Search results for ""university of georgia press""

Virtually every famous nineteenth-century writer (Harriet Beecher Stowe, Nathaniel Hawthorne, Ralph Waldo Emerson)— and many not so famous—wrote literature for children; many contributed regularly to children’s periodicals, and many entered the field of nature writing, responding to and forwarding the century’s huge social and cultural changes. Appreciating America’s unique natural wonders dovetailed with children’s growth as citizens, but children’s journals often exceeded a pedagogical purpose, intending also to entertain and delight. Though these volumes aimed at a relatively conservative and mostly white, middle-class, and affluent audience, some selections allowed both children and their parents room for imaginative escape from restrictive social norms. Covering a period that initially regarded children’s natural bodies as laboring resources, Stronger, Truer, Bolder traces the shifting pedagogical impulse surrounding nature and the environment through the transformations that included America’s nineteenth century emergence as an industrial power. Karen L. Kilcup shows how children’s literature mirrored those changes in various ways. In its earliest incarnations, it taught children (and their parents) facts about the natural world and about proper behavior vis-à-vis both human and nonhuman others. More significantly, as periodical writing for children advanced, this literature increasingly promoted children’s environmental agency and envisioned their potential influence on concerns ranging from animal rights and interspecies equity to conservation and environmental justice. Such understanding of and engagement with nature not only propelled children toward ethical adulthood but also formed a foundation for responsible American citizenship.

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Grave sites not only offer the contemporary viewer the physical markers of those remembered but also a wealth of information about the era in which the cemeteries were created. These markers hold keys to our historical past and allow an entry point of interrogation about who is represented, as well as how and why. Grave History is the first volume to use southern cemeteries to interrogate and analyze southern society and the construction of racial and gendered hierarchies from the antebellum period through the dismantling of Jim Crow. Through an analysis of cemeteries throughout the South—including Alabama, Florida, Georgia, Kentucky, Maryland, Missouri, and Virginia, from the nineteenth through twenty-first centuries—this volume demonstrates the importance of using the cemetery as an analytical tool for examining power relations, community formation, and historical memory. Grave History draws together an interdisciplinary group of scholars, including historians, anthropologists, archaeologists, and social-justice activists to investigate the history of racial segregation in southern cemeteries and what it can tell us about how ideas regarding race, class, and gender were informed and reinforced in these sacred spaces. Each chapter is followed by a learning activity that offers readers an opportunity to do the work of a historian and apply the insights gleaned from this book to their own analysis of cemeteries. These activities, designed for both the teacher and the student, as well as the seasoned and the novice cemetery enthusiast, encourage readers to examine cemeteries for their physical organization, iconography, sociodemographic landscape, and identity politics.

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Partners in Gatekeeping illuminates a complex, distinctly transnational story that recasts the development of U.S. immigration policies and institutions. Lauren Braun-Strumfels challenges existing ideas about the origins of remote control by paying particular attention to two programs supported by the Italian government in the 1890s: a government outpost on Ellis Island called the Office of Labor Information and Protection for Italians, and rural immigrant colonization in the American South—namely a plantation in Arkansas called Sunnyside. Through her examination of these distinct locations, Braun-Strumfels argues that we must consider Italian migration as an essential piece in the history of how the United States became a gatekeeping nation. In particular, she details how an asymmetric partnership emerged between the United States and Italy to manage that migration. In so doing, Partners in Gatekeeping reveals that the last ten years of the nineteenth century were critical to the establishment of the modern gatekeeping system. By showing the roles of the Italian programs in this migration system, Braun-Strumfels establishes antecedents for remote control beyond the well-studied Chinese and Mexican cases.

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Drawing on the work of an alliance of grassroots organisations called the Portland Harbor Community Coalition (PHCC), Erin Goodling shows how communities have come together across lines of race and class to work for a more just, green future in Portland, Oregon.

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Modern Cronies traces how various industrialists, thrown together by the effects of the southern gold rush, shaped the development of the southeastern United States. Existing historical scholarship treats the gold rush as a self-contained blip that—aside from the horrors of Cherokee Removal (admittedly no small thing) and a supply of miners to California in 1849—had no other widespread effects. In fact, the southern gold rush was a significant force in regional and national history. The pressure brought by the gold rush for Cherokee Removal opened the path of the Western & Atlantic Railroad, the catalyst for the development of both Atlanta and Chattanooga, Tennessee. Iron makers, attracted by the gold rush, built the most elaborate iron-making operations in the Deep South near this railroad, in Georgia’s Etowah Valley; some of these iron makers became the industrial talent in the fledgling postbellum city of Birmingham, Alabama. This book explicates the networks of associations and interconnections across these varied industries in a way that newly interprets the development of the southeastern United States. Modern Cronies also reconsiders the meaning of Joseph E. Brown, Georgia’s influential Civil War governor, political heavyweight, and wealthy industrialist. Brown was nurtured in the Etowah Valley by people who celebrated mining, industrialization, banking, land speculation, and railroading as a path to a prosperous future. Kenneth H. Wheeler explains Brown’s familial, religious, and social ties to these people; clarifies the origins of Brown’s interest in convict labor; and illustrates how he used knowledge and connections acquired in the gold rush to enrich himself. After the Civil War Brown, aided by his sons, dominated and modeled a vigorous crony capitalism with far-reaching implications.

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When I went to work for Lockheed-Georgia Company in September of 1952 I had no idea that this would end up being my life’s work." With these words, Harry Hudson, the first African American supervisor at Lockheed Aircraft’s Georgia facility, begins his account of a thirty-six-year career that spanned the postwar civil rights movement and the Cold War.Hudson was not a civil rights activist, yet he knew he was helping to break down racial barriers that had long confined African Americans to lower-skilled, nonsupervisory jobs. His previously unpublished memoir is an inside account of both the racial integration of corporate America and the struggles common to anyone climbing the postwar corporate ladder. At Lockheed-Georgia, Hudson went on to become the first black supervisor to manage an integrated crew and then the first black purchasing agent. There were other "firsts" along the path to these achievements, and Working for Equality is rich in details of Hudson’s work on the assembly line and in the back office. In both circumstances, he contended with being not only a black man but a light-skinned black man as he dealt with production goals, personnel disputes, and other workday challenges.Randall Patton’s introduction places Hudson’s story within the broader struggle of workplace desegregation in America. Although Hudson is frank about his experiences in a predominantly white workforce, Patton notes that he remained "an organization man" who "expressed pride in his contributions to Lockheed [and] the nation’s defense effort.

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Television History, the Peabody Archive, and Cultural Memory is the first edited volume devoted to the Peabody Awards Collection, a unique repository of radio and TV programs submitted yearly since 1941 for consideration for the prestigious Peabody Awards. The essays in this volume explore the influence of the Peabody Awards Collection as an archive of the vital medium of TV, turning their attention to the wealth of programs considered for Peabody Awards that were not honored and thus have largely been forgotten and yet have the potential to reshape our understanding of American television history.Because the collection contains programming produced by stations across the nation, it is a distinctive repository of cultural memory; many of the programs found in it are not represented in the canon that dominates our understanding of American broadcast history. The contributions to this volume ask a range of important questions. What do we find if we look to the archive for what’s been forgotten? How does our understanding of gender, class, or racial representations shift? What different strategies did producers use to connect with audiences and construct communities that may be lost?This volume’s contributors examine intersections of citizenship and subjectivity in public-service programs, compare local and national coverage of particular individuals and social issues, and draw our attention to types of programming that have disappeared. Together they show how locally produced programs—from both commercial and public stations—have acted on behalf of their communities, challenging representations of culture, politics, and people.

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Nature and travel writer Bill Belleville has inspired and informed countless readers through his books and magazine articles. River of Lakes, praised as ""erudite"" (Publishers Weekly), and ""elegiac"" (Florida Today), has spurred a resurgence of interest in Florida's St. Johns River. A similar sense of wonder abounds in Deep Cuba (Georgia), which reveals the island's diverse marine life. In these eighteen essays and articles Belleville takes us through Florida, the Caribbean, and Latin America in quest of the distinctive, the wondrous, the threatened, and the undiscovered. His wanderings take him to the once prosperous, now submerged pirate city of Port Royal, Jamaica, and to an offshore Florida reef just in time for a night dive to witness the seldom-seen spawning of the coral. In the Dominican Republic, Belleville dives with archaeologists in search of pre-Columbian Taino artifacts, long lost in the dark depths of a sacred cenote. In Trinidad he joins the search with native fishermen for the rare golden hammerhead shark. Whether seeking the queen conch off the islands of the Turks and Caicos or the flashlight fish in Cuba's southern waters, Belleville's purpose is always more than adventure for its own sake. Hungering for the distinct sense of a place, his curiosity compels him to learn all he can about the wild secrets of the remotest landscapes, from inland jungles to teeming island waters. Belleville's language creates a dreamy double vision, blending archetype and precision so well that the reader is convinced he has not merely read about jeweled moray and pink dolphins, but floated alongside them in tropical waters. ""These tales are not hairy-chested, macho attempts to conquer snowcapped peaks, but adventures into sensuality and meaning."" - Susan Zakin, author of Coyotes and Town Dogs.

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The burgeoning terrain of Martin Luther King Jr. studies is leading to a new appreciation of his thought and its meaningfulness for the emergence and shaping of the twenty-first-century world. This volume brings together an impressive array of scholars from various backgrounds and disciplines to explore the global significance of King—then, now, and in the future.Employing King’s metaphor of "the great world house," the major focus is on King’s appraisal of the global-human struggle in the 1950s and 1960s, his relevance for today’s world, and how future generations might constructively apply or appropriate his key ideas and values in addressing racism, poverty and economic injustice, militarism, sexism, homophobia, the environmental crisis, globalization, and other challenges confronting humanity today. The contributors treat King in context and beyond context, taking seriously the historical King while also exploring how his name, activities, contributions, and legacy are still associated with a globalized rights culture.

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A popular tourist area, North Carolina’s coastal region is the destination of roughly 25 percent of all North Carolina visitors each year, or approximately 12.1 million people. Composed of twenty-eight of the eastern-most counties of North Carolina, the Coastal Plain is the largest and most diverse of the state’s three biogeographical regions. Beginning with an overview of early naturalists who marveled at the region’s natural treasures, Eric G. Bolen and James F. Parnell’s natural history of the Coastal Plain offers a nature-focused walk through the distinctive geological features and plant and animal communities of the area that extends from the Fall Line (delineated approximately by I-95) to the shores of the Atlantic Ocean. This richly illustrated volume presents a journey that begins with the Outer Banks and their beaches, dunes, wild horses, and maritime forests, then moves on to describe the form and functions of the region’s extensive salt marshes. The text continues with visits to the mysterious Carolina bays, Lake Waccamaw, dark cypress swamps, the Great Dismal Swamp, and blackwater streams. Along the way, readers will discover the habitat—and concern—for the last remaining wild population of red wolves and the recently established nesting colonies of wood stork. Rivers and sounds, highlighted by seagrasses, bottomland forests, and eel migrations, come next, followed by a tour of uplands, where bogs of carnivorous plants dot wet savannahs; also presented are the Carolina Sandhills with their stately forests of longleaf pine, colorful tree frogs, burrowing snakes, and unique fishes. To conclude, an afterword discusses the reasons for saving endangered species.Infoboxes scattered throughout the text offer stand-alone explorations of historical and cultural topics associated with North Carolina’s Coastal Plain. Subjects such as whaling, waterfowl decoys, the chanteys of menhaden fisherman, fire ecology, and the extinction of Carolina parakeets illustrate the breadth of coverage. For reference, an appendix cites the scientific names of species mentioned in the text, and a list of readings and references appends each chapter.

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With its thirty-three essays, This Impermanent Earth charts the course of the American literary response to the twentieth century’s accumulation of environmental deprivations. Arranged chronologically from 1974 to the present, the works have been culled from The Georgia Review, long considered an important venue for nonfiction among literary magazines published in the United States.The essays range in subject matter from twentieth-century examples of what was then called nature writing, through writing after 2000 that gradually redefines the environment in increasingly human terms, to a more inclusive expansion that considers all human surroundings as material for environmental inquiry. Likewise, the approaches range from formal essays to prose works that reflect the movement toward innovation and experimentation. The collection builds as it progresses; later essays grow from earlier ones. This Impermanent Earth is more than a historical survey of a literary form, however. The Georgia Review’s talented writers and its longtime commitment to the art of editorial practice have produced a collection that is, as one reviewer put it, "incredibly moving, varied, and inspiring." It is a book that will be as at home in the reading room as in the classroom.

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Based on the study of course catalogues of colleges founded for Black people after the Civil War by Black churches, largely White missionary societies and White philanthropic organisations. The authors uncover the full extent of the colleges' classics curriculums and showcase the careers of prominent African American classicists.

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With Central City’s Joy and Pain, Jerome E. Morris explores complex social issues through personal narrative. He does so by blending social-science research with his own memoir of life in Birmingham, Alabama. As someone who lived in the Central City housing project for two transitional decades (1968–91) and whose family continued to reside there until 1999, when the city razed the community, the author provides us with the often unexplored bottom-up perspective on Black public-housing residents’ experiences. As Morris’s experiential and authoritative narrative voice unfolds in the pages of Central City’s Joy and Pain, both the scholarly and lay reader are brought on a journey of what life is like for people who live and die at the intersection of race and poverty in a rapidly evolving southern urban center. The setting of a historic public-housing community provides a rich canvas on which to paint a world through the author’s personal experience of growing up there—and his later observations as a researcher and academic. Through its syncopation of personal stories and scholarly research, Central City's Joy and Pain captures what it means to be Black, poor, and full of dreams. In this setting, dreams are realized by some and swallowed up for others in the larger historical, social, economic, and political context of African Americans' experiences during and after the civil rights movement.

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What would we learn if animals could tell their own stories? Éric Baratay, a pioneering researcher in animal histories in France, applies his knowledge of historical methodologies to give voice to some of the nineteenth and twentieth centuries’ most interesting animals. He offers brief yet innovative accounts of these animals’ lives in a way that challenges the reader’s thinking about animals. Baratay illustrates the need to develop a nonanthropocentric means of viewing the lives of animals and including animals themselves in the narrative of their lives. Animal Biographies launches an all-new investigation into the lives of animals and is a major contribution to the field of animal studies.This English translation of Éric Baratay’s Biographies animales: Des Vies retrouvées, originally published in France in 2017 (Éditions du Seuil), uses firsthand accounts starting from the nineteenth century about specific animals who lived in Europe and the United States to reconstruct, as best as possible, their stories as they would have experienced them. History is, after all, not just the domain of humans. Animals have their own. Baratay breaks the model of human exceptionalism to give us the biographies of some of history and literature’s most famous animals. The reader will catch a glimpse of storied lives as told by Modestine, the donkey who carried Robert Louis Stevenson through the Alps; Warrior, the World War I horse made famous in Steven Spielberg’s War Horse; Islero, the bull who gored Spain’s greatest bullfighter; and others. Through these stories we discover their histories, their personalities, and their shared experiences with others of their species.

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Seen/Unseen is a vivid portrait of the complex network that created, held, and sustained a community of the enslaved. The hundreds of men and women kept in bondage by the Cobb-Lamar family, one of the wealthiest and most politically prominent families in antebellum America, labored in households and on plantations that spanned Georgia. Fragments of their lives were captured in thousands of letters written between family members, who recorded the external experiences of the enslaved but never fully reckoned with their humanity. Drawn together for the first time, these fragments reveal a community that maintained bonds of affection, kinship, and support across vast distances of space, striving to make their experiences in slavery more bearable. Christopher R. Lawton, Laura E. Nelson, and Randy L. Reid have meticulously excavated the vast Cobb Family Papers at the University of Georgia to introduce into the historical record the lives of Aggy Carter and her father George, Rachel Lamar Cole, Alfred Putnam, Berry Robinson, Bob Scott, and Sylvia Shropshire and her daughter Polly. Each experienced enslavement in ways that were at once both remarkably different and similar. Seen/Unseen tells their stories through four interconnected chapters, each supported by a careful selection of primary source documents and letters. After mapping the underlying structures that supported the wealth and power of the Cobb-Lamar family, the authors then explore how those same pathways were used by the enslaved to function within the existing system, confront the limitations placed on them, challenge what they felt were its worst injustices, and try to shape the boundaries of their own lives.

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Wild American Ginseng, America’s most famous medicinal plant, is in trouble. In plain prose, James McGraw explains why as he translates the latest in ecological and conservation science findings on this unassuming understory herb. As the world’s foremost authority on wild ginseng, McGraw is uniquely poised to present this story based on over twenty years of uninterrupted field research.McGraw traces the dramatic ecological history of ginseng in North America, documenting the ginseng-centric view of a world increasingly dominated by both direct and indirect actions of humans. Far more than a story of a single plant species, ginseng becomes a parable, a canary in a coal mine, for what is happening to our dwindling wild species across the globe. Documenting lingchi (death by a thousand cuts) in human interactions with wild species, McGraw shows us the evidence of our slowly eroding biodiversity and our diminishing global biotreasury.Beyond merely documenting our destruction of nature, McGraw also offers a pathway to an optimistic future for ginseng and the wild species with whom we share the planet. He illuminates how a dramatic expansion of our commitment to sharing the planet with our fellow planetary companions is the key to preservation; and now is the time to do so.

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Born into slavery in Hampton County, Virginia, orphaned soon thereafter, and raised for almost two years among Native Americans, the charismatic Rev. Peter Thomas Stanford (c. 1860-May 20, 1909) rose from humble and challenging beginnings to emerge as an inventive and passionate activist and educator who championed social justice. During the post- Reconstruction era and early twentieth century, Stanford traversed the United States, Canada, and England advocating for the rights of African Americans, including access to educational opportunities; attainment of the full rights and privileges of citizenship; protections from racial violence, social stereotyping, and a predatory legal system; and recognition of the artistic contributions that have shaped national culture and earned global renown. His imprint on working-class urban residents, Afro-Canadian settlements, and African American communities survives in the institutions he led and the works that presented his imaginative, literate, ardent, and often comic voice.With a reflection by Highgate Baptist Church's former pastor, Rev. Dr. Paul Walker, this collection highlights Stanford's writings: sermons, lectures, newspaper columns, entertainments, and memoirs. Editors Barbara McCaskill and Sidonia Serafini annotate his life and work throughout the volume, placing him within the context of his peers as a writer and editor. As an American expatriate, Stanford was seminal in redirecting antislavery activism into an international antilynching movement and a global campaign to dismantle slavery and slave trading. This book squarely inserts this influential thinker and activist in the African American literary canon.

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In eighteenth- and nineteenth-century debates about the constructions of American nationhood and national citizenship, the frequently invoked concept of divided sovereignty signified the division of power between state and federal authorities and/or the possibility of one nation residing within the geopolitical boundaries of another. Political and social realities of the nineteenth century—such as immigration, slavery, westward expansion, Indigenous treaties, and financial panics—amplified anxieties about threats to national/state sovereignty.Rochelle Raineri Zuck argues that, in the decades between the ratification of the Constitution and the publication of Sutton Griggs’s novel Imperium in Imperio in 1899, four populations were most often referred to as racial and ethnic nations within the nation: the Cherokees, African Americans, Irish Americans, and Chinese immigrants. Writers and orators from these groups engaged the concept of divided sovereignty to assert alternative visions of sovereignty and collective allegiance (not just ethnic or racial identity), to gain political traction, and to complicate existing formations of nationhood and citizenship. Their stories intersected with issues that dominated nineteenth-century public argument and contributed to the Civil War.In five chapters focused on these groups, Zuck reveals how constructions of sovereignty shed light on a host of concerns including regional and sectional tensions; territorial expansion and jurisdiction; economic uncertainty; racial, ethnic, and religious differences; international relations; immigration; and arguments about personhood, citizenship, and nationhood.

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Eight brutally beautiful stories full of fragmented dreams, highly developed thieves, misadventures, and displaced characters all heaving through a human struggle to anchor themselves in a new home or sometimes a new reality. The characters explored are immigrants who retain a strong connection but have no plans to return to their home country.

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With Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem’s ear toward a confluence of history, labor, and languages, while also enacting a kind of "telephone" between cultures. Invested in the circuitry and circuitous routes of migration and labor, Som’s lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwise—one attuned to the echo in the hecho, the oracle in the órale.

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Tennessee has made tremendous strides in race relations since the end of de jure segregation. African Americans are routinely elected and appointed to state and local offices, the black vote has tremendous sway in statewide elections, and legally explicit forms of racial segregation have been outlawed. Yet the idea of transforming Tennessee into a racially equitable state-a notion that was central to the black freedom movement during the antebellum and Jim Crow periods-remains elusive for many African Americans in Tennessee, especially those living in the most underresourced and economically distressed communities.Losing Power investigates the complex relationship between racial polarization, black political influence, and multiracial coalitions in Tennessee in the first decade of the twenty-first century. Sekou M. Franklin and Ray Block examine the divide in values, preferences, and voting behaviors between blacks and whites, contending that this racial divide is both one of the causes and one of the consequences of black Tennesseans' recent loss of political power.Tennessee has historically been considered more politically moderate and less racially conservative than the states of the Deep South. Yet in recent years and particularly since the mid- 2000s, Republicans have cemented their influence in the state. While Franklin and Block's analysis and methodology focus on state elections, political institutions, and public policy, Franklin and Block have also developed a conceptual framework for racial politics that goes beyond voting patterns to include elite-level discourse (issue framing), intrastate geographical divisions, social movements, and pressure from interest groups.

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James Weldon Johnson (1871–1938) exemplified the ideal of the American public intellectual as a writer, educator, songwriter, diplomat, key figure of the Harlem Renaissance, and first African American executive of the NAACP. Originally published anonymously in 1912, Johnson’s novel The Autobiography of an Ex-Colored Man is considered one of the foundational works of twentieth-century African American literature, and its themes and forms have been taken up by other writers, from Ralph Ellison to Teju Cole.Johnson’s novel provocatively engages with political and cultural strains still prevalent in American discourse today, and it remains in print over a century after its initial publication. New Perspectives contains fresh essays that analyze the book’s reverberations, the contexts within which it was created and received, the aesthetic and intellectual developments of its author, and its continuing influence on American literature and global culture.Contributors: Bruce Barnhart, Lori Brooks, Ben Glaser, Jeff Karem, Daphne Lamothe, Noelle Morrissette, Michael Nowlin, Lawrence J. Oliver, Diana Paulin, Amritjit Singh, Robert B. Stepto.

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Tells the largely unknown story of southern student activism in Tennessee between the Brown decision in 1954 and the national backlash against the Kent State University shootings in May 1970.

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In Gwinnett County’s two hundred years, the area has been western, southern, rural, suburban, and now increasingly urban. Its stories include the displacement of Native peoples, white settlement, legal battles over Indian Removal, slavery and cotton, the Civil War and the Lost Cause, New South railroad and town development, Reconstruction and Jim Crow, business development and finance in a national economy, a Populist uprising and Black outmigration, the entrance of women into the political arena, the evolution of cotton culture, the development of modern infrastructure, and the transformation from rural to suburban to a multicultural urbanizing place. Gwinnett, as its chamber of commerce likes to say, has it all.However, Gwinnett has yet to be the focus of a major historical exploration—until now. Through a compilation of essays written by professional historians with expertise in a diverse array of eras and fields, Michael Gagnon and Matthew Hild’s collection finally tells these stories in a systematic way—avoiding the pitfalls of nonprofessional local histories that tend to ignore issues of race, class, or gender. While not claiming to be comprehensive, this book provides general readers and scholars alike with a glimpse at Gwinnett through the ages.CONTRIBUTORS: Julia Brock, William D. Bryan, Richard A. Cook Jr., Lisa L. Crutchfield, Michael Gagnon, Edward Hatfield, Keith S. Hébert, Matthew Hild, R. Scott Huffard Jr., David L. Mason, Marko Maunula, Erica Metcalfe, Katheryn L. Nikolich, David B. Parker, Bradley R. Rice, and Carey Olmstead Shellman

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Selling Hate is a fascinating and powerful story about the power of a southern PR firm to further the Ku Klux Klan’s agenda. Dale W. Laackman’s uncovered never-before-published archival material, census records, and obscure books and letters to tell the story of an emerging communications industry—an industry filled with potential and fraught with peril.The brilliant, amoral, and spectacularly bold Bessie Tyler and Edward Young Clarke—together, the Southern Publicity Association—met the fervent William Joseph Simmons (founder of the second KKK), saw an opportunity, and played on his many weaknesses. It was the volatile, precarious terrain of post–World War I America. Tyler and Clarke took Simmons's dying and broke KKK, with its two thousand to three thousand associates in Georgia and Alabama, and in a few short years swelled its membership to nearly five million. Chapters were established in every state of the union, and the Klan began influencing American political and social life. Between one-third and one-half of the eligible men in the country belonged to the organization. Even to modern sensibilities, the extent of Tyler and Clarke’s scheme is shocking: the limitlessness of their audacity; the full-scale and ongoing con of Simmons; the size of the personal fortunes they earned, amassed, and stole in the process; and just how easily and expertly they exploited the particular fears and prejudices of every corner of America. You will recognize in this pair a very American sense of showmanship and an accepted, even celebrated, brash entrepreneurial hustle. And as their story winds down, you will recognize the tainted and ultimately ineffectual congressional hearings into the Klan's monumental growth.

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During the Civil War, William H. Gregg served as William Clarke Quantrill’s de facto adjutant from December 1861 until the spring of 1864, making him one of the closest people to the Confederate guerrilla leader. “Quantrill’s raiders” were a partisan ranger outfit best known for their brutal guerrilla tactics, which made use of Native American field skills. Whether it was the origins of Quantrill’s band, the early warfare along the border, the planning and execution of the raid on Lawrence, Kansas, the Battle of Baxter Springs, or the dissolution of the company in early 1864, Gregg was there as a participant and observer. This book includes his personal account of that era.The book also includes correspondence between Gregg and William E. Connelley, a historian. Connelley was deeply affected by the war and was a staunch Unionist and Republican. Even as much of the country was focusing on reunification, Connelley refused to forgive the South and felt little if any empathy for his Southern peers. Connelley’s relationship with Gregg was complicated and exploitive. Their bond appeared mutually beneficial, but Connelley manipulated an old, weak, and naïve Gregg, offering to help him publish his memoir in exchange for Gregg’s inside information for a biography of Quantrill.

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Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South.Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners’ racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull—between segregationist cultural logics and music’s disrespect of racially defined boundaries—is an animating force in twentieth-century American popular culture.

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From the American Revolution to NAFTA to the Helms-Burton Act and beyond, Canada and the United States offers a current, thoughtful assessment of relations between the two countries. Distilling a mass of detail concerning cultural, economic, and political developments of mutual importance during the past two centuries, this survey enables readers to grasp quickly the essence of the shared experience of these two countries.

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Advancing for the first time the concept of ""post-pastoral practice,"" ""Reconnecting with John Muir"" springs from Terry Gifford's understanding of the great naturalist as an exemplar of integrated, environmentally conscious knowing and writing. Just as the discourses of science and the arts were closer in Muir's day - in part, arguably, because of Muir - it is time we learned from ecology to recognize how integrated our own lives are as readers, students, scholars, teachers, and writers. When we defy the institutional separations, purposely straying from narrow career tracks, the activities of reading, scholarship, teaching, and writing can inform each other in a holistic ""post-pastoral"" professional practice. Healing the separations of culture and nature represents the next way forward from the current crossroads in the now established field of ecocriticism. The mountain environment provides a common ground for the diverse modes of engagement and mediation Gifford discusses. By attempting to understand the meaning of Muir's assertion that ""going to the mountains is going home,"" Gifford points us toward a practice of integrated reading, scholarship, teaching, and writing that is adequate to our environmental crisis.

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Compiled from decades of visiting beaches along the Atlantic and Gulf coasts collecting fossils and conducting extensive research, A Beachcomber’s Guide to Fossils is the definitive guide for amateur collectors and professionals interested in learning more about the deep history they tread on during their vacations. Authored by Bob, Pam, and Ashby Gale, this guide offers over twelve hundred high-quality color photographs and detailed descriptions of more than three hundred fossil specimens found on beaches from Texas, east to Florida, and north to New Jersey. The book includes descriptions and identifying information for the fossil remains of mammals, reptiles, birds, and fish. Because the tides provide a new beach to explore every day, and beachcombers need immediate comparison for identification, the Beachcomber’s Guide is essential for quick and easy reference. And while the seemingly infinite varieties of shark teeth form much of what beachcombers find on their sandy strolls, this guide also illuminates the fossilized remains of species that walked in a different world. From glyptodonts (a giant, prehistoric armadillo) and giant sloths to the intricately patterned remains of the ancestors of manta rays and pufferfish, this book not only teaches its readers not only what treasures to look for but how to look for them.

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A broad-based coalition of conservative southern politicians, countercultural activists, environmental scientists, sportsmen, devout Christians, garden clubs in Atlanta, and others came together to push the Coastal Marshlands Protection Act of 1970 through the Georgia state legislature. The law was a first-in-the-nation bill to save the marshes of a state from mining and aggressive development and was a political watershed that reflected the changing nature of the state. It set a foundation that would lead to the thoughtful use of the state’s coastal resources still relevant today.And the Coastlands Wait is the history of this legislative act, as told by St. Simons lawyer and leader of the coalition, Reid Harris. Harris served as head of the environmental section of Governor Jimmy Carter’s Goals for Georgia program and later as chairman of the governor’s State Environmental Council. The coastlands coalition he led backed a groundbreaking act that, when instated, set up a permitting process to control development and to protect five hundred thousand acres of precious Georgia marshland. That coalition did not survive for long and is now seen as an unusual moment in the history of conservation, when allies as deeply diverse as conservative governor Lester Maddox and Atlanta liberals stood together.

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The hilarious, heartbreaking essays in this collection trace the evolutions of a girlhood of competing languages, ethnicities, aesthetics, politics, and class constraints against the backdrop of a boozy New Orleans upbringing.

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In the popular imagination, Civil War disability is virtually synonymous with amputation. But war affects the body in countless ways, many of them understudied by historians. In Bodies in Blue, Sarah Handley-Cousins expands and complicates our understanding of wartime disability by examining a variety of bodies and ailments, ranging from the temporary to the chronic, from disease to injury, and encompassing both physical and mental conditions. She studies the cases of well-known individuals, such as Union general Joshua Lawrence Chamberlain, alongside many cases drawn from the ranks to provide a more comprehensive view of how soldiers, civilians, and institutions grappled with war-related disability in the Civil War-era North.During the Civil War and long after, the bodies of Union soldiers and veterans were sites of powerful cultural beliefs about duty and sacrifice. However, the realities of living with a disability were ever at odds with the expectations of manhood. As a consequence, men who failed to perform the role of wounded warrior properly could be scrutinized for failing to live up to standards of martial masculinity. Under the gaze of surgeons, officers, bureaucrats, and civilians, disabled soldiers made difficult negotiations in their attempts to accommodate impaired bodies and please observers. Some managed this process with ease; others struggled and suffered. Embracing and exploring this apparent contradiction, Bodies in Blue pushes Civil War history in a new direction.

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Horse Crazy explores the meaning behind the love between girls and horses. Jean O’Malley Halley, a self-professed “horse girl,” contends that this relationship and its cultural signifiers influence the manner in which young girls define their identity when it comes to gender. Halley examines how popular culture, including the “pony book” genre, uses horses to encourage conformity to gender norms but also insists that the loving relationship between a girl and a horse fundamentally challenges sexist and mainstream ideas of girlhood.Horse Crazy looks at the relationships between girls and horses through the frameworks of Michel Foucault’s concepts of normalization and biopower, drawing conclusions about the way girls’ agency is both normalized and resistant to normalization. Segments of Halley’s own experiences with horses as a young girl, as well as experiences from the perspective of other girls, are sources for examination. “Horsey girls,” as she calls them, are girls who find a way to defy the expectations given to them by society?thinness, obsession with makeup and beauty, frailty?and gain the possibility of freedom in the process.Drawing on Nicole Shukin’s uses of animal capital theories, Halley also explores the varied treatment of horses themselves as an example of the biopolitical use of nonhuman animals and the manipulation and exploitation of horse life. In so doing she engages with common ways we think and feel about animals and with the technologies of speciesism.

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In 2004 France banned Muslim women from wearing veils in school. In 2010 France passed legislation that banned the wearing of clothing in public that covered the face, mainly to target women who wore burqas. President Emmanuel Macron has stated that the hijab is not in accordance with French ideals. Islamophobia in France takes many forms, both explicit and implicit, and often appears to be sanctioned by the governing bodies themselves. These cultural biases reveal how the Muslim population acts as a scapegoat for the problematic status of immigrants in France more generally.Islamophobia in France is an English translation of Abdellali Hajjat and Marwan Mohammed’s Islamophobie: Comment les e´lites franc¸aises fabriquent le "proble`me musulman." In this groundbreaking book, Hajjat and Mohammed argue that Islamophobia in France is not the result of individual prejudice or supposed Muslim cultural or racial deficiencies but rather arose out of structures of power and control already in place in France.Hajjat and Mohammed analyze how French elites deploy Islamophobia as a state technology for contesting and controlling the presence of specific groups of postcolonial immigrants and their descendants in contemporary France. With a new introduction for U.S. readers, the authors unpack the data on Islamophobia in France and offer a portrait of how it functions in contemporary society.

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Mary Crovatt Hambidge (1885–1973) was an aspiring actress and a professional whistler on Broadway when she met Canadian-born Jay Hambidge (1867–1924), an artist, illustrator, and scholar. Their relationship would prove to be both a romantic and an artistic partnership. Jay Hambidge formulated his own artistic concept, known as Dynamic Symmetry, which stipulated that the compositional rules found in nature’s symmetry should be applied to the creation of art. Mary Hambidge pioneered new techniques of weaving and dyeing fabric that merged Greek methods with Appalachian weaving and spinning traditions. The Hambidge Center for Creative Arts and Sciences, formed during the mid-1930s, provides an artists’ community situated on six hundred rural acres in the north Georgia mountains where hundreds of visual artists, writers, potters, composers, dancers, and other artists have pursued their crafts.Dynamic Design details Jay Hambidge and Mary Crovatt Hambidge’s cross-cultural and cross-historicalexplorations and examines their lasting contributions to twentieth-century art and cultural history. Virginia Gardner Troy illustrates how Jay and Mary were important independently and collectively, providing a wider understanding of their lives within the larger context of late nineteenth- and early twentieth-century art and design. They were from two different worlds, nearly a generation apart in age, and only together for ten years, but their lives intertwined at a pivotal moment in their development. They shared parallel goals to establish a place where they could integrate the arts and crafts around the principles of Dynamic Symmetry.Troy explores how this dynamic duo’s ideas and artistic expressions have resonated with admirers throughout the decades and reflect the trends and complexities of American culture through various waves of cosmopolitanism, utopianism, nationalism, and isolationism. The Hambidges’ prolific partnership and forward-thinking vision continue to aid and inspire generations of aspiring artists and artisans.

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In some ways, no American city symbolizes the black struggle for civil rights more than Birmingham, Alabama. During the 1950s and 1960s, Birmingham gained national and international attention as a center of activity and unrest during the civil rights movement. Racially motivated bombings of the houses of black families who moved into new neighborhoods or who were politically active during this era were so prevalent that Birmingham earned the nickname "Bombingham."In this critical analysis of why Birmingham became such a national flashpoint, Bobby M. Wilson argues that Alabama’s path to industrialism differed significantly from that of states in the North and Midwest. True to its antebellum roots, no other industrial city in the United States depended as much on the exploitation of black labor so early in its urban development as Birmingham.A persuasive exploration of the links between Alabama’s slaveholding order and the subsequent industrialization of the state, America’s Johannesburg demonstrates that arguments based on classical economics fail to take into account the ways in which racial issues influenced the rise of industrial capitalism.

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In eighteenth- and nineteenth-century debates about the constructions of American nationhood and national citizenship, the frequently invoked concept of divided sovereignty signified the division of power between state and federal authorities and/or the possibility of one nation residing within the geopolitical boundaries of another. Political and social realities of the nineteenth century—such as immigration, slavery, westward expansion, Indigenous treaties, and financial panics—amplified anxieties about threats to national/state sovereignty.Rochelle Raineri Zuck argues that, in the decades between the ratification of the Constitution and the publication of Sutton Griggs’s novel Imperium in Imperio in 1899, four populations were most often referred to as racial and ethnic nations within the nation: the Cherokees, African Americans, Irish Americans, and Chinese immigrants. Writers and orators from these groups engaged the concept of divided sovereignty to assert alternative visions of sovereignty and collective allegiance (not just ethnic or racial identity), to gain political traction, and to complicate existing formations of nationhood and citizenship. Their stories intersected with issues that dominated nineteenth-century public argument and contributed to the Civil War.In five chapters focused on these groups, Zuck reveals how constructions of sovereignty shed light on a host of concerns including regional and sectional tensions; territorial expansion and jurisdiction; economic uncertainty; racial, ethnic, and religious differences; international relations; immigration; and arguments about personhood, citizenship, and nationhood.

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A collection of 20 profiles of fascinating men by author and magazine writer Steve Oney. Written over a 40-year period, many are prize-winning essays.

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In The Politics of White Rights, Joseph Bagley recounts the history of school desegregation litigation in Alabama, focusing on the malleability and durability of white resistance. He argues that the litigious battles of 1954–73 taught Alabama’s segregationists how to fashion a more subtle defense of white privilege, placing them in the vanguard of a new conservatism oriented toward the Sunbelt, not the South.Scholars have recently begun uncovering the ways in which segregationists abandoned violent backlash and overt economic reprisal and learned how to rearticulate their resistance and blind others to their racial motivations. Bagley is most interested in a creedal commitment to maintaining “law and order,” which lay at the heart of this transition. Before it was a buzz phrase meant to conjure up fears of urban black violence, “law and order” represented a politics that allowed self-styled white moderates to begrudgingly accept token desegregation and to begin to stake their own claims to constitutional rights without forcing them to repudiate segregation or white supremacy.Federal courts have, as recently as 2014, agreed that Alabama’s property tax system is crippling black education. Bagley argues that this is because, in the late 1960s, the politics of law and order became a politics of white rights, which supported not only white flight to suburbs and private schools but also nominally color-blind changes in the state’s tax code. These changes were designed to shield white money from the needs of increasingly black public education. Activists and courts have been powerless to do anything about them, because twenty years of desperate litigious combat finally taught Alabama lawmakers how to erect constitutional bulwarks that could withstand a legal assault.

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From age four to 18, Sue William Silverman was sexually abused by her father, a high-ranking government official. This is an often graphic memoir of those years which recounts how Silverman's mother ignored her distress, thus conspiring in an attempt to keep the situation unreported and undetected.

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The centerpiece of this generously annotated book is the diary kept by the celebrated agricultural reformer Edmund Ruffin during the eight months in 1843 when, at the request of Governor James Henry Hammond, he conducted an economic survey of South Carolina, traveling to every corner of the state to examine the different farming methods in use and the resources available for their improvement. Ruffin's succinct and pointed narrative, driven by a passionate interest in the perpetuation of slavery, recaptures for the modern reader the physical and social environment of the Palmetto State two decades before the outbreak of the Civil War in the Charleston harbor.

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This book brings together Lester D. Langley’s personal and professional link to the long American Revolution in a narrative that spans more than 150 years and places the Revolution in multiple contexts—from the local to the transatlantic and hemispheric and from racial and gendered to political, social, economic, and cultural perspectives. It offers a reminder that we are an old republic but a young nation and shows how an awareness of that dynamic is critical to understanding our current political, cultural, and social malaise. The United States of America is still a work in progress.A descendant on his father’s side from a long line of Kentuckians, Langley grew up torn between a father who embodied the idea of the Revolution’s poor white male driven by economic self-interest and racial prejudices and a devoted and pious mother who saw life and history as a morality play. The author’s intellectual and professional "encounter" with the American Revolution came in the 1960s as a young historian specializing in U.S. foreign relations and Latin American history, an era when the U.S. encounter with the revolution in Cuba and with the civil rights movement at home served as a reminder of the lasting and troublesome legacy of a long American Revolution.In a sweeping account that incorporates both the traditional, iconic literature on the Revolution and more recent works in U.S., Canadian, Latin American, Caribbean, and Atlantic world history, Langley addresses fundamental questions about the Revolution’s meaning, continuing relevance, and far-reaching legacy.

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