Search results for ""the lilliput press ltd""
The Lilliput Press Ltd Reading The Future: Twelve Writers from Ireland in Conversation with Mike Murphy
Featuring nine in-depth interviews with Mike Murphy and three round-table discussions with fellow Irish writers and critics, Reading the Future creates a unique freeze-frame portrait of Ireland’s literary culture at the turn of the century – and provides fascinating insights into the shaping influences on the lives, creative minds and working methods of twelve great writers. Including a challenging introduction by Declan Kiberd, consulting editor to the series and chairman of the selection panel, Reading the Future is an indispensable source for any serious reader of Irish literature.
£12.99
The Lilliput Press Ltd Lives Less Ordinary: Thirty-two Irish Portraits
The people who talk about their lives in this book represent a creative, dissident Ireland. They are artists, writers, map-makers, weavers, water-diviners, teachers, environmentalists, farmers, wood-cutters, gardeners, travellers and monks. Some continue ways of life that have existed for generations; others have chosen to live and work in ways that are experimental, exploratory, and always singular. The choices they have made prompt us to reflect on our own choices. These thirty-two portraits in word and image provide an alternative view of the possibilities of life in Ireland, and a bracing antidote to the banalities of the consumer society.
£15.99
The Lilliput Press Ltd Diaries of Ireland: From Ludov Von Munchhausen to Lady Gregory
This anthology of Irish diaries features an eclectic selection from diarists known and unknown, including poets, farmers, politicians, scientists, preachers, architects, butter merchants, and even a reverend captured by Turkish pirates. Biographical detail and historical background are supplied for all diarists and diaries. The anthology covers diary excerpts from the 17th to the 20th century. From the 17th century, diarists include Richard Boyle, Elizabeth Freke and John Stevens; from the 18th century, the writings of John Scorr, John Wesley, Lucy Goddard, John Fitzgerald, Wolfe Tone and Elisabeth Richards are covered. The 19th-century diarists featured are Nicolas Cummins, Humphrey O'Sullivan, Lady Morgan, the Reverend Robert Traill, W.J. O'Neill Daunt, Elizabeth Grant, Thomas Carlyle and Henry Allen. From the 20th century, the diaries of James Stephens, Lady Gregory, Gemma Hussey and Richard Murphy are included.
£25.00
The Lilliput Press Ltd The Irish Aesthete Buildings of Ireland Lost and Found
Inspired by his passionate interest in Ireland's architectural heritage and concern for its preservation, The Irish Aesthete culminates the writings and photography of Robert O'Byrne to showcase Ireland's historic architecture.
£22.99
The Lilliput Press Ltd Habitat
Habitat follows seven neighbours over the course of a surreal and life-changing week as their mid-century apartment building in Oslo begins to inexplicably break down around them.
£16.00
The Lilliput Press Ltd Pure Filth
Pure Filth, Aidan Mathews’ fifth volume of poetry, follows upon Windfalls (Dolmen, 1977), Minding Ruth (Gallery, 1983), According to the Small Hours (Cape, 1998) and Strictly No Poetry (Lilliput, 2017). At its heart, the collection is about reflections on a career and sustained loves for people, God and art, with themes threaded throughout such as the pandemic, suburban Dublin, Irish landscape and history and the Holocaust. His critic and biographer David Wheatley says: ‘It is no exaggeration to say that Mathews does not have themes so much as obsessions. If his Catholic faith provides the ground base for all his work, sexuality, mental illness and the Holocaust recur in poem after poem, stitching together the quotidian and the extreme … Synthesizing the sexual, the sacred, and the secular, Mathews’ poetry is a testament of great personal power, answerable to the cloister and the locked ward, the social lepers and the captains of the ship of state.’ (Irish Poetry, Wake Forest 2017)
£13.00
The Lilliput Press Ltd Fierce Love: The Life of Mary O'Malley
Fierce Love is a compelling and candid biography of Cork-born theatre pioneer (1918-2006) Mary O’Malley, founder-director of Belfast’s Lyric Players Theatre from 1951 to 1981. Neé Hickey, Mary went to Loreto Secondary School in Navan, Co. Meath, writing and directing her first play, The Lost Princess, before living with her mother in Dublin. There she became a key member of the New Theatre Group, immersed in the city’s social and cultural life and joining the Irish Society for Intellectual Freedom. On 14 September 1947 Mary married Armagh-born psychiatrist Pearse O’Malley, later moving to Belfast’s Derryvolgie Avenue off the Malone Road. There she formed a fifty-seat studio theatre above the stables and created Belfast Lyric Players Theatre, a company of actors and artists who were to put on 140 plays over seventeen years on a stage only ten-foot wide, asserting a broad Irish and European culture. W.B Yeats, twenty-six of whose plays were performed, was her standard-bearer. In 1952 she was elected to Belfast Corporation as an Irish Labour Party councillor, and in 1957 she founded the literary magazine Threshold, which enjoyed a thirty-year lifespan. Her other activities included running a drama school, an art gallery and music academy, while raising a family of three. As she battled conservatism, a socialist and nationalist in a Unionist city, this courageous and tenacious woman transformed Belfast with her playhouse — Liam Neeson and Ciarán Hinds were among her protégées — expanding her repertoire and bridging the political quagmire of the sixties to build a permanent 300-seater Lyric Players theatre, which opened with Yeats’s Cuchulain Cycle in October 1968. Her fierce will survived the Troubles, ensuring that her broad-based community theatre never had to close its doors. Her vision was posthumously crowned by the 2011 Lyric Theatre building overlooking the Lagan. Fierce Love celebrates these achievements, chronicling a resourceful and controversial individual, who swam against the tide of populism and sectarianism to establish an independent academy for actors and artists in a tireless quest for imaginative freedom and excellence. Mary O’Malley’s life was complex, and her legacy enduring.
£19.00
The Lilliput Press Ltd Yell, Sam, If You Still Can: Le Tiers Temps
This novel by Maylis Besserie, the first of her Irish trilogy, shows us Samuel Beckett at the end of his life in 1989, living in Le Tiers-Temps retirement home. It is as if Beckett has come to live in one of his own stage productions, peopled with strange, unhinged individuals, waiting for the end of days. Yell, Sam, If You Still Can is filled with voices. From diary notes to clinical reports to daily menus, cool medical voices provide a counterpoint to Beckett himself, who reflects on his increasingly fragile existence. He remains playful, rueful, and aware of the dramatic irony that has brought him to live in the room next door to Winnie, surrounded by grotesques like Hamm or Lucky, abandoned by his wife Suzanne who died before him. Besserie delights in Beckett’s bilingualism and plays back and forth between the francophone and anglophone properties of language, summoning James Joyce as Beckett reminisces about evenings the two spent together singing, talking and drinking. Largely written in the library of the Centre Culturel Irlandais, Besserie has kept the hum of Irish voices throughout this work. Yell, Sam, If You Still Can won the “Goncourt du premier roman”, the prestigious French literary prize for first time novelists, just before the country went into lockdown. Besserie is now planning a further two novels that will explore the links between Ireland and France and is touted as the new star of the French literary world. Financial Times Book of the Year 2022
£13.00
The Lilliput Press Ltd Living With My Century: A Memoir
Professor Eda Sagarra, born in 1933, has been significant and influential figure in Irish and European academic policy-making, contributing to the early development of the Erasmus scheme. Now, aged nearly 88, this memoir gives striking evidence of her self-discipline and formidable energy. This substantial memoir by one of the foremost female academics in Ireland starts with Sagarra's own perspective on committing her life story to history during the pandemic lockdown of 2020: The following memoir recalls for those born in the present century and schooled without the strong sense of Irish history, which defined our people from the Great Famine of the 1840s until recent times, what it was like to grow up as a woman in the twentieth century and seek a career in a man's world. It tries to re-capture as much what it felt like to the person experiencing it as what was happening in society. Younger people today who read of the restrictions to which women were subject in the 1930s, 1940s and 1950s, will find it difficult to comprehend why our generation and the one that followed ours didn't challenge them. But probably the greatest contrast between the Ireland of then and now was the room for manoeuvre - or rather the absence of it. Today our lives are premised on a constantly changing world. Ireland is more connected across the globe than ever it was. Today most people are mobile. The Ireland when I was young was in almost every respect a static, hierarchical and paternalist society, one in which the accident of your birth would generally determine your whole life. No life is representative, but every person's experience is unique and worth recording for those who come after us. A south Dublin convent girl, Sagarra probes childhood and family, schooling, and UCD -with a perceptive commentary on the Ireland of the 1930s and 1940s. Her remarkable memory and shrewd eye for detail present at times a painfully honest account of family and in the upper middle-class world of Catholic south Dublin, revealing the profound influence of Europe during her postgraduate years in post-war Germany, Switzerland and Austria. Running through this forensic account of her academic life is a bitter awareness of the constant if subtle barriers to female advancement. For contemporary critics reconstructing the history of gender equality in Ireland and for readers of feminist history, this makes for essential reading. Her description of retirement since 1997 is colourful, poignant and revealing, and her reflections on old age and youth resonate.
£20.00
The Lilliput Press Ltd John Boorman's Nature Diary: One Eye, One Finger
As I step out of the conservatory facing North, supported by my pusher, the first that catches my eye is the dying Sycamore which escapes death every year by producing a healthy crop of leaves, but it looks so decrepit that surely it can't pull that trick yet again. -1 April, 2020 In his eighty-eighth year, John Boorman uses his time in lockdown to reflect on the splendour of the surrounding nature of County Wicklow. Coccooning with his daughter and son among the hills of Annamoe, Boorman chronicles his daily walks and observations of the trees on his estate, writing with heightened appreciation of the beauties of his eyrie using only one eye and one finger. Poetry flows from his pen as he sits chairbound among his trees and flora: sycamores, limes, beech, oak, redwood, shrubs and flowers, birdsong and shifting skies are luminously recorded as the world falls silent. With illustrations by Susan Morley, this slim but meditative volume is a remarkable narrative by the creator of The Emerald Forest, Excalibur and Deliverance - a swansong like no other.
£10.65
The Lilliput Press Ltd Are You With Me?: Kevin Boyle and the Human Rights Movement
Kevin Boyle (1943–2010) was one of the world’s great human rights lawyers. In a career that lasted decades and spanned continents, he tackled issues ranging from freedom of the press to terrorism to minority rights. This compelling account of Kevin Boyle’s life and work is a remarkable tale of how a taxi driver’s son from Northern Ireland inspired the human rights movement around the world. Born in Newry in 1943, Boyle attended Queen’s University Belfast in the early 1960s, beginning to teach law in 1966. He was a co-founder of the Northern Ireland Civil Rights Association (NICRA) and the People’s Democracy, mediated during the 1981 hunger strikes and helped forge the basis for the agreement that ended the Troubles. His ideas, endorsed in a previously unrevealed conversation Margaret Thatcher had with Taoiseach Garret Fitzgerald, provided much of the intellectual underpinning for the 1985 Anglo-Irish Agreement. He was the lead lawyer in the case that decriminalized homosexuality in Northern Ireland, which then led to its decriminalization in the Irish Republic and other countries. Through a series of landmark cases at the European Court of Human Rights, he left an enduring mark on international human rights law, campaigning against apartheid in South Africa and repression in Turkey. He also played a critical role as the senior advisor to Mary Robinson, UN High Commissioner for Human Rights, during 9/11 and was involved in shaping the international response. He also led the campaign to support Salman Rushdie after the writer was targeted by Iran’s ayatollahs in 1989. Kevin Boyle was central in founding human rights law centres at universities from Ireland and Britain to Brazil and Japan. Though he was a towering figure, his personal story is not well known. Now, based on years of research, thousands of documents, and scores of interviews, former CNN correspondent Mike Chinoy has crafted the compelling life story of a remarkable Irishman.
£18.00
The Lilliput Press Ltd Ethna MacCarthy: Poems
Ethna MacCarthy (1903-59) was a Scholar and a First-Class Moderator at Trinity College Dublin where she taught languages in the thirties and forties before studying medicine. Perhaps best known to posterity for her relationship with Samuel Beckett and appearance in several of his writings, including the play Krapp's Last Tape, she also had a remarkable influence on a number of writers such as Denis Johnston and Con Leventhal, who she later married. Found among Leventhal's papers when he died were MacCarthy's overlooked work, revealing a highly intelligent and culturally sophisticated poet. This collection, published here for the first time, unearths an exceptionally rich and intriguing body of work by a remarkable woman who was ahead of her time. MacCarthy played an important and creative part of a cosmopolitan and free-thinking post-Independence Dublin, publishing translations from Spanish and German poets before developing a highly distinctive style of her own. Her poetry contains exposed lunar and death-haunted landscapes, tales of multifaceted women, and subversive ideas around femininity. Her work highlights a gifted translator who artfully captures the feeling evoked by the original languages. According to Denis Johnston `she has never been shy, can be frank, and outspoken to a degree, is absolutely fearless, intolerant of mediocrity and finds it difficult to suffer fools gladly'. MacCarthy merits reappraisal as an intellectual presence in an age that did not often promote, if acknowledge at all, the woman's voice. This unique collection of Ethna MacCarthy's poems is published as an innovative first step in establishing her as one of the outstanding Irish poets of the mid-20th century.
£18.00
The Lilliput Press Ltd From Lucifer to Lazarus: A Life on the Left
In From Lucifer to Lazarus: A Life on the Left, Mick O'Reilly shares his experiences as a politician and trade unionist and his unwavering thoughts and insights on controversial, complex issues. O'Reilly discovered socialism and militant trade unionism in the early 1960s when he joined the National Union of Vehicle Builders. He went on to join the committee of the Irish Communist Party in 1967 and the Dublin Housing Action Committee, and helped establish Connolly Youth. He took part in strikes against the European Economic Community and negotiated for protection for car workers. This book explores the power struggles and negotiations that O'Reilly has faced throughout his career, without generalities or truisms. After a party dispute in 1977, O'Reilly was employed by the Transport and General Workers' Union, and in 1979 negotiated a huge equal pay claim. Later, O'Reilly's Labour Left group sparked reform within the Labour Party, establishing that its leader must be elected by its members. O'Reilly was even suspended from the Party for a time before the charges against him were proven to be untrue, and he was reinstated in 2004. Despite navigating a career filled with adversity, O'Reilly remains decent, honest and humble. The authenticity of From Lucifer to Lazarus: A Life on the Left emphasises these often overlooked values, setting itself apart as a unique, intimate read. The foreword is written by Gene Kerrigan of The Independent.
£18.00
The Lilliput Press Ltd Paddy Rossmore: Photographs
Paddy Rossmore: Photography records half a century of the travels made by Lord Rossmore and his companions the Knight of Glin, Desmond FitzGerald, and Mariga Guinness of the Irish Georgian Society. The visual record made by Rossmore provides a unique archive dedicated to preserving the landscape of a bygone era. With accompanying essays by fine art historian Robert O'Byrne, Rossmore's photographs capture the bittersweet beauty of an uncertain era for Ireland's architectural heritage, with many of his subjects now fallen to ruin, and others enjoying restoration and new life in modernized Ireland.
£22.00
The Lilliput Press Ltd Maria Edgeworth's Letters from Ireland
1 January 2018 will be the 250th anniversary of Maria Edgeworth's birth. Valerie Pakenham's sparkling new selection of over four hundred letters, many hitherto unpublished, will help to celebrate her memory. Born in England, she was brought to live in Ireland at the age of fourteen and spent most of the rest of her life at the family home at Edgeworthstown, Co. Longford. Encouraged by her remarkable father, Richard Lovell Edgeworth, whose memoirs she edited, she became, in turn, famous for her children's stories, her practical guides to education and her novels - or, as she preferred to call them, `Moral Tales'. By 1813, when visiting London, she was, as Byron testified, as great a literary lion as he had been the season before, and she was hugely admired by fellow novelists Sir Walter Scott and Jane Austen. Maria Edgeworth's posthumous fame has dwindled and only her first novel, Castle Rackrent (1800), a brilliant burlesque account of the Irish squirearchy, is still widely read. She was, however, a prolific and fascinating letter writer. She insisted that her letters were for private consumption only, but after her death, her stepmother and half-sisters produced a private memoir for friends using carefully selected extracts. Their literary quality was spotted by Augustus Hare, whose shortened version, The Life and Letters of Maria Edgeworth, appeared in 1894. In the 1970s Maria's great great niece, Christina Colvin edited Maria Edgeworth's Letters from England and Maria Edgeworth in France & Switzerland. No one, however, has revisited fully Maria's original letters from the place she loved and knew best: Ireland. From 1825, Maria's letters reflect sixty years of Irish history, from the heady days of Grattan's Parliament, through the perils of the 1798 Rebellion to the rise of O'Connell and the struggle for Catholic Emancipation. In old age, she worked actively to alleviate the Great Famine and wrote her last story to raise money aged 82. A treasure trove of stories, humour, local and high-level gossip, her letters show the extraordinary range of her interests: history, politics, literature and science. Maria almost single-handedly took over the management of her family estate and restored it to solvency. Her later letters brim with delight at these practical undertakings and her affection for the local people she worked with. Two of her half-sisters and her stepmother were gifted artists, and Valerie Pakenham has been able to use many of their unpublished drawings and sketches to illustrate this book.
£20.00
The Lilliput Press Ltd Nobody's Business: The Aran Diaries of Ernie O'Malley
`Nobody's Business': The Aran Diaries of Ernie O'Malley presents new insights into the contradictions and complexities of the mind of Ernie O'Malley, one of mid-twentieth century Ireland's foremost cultural critics. In 1941, 1955 and 1956, the former revolutionary leader and author of the acclaimed memoir of the War of Independence, On Another Man's Wound, visited the Aran Islands. While on the islands, O'Malley kept diaries recounting his daily conversations and interactions with other visitors and islanders including Elizabeth Rivers, with whom he stayed on one occasion, Charles Lamb and Sean Keating. The diaries, devoid of sentiment and often highly critical, reveal his views on art, literature, history and contemporary Irish life and international affairs as well as his thoughts on the economic, religious and daily life of the Aran islanders. His unvarnished observations on the inconsistencies and hypocrisies of life in post-Independence Ireland make his diaries absorbing and provocative. Edited with introductory essays by Cormac O'Malley and Roisin Kennedy and an afterword by Luke Gibbons, `Nobody's Business': The Aran Diaries of Ernie O'Malley offers fascinating insights into the mind and opinions of a key figure in Irish cultural nationalism.
£18.00
The Lilliput Press Ltd Horseman, Pass By!
These reflective essays about Déon’s life and experiences in the west of Ireland describe the colourful and varied personalities that the French novelist has come across since he and his family moved there in the mid 1970s. From his friendship with John McGahern and Ulick O’Connor to Tim, the sturdy old postman who prefers his wind-blown country round to retirement in sunny California, Horseman, Pass By! is peopled with fascinating characters and encounters. Taking its title from Yeats, this work is an affectionate portrait of the Irish and a lament for a fading country that has been changed by new wealth and altered values. Déon’s Horseman, Pass By! is an elegant memoir about a beautiful landscape and its inhabitants and forms a touching and amusing tribute to his adopted country.
£10.65
The Lilliput Press Ltd Sins
The original Seven Deadly Sins are still among us, wearing modern dress. In this lavish, stunningly illustrated modern interpretation, the victims take revenge on their tormentors. The weak become strong and the powerful weak. The stories are humorous, violent and erotic; a celebration of the joy of sinning and of taking revenge. Each story, each sin, is different in setting, character and mood. Each sin in turn is inspected, tested and described in spare and unsparing prose. In each, the sin and the sinner are shown as malevolent, the victim undeserving of their state. This graphic fable is conceived as a collection illustrating Envy, Pride, Avarice, Sloth, Gluttony, Anger and Lust. The drawings and collages illuminate the foibles and wickedness described; from perpetrator to victim, no-one can hide
£25.00
The Lilliput Press Ltd Yeats 150: William Butler Yeats 1865-1939
YEATS 150 is a collection of essays, many of them illustrated, commemorating the life and work of Irish poet and Nobel Laureate, William Butler Yeats (1865-1939). The book, dedicated to Seamus Heaney, is divided into a number of sections: Academic Essays; Plays; the Yeats family; Scholarly Essays; Yeats Poetry Prizes and, appropriately, the topographical ‘Sligo’, by Sligo natives and visitors to the International Yeats Summer School. The book includes Helen Vendler’s tribute to Seamus Heaney; essays on Yeats’ poetry and plays; on his wife George, his children Anne and Michael, his contemporary, AE, and on the Sligo landscape that so influenced his imagination. It also details his elaborately crafted book designs. A section, appropriately titled Tír na nÓg, includes pieces by the late T.R. Henn, Vincent Buckley and Alec King, connecting to the post-1945 writing on W.B. Yeats. This remarkably wide-ranging collection honours the poet Yeats and those who have lectured and tutored across the world on the man and his work. The US, Canada, UK, Hungary, Japan, New Zealand and Australia are represented in the essays. The thirty-six contributors include former Yeats Summer School Directors: Helen Vendler, Denis Donoghue and James Pethica, Ann Margaret Daniels, as well as Patrick M. Keane, Harvard professors Deirdre Toomey and Daniel Albright, Yeats Annual editor Warwick Gould, publisher Colin Smythe, professor and director of Otago University, New Zealand, Peter Kuch, Tokyo professor Tomoko Iwatsubo, biographer Ann Saddlemyer, critics Lucy McDiarmid, Bruce Stewart and Martin Mansergh: in all, a glittering gathering of writers lend weight to this important commemorative and historical work.
£30.00
The Lilliput Press Ltd All The Spangled Host
In this lyrical and compelling collection of tales of the quotidian, John A. Ryan paints a sincere picture of Ireland, it’s environment and people. His delicate awareness of the world around him is reflected in every paragraph of these poetic and contemplative pieces. Each is infused with a sense of mindfulness, slowness and the almost divine nature of the small and the commonplace, reminding the reader of the sacredness of life at the heart of the universe. Some of these twenty prose pieces, scattered across rural and small-town Ireland, France and the Mediterranean littoral, have already appeared in the pages of the Irish Press. Most are hitherto unseen. They partake of Benedict Kiely, Donal Ryan and the deep traditions of Irish traditional rural literature.
£9.56
The Lilliput Press Ltd Charlie Chaplin's Wishbone: and Other Stories
These twelve masterful short stories are by one of Ireland’s leading practitioners of the art (previous collections include Adventures in a Bathyscope, 1998, and Lipstick on the Host, 1992). Mathews is a writer worthy of Joyce, whose condensed language conveys learning, sophistication, true feeling and poignancy. The range of subject matter is conveyed in the story titles: ‘Charlie Chaplin’s Wishbone’, ‘Access’, ‘Barber-Surgeons’, ‘Waking a Jew’, ‘Cuba’, ‘The Seven Affidavits of Saint-Artaud’, ‘A Woman from Walkinstown’, ‘In the Form of Fiction’, ‘The Logos of the Zoo’, and ‘Information for the User’. The stories are set in Ireland and principally in Dublin of the 1960s. Characterisation is rich and the dialogue lively and expressive, while the understated dramas and emotions of the tales themselves subtly washing over the reader. The verbal flair of Aidan Mathews is second to none, and the seriousness and the gravity of his contemplations a welcome counterweight to our desiccated, Anglo-American digital culture. This gathering marks a welcome return of a major voice in Irish literature, unpublished since the 1990s.
£15.00
The Lilliput Press Ltd Ireland's Great War
Here, name by name, parish by parish, province by province, Kevin Myers details Ireland’s intimate involvement with one of the greatest conflicts in human history, the First World War of 1914 to 1918, which left no Irish family untouched. With this gathering of his talks, unpublished essays and material distilled from The Irish Times and elsewhere, Myers lays out the grounds of his research and findings in Connaught, Leinster, Munster and Ulster. He revisits the main theatres of war in Europe – The Somme, Ypres and Verdun, the war at sea and Gallipoli. He documents these bloody engagements through the lives of those involved, from Dublin to Cork, Sligo to Armagh, to the garrison towns of Athy, Limerick, Mullingar and beyond. In Ireland’s Great War Myers uncoils a vital counter-narrative to the predominant readings in nationalist history, revealing the complex and divided loyalties of a nation coming of age in the early twentieth century. This remarkable historical record pieced together the neglected shards of Ireland’s recent past and imparts a necessary understanding of the political process that saw Sinn Féin’s electoral victory in 1918 and the founding of the Irish Free State. By honouring Ireland’s forgotten dead on the centenary of the Great War. Myers enables a rediscovery of purpose that will speak to future generations.
£15.00
The Lilliput Press Ltd Winged Encounters
A collection of stunning images of the everyday birds of Dublin City. Cormorants, ducks, gulls, swans, herons, pigeons. Caught on the wing, at rest, in play, feeding and preening. From the Malahide Estuary to the Blessington Basin and Dublin’s parks and canals: each one rendered in exhilirating detail. Nature on display here in its wonder and glory by a master of the lens, Ray Beggan.
£20.00
The Lilliput Press Ltd Terror In Ireland: 1916-1923
The practice of terror in revolutionary Ireland remains a highly controversial topic, which seldom receives either balanced or dispassionate treatment. This collection of essays is designed to illuminate the varied origins, forms and consequences of terror, whether practised by republicans or forces of the Crown. It is the fifth production of the Trinity History Workshop, an informal group of academic historians, research students, and undergraduates associated with Trinity College, Dublin. The Workshop’s reputation was established in 1986 by its first collection, Ireland and the First World War, subsequently reissued by The Lilliput Press. The current volume is dedicated to the memory of a distinguished former member, the late Peter Hart, whose studies of both revolutionary and counter-revolutionary terror continue to arouse lively and sometimes intemperate debate. Several chapters emerged from papers delivered at a one-day conference in Trinity College in November 2010, while others have been specially commissioned for this book. The contributors, including gifted postgraduate and undergraduate students as well as prominent historians, tackle many facets of terror, such as ‘Bloody Sunday’, the Kilmichael Ambush and the Sack of Balbriggan. Scholars, students, political activists and all those interested in the Irish Revolution will find both provocation and enlightenment in this book. Its purpose is not to assign blame to one party or another, but to offer varied perspectives on one of the most contentious periods of Irish history. The book is enhanced by illustrations, maps and charts.
£12.10
The Lilliput Press Ltd Collen: 200 Years of Building and Civil Engineering in Ireland: A History of the Collen Family Business, 1810-2010
The family firm, once regarded as a transitory phenomenon on the way to a more sophisticated model of business organization, is now recognized internationally as an enduring element in modern industrial capitalism. Collen offers an informed and accessible discussion of a significant family-run institution which has operated throughout the island of Ireland since its foundation. The author makes use of untapped archival sources to analyse the fortunes of the company and illuminate the changing political, economic and social realities that shaped the context for its development. He explores how a family enterprise adapted to the far-reaching transformation of politics and society in Ireland over a period of two centuries. The Collen family business has survived economic depression, two World Wars, and the Troubles in Northern Ireland with a combination of resilience and business acumen. This book presents a distinctive Irish perspective on the evolution and persistence of family business, while casting new light on the commercial development of Dublin during the last two hundred years. Collen will be of use to scholars of modern Irish history, economic development, architecture, civil engineering, business and public policy and will be invaluable for all those with a professional interest in Irish business and family enterprise.
£25.00
The Lilliput Press Ltd Charles: The Life and World of Charles Acton (1914-1999)
This is a biography of the music critic and commentator, chronicling his family’s history over 300 years at Kilmacurragh in County Wicklow (now a celebrated arboretum in the care of the State), and his work for the Irish Times over thirty years (1955-88). There is a comprehensive view of his Irish background, his education in England at Rugby and Cambridge and his career in Dublin. Beginning with the rich source material of Acton family papers (a detailed tenant record of Kilmacurragh estate, for example) and correspondence (to his mother and others), the book goes on to elaborate in fascinating detail the cultural framework of his milieu in broadcasting for RTE and in music with the Royal Irish Academy of Music, of which he was governor and eventually vice-president. He was one of only two critics outside Britain to gain entry to the Critics’ Circle. His was a unique voice that helped to shape Ireland’s musical culture.
£25.00
The Lilliput Press Ltd Old Swords: And Other Stories
These eleven stories by Desmond Hogan, his first publication since Larks’ Eggs: New and Selected Stories (2005), collect newly minted shards of experience focused on the lives of the dreamers and marginalized who populate his imagined worlds. They range in time and place from France, Germany and Italy in the nineteenth century to Ireland of the 1950s and the present day. Their concerns are fragility and identity expressed through the outer semblances of dress and deportment, and inner realities of involuntary memory and the retrieval of shared pasts. Close observation of nature combines with psychological unveilings, much of it in the form of erotic reverie. This bricolage of melded history and a fragmented modernism renders truth-to-experience like no other contemporary voice.
£12.95
The Lilliput Press Ltd The Only Art: Jack B. Yeats
This volume sheds new light on the life and works of Jack B. Yeats, the talented painter and poet too often overshadowed by his older brother William, through a collection of previously published and unpublished letters from John Butler Yeats to his son Jack, and from Jack to his father, John Quinn, 'The Man from New York', and Sarah Purser. Introduced by Bruce Stewart of the University of Coleraine, the work includes essays on Jack B. Yeats by editor and Sligo-man Declan J. Foley, organizer of three John Butler Yeats seminars in Chestertown, upstate New York (JBY's burial ground), as well as by other scholars of Jack B. Yeats.
£24.00
The Lilliput Press Ltd Land Matters: Power Struggles in Rural Ireland
The Land Question has always been predominant in Ireland. According to forecasts, there will be as few as 15,000 farmers in twenty years’ time. As the Irish rural image undergoes radical transformation, this timely, informative, vigorously argued book will be necessary reading for those working in rural development, food production, housing, transport, heritage and conservation, to say nothing of those who simply care about Ireland’s future. Land Matters concerns social and ecological change, the underlying results of structural and policy decisions made in Brussels or Dublin and their impact on the ground. It addresses the following themes: globalization and the forces that shape society; the CAP (Common Agricultural Policy), and why it has been reformed; social inequality; REPS (the Rural Environment Protection Scheme) and its impact; survival strategies in everyday life (farm households and diversification); green capitalism; landscape, heritage and the ‘politics of perception’; nitrate pollution; migration; contrasting rural visions (housing in the country, ‘clean’ food); and views of a region – west Cork – in which competing claims are made by farmers, hoteliers, conservationists and second-home owners. Key organizations such as Teagasc, the IFA, An Taisce and Organic Trust are also examined and profiled. Land matters permeate all our lives, from our supermarket shelves to our television screens and studies, from our boardrooms to our streets, dwellings, communities and belief systems. No one will be untouched by the issues raised in this pioneering, analytic work.
£12.10
The Lilliput Press Ltd The Irish Art Of Controversy
Controversies are high drama: in them people speak lines as colourful and passionate as any recited on stage. In the years before 1916, public battles were fought in Ireland over French paintings, Dublin slum children, and theatrical censorship. Controversy was ‘popular,’ wrote George Moore, especially ‘when accompanied with the breaking of chairs’. In her new book, Lucy McDiarmid gives a lively account of these and other controversies. They offered to everyone direct or vicarious involvement in public life: the question they articulated was not ‘Irish Ireland or English Ireland’ but whose ‘Irish Ireland’ would dominate when independence was finally achieved. The Irish Art of Controversy recovers the histories of ‘the man who died for the language,’ Father O’Hickey, who defied the bishops in his fight for the Irish language; Lady Gregory and Bernard Shaw’s defence of the Abbey Theatre against Dublin Castle; the 1913 ‘Save the Dublin Kiddies’ campaign, in which priests attacked socialists over custody of Catholic children; and the contested Hugh Lane Bequest to Dublin of thirty-nine Impressionist masterpieces. Roger Casement forms the subject of the last chapter, which offers the definitive commentary on the long-lasting controversy over his diaries. In its original treatment of what Yeats called ‘intemperate speech’, The Irish Art of Controversy suggests new ways of thinking about modern Ireland and about controversy’s bluff, bravado and improvisational flair.
£14.99
The Lilliput Press Ltd Sudden Thaw
PEGGY O’BRIEN grew up in western Massachusetts, where she now lives with her husband. She teaches at the University of Massachusetts, Amherst. After graduating from Mount Holyoke College, she moved to Ireland and studied at University College Dublin and Trinity College, where she taught for the better part of twenty years. Her poems have appeared in publications on both sides of the Atlantic, including The Yale Review, The Southwest Review and Poetry Ireland Review. As well as being the editor of The Wake Forest Book of Irish Women’s Poetry 1967-2000, she is the author of Writing Lough Derg: from Carleton to Heaney. She travels often in Ireland, where she has a daughter and three granddaughters.
£9.19
The Lilliput Press Ltd The Irish Women's Movement: From Revolution to Devolution
This superbly incisive, comprehensive history of the Irish women’s movement from the 1860s to the twenty-first century – appearing for the first time in paperback – shows how a network of constituent organizations and individuals was transformed into an engine of social change. While feminism is a major intellectual and political tradition in Ireland, it has been misrepresented and misunderstood in mainstream Irish studies. This survey of key historical and contemporary perspectives redresses that imbalance. It demonstrates how the women’s movement fundamentally challenged established interpretations of the way in which modern Irish society has evolved over time, creating new theoretical directions in Irish studies.
£14.99
The Lilliput Press Ltd Selected Poems Of James Henry
Born in Dublin in 1798 and educated at Trinity College, James Henry was a controversially humane doctor, a passionate scholar of Virgilian manuscripts, and a lifelong interrogator of Christianity. More than a century after James Henry’s death, Christopher Ricks came upon his poems – printed but unpublished – in the Cambridge University Library. Within these volumes Ricks discovered poetry ‘unaffectedly direct, sinewy, seriously comic. And brave.’ Henry’s convictions and his humour, his idiosyncrasies and his courage, come through in work that, Ricks writes, ‘has an integrity, a consistency, for all its engaging diversity of topic and tone’. With the publication of the Selected Poems of James Henry, the world at large can hear the voice of a remarkable poet.
£20.00
The Lilliput Press Ltd The Sway Of Winter
The Sway of Winter tells the story of Birgit, a young Scandinavian woman who has moved to the island of Inis Breac to paint, and to recover from a suffocating relationship. Geoff, an English widower, shattered by years of hard drinking after his wife’s drowning, runs the local bookshop. Birgit visits Africa in a quest to decide her future in working among the deprived, but finds there only a mirror of an inner poverty. This finely wrought debut novel is a potent revelation of how lives converge in the passage between trauma and resolution, leading to emotional renewal. With a fresh and unusual voice new to Irish fiction, Orla Murphy captivates the reader with her passionate and nuanced narrative.
£10.62
The Lilliput Press Ltd Anomalous States: Irish Writing and the Post-Colonial Movement
£19.95
The Lilliput Press Ltd The Figure in the Cave: And Other Essays
The Figure in the Cave selects the prose of one of Ireland’s foremost contemporary poets – part autobiography, part criticism, part self-commentary – a gathering, from the mid-century to the present day, that marks a lifetime’s critical engagement with literature in both Europe and America. In the title essay Montague looks over his career as a writer; in others he describes a coming-of-age in Ulster, explores his own poetics, and appraises Goldsmith, Carleton, George Moore, Joyce and Beckett, MacNeice, Clarke, Kavanagh, Hewitt and MacDiarmid. Pieces on American literature include a vignette of Saul Bellow, a review of Lowell and an intimate sketch of Berryman. To conclude, the author examines the impact of international modern poetry on Irish writing. Humorous, forceful, impressionistic, enriched with personal and political observation, this dialogue between early and later selves traces the development of the boy from Garvaghey to the figure in the cave, and reveals the workings of a fine poet’s mind.
£10.62
The Lilliput Press Ltd The Singing Masters
This essay in autobiography opens in Eyrecourt, east Galway, and describes an early schooling at Rockwell and the experiences of a Jesuit novice at Emo Court, Co. Laois, and Rathfarnham. John O’Meara read classical studies at University College, Dublin, and after a spell of teaching at Clongowes Wood left in 1942 on a travelling studentship to Oxford, where he gained a doctorate three years later. In 1947 he married Odile de Montfort, whom he met in Dublin. The Singing-Masters is written with singular clarity and leaves an abiding impression of Ireland between the wars – the hothouse atmosphere of a diocesan seminary, the lure of the Irish countryside (Eyrecourt in summer, Tullabeg in winter), a fledgling state increasingly dominated by the Church – drawn into perspective by a visit to Lourdes and by the author’s self-questionings. In wartime Oxford, where he met Lutyens, Waugh and Belloc, Dodds and Father D’Arcy, O’Meara comes of spiritual and intellectual age, linking Ireland once more to the traditions of theological Europe, and finding his singing-masters in Augustine, Eriugena and the Neo-Platonists. With this quiet celebration of selfhood, and in its limpid recall of time gone, John O’Meara has created a classic of its kind
£12.06
The Lilliput Press Ltd Dancehall Days
£12.06
The Lilliput Press Ltd The Beat: Life on the Streets
Who are the women who walk the beat in Dublin’s red-light districts? How did they get there? Why do they stay? What happens when they try to leave? What are their lives really like? The Beat: Life on the Streets in a fascinating, disturbing account of the lives of sixteen women and their struggle for surival in Dublin’s underworld. Haunted by the drug-related death of his lover Seema, herself a ‘working girl’, David Fine decided to confront his grief head-on – journeying to the heart of an invisible Ireland to find out what it means to be a prostitute. Working as a taxi driver, Fine got to know the women on the streets, unveiling every aspect of their harrowing lives. Their stories command attention and compassion on every page of this revealing book. Fine describes how these women – alternately raging or gentle, brutal or loving, vicious or simply wounded – destroy themselves, how their personalites crash and collapse, driven by the drugs coursing through their veins. Here are Dublin’s ‘working girls’ in their own words. Imelda is fierce, and fiercely loves her two daughters. Sorcha is so strung out on heroin she eats her own clothes. Una will do anything to avoid sex. Teresa was gang-raped at the age of eleven. Despite it all, these women continue to live and love and dream of a better world. The Beat gives voice to the voiceless – Fine’s admiration for their courage shining through. LIke Jim Carrol in The Basketball Diaries and Scorsese in Taxi Driver, he sees human dignity and beauty in life’s darkest corners.
£9.19
The Lilliput Press Ltd Mirror, Mirror: Confessions of a Plastic Surgery Addict
Terry Prone once thought plastic surgery was for the vain, the self-regarding and the rich. She thought herself the person least likely to submit to the plastic surgeon’s scalpel. But this was before a traumatic car crash in which the steering wheel caved in her cheekbones, broke her jaw and smashed her teeth. In the days and weeks that followed, she began to understand how radically her appearance had changed. She then embarked on a journey of physical – and emotional – reconstruction that gradually became an addiction. Liposuction. Tooth implants. An arm-lift. Two face-lifts and a brow-lift. Diamond eye surgery. Foot surgery. She found she could not stop. Mirror Mirror tells the dramatic story of Terry Prone’s experience of plastic surgery on both sides of the Atlantic and reveals the truth about each procedure: discomforts, costs, failures and (mostly) successes. Charged with her remarkable candour, it is an astonishing story of courage and personal reinvention – and a hilarious exploration of the wilder shores of plastic surgery.
£9.19
The Lilliput Press Ltd She Moves Through The Boom
What’s happening in Ireland? Behind the triumphalist headlines of the boom, there are changes going on – in the way people work, speak, eat, even the way they think – that cannot be quantified by statistics nor squared with the hollow cliché of the Celtic Tiger. She Moves through the Boom is a book about these intangible changes, and it paints a picture the newspapers and tourism propagandists are missing. Ann Marie Hourihane talks to working mothers, Mullingar wine importers, the organizer of a rural water scheme, shop assistants, a Nigerian preacher, teenaged removal men, and other exemplary – because ordinary – members of Irish society. These people aren’t talking about the boom; they’re living it, sometimes without even noticing, and they speak its languages – of social liberation, stubborn tradition, banal consumerism, and others. She Moves through the Boom presents a quirky, kaleidoscopic view of contemporary Ireland. By turns hilarious and dark, it is a fascinating snapshot of a singular moment in our history.
£9.19
The Lilliput Press Ltd Dead As Doornails
Dead as Doornails, first published in 1976, brings back into print a true classic of Irish memoir. Anthony Cronin’s account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin’s years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.
£10.65
The Lilliput Press Ltd The Marriage At Antibes
The Country Road’ moves heartbreakingly through the days of Cathy, a lonely eight-year-old in a Northern Ireland populated by her elderly neighbours and the vague menace of the security forces. In ‘Bronagh’, the eponymous heroine is wrenched from an idyllic sojourn in Andalucia when her mother falls ill, embarking on a homeward journey of oblivion along the western flank of Europe. ‘A Banal Stain’ tells the story of a graduate student lodging in a once-grand house in Lyon and confronting the ghosts of France’s colonial and Vichy past. In ‘A Recitation of Nomads’ an English painter and her American writer boyfriend, slouching through their twenties together, light out for Morocco to mend their dreams. And ‘The Marriage at Antibes’ is an arranged one between a political refugee, long settled in France, and his newly arrived bride. These stories of travel, unbelonging and otherness, related with the poised eye of a young Elizabeth Bowen, and with remarkable emotional power, announce a compelling voice in Irish fiction.
£9.19
The Lilliput Press Ltd The State Of Ireland
Arthur O'Connor was the most important conduit between French republicanism and Irish political radicalism in the late 1790s … His State of Ireland, published in 1798, created a distinctively Irish language of radical democracy out of French sources, by fusing them with the local political tradition and Scottish political economy.' So writes editor James Livesey in his introduction to this new edition of The State of Ireland, first published in pamphlet form in 1798 by Arthur O'Connor, a prominent member of the United Irishmen. O'Connor brought to the revolutionary movement of the 1790s a mind honed on the ideas of Adam Smith – ideas that might not seem revolutionary today, but that had radical implications as adapted by O'Connor and applied to the bizarre political economy of eighteenth-century Ireland. As perhaps the most steadfastly anti-sectarian member of the United Irish movement, O'Connor viewed the vexed debates over 'Protestant liberty' and Catholic Emancipation as distractions from the fundamental questions of political and economic reform; he supported emancipation as a necessary but by no means sufficient element of a free, democratic Irish society. 'What O'Connor's work reveals to us', Livesey writes, 'is the breadth of vision within the United Irishmen and the novelty of their intervention in Irish political culture … O'Connor's text deserves to find a place in the canon of classic political texts that have constructed and made possible, or even imaginable, Irish democracy.'
£25.00
The Lilliput Press Ltd Creativity in its Contexts
Two poets, a playwright and a novelist – Michael Longley, Eavan Boland, Frank McGuiness and Anita Desai – explore in these essays aspects of the imaginative process as each has experienced it: four major writers, four sensibilities, four ways of seeing creativity and its contexts. MICHAEL LONGLEY writes with remarkable candour of his years – 1970 to 1991 – as arts administrator in Northern Ireland. Transforming anecdote into parable, this noted poet measures the cost of ‘trying to remain true to yourself facing the ”dark tower”‘ while being part of an essential but often soul-destroying bureaucracy. EAVAN BOLAND, merging the personal and the theoretical, contends that the place of women as writers in Irish society have been shaped by a ‘ fusion of the national and the feminine’. FRANK MCGUINESS, the internationally acclaimed playwright, offers a radically innovative reading of Oscar Wilde’s De Profundis, while calling into being the material contexts of creativity – in this instance, a prison cell. The Indian novelist ANITA DESAI looks at her country’s colonial heritage and a shared background that gave rise to the work of Nobel Laureate Rabindranath Tagore and the film-maker Satyajit Ray. Her fascinating lecture shows how a vibrant indigenous culture, coming into fruitful contact with the West at the end of the nineteenth century, blossomed into artistic creation – yielding parallels with Ireland.
£7.73
The Lilliput Press Ltd Memoirs of a Happy Belfast Man: The Life and Witness of Arnold Marsh 1890-1977
Arnold Marsh, son of Belfast tin-factory owner born in 1890, is best remembered as an educationist and headmaster of Newtown Quaker School in Waterford, Ireland. His life also saw him travel widely, leaving Canada to work in a gold mine in Northern Ontario, on railway construction in British Columbia, and in a lumber camp in Alaska where he met Scandinavians, Chinese and Japanese, Russians and a Finn who learned language after language so that he could read different versions of the Bible. There he encountered the racism experienced by native Alaskans treated as foreigners in their own country. In 1917, once war was declared in the United States, Marsh sailed from Alaska to California where he played an extra in the Douglas Fairbanks movie A Modern Musketeer. He was eventually ‘inducted’ into the US Army at Camp Lewis, Washington, and was sent to France to join the front line beset by Spanish Flu. After peace was declared, Marsh returned to Ireland where he cycled 1200 miles around Ireland on a ‘Grand Tour’. Returning to his first love, education, he got a job in the Friends School, Lisburn, becoming headmaster in 1926. At that time, he observed that Irish Protestants were pessimistic about their future, many sending their children to English schools. Numbers at Newtown had fallen to twenty pupils and the buildings were dilapidated. In sympathy with the new post-1916 independent Ireland, Marsh took immediate steps to improve the school’s conditions, and during his tenure, numbers grew to 300–400 pupils. His fresh ideas about multi-denominational education took inspiration from his own schooldays at Sidcot in England: ‘The masters were our friends. We could look up to them and enjoy their company. … I got a great deal out of being away for those years, doing other work and getting to know other people. With my students I discussed the whole social system, trying to get people to think things out afresh.’ He married the distinguished portrait painter Hilda Roberts and they, with their daughter Eithne, settled at the foot of the Dublin mountains in Woodtown Park during the late 1930s, building a community of like-minded tenants and idealists drawn from all over Europe. In his later years, he was inspired to write his memoir, illustrated with postcards, letters and photographs describing his journeys and adventures in North America, and his experiences as a headmaster. In 1976, a year before his death aged eighty-six, he was still splitting and sawing logs for the fire, recalling his early career as a lumberjack in Alaska those fateful years ago.
£25.00
The Lilliput Press Ltd My Dublin 1963 // My Dubliners 2020: Photographs & Commentary
These 87 black & white photographs taken by Alen MacWeeney in Dublin in 1963/5 are spontaneous images of Dublin and Dubliners in all areas of the city, a street odyssey reflecting a cross section of the people, their habits and behaviour, ten years before Ireland joined the European Union and the wider world. The text on facing pages is composed of social commentary gleaned from a posting of each of the book's photographs on Dublin social media platform Down Memory Lane, eliciting a flood of 70,000 responses during 2020. These photographs of Dublin and Dubliners in 1963 have pertinent social and historical value as attested by their placement in numerous US Universities and museums. The text offers a novel way of understanding and appreciating a full gamut of Dublin personalities through their reactions to the posting of these photographs during the current pandemic. The responses ranged from wonder and incredulity to heated derision, offset by the hilarity that characterize Dubliners. The richness of the commentary will be of interest to any Irish person curious to glimpse Dublin life in the '60s and to gauge the reactions of Dubliners today. MacSweeney's work partakes of the tradition of reportage by Walker Evans, Cartier Bresson, Robert Frank and Richard Avendon, to whom he was apprenticed in Paris during the late fifties.
£35.00
The Lilliput Press Ltd Edith
Martina Devlin, an award-winning columnist for the Irish Independent and podcaster for Dublin City of Literature #CityofBooks, has delivered a new novel based on the life of Edith Somerville of 'Somerville and Ross' fame - authors of The Irish R.M. In this work, set during the turbulent period of Irish Independence 1921-22, Somerville finds herself at a crossroads. Her position as a member of the Ascendancy is perilous as she struggles to keep her family home, Drishane House in West Cork, while others are burned out. After years in a successful writing partnership with Violet Martin, Edith continues to write after her partner's death, comforted in the belief they continue to connect through automatic writing and seances. Against a backdrop of Civil War politics and lawlessness erupting across the country via IRA flying columns, people across Ireland are forced to consider where their loyalties lie. In Edith, Devlin limns a vivid historical context in this story of proto-feminist Edith Somerville courageously trying to keep home and heart in one piece.
£14.00