Search results for ""sounds and colours""

A brilliant collection of short stories from Leonora Brito exploring race, identity, and love'Magical, enigmatic, distinctive, accomplished and haunting . . . Brito was ahead of her time' BERNARDINE EVARISTO, FROM THE INTRODUCTIONLeonora Brito was a writer of exceptional stories. In Dat's Love, she soaks up the sights, sounds and colours of Cardiff to boldly explore race and history.With each electric story, Brito introduces a unique cast of characters, vibrantly elevating their everyday lives. From 59-year-old Dorothy taking up nude modelling to black aristocrat Dido Elizabeth Belle absconding her uncle's estate, from the assassination of JFK to what's going down at the Blue Bayou bar, Brito blends the surreal and the mundane to redress history and immerse the reader in a vibrantly painted world.Containing an unusual exactness and sense of place, Brito's stories are unique in Welsh fiction in presenting an insider's perspective on a black Welsh history only alluded to by other writers. Full of wry humour and startling originality, this collection features Brito's most acclaimed work.A title in the Black Britain: Writing Back series - selected by Booker Prize-winning author Bernardine Evaristo, this series rediscovers and celebrates pioneering books depicting black Britain that remap the nation.

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A LIFETIME'S READING OF PROUST'S MASTERPIECE “A work buzzing with appetite and curiosity.”—Andrew Marr, author and broadcaster “Living and Dying with Marcel Proust is a feast.”—Lydia Davis, winner of the Man Booker International Prize One of the masterpieces of twentieth-century fiction, A la recherche du temps perdu belongs in the tradition of the Initiation Story, the journey it describes combining elements drawn from the earlier narratives of great expectations and lost illusions, while recasting them in ways that are distinctively Proust’s. On the year that marks the centenary of Marcel Proust's death, the eminent literary scholar, Christopher Prendergast, traces that journey as it unfolds on an arc defined by the polarity of his title, living and dying. His book offers a chapter by chapter exploration of the rich sensory and impressionistic tapestry of a lived world, woven by the pulse of desire, the hauntings of memory and an ever alert responsiveness to tastes, perfumes, sounds, and colours. It also traces the construction of a unique architecture of narrative time and a corresponding mode of story-telling, marked by all manner of loops, swerves, detours, regressions and returns, from the macro level of the novel’s plot to the micro level of the famously elaborate Proustian sentence. The lives of his characters, both major and minor, are shown as criss-crossing and converging in ways that often take the reader by surprise, before descending the arc on an irreversible trajectory of decline, as the body starts to fail and the grave beckons.

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