrifying prose drives a propulsive story about spiritual longing in a dispirited world. Masłowska’s novel examines the ways we attempt to exist and find meaning in lives defined by what we buy. In this warped world saturated by advertising and materialism, where everything can be bought, from personality and physical traits to religion and self-fulfillment, Joanne and Farah, two very different women form a friendship both bonded in and ultimately destroyed by the manipulations of consumer culture. Joanne has everything the commercials say you should want—confidence, a carefree life, happiness to excess. Farah is a self-loathing, envious, germophobic malcontent. Through a shared metaphysical dream experience that spills over into their increasingly troubled day-to-day lives, these best friends find themselves consumed by their equal-and-opposite obsessions. Widely regarded as Polish literary sensation Masłowska’s best novel yet, Honey, I Killed the Cats is a powerfully emotional, hilariously grotesque satire of Western consumer culture and the trends that go along with it.

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"This is much more than a survival story. It is the story of how the scars of a woman can be and are passed through generations. It is about being a woman, a mother, and a daughter."--Gabriela Almeida, Continente "An infinite work."--O Estadao de Sao Paulo A groundbreaking use of storytelling to bear witness to the Holocaust features three generations of women's own voices--Lili's diary written upon liberation from Auschwitz; daughter Noemi Jaffe exploring the power of memory, survival, and bearing witness; and granddaughter Leda, Noemi's daughter, on the significance of the Holocaust and Jewish identity seventy years after the war.

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Six of the most remarkable contemporary Russian poets present their groundbreaking verse in a bilingual poetry collection published in partnership with PEN America’s Writers in Dialogue project. In 2020, as international travel skidded to a halt, PEN America’s Writers in Dialogue project—which opens the exhilarating world of contemporary Russian poetry to American readers by bridging the American and Russian literary communities—went remote, using online connection to foster collaborations between daring emerging or undertranslated poetic voices and dexterous translators. In this remarkable volume, the Russian poets and American translators who were paired for this initiative present their collaborative work in a bilingual format, along with conversations about the pleasures, challenges, and intimacies of translation. English-reading audiences will have an opportunity to experience the boldness and range, stylistic and thematic, of Russia’s vital poetry scene. Featuring Ainsley Morse, Maria Galina, Catherine Ciepiela, Aleksandra Tsibulia, Anna Halberstadt, Oksana Vasyakina, Elina Alter, Ivan Sokolov, Kevin M.F. Platt, Ekaterina Simonova, Valeriya Yermishova, and Nikita Sungatov.

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Mario Bellatin’s complex dreamscape, offered here in a brand-new translation, presents a timely allegorical portrait of the body and society in decay, victim to inscrutable pandemic. In a large, unnamed city, a strange, highly infectious disease begins to spread, afflicting its victims with an excruciating descent toward death, particularly unsparing in its assault of those on society's margins. Spurned by their loved ones and denied treatment by hospitals, the sick are left to die on the streets until a beauty salon owner, whose previous caretaking experience extended only to the exotic fish tanks scattered among his workstations, opens his doors as a refuge. In the ramshackle Morgue, victim to persecution and violence, he accompanies his male guests as they suffer through the lifeless anticipation of certain death, eventually leaving the wistful narrator in complete, ill-fated isolation.

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A bold, multilingual anthology of Yazidi poetic voices. Ten years have passed since 2014 and the seventy-fourth genocide of the Yazidis, a people who have faced ongoing persecution, displacement, and ethnic cleansing from their ancestral lands in the Kurdish regions. In the wake of this genocidal violence, new poetic voices have emerged in university campuses and IDP camps along the borders of Syria, Iraq, and Turkey, as well as from across the Yazidi diaspora. With globalizing forces compounding the erasure of their culture and traditions, the Yazidi poets in this multilingual anthology firmly stand their ground, their art a testament to Yazidi resistance and presence. This anthology joins in the poetic tradition of the Yazidis, which has historically preserved and documented instances of their traditions, dispossessions, and erasures. It is its own act of witnessing to recount the 2014 genocide for future generations. Translated from both Ar

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In the inner sanctum of an elite 1960’s boarding school, boys test their boundaries and class when they welcome an outsider. One New England boys’ boarding school, a bastion of the WASP aristocracy, has been holding out stubbornly against pressure to diversify. Grudgingly, St. Philip’s School in New Hampshire opens its doors to its first scholarship student: young Woodrow Skaggs from Pontiac, Michigan, the tough, rough-edged son of an autoworker. Things do not go smoothly—the world portrayed in Pontiac may be shockingly inappropriate to the readers of today. The attitudes of the St. Philip’s students toward gender and sex cruelly predict the treatment girls will receive twenty years later when many of these schools become coeducational. And yet in their awkward, often violent attempts to figure each other out, the boys of St. Philip’s also provide a window to better, more tolerant times ahead. Told through m

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Through free verse, personal photographs, and prosaic gestures, Watcha by Stalina Emmanuelle Villarreal serves as a watching manifesto that unfolds, layering genres and media. The reader becomes a spectator of a gallery that curates Latinx, Afro-Latinx, and Indigenous art through ekphrastic poetry. On occasion, the viewer sees theoretical or anecdotal prose contextualizing art observation through introspection. With the codeswitching between English and Spanish as well as with the political implications of the artwork and personal history, the book’s trajectory charts a vast terrain that ranges from an artistic standpoint, to border crossing, to belonging, to portraiture, to self-portraiture, to abstraction, to death, to a call for action. Watcha invites inquiry, a space for sight, memory, and consciousness.

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Who hasn’t peeked over the shoulder of the person reading next to them on the subway, curious about the book in their hands? Who doesn’t secretly love skipping the party to stay home and read? Who hasn’t daydreamed of catching the eye of a future significant other as you discover from across the room that you’re reading the same book? If you’re a reader, you know you’ve been there, and probably in so many other weird places as well, right? That’s what happens with readers, they have these strange traits, these particular ways, that separate them from the rest. Reading Quirks explores, in 72 lighthearted four-frame cartoons, all these weird things readers do, from the existential dilemma of picking your next read to the frustrations of watching an overzealous dog-earer in action. The series was written and created by a bookstore in Dallas, The Wild Detectives, originally as a social media campaign—a way to connect with other readers over a shared understanding of what it means to be crazy about books. Laura Pacheco’s adorable illustrations introduce a cast of endearing characters, whose flaws and obsessions range from disarming good nature to mischievous playfulness. Reading Quirks is a witty and light-hearted ode to the immense pleasure of reading and its resulting byproduct: neurosis.

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"Sigurdsson is without a doubt one of the best writers of his generation." —Frettabladid DailyAfter a grueling solo expedition on Vatnajökull Glacier, Austrian toponymist Bernhardt Fingerberg returns to civilization, barely alive, and into the care of Dr. Lassi. The doctor, suspicious of his story, attempts to discover his real motives for venturing into the treacherous wastelands of Iceland—but the secrets she unravels may be more dangerous than they're worth.Ófeigur Sigurðsson (b. 1975) has published six books of poetry and two novels, including Jón (2010), the first Icelandic novel to receive the European Union Prize for Literature.

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"One of the most original and talented novelists writing in Spanish today." —Alberto ManguelWith sensuous imagery and musical cadence, renowned Oulipian Eduardo Berti conjures an exquisite, star-crossed love story in pre-revolutionary China. The desires of a young girl, visited in her dreams by her grandmother's ghost, clash with the strict expectations of her parents, exploring the delicate balance between modernity and tradition, mysticism and memory.Eduardo Berti (b. 1964) was admitted to the Oulipo in 2014, becoming the group's first Argentinian writer. In 2011 he won the Emecé Prize and the Las Américas Prize for his book The Imagined Land.

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Best Literary Translations is a new, annual anthology that celebrates world literatures in English translation and honors the translators who create and literary journals that publish this work. Best Literary Translations 2024 features both contemporary and historical poetry and prose originally written in nineteen languages—including some not commonly seen in U.S. translations, such as Burmese, Kurdish, Tigrinya, and Wayuu—brought into English by thirty-eight of the most talented translators working today. These poems, short stories, essays, and hybrid pieces were drawn from nominated works published in U.S. literary journals during 2023 that spanned more than eighty countries and nearly sixty languages. The four series coeditors, Noh Anothai, Wendy Call, Öykü Tekten, and Kọ́lá Túbọ̀sún, selected the finalists from over five hundred nominations. By spotlighting work from top literary j

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From political fictionalist Alisa Ganieva: a neo-noir portrait of a legal system in which everything is broken and no one is innocent. Offended Sensibilities chronicles a series of sudden deaths that occur among officials of a provincial Russian town. The events follow a notorious blasphemy law banning forms of expression that offend the sensibilities of religious believers – a law passed after Pussy Riot’s infamous 2013 church-side protest that resulted in their arrest. With this novel, Ganieva moves beyond the Dagestani setting of her previous award-winning books, published in English by Deep Vellum: The Mountain and the Wall and Bride and Groom. In Offended Sensibilities, Ganieva seeks to address nationalism, Orthodox religiosity, sexuality, and political corruption. Suffused with a light touch and at times rollicking sense of humor, this timely, entertaining and thought-provoking novel can be read as an allegory for the current political, social, religious, and cultural climate in Russia today.

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Based on a true story set in the final years of the Ottoman Empire, The Purchased Bride tells the tale of Maria, a Greek girl who was bought at age fifteen by a much older, wealthy Ottoman man. As the Ottoman Empire falls and insurgents torch their Greek village in the Caucasus, Maria and her parents flee and find shelter in a refugee camp across the border in Ottoman territory. Cholera and plague are impending, and the priest running the camp takes a desperate measure, arranging to marry Maria off to a wealthy Ottoman Turk in the capital. She and her best friend, Lita, then travel toward the Black Sea coast through a fascinating world of ancient and forgotten Ottoman mountain communities. They encounter escalating violence, sniper attacks, and marauding troops amid the Empire’s collapse, as breakaway provinces declare themselves independent caliphates in defiance of the Sultan. And when Lita escapes, Maria is left to face her fate alone. A story of war, struggle, and ultimate success, based on the life of Constantine’s grandmother, The Purchased Bride sheds light on a turbulent and dangerous part of history.

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The Law of Conservation is a poetry collection intensely attuned to landscape, both geographic and metaphorical.Borders blurred as cities cede to rural land; the body as a changing place on an equally unstable map; the subsoil of sexuality; the terrain of memory, both rich and painful; new countries traveled and new roots set down as an adult, navigating desire, loneliness, and love.In the context of gender and sexual identity, Spada’s work pays subtle, incisive attention to the inextricable relationship between transformation and conservation: transformation toward the experience of honoring and protecting our deepest and most abiding truths. At the same time, her poems also unsparingly explore the external shifts (in the speaker’s surroundings and even her memories) that make it so challenging to retain an unassailable sense of self.

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In this brilliant fiction debut from a legendary visual artist, thirteen interconnected stories explore friendship and intimacy, loneliness and dislocation, and the physical contours of a dilapidated American landscape. These stories, which first appeared as part of Coursey’s solo exhibition at The Pollock Gallery of SMU's Meadows School of the Arts, demonstrate the artist’s fascination with the broken-down and discarded relics of industry and labor. Coursey’s stories are laced with humor, conspiracy, paranoia, and compassion, exploring the ripple effects of violence, the mystery of a car found in a well, house-boat culture, Texas landscapes of machinery and dust. Objects possess a totemic importance as Coursey catalogs the detritus of American culture. These ornate vignettes present a colorful cast of characters and vivid scenery, demonstrating the author’s eye for detail both inanimate and human. Coursey spotlights work and deeds done by hand, and the artful, sculpted sentences reveal the writer’s care and facility as a linguistic craftsman.

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Full of wit, music, and a rollicking cast of characters, The Villain''s Dance shows Fiston Mwanza Mujila is back with a bang. Zaire. Late 90''s. Mobutu''s thirty-year reign is tottering. In Lubumbashi, the stubbornly homeless Sanza has fallen in with a trio of veteran street kids led by the devious Ngungi. A chance encounter with the mysterious Monsieur Guillaume seems to offer a way out . . . Meanwhile in Angola, Molakisi has joined thousands of fellow Zairians hoping to make their fortunes hunting diamonds, while Austrian Franz finds himself roped into writing the memoirs of the charismatic Tshiamuena, the "Madonna of the Cafunfo Mines." Things are drawing to a head, but at the Mambo de la Fète, they still dance the Villain''s Dance from dusk till dawn.

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From one of Mexico’s premier poets, the award-winning Tedi López Mills, a hybrid, genre-defying book of essays following the unusual and surprising complexities of everyday life. Through thirteen essays, Tedi López Mills explores the minutiae that at first glance go unnoticed. In “Improper Nouns,” she explores the history and destiny of an uncomfortable name, asking whether the way we name what surrounds us affects the fabric of its essence. In “How Time Passes, In Consciousness and Outside,” one’s individual experience of time splits from how it passes outside us. The following essays allude to conscience, pain, private histories, dreams, wisdom, and the most difficult of memories that build one’s own identity. Throughout, López Mills traces the trail of her own history, journeying into her own conscience and the mysteries of existence.

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penny candy: a confection, which had its acclaimed premiere at the Dallas Theater Center in 2019, follows one family as they seek to balance their responsibilities to their community and to one another. Growing up in a candy house sounds like every kid’s dream. But for 12-year-old Jon-Jon, helping his father run Paw Paw’s Candy Tree out of their run-down one-bedroom apartment isn’t quite a dream come true. As their neighborhood of Pleasant Grove, Dallas sees a surge of violence fueled by epidemic drug use and increasing racial tensions, the business begins to fail and danger looms immediately outside the family's front door.

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“One of Russia’s best living writers . . . Her tales inhabit a borderline between this world and the next.” —The New York Times At first glance, the stories in The New Adventures of Helen seems simple, even child-like, but a deep reading reveals satire and darkness manifested through classic fairy tale tropes characteristically upended by Petrushevskaya. These “adult fairy tales” ask deep questions about gender, love, history, memory, and the future, taking place in times between history and the now. These stories, quirky but yet inspired by a confident hopefulness, will inspire and provoke English-speaking readers across the globe.

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"If Italo Calvino decided to make one of his invisible cities visible, the result might look something like Pfeijffer's Genoa." -- Benjamin Moser An absolute joy to read, La Superba, winner of the most prestigious Dutch literary prize, is a Rabelaisian, stylistic tour-de-force about a writer who becomes trapped in his walk on the wild side in mysterious and exotic Genoa, centering on the stories of migration and immigration, legal and illegal, telling the story of modern Europe. Part migrant story, part perverse travel guide, La Superba is a wholly postmodern ode to the imagination that lovingly describes the labyrinthine and magical city that Pfeijffer calls home: Genoa, Italy, the city known as La Superba for its beauty and rich history. Ilja Leonard Pfeijffer (b. 1968), poet, dramatist, novelist, renowned in the Netherlands as a master of language, is the only two-time winner of the Tzum Prize for "the most beautiful sentence written in Dutch" (including one in La Superba!).

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Set in Rural Montana, LOOKOUT centers on the dual coming-of-age of a girl and her father amid the natural and cultural forces that shape their family. LOOKOUT tells the story of the Kinzlers, a complex working-class family firmly rooted in northwestern Montana. Josiah and Margaret Kinzler have forged an unusual bond marked by both tenderness and distance; their daughters, Cody and Louisa, grow up watching their parents navigate what it means to be true to yourself and what that costs. LOOKOUT offers a gripping dual coming-of-age: Cody’s from stoic ranch kid to hotshot firefighter to resilient woman learning to rely on others, and Josiah’s as he struggles to thrive in a world that has misunderstood him. Bound by their love of the land, the Kinzlers work to bridge the gaps created by what they leave unspoken. LOOKOUT brings to life a family coming out to itself, at home in a new and nuanced American West.

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One of The Globe and Mail's Top 100 Books of 2018One of World Literature Today's Notable Translations of 2018One of the Asian Book Review's Best Books of 2018From one of the most exciting voices in modern Russian literature, Alisa Ganieva, comes Bride and Groom, the tumultuous love story of two young city-dwellers who meet when they return home to their families in rural Dagestan. When traditional family expectations and increasing religious and cultural tension threaten to shatter their bond, Marat and Patya struggle to overcome obstacles determined to keep them apart, while fate seems destined to keep them together—until the very end.

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"Outstanding political fantasy. Eduardo Rabasa has written a futuristic novel set in the present; its inventiveness is not based on new technologies but rather on new kinds of relationships." -- Juan Villoro A hilarious satire and universal exploration of the origins of power and corruption. A Zero-Sum Game uses the highly-charged election for the presidency of a residents' committee and the influence of a powerful stranger to both expose those in power and to sympathize with individuals who find themselves caught in the paradox of empowerment and impotence that is modern consumer society and the democratic state. Eduardo Rabasa is the founding editorial director of Sexto Piso, Mexico's most prominent independent publishing house, and was selected to the Hay Festival's Mexico20 list of the greatest Mexican authors under the age of forty.

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In his inimitable, recursive, meditative style that reads like a comedic zen koan but contains universes, Seven Samurai Swept Away in a River recounts Korean cult writer's Jung Young Moon’s time spent at an artist’s and writers residency in small-town Texas. In an attempt to understand what a “true Texan should know,” the author reflects on his outsider experiences in this most unique of places, learning to two-step, musing on cowboy hats and cowboy churches, blending his observations with a meditative rumination on the history of Texas and the events that shaped the state, from the first settlers to Jack Ruby and Lee Harvey Oswald. All the while, the author is asking what a novel is and must be, while accompanied by a fictional cast of seven samurai who the author invents and carries with him, silent companions in a pantomime of existential theater. Jung blends fact with imagination, humor with reflection, and meaning with meaninglessness, as his meanderings become an absorbing, engaging, quintessential novel of ideas.

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"If someone in the future asks in frustration, 'What has Korean literature been up to?' we can quietly hand them Vaseline Buddha." -- Pak Mingyu A tragicomic odyssey told through free association scrubs the depths of the human psyche to achieve a higher level of consciousness equal to Zen meditation. The story opens when our sleepless narrator thwarts a would-be thief outside his moonlit window, then delves into his subconscious imagination to explore a variety of geographical and mental locations--real, unreal, surreal--to explore the very nature of reality. Jung Young Moon, 2005 alum of Iowa's International Writing Program, is one of South Korea's most award-winning, eccentric, and handsome authors, often compared to Kafka and Beckett.

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A four-part collection that stretches the possibilities of the poetic form, from the traditional to the experimental; from the simple to the highly complex. Deftly exploring math and science alongside the arts, Knit Ink is a collection that showcases the bounds of formal poetry. The poems in Knit Ink study special or simplified cases of established literary restrictions, such as anagrams and palindromes, and poetic forms, such as triolets and sonnets. Anthony Etherin''s own form, the aelindrome, creates its own constraint, while other invented forms represent structural indulgences—tests of technical complexity whose poetry lies as much in the grandeur of their architecture as in the content of their words. Containing four books whose composition took over a decade, Knit Ink (and Other Poems) sees the quintessential work of a formidable mind combined in a single edition for the first time.

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"Klougart has an unusual ability to create phrases, images and a language that you long to stay in and remember forever."-Dagens Nyheter "One can speak of unbearable beauty, but one can also speak of a linguistic beauty that makes it possible to bear the unbearable."-Politiken In this genre-bending apocalyptic novel Josefine Klougart fuses myriad literary styles to breathtaking effect in poetic meditations on life and death interspersed with haunting imagery. Her experimental novel asks readers to reconsider death, asserting sorrow and loss as beautiful and necessary aspects of living. Hailed as "the Virginia Woolf of Scandinavia," Klougart mixes prose, lyric essay, drama, poetry, and images to breathtaking effect in her writing, and Of Darkness marks the arrival of a wholly new literary talent in world literature. Josefine Klougart (b. 1985) made her literary debut in 2010 with the novel Rise and Fall, which was nominated for the prestigious Nordic Council Literature Prize. Her third novel, One of Us is Sleeping, forthcoming from Open Letter Books in summer 2016, was also nominated for a Nordic Council Literature Prize, making her the youngest author ever nominated twice for this prominent prize. Her fourth and most recent novel, Of Darkness, appeared in Denmark in 2014 to universal critical acclaim and became a massive bestseller in Denmark and Norway. Translator Martin Aitken has won numerous awards for his translations of Danish literature, and he is currently working with Karl Ove Knausgaard to translate the final volume of My Struggle and his nonfiction.

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“I’m under twenty-five and I am unable to envision the future. I’m not the only one." A singular voice of the French "Bataclan Generation"—those most acutely conscious of the terrorist attacks in the mid-2010s—grappling with issues of memory or post-memory, trauma, and survivors’ dilemmas. ​Survive ​is concerned with the work of grieving for strangers—a grief which does not begin or end, but is rather a structural part of one’s being in the world. For Finkelstein, it is essential “[t]o abide. Deep inside what is dying, in the midst of the bullets going astray and the offenses accumulating, in the midst of the misunderstandings imposed on a face other than my own, on a body other than my own...to build a world that thinks, a world that gives, a world that beats—a living world.” Survive situates contemporary youth in a violence-saturated pr

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In this modern classic of global feminist literature, the only novel by one of Romania's most heralded poets, styled as a long letter addressed to the man she is ready to leave, a woman meanders through a cosmic retelling of her life from childhood to adulthood with visionary language and visceral detail. Like a contemporary Scheherazade, she spins captivating tales that create space in the cosmos for the female experience. Through a dreamlike thread of strange images and passing characters from the small incidents of their lives together to the intimate narrative of her relationship to womanhood, her stories invite the reader into a fantastical vision of love, loss, and femininity.

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The original tale of moral destruction, in a brand-new translation: Faust is a man torn between the urges of the living world and the significance of moral living. He feels nothing, he lives for nothing, and thus engages in a wager with Mephistopheles, the devil himself. Goethe’s master work shares the deep complexity of a human life, rife with pain, mistakes and dynamic complexity. With Faust, the lushly lyrical and philosophically brilliant drama on which the poet spent almost his entire life, Goethe solidified himself as a major literary figure whose work would transcend time and space to create the modern world. Now, this brand-new, dynamic translation demands we ask of our world: who will win, humanity or Mephistopheles?

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The stories in Ukrainian film director, writer, and dissident Oleh Sentsov’s debut collection are as much acts of dissent as they are acts of creative expression. These autobiographical stories display a mix of nostalgia and philosophical insight, written in a simple yet profound style looking back on a life's path that led Sentsov to become an internationally renowned dissident artist. Sentsov's charges seemingly stem from his opposition to Russia's invasion and occupation of eastern Ukraine where he lived in the Crimea. He was sentenced to 20 years in prison in August 2015 on spurious terrorism charges after he was kidnapped in his house and put through a grossly unfair trial by a Russian military court, marred by allegations of torture. Many of the stories included here were read during international campaigns by PEN International, the European Film Academy, and Amnesty International, among others, to support the case for Sentsov across the world. Sentsov's final words at his trial, "Why bring up a new generation of slaves?" have become a rallying cry for his cause. He spent 145 days on hunger strike in 2018 to urge the Russian authorities to release all Ukrainians unfairly imprisoned in Russia, an act of profound courage that contributed to the European Parliament's awarding him the prestigious Sakharov Prize for Freedom of Thought Sentsov remains in a prison camp in Russia. It is the publisher's hope this book, published in collaboration with PEN Ukraine, contributes to his timely release.

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"Muslim" A Novel is a genre-bending, poetic reflection on what it means to be Muslim from one of France’s leading writers. In this novel, the second in a trilogy, Rahmani’s narrator contemplates the loss of her native language and her imprisonment and exile for being Muslim, woven together in an exploration of the political and personal relationship of language within the fraught history of Islam. Drawing inspiration from the oral histories of her native Berber language, the Koran, and French children’s tales, Rahmani combines fiction and lyric essay in to tell an important story, both powerful and visionary, of identity, persecution, and violence.

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Three narrators from different historical eras engage in preserving history in Heavens on Earth. As her narrators sense each other and interact through time and space, Boullosa challenges the primacy of recorded history and asserts literature and language's power to transcend the barriers of time and space in vivid, urgent prose. Carmen Boullosa is one of Mexico's leading novelists, poets, and playwrights. Her most recent novel Texas: The Great Theft (Deep Vellum, 2014) was shortlisted for the PEN Translation Prize, nominated for the International Dublin Literary Award, and won Typographical Era's Translation Award. She lives in Brooklyn, New York, and Mexico City, Mexico.

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From the winner of the 2022 Sor Juana Inés de la Cruz Prize: a fractal exploration of a woman''s grief as she moves through disjointed segments of time. Divided Island is the story of a woman with a neurological disorder. The day she goes in for the encephalogram that will lead to her diagnosis, she finds herself splitting in two. One of the two women she becomes decides to travel to an island to take her own life; the other remains behind. Scenes and images real and imagined gradually coalesce into the story of a life told from a singular location: a way of perceiving and describing the world, guided by cerebral dysrhythmia. Written in scraps and fragmented chapters, Divided Island is a nonlinear narrative best read as a poetic experience, in which the protagonist''s memories and dreams recompose the world and, in doing so, trouble the very notion of the self. This slim volume makes it abundantly clear why Daniela Tarazona belongs in

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Occupy Whiteness is a collection of hybrid erasure poems from inaugural Dallas Poet Laureate and multi-world slam competition winner Joaquín Zihuatanejo.Starting from long-form works of literature by straight, white men, Joaquín Zihuatanejo occupies their pages, erasing words and sections, leaving only his poetry behind — the white space that remains becoming colonized Brown verse. Occupy Whiteness is an act of rebellion that reclaims spaces and highlights a history of erasure of Brown life.An unflinching look at the present day, the collection is haunted and blessed by the image of ancestors who braved the river and desert to travel into border states for the opportunity of freedom. These are poems meant to agitate and create unease, to make the reader realize that neither their author nor the immigrant children he describes are Other. Through poems and interspersed photography from the border, Zihuatanejo poignantly depicts this equall

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Set in 1940s Oklahoma on a red dirt cotton farm, Once in the Blue Moon is grounded in the realities of life near the end of World War II. Maggie and her family are forced to endure a season of fear and failure as they face the loss of their home and their once-amazing Daddy to the whiskey bottle. Up against terrible truths and unforeseeable accidents, Maggie struggles in the dark and lonesome farmhouse. When all seems lost, Maggie, her sisters, and her mother band together to overcome humiliation and tragedy. A tale of willpower in ordinary people who act with courage and grit, this story is ultimately one of resilience, forgiveness, and redemption.

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A profound collection of poetry from Japanese poet Toshiko Hirata, expounding on readership and everyday life. Produced on the same day each month over the course of two years, every poem in Is It Poetry? (a pun also meaning "the seventh day" in Japanese) is a window into everyday life in Japan. Toshiko Hirata''s poems evoke awe and light in the daily minutiae of contemporary life, achieving both prosody and narrative cohesion colored by her dark yet warm artistic sensibility. Beloved and awarded in Japan, Hirata possesses an extraordinary ability to turn an ordinary event like an old man cycling through a park into a journey that elucidates something profound. This translation offers entry into a busy Tokyo brimming with puns, imagery, sounds, and whimsy and asks what is to cherished, feared, loved—and what is not.

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Freedom House is a poetry collection that explores internal, interpersonal, and systemic freedom. In this debut full-length collection, KB Brookins’ formally diverse, music-influenced poetry explores transness, politics of the body, gentrification, sexual violence, climate change, masculinity, and afrofuturism while chronicling their transition and walking readers through different “rooms”. The speaker isn’t afraid to call themselves out while also bending time, displaying the terror of being Black/queer/trans in Texas, and more — all while using humor and craft. What does freedom look like? What can we learn from nature and our past? How do you reintroduce yourself in a world that refuses queerness? How can we use poetry as a tool in the toolbox that helps build freedom? This collection explores those questions, and manifests a world where Black, queer, and trans people get to live.

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Forgetting is a brief but searing sojourn inside the mind of Alma as she navigates the complexity of the past and future within her identity.On her nighttime wanderings through a Paris saturated with cultural and historical meaning, she begins the slow work of grieving for her grandfather, a Holocaust survivor, and begins to unravel the ways that his experience continues to reverberate across generations. The journey, both inward and outward, simple and infinitely varied, brings Alma to reconsider her whole life and the circumstances that led to her very birth.In Forgetting, Finkelstein sheds new light on the oldest dilemmas, asking: "What to do with the brief time that is given to us?"

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A story of global travel, personal growth, and family responsibility through the lens of teenage girl in 1969. Fifteen-year-old Jane was trapped. Trapped in high school in Dallas, Texas where her classes were too easy and her classmates were too conventional. Trapped in service to her mother, a polio survivor who used a wheelchair. When her parents sold their automobile brake-repair business in 1969, they withdrew Jane from her high school to travel the world, visiting India, Afghanistan, Iran, Israel, Yugoslavia and Northern Europe. As she traveled, Jane was pushed to reconcile her dual role as responsible daughter and as teen in the late sixties, the era of Bobby Fischer, The Beatles, and Hair. Because the World is Round reckons with what it means to be an individual, a caretaker, and a traveler in a vast and changing world.

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