Search results for ""salt publishing""

Michele is a successful business woman with a troubled private life. She has a high-powered job, a family, a husband, yet she is defined by a term of possession: she is ‘Clara’s daughter’. Nameless. When Michele moves her mother into the basement, her husband slams the door and disappears into the night. Michele increasingly hides away upstairs, as Clara weaves her conspiracies beneath.Clara’s Daughter begins in terraced houses and city parks of North London but develops, through sharp-edged monologues and surreal visions, into a primeval stand-off between mother and daughter. Eventually, Clara – the controlling matriarch – finds a way to release her daughter. But can Michele release herself?Meike Ziervogel is a master of suspenseful storytelling. In Clara’s clandestine power games and Michele’s increasingly fraught dealings with both her mother and her own highly-strung sister, Hilary, there emerges a chilling, yet poignant family tableau. Devastating in its psychological insights, Clara’s Daughter reveals unnerving truths about relationship anxieties on many levels, which emerge not only from Ziervogel’s elegant, succinct descriptions, but build steadily from the tense, silent spaces between the unfolding of main events. A divinely-crafted, almost cinematic novella, Clara’s Daughter is at once startling, moving and intensely enduring.

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‘You’ve displeased me. You things always do. Now it’s time for us to part.’ He watched, expressionless, as the thing raised a feeble arm; then he released a handle on the winch. The thing slumped, disappeared into the foot wide gap between the walls. He turned to the pile of loose bricks, looking for his trowel... – from ScarecrowWhen Danny Sanchez, a hard-bitten journalist working in the Almeria region of Spain is sent to cover the demolition of the home of a retired expat couple, he lands a much bigger – and more grisly – story than he bargained for. As the diggers begin to tear down the house, a body, partially decomposed, its face swathed in a strange black sheath, is suddenly revealed dangling in the depths of the brickwork…From the deeply sinister opening pages, Scarecrow draws the reader down an inexorable, tortuous path of discovery and into the gruesome activities of a serial killer so depraved it almost defies comprehension. Via thuggish cowboy builders, a missing drug-addicted teenage boy, and a house with a stinking secret wall, Danny’s scoop of a lifetime becomes a personal crusade to snare the elusive murderer. Alternating between Spain and England, the story takes us into the mind of the complex, highly driven Danny. An expert at ferreting out information from even the most recalcitrant of contacts, this skilled journalist will stop at nothing, even risking his own life, to find the answers that have escaped the authorities for decades.Moving with a Chandleresque efficiency, the narrative is compelling and full of unexpected but highly credible twists; the dialogue stark and often harsh. Pritchard’s mastery lies in the psychology of his characters, his vivid descriptive abilities and his subtle pacing. An essential read for anyone who relishes burning the midnight oil with a superlatively terrifying crime novel, Scarecrow will keep the reader guessing right to the end.

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Long-listed for the 2016 Edge Hill Short Story PrizeSongs of the drowned and a dog with wings…“The world was a grey place once, concrete grey and striped with grey; clay against stone. The pigeons stretched out their scrawny lives and lived as creatures must. Yet they were not hateful birds. They wore their poverty like overcoats; they sat upon the highest places and drizzled the whole world with their compassion. Their souls were dignified as tarnished spoons; pigeons bore witness to the sadness and the tearing of the wind.”By turns tender and unsettling, this book lurks at the tattered edges of the world, where Satan’s daughter wants to die of love and a woman is paralysed with fear in the 24-hours Tesco. There are jokes here too, and you cannot trust the ground beneath your feet. The angels keep stealing God’s fags and the dog is hauled up before a kangaroo court.Fates of The Animals is a book for those who remember fairytales and the TV Test-card; those who like to feel a little uneasy; those who sometimes lie awake in the night.

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Some Bright Elegance is about the changes that are a part of life in the 21st Century. In the book this is explored in relation to the search for meaning and consolation in the wake of bereavement, the memorial role of music, and the effects of social change on local communities. The book is also threaded with imagined scenes centred on those defining moments when people, places or objects take on new significances.

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If You Could See Laughter is Mandy Coe’s first collection of poetry for children. An award-winning poet, Mandy Coe is an educational specialist in poetry in schools and has been commissioned by CBeebies, the Book Trust, the Barbican and National Poetry Day to write poems and educational material for children of all ages. Her poetry has been described as ‘…literally spell-binding’.

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Julian Stannard has been described as the poet of cabaret. His poems sing and weep in equal measure; a poetry of wretchedness and hilarity, of discombobulation and the bizarre. In his new collection a dead brother returns on a white horse, a musical stag slips off to New York, the Kray Twins reappear, a summer pudding is carried across a heath, a pair of buttocks escapes their owner, a couple makes love on a rain-soaked stoop, the Mongols catapult concubines over the parapets, a dead friend walks out of his grave like a twenty-first century Lazarus, a blind boy breaks into the Kelvingrove Gallery and makes off with Salvador Dali’s crucifixion, Ezra Pound – half fish, half man – rises to the surface of the Venetian lagoon, and after ten years in the Cicada Lunatic Asylum the narrator finds peace in the Umbrian town of Bastardo.Please Don’t Bomb the Ghost of my Brother is international in scope and tirelessly ludic. The poems engage with the Covid pandemic, the war in Ukraine and personal loss. Stannard’s poems sing and weep in equal measure: a poetry of wretchedness and hilarity, of discombobulation and the bizarre, mindful of lacerating loss and the redemptive power of strangeness, a special type of humour. They supply a feast of stories.

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Where Richard Skinner’s previous pamphlets, Invisible Sun and Dream into Play, were primarily concerned with the play of light and playfulness respectively, White Noise Machine is mainly concerned with sound. A white noise machine is a device that produces a noise that calms the listener, which in many cases sounds like a rushing waterfall or wind blowing through trees, and other serene or nature-like sounds and Skinner has used this idea to try to create this effect in many of the poems.

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In a radical departure in style and tone, Rob A. Mackenzie’s new collection, Woof! Woof! Woof!, offers biting satire and sweeping social commentary. From the murk of political engagement in an age of offence sensibility, to the bleached-out culture of munificent late-capitalism, Mackenzie’s experimental poems take the reader on an engaging and engaged descent into the sort of purgatory we may never choose to escape from, yet his impish wit offers us all a large dose of saving grace. Sardonic, at times morally exhausted, the poems offer a clear-sighted challenge to the risk of isolationism and powerless relativism.

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The Death Poems: Songs, Visons, Meditations explores death in a range of forms – celebratory, visionary and contemplatively, using subject matter as varied as the dust heaps of remains that accumulated in 19th century London to the environmentally toxic ship graveyards at Alang in India. Formally dazzling, Beirne’s complex and textured meditations are sobering, spiritual and, in the end, sustaining.

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Shortlisted for Best Collection in the British Fantasy Awards 2023Candescent Blooms is a collection of twelve short stories which form fictionalised biographies of mostly Golden Era Hollywood actors who suffered untimely deaths. From Olive Thomas in 1920 through to Grace Kelly in 1982, these pieces utilise facts, fiction, gossip, movies and unreliable memories to examine the life of each individual character set against a Hollywood background of hope and corruption, opportunity and reality.

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‘So, where is he then, your dad?’ The world may be on a precipice but Sol, fresh from Tucson-desert rehab, finally has an answer to the question that has dogged her since childhood. And not a moment too soon. With aviation grinding to a halt in the face of global climate meltdown, this is the last chance to connect with her absentee father, a US marine stationed in Okinawa. To mend their broken past Sol and her lovelorn friend Kit must journey across poisoned oceans to the furthest reaches of the Japanese archipelago, a place where sea, sky and earth converge at the forefront of an encroaching environmental and geopolitical catastrophe; a place battered by the relentless tides of history, haunted by the ghosts of its past, where the real and the virtual, the dreamed and the lived, are ever harder to define.In Dreamtime Venetia Welby paints a terrifying and captivating vision of our near future and takes us on a vertiginous odyssey into the unknown.

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The nation’s favourite annual guide to the short story, now in its tenth year.Best British Short Stories invites you to judge a book by its cover – or, more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.Featuring: Richard Lawrence Bennett, Luke Brown, David Constantine, Tim Etchells, Nicola Freeman, Amanthi Harris, Andrew Hook, Sonia Hope, Hanif Kureishi, Helen Mort, Jeff Noon, Irenosen Okojie, KJ Orr, Bridget Penney, Diana Powell, David Rose, Sarah Schofield, Adrian Slatcher, NJ Stallard, Robert Stone, Stephen Thompson and Zakia Uddin.

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The nation’s favourite annual guide to the short story, now in its eleventh year.Best British Short Stories invites you to judge a book by its cover – or, more accurately, by its title. This critically acclaimed series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.This new anthology includes stories by Julia Armfield, A.J. Ashworth, Iphgenia Baal, Emma Bolland, Tom Bromley, Gary Budden, Jen Calleja, Robert Dewa, John Foxx, Josephine Galvin, Uschi Gatward, Meave Haughey, Hilaire, Alice Jolly, Isha Karki, Yasmine Lever, Simon Okotie, Mel Pryor, Douglas Thompson and Matthew Turner.

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Dynamic first collection from this popular Scottish poet, The Night Jar lifts the lid on a fizzing range of personas, dramas and states of mind – presenting them for our delight: ‘I collect the materials of the small hours, / all that gorgeous paraphernalia.’ Peterkin explores the expectations and limits of being human with lashings of wit and sometimes a disquieting note of threat. Mad cap, extravagant, urban and questioning, this is a collection no one will forget.

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Editor’s Choice, The BooksellerA mix of memoir and narrative non-fiction, White Spines is a book about Nicholas Royle’s passion for Picador’s fiction and non-fiction publishing from the 1970s to the end of the 1990s. It explores the bookshops and charity shops, the books themselves, and the way a unique collection grew and became a literary obsession. Above all a love song to books, writers and writing.

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Book of the Week: The IdlerIt Gets Worse is the second instalment of Nicholas Lezard’s rueful, dissolute life. Beginning where his first volume, Bitter Experience Has Taught Me, ended, Nick’s fortunes have not improved. At home in the Hovel, his bachelor existence makes a further descent into chaos, yet the misadventures are faced with sardonic wit, pathos and something like dissident wisdom.

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The South Westerlies is an attempt to know place (Gower) through the creation of a collection of short stories. Place is not a cosmetic backdrop, but an affecting agent in the lives of a wide cast of fictional characters. The collection is unified by the tone of the prevalent dank south-westerly wind that blows across the peninsula, the UK’s first designated area of outstanding natural beauty. However, the author chooses to let her gaze fall on the downsides of a much vaunted tourism destination and a place that is too beautiful, perhaps, for its own good.

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Beautiful Place is a novel about leaving and losing home and making family. It is about being oppressed and angry and wanting a better life – but how is a better life to be defined?The Villa Hibiscus is a house by the sea on the exquisite southern coast of Sri Lanka, home to Padma, a young Sri Lankan woman. The owner of the villa, Gerhardt, is an elderly Austrian architect to whom Padma was taken when young by her scheming father, Sunny, who had hoped to seduce the wealthy new foreigner in the area with his attractive child. Gerhardt adopts Padma and pays Sunny to stay away until she’s grown up – when Gerhardt expects to have sent Padma to university, far away.But Padma fails her exams and is lonely in the city, gladly returning to her beloved old home by the sea. With Gerhardt’s help she creates a guesthouse at the villa and soon guests start to arrive, opening new vistas for Padma through their friendship and love.Then Sunny appears, ready to reclaim his daughter...

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Metro: Best Fiction of 2019Longlisted for the Not the Booker Prize 2019‘Elegant, unsparing, meticulously detailed novel in which a conscientious boy grows up with bedeviled parents. Where do men come from? They come from boys. Look again.’ —Margaret Atwood‘A small masterpiece’ —Phil Baker, The Sunday Times‘A terse, bitterly poignant novel about guilt and the art of retrospection’ —Claire Allfree, Daily Mail‘If clarity of recollection is an art, Andrew Cowan is a master.’ —Jane Graham, Big IssueSet in a 1960s English new town, Your Fault charts one boy’s childhood from first memory to first love. A year older in each chapter, Peter’s story is told to him by his future self as he attempts to recreate the optimism and futurism of the 1960s, and to reveal how that utopianism fares as it emerges into the Seventies. It’s an untold story of British working class experience, written with extraordinary precision and tenderness.

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Son of Mine is a beautiful, multi-layered account of what it means to be a family. Peter Papathanasiou successfully intertwines two life journeys – his own and his mother’s – over the course of nearly a hundred years, to tell the story of an astonishing act of kindness, and an incredible secret kept hidden for two decades. This exceptional memoir sensitively documents the migrant experience, both from the unfamiliar perspective of first-generation migrants and the tension felt by the second-generation trapped between two cultures. At its core, Son of Mine is about the search for identity – for what it means to be who you are when everything is torn down and questioned, and the wisdom we can pass on to the next generation.Son of Mine is a compelling account of unknown heritage, of life gifts and losses, and the reclamations of parenting. It is dramatic, poignant and uplifting. But above all, it is a memoir of shock, discovery and reconciliation, all delivered in exquisite prose.

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The Guardian: Fresh voices: 50 writers you should read nowTwenty-three-year-old Vanessa is adrift in London. A year out of university and marooned in a quietly deflating relationship, she can’t work out where her passion and creativity went – and on top of that, she is experiencing frightening visions, and an overwhelming sadness that doesn’t seem to belong to her.Then something impossible happens: her best friend Mark, who vanished without a trace seven years ago, reappears, not a day older. As far as he is concerned, no time has passed.Shocked and confused but determined to help her friend make sense of what’s happening, Vanessa returns to Llangoroth, the rural town she left behind after he vanished. Torn between her responsibilities as an adult and the adventurous passion that Mark inspires in her, she must fight for him, and for herself, confronting painful memories and a terrifying pursuer who would rather see her friend dead than back in the world.

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With an abandoned degree behind her and a thirtieth birthday approaching, amateur writer Bonnie Falls moves out of her parents’ home into a nearby flat. Her landlady, Sylvia Slythe, takes an interest in Bonnie, encouraging her to finish one of her stories, in which a young woman moves to the seaside, where she comes under strange influences. As summer approaches, Sylvia suggests to Bonnie that, as neither of them has anyone else to go on holiday with, they should go away together – to the seaside, perhaps.The new novel from the author of the Man Booker-shortlisted The Lighthouse is a tense and moreish confection of semiotics, suggestibility and creative writing with real psychological depth and, in Bonnie Falls and Sylvia Slythe, two unforgettable characters.

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A young warehouseman, his promising football career cut short by injury, counts flanges, valves and couplings for a living. He longs for the warmth and women of the office, but the prostitutes who hang around the high-rise are easier to deal with. Drink provides relief, if not escape, and probably the last thing he should dream of becoming is a writer, but then he buys himself a note pad and pen.This debut novel by Neil Campbell, author of the short story collections Broken Doll and Pictures From Hopper, is a moving and darkly comic meditation on the challenge of trying to realise dreams in a harsh and unfair world.

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The stories in The Manet Girl explore sexual relations – from both male and female points of view – in the present, but sometimes with a backdrop of several decades. Stories of desire and confusion – other men and other women – sit alongside stories of art – galleries, studios, allusions to painters – which gets in the way as least as often as it illuminates. Choices are made, in the knowledge that distractions may be the most important things of all.

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Mark Burnhope's poems present a generous but moral quizzing of the world. Peering out over disability, faith and the host of prejudices that spring from such ground, they negotiate a path through lyricism and music, didacticism and narrative, comedy and confession, slang and slur in their search for a voice with which to speak. They visit town and sea, husband and wife and monuments to grief built of snow, steel, stone. They take us to a hydrotherapy session, a talking tree and an outcast crew including Pinocchio, Queequeg and Quasimodo. But at their heart, there is great warmth. Burnhope asks uncomfortable questions of the rhyme or reason for loss and healing, even as he challenges received perceptions of disabled life with wit, verve and an inclusive imagination.

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Winner of the 2012 Polari PrizeA Book of the Year for The Independent and The Poetry SchoolHoliday Read in The ObserverThe Frost Fairs is a compassionate book with a global and historical scope, tackling science and city life from a range of surreal yet poignant angles. It explores love in many forms, from modern transatlantic relationships to hidden gay and cross-gendered lives from the past. The pieces travel from ancient Alexandria to twenty-first century bars and council estates, behind everything the vastness of the sea and sky. The array of voices here is striking: taxi drivers report their most outlandish fares and hermaphrodite statues flirt with observers; abandoned lovers watch frost fairs melting on the Thames and drag queens revel in the freedoms afforded by the Blitz. Formally deft and carefully crafted, this diverse range of poems uses language that is always musical and alive. Surprise and the uncanny are cherished as ways of returning to us the strange leaps and enduring power of our deepest yearnings. In this collection, longing and losing condition all we see and hear, making the impossible suddenly plausible. Whether exploring Brighton seascapes or questions of empire, there is always in McCullough’s writing an openness to seeing the world from an alternative point of view. At once bold and haunting, The Frost Fairs opens the door to a new country in the reader’s imagination in its exploration of the possibilities of the human heart.

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Shortlisted for the EDP-Jarrold East Anglian Book AwardsAt the centre of Emery’s third collection are a series of narrative poems that reveal an astonishing range of personas, from the set of Mission Impossible, an extra from Gojira, porn stars, bombers and executioners — even Charles Bukowski turns up to take a leak. There are Pennine journeys, war zones, the Norfolk coast, the Suffolk coast, riots, bad hotel rooms and crazy conventions. Even the secret life of peas. Interspersed among all these are poems concerning the mysterious ‘M’.

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‘Annabel was a black and white figure in the distance, going in through the front doors. She worked behind the reception. I was a history teacher.’ As we meet Matt, lying across the backseat of his on/off girlfriend’s car, he begins a long confession. It starts with wrestling moves and continues past statue fires, reaching bomb threats and assault via episodes in the life of Franz von Papen, the Chancellor of interwar Germany. Piece by piece, Matt presents us with a map of his failures. Or is he part of some grander, universal fuck-up? Septembers, Christopher Prendergast’s debut novel, is a simmering tale of upheaval, revolt and loss.

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Winner of the Scott PrizeWinner of the 2015 Polari First Book PrizeWinner of the Saboteur Award for Best Short Story CollectionThe Herald: Book of the Year 2014Shortlisted for the 2014 Green Carnation PrizeTwenty tales of lust and loss. These stories feature clockwork hearts, lascivious queens, paper men, island circuses, and a flooded world. On the island of Skye, an antlered girl and a tiger-tailed boy resolve never to be friends – but can they resist their unique connection? In an alternative 19th-century Paris, a love triangle emerges between a man, a woman, and a coin-operated boy. A teenager deals with his sister's death by escaping from their tiny Scottish island – but will she let him leave? In 1920s New Orleans, a young girl comes of age in her mother's brothel. Some of these stories are radical retellings of classic tales, some are modern-day fables, but all explore substitutions for love.

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Winner of the 2013 McKitterick PrizeShortlisted for the 2013 East Midlands Book AwardShortlisted for the Man Booker Prize 2012Shortlisted for New Writer of the Year in the 2012 Specsavers National Book AwardsObserver Book of the Year 2012The Lighthouse begins on a North Sea ferry, on whose blustery outer deck stands Futh, a middle-aged, recently separated man heading to Germany for a restorative walking holiday.Spending his first night in Hellhaus at a small, family-run hotel, he finds the landlady hospitable but is troubled by an encounter with an inexplicably hostile barman.In the morning, Futh puts the episode behind him and sets out on his week-long circular walk along the Rhine. As he travels, he contemplates his childhood; a complicated friendship with the son of a lonely neighbour; his parents’ broken marriage and his own. But the story he keeps coming back to, the person and the event affecting all others, is his mother and her abandonment of him as a boy, which left him with a void to fill, a substitute to find.He recalls his first trip to Germany with his newly single father. He is mindful of something he neglected to do there, an omission which threatens to have devastating repercussions for him this time around.At the end of the week, Futh, sunburnt and blistered, comes to the end of his circular walk, returning to what he sees as the sanctuary of the Hellhaus hotel, unaware of the events which have been unfolding there in his absence.

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Spring 1927. The birth of popular music. John Coughlin is a song-catcher from New York who has been sent to Appalachia to source and record the local hill-country musicians. His assignment leads him to small-town Tennessee where he oversees the recording session that will establish his reputation. From here he ventures further south in search of glory. He is chasing what song-catchers call the big fish or the firefly; the song or performer which will make a man rich.Waylaid at an old plantation house, Coughlin gets wind of a black teenage guitarist, Moss Evans, who runs bootleg liquor in the Mississippi Delta. The Mississippi has flooded, putting the country underwater, but Coughlin is able to locate the boy and bring him out. Coughlin views himself as a saviour. Others regard him as a thief and exploiter. Coughlin and Moss the catcher and his catch pick their way across a ruined, unstable Old South and then turn north through the mountains, heading for New York.

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Birdeye shows us what the hippy dream looks like fifty years on, when the secrets which were masked by free spirit and a determined nonconformism force their way to the surface.Liv Ferrars is 67 years old and has lived a full life. Her twin daughters, Mary and Rose, are grown, she has survived breast cancer and she has welcomed numerous wanderers to the Birdeye Colony she founded with friends Sonny and Mishti over forty years before. Birdeye, once a pilgrimage-worthy commune in the Catskill Mountains of upstate New York, is now well past its heyday but Liv still holds the weekly Sharing with Mishti and Sonny, and Rose, whose additional needs mean she remains dependent on her mother. Then one late winter's morning a stranger named Conor appears. That same night Sonny and Mishti make a devastating announcement, and when Mary flies in from London to persuade Liv and Rose to move to England, Liv resists what others see as Birdeye's inevitable collapse. Conor seems to offer a lifeline, but

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With this new collection the acclaimed novelist Christopher Burns proves his mastery of the short story form. His intelligent but conflicted characters face their decisive moments across wide ranges of time and place, each action reshaping their futures and redefining their pasts. Interplaying with these choices are locations that underpin and define each story, such as a repository of unstable nitrate film, a desert outcrop where a daughter vanished, a winter barn in which a silent refugee works without explanation, and a Parisian suicide that echoes down far more than a century.In these stories, landscape itself can be a determinant, as essential to the narrative as the characters that walk into a draining reservoir, a Neolithic cave, or a remote Greek church. For these are driven people haunted or determined, alert or unaware, lovers or doubters, saviours or perpetrators.Several of these stories have previously appeared in publications as diverse as Les Temps Modernes, Granta Short

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Denis Klamm, feckless scion of two former Leaders, returns to the Island for his father's funeral, only to find it sinking. Or the sea rising it depends what you believe. Either way, they're all going to drown unless the young, idealistic and newly-elected Leader, Jessica King, really is the saviour long foretold by Our Island Story.But Jessica is only Leader because Ari Spencer, the special advisor's special advisor, has made it so. She wants solutions; Ari offers schemes. She wants to solve the climate crisis, house the homeless and bring justice for the victims of police brutality in a decade-old incident that Ari, for reasons of his own, would rather nobody looked at too closely. Or at all.While Denis falls under Jessica's spell and sets out to make the sort of grand romantic gesture guaranteed to attract attention, Ari hatches a plot to pit conspiracy theory against myth, unleashing a maelstrom of populism, ambition, religion, treachery, lawlessness, old wounds and new battles

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The countryside – what is it for? A paradise on earth where you can relax and get creative? Or an outdoor wool factory where every other house is an Airbnb and there are fewer trees than Camden. In his new collection of short stories David Gaffney explores the theme of town versus country through a number of different lenses, including his own experience of being brought up in west Cumbria then moving to Manchester. A creative residency on the coast of Scotland becomes weirder and weirder in “The Retreat”; ‘I’ve always had the feeling that the countryside has something against me and that one day it will take its revenge.’ In “The Table”, a recluse in Penrith uses mid-century furniture to lure city dwellers into a world of ‘depressed farmers with shotguns and bottomless pits of slurry that will swallow you so hard you'll never be seen again. And in “The Garages” the pressure of city living forces a man to become oddly obsessed with empty spaces. Often funny, often haunting, often profound, Gaffney uses dark humour and surreal characters to demonstrate a deep understanding of how places, urban or rural, can shape, influence and sometimes distort our lives. ‘People who like the countryside tend to believe in things that aren’t really there,’ says a character in “The Country Pub”. These are indeed stories about things that aren’t really there, and this is why they resonate with you long after you have stopped reading.

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Have you ever boarded your morning commute and wished you’d never arrive at your destination? That is what happens to the protagonist of The Way to Work. Having boarded what he assumes to be his usual 8:08 service, he soon discovers that all is not as it first seemed.Does this train stop at any station? Do the carriages ever come to an end? And where is the colleague he thought he saw, as he took his place in the quiet coach? Our narrator reflects on his job as salesman for a cat litter manufacturer as he wanders down-train in search of answers – yet the sliding doors that close behind him appear to be malfunctioning, and every person he meets seems to remember very little of their past.Seduction, destiny and salvation all come into play as this relentless novel unfolds, and we discover precisely where the 8:08 is heading and just who is in charge.

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Longlisted for The Edge Hill Short Story Prize 2023Ambitious and playful, darkly humorous and imaginative, these strikingly original stories move effortlessly between the realistic and the fantastical, as their outsider characters explore what it’s like to be human in the twenty-first century. Whether about our relationship with the environment and animals, technology, social media, loneliness, or the enormity of time, they reflect the complexities of being alive. Beautifully written and compelling, you won’t read anything else like them.

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What is a city for? How long do the vibrations persist from an economic shock wave, or a guitar chord? Is anything really permanent? The ‘meanwhile site’ is a place where change becomes a design feature, and Pete Green’s remarkable debut collection commemorates the transient and the marginal – from the emergency housing made of shipping containers to crumbling coastal paths and sea stacks; from the villages left isolated by railway closures to the predicament of the new generations disenfranchised by the march of neoliberalism. With the temporary comes hope of renewal, though, and alternatives to a disrupted, rootless culture might emerge in a Neolithic stone circle, or a circle of friends. Keenly observed, deft and humane, these are poems for our age of precarity.

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Howell’s much-celebrated stories interweave elements of the commonplace with darkness, subterfuge and sheer weirdness, all realised with natural narrative flair. In this striking new collection, we see Howell explore a wide range of cultures, including Hawaii, Portugal and Japan, alongside these are period tales, and sinister and sexual encounters, all related with a cool eye for our desires and obsessions.

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Fiction Category Winner in the 2022 East Anglian Book AwardsSome of the characters in Stewkey Blues have lived in Norfolk all their lives. Others are short-term residents or passage migrants. Whether young or old, self-confident or ground-down, local or blow-in, all of them are reaching uneasy compromises with the world they inhabit and the landscape in which that life takes place.

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Longlisted for the Edge Hill PrizeLike Fado consists of thirteen individual stories that culminate in the extended novella-like story, ‘Whitethorn’. Each story takes us into the lived experience and psychological dilemmas of its characters, dissolving certitude in favour of richly ambivalent and suggestive endings as storylines merge and diverge, enriching each other through their narrative resonance. The natural world is brought to life in vivid detail in locations that range from the North-West of England to Europe and Africa, whilst the interior lives of characters form the dramatic locus of each piece, rendered in language that is precise, lyrical and evocative.

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Winner East Anglian Book of the Year 2022In Iron Man, Lynne Bryan writes movingly and candidly about disability, the vulnerability of the body and mind, and the frailty and strength of our corporeality. She writes insightfully and thought-provokingly about the ways in which women’s access to head space and the physical and economic space for creativity can be restricted or blocked – sometimes by the people they love best and who love them best; and, of course, sometimes by themselves.

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Death Magazine is a futuristic, glossy body horror magazine in poetry form. It takes our cacophonous obsession with perfectionism and turns it into a series of synthetic, blackly-comic nightmares.

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Ranging over place, memory and history, Amit Chaudhuri’s new collection of poems makes a fresh, spiritual accommodation with the world. The poems often take their themes from sweets named and eaten, meals remembered, and matches these with meditations on culture, people, time and identity that slowly unfold as much in the mouth as in the mind. And what we discover are the hesitations, assessments and uncertainties that finally make us fully human. Those quiet moments of revelation and rediscovery that create our lives as much as reflect their circumstances, locating and healing us in their intimate pleasures.

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The story of a man walking down a ramp, After Absalon is the culmination of Simon Okotie’s extraordinary trilogy of novels. Marguerite, a down-at-heel detective, is on the trail of Harold Absalon, the Mayor’s transport advisor, who is missing presumed dead. Encountering a woman in a tight-fitting pinstriped suit entering a pedestrian underpass, he decides to follow her. Pursued in turn, and seemingly losing his mind, the choice he faces is impossible yet unavoidable: does he bring his investigation to a successful conclusion and risk befalling the exact same fate as Harold Absalon?

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Scott Pack: Books of the Year 2018Shortlisted for The Sunday Times Literary Awards (South Africa)Twenty-two-year-old Etienne is studying film in London, having fled conscription in his native South Africa. It is 1986, the time of Thatcher, anti-apartheid campaigns and Aids, but also of postmodern art, post-punk rock, and the Royal Vauxhall Tavern. Adrift in a city cast in shadow, he falls in love with a German artist while living in derelict artists’ communes.When Etienne finds the first of three reels of a German film from the 1930s, he begins searching for the missing reels, a project that turns into an obsession when his lover disappears in Berlin. It is while navigating this city divided by the Wall that Etienne gradually pieces together the history of a small group of Jewish film makers in Nazi Germany.It is a desperate quest amid complications that pull him back to the present and to South Africa. However, his search for the missing film continues.Ambitious and cosmopolitan, the material of S. J. Naudé’s The Third Reel is as disparate as the cities in which the book is set. Architecture, cinematography, sex, music, illness, loss and love all collide in this exquisitely wrought, deeply affecting novel.

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WINNER OF THE BETTY TRASK PRIZE 2019March, 1984. Britain’s miners face political opposition. Soon, the State will confront them, violent forces will be unleashed and the country will change forever.The Newmans have enough on their plate without a strike to contend with. Arthur hates working at the pit, his unhappy wife, Shell, doesn’t know what she wants and their lonely son Lawrence has no say in anything – especially a late night mission to Threndle House, home of disgraced politician Clive Swarsby and his two mysterious children. When Lawrence and Arthur take an abandoned rug from the house, their family is plunged into crisis. Then there is the small matter of the pickets . . .Taking in controversial events such as the Battle of Orgreave, The Litten Path is an exceptional debut set against the sunless landscapes of a country now lost in time. Grimly honest and tender, tough and lyrical, comic and painful, it is about class friction, the clash between the urban and the rural. It is about what happens when a decision is made, when one cannot turn back.

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A post-modern puzzle about self and identity.Alexander embarks on a remarkable experiment, the likes of which no one has attempted before, maybe that's why there is a detective watching him. With Penny, Alexander is a gadfly, mucking her about, unable to see past her beauty; but with Melanie, he has met his match. It is remarkable how quickly the mood shifts from talk of big questions (religion, God, beauty, how mirrors lie) to the perfectly ordinary nuances between a couple.

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