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Korea’s transformation over the last thirty years has been unique in the world and this is the most comprehensive English language survey of contemporary art from Korea ever published120 artists, museum and gallery directors, curators and collectors are represented in this lavishly illustrated book making it a vital resource for both those in the know and readers wishing to acquaint themselves with Korea’s contemporary scene for the first time.As a nation prospers, so does its art. Although Korean contemporary artists take both global and local issues into account in their work, what makes Korean art unique are its diversity and its individuality, informed and enriched by rigorous experimentation and cultural exploration.In recent years, Korean contemporary art's vibrancy has been recognised in the international arena, with artists such as Do Ho Suh, Kimsooja, Michael Joo and Koo Jeong-A appearing as major figures. The book presents profiles of these internationally recognised figures as well as of such up-and-coming artists as Lee Yongbaek, Jeon Joonho, Moon Kyungwon and Nikki S. Lee.Further texts also profile influential curators, as well as the country’s leading arts institutions, among them the National Museum of Contemporary Art, Korea; Leeum, Samsung Museum of Art; the Nam June Paik Art Center and the Seoul Museum of Art. The Gwangju Biennale is also highlighted.

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Qatar: Realm of the Possible charts, in the form of a vivid visual journey, the rise and current state of the nation of Qatar. More than 250 masterful and evocative photographs of the Qatari landscape, cutting-edge architecture, everyday vignettes and special events from camel beauty contests to high- speed car racing accompany a cross-section of profiles of the personalities who are helping to shape the transformation of this once sleepy, relatively small Gulf state into the rising super-mini-state that is today’s Qatar. Situated on a peninsula jutting out into the sea halfway along the western coast of the Gulf, Qatar’s 11,400 square kilometres host a range of topographical features, including sandy coastline, mangrove swamps and desert dunes, all vividly captured here through beautiful art photography. The sprawling metropolis of its capital, Doha, is home to world-class educational institutions, prize-winning architecture and research centres at the forefront of their disciplines. Qatar is also home to what is arguably the strongest media voice in the region, as well as one of the world’s most respected organs of journalism, Al Jazeera. Qatar’s infrastructure growth and breathtaking financial expansion are not simply a testament to the richness of its oil and gas reserves, however. The wide-ranging and prescient vision of its ruler, Sheikh Hamad bin Khalifa Al-Thani, along with his dynamic wife, Sheikha Moza bint Nasser, is shared by the majority of the population. As both an exploration and a celebration of this vision, Qatar: Realm of the Possible explores modern-day Qatar, whose landscape and culture are rapidly changing in every sense while its people strive first and foremost to balance tradition with modernity.

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In the perpetual quest for the new, the exciting and the innovative, the attention of the global art community has in recent years been more and more focused on the Middle East. Exhibitions and articles have highlighted a remarkable burst of creativity in the region, as Arab countries from Syria to Algeria, Egypt to Lebanon and Palestine to Saudi Arabia have launched some of the most fascinating artists in recent years. The conceptual playfulness of Hassan Khan, the charged paintings of Jeffar Khaldi, the organic sculptures of Diana Al-Hadid, and the moving photography of Yto Barrada have dazzled audiences with their variety, innovation and thoughtfulness. Until now, however, nobody has captured the vitality of the region’s art in a single book. New Vision: Arab Contemporary Art in the 21st Century offers the most comprehensive, scholarly and in-depth survey yet of what is currently happening at the cutting-edge of art in the Arab world. It begins with five groundbreaking essays that offer the best context to date for contemporary Arab production. Between them they discuss the critical issues of diaspora, globalization, identity and audience, and also explore the origins of the current boom in the political upheavals of the late 20th century. These essays are then followed by some 90 superbly illustrated profiles of key artists, organizations and galleries. Mixing the well known (such as Mona Hatoum or Susan Hefuna) with the up and coming (for example, Steve Sabella or Mireille Astore), this section offers a vibrant perspective on the current state of Arab art.

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In the perpetual quest for the new, the exciting and the innovative, the attention of the global art community has in recent years been more and more focused on the Middle East. Exhibitions and articles have highlighted a remarkable burst of creativity in the region, as Arab countries from Syria to Algeria, Egypt to Lebanon and Palestine to Saudi Arabia have launched some of the most fascinating artists in recent years. The conceptual playfulness of Hassan Khan, the charged paintings of Jeffar Khaldi, the organic sculptures of Diana Al-Hadid, and the moving photography of Yto Barrada have dazzled audiences with their variety, innovation and thoughtfulness. Until now, however, nobody has captured the vitality of the region’s art in a single book. New Vision: Arab Contemporary Art in the 21st Century offers the most comprehensive, scholarly and in-depth survey yet of what is currently happening at the cutting-edge of art in the Arab world. It begins with five groundbreaking essays that offer the best context to date for contemporary Arab production. Between them they discuss the critical issues of diaspora, globalization, identity and audience, and also explore the origins of the current boom in the political upheavals of the late 20th century. These essays are then followed by some 90 superbly illustrated profiles of key artists, organizations and galleries. Mixing the well known (such as Mona Hatoum or Susan Hefuna) with the up and coming (for example, Steve Sabella or Mireille Astore), this section offers a vibrant perspective on the current state of Arab art.

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From Botticelli to Bacon, artists have always invested their personalities in their working environments, but these private spaces, often containing the visible remains of artistic ingenuity, toil and torment, are usually kept behind firmly closed doors. Sanctuary gives a rare and privileged insight to the studios and inspirations of nearly 120 of Britain’s greatest living artists working today, both in Britain and abroad. Sanctuary’s stellar cast of artists encompasses many different ways of thinking about and making art. This lavish, large-format book brims with specially commissioned photographs – portraits, images at work, places of inspiration – and incisive interviews: the artists open their minds as much as their studio doors. Sanctuary is full of insights, revelations and thoughts on the modern art world and contemporary art practice, giving a vivid sense of what it means to be an artist at work today.

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Russia has undergone an amazing cultural and political transformation over the past forty years. How has its rapidly changing social landscape shaped its art? And how does art effect social and cultural change within Russia? This generously illustrated volume explores these questions by presenting a broad but balanced selection of work by eighty Russian artists working from the 1970s to the present day. It features many newcomers, including Alexei Kallima, Kerim Ragimov and Olga Chernysheva alongside such well-established names as Ilya and Emilia Kabakov, Eric Bulatov, Boris Mikhailov and AES+F. With more than 600 colour illustrations, perceptive interviews, in-depth profiles and three essays by leading scholars and collectors, Frozen Dreams will be an essential guide to a hitherto neglected area and an up-to-the-minute cultural portrait of an exciting artistic arena.

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