Search results for ""salem press inc""

The purpose of this collection of sixteen essays on William Faulkner's multi-faceted novel is to provide the reader who has read or is about to read Absalom, Absalom! with as much of a multi-faceted perspective as possible.Faulkner created a novel so complex that every interpretation of his "little postage stamp of native soil" is as valid as a single postage stamp in a postal system. Each essay is limited by its premise, but that very limitation enables the critic to focus the reader's attention upon an aspect of this multifaceted novel. The value of each of these pieces is not only what it reveals but what it does not reveal, enabling the reader to participate in the critical process by questioning, disagreeing, conjuring his or her own insights along the way.The opening six original essays offer basic, clearly stated perspectives: a brief view of Faulkner's life and works; and two close readings of Absalom, Absalom! that apply specific critical methods. The novel in a cultural-historical context is also discussed, as is the novel's critical reception. Many more narrowly-focused essays discuss the novel from a feminist standpoint, its relationship to The Great Gatsby and All the King's Men.The narrative perspective and the storytelling themes that pervade the novel are discussed at length as is the interwoven web of facts that enriches Absalom, Absalom! with countless dimensions. Tensions between the old south and the modern era are explored. Faulkner's structure and prose style are meticulously investigated. In sum, this reference provides a remarkably rich, deeply varied number of perspectives on a novel that continues to offer new insight into its complex design and execution.Each essay is 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources:

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This title includes in-depth critical discussions of Maya Angelou's novel. Maya Angelou's ""I Know Why the Caged Bird Sings"" took the world by storm when it was published in 1969. As it shot to the top of best-seller lists, it made Angelou one of the most recognized black women in America. Despite controversy over its frank depiction of sexual abuse, the autobiography is still widely read in high schools and colleges across the country. Three decades after it was published, readers continue to admire Angelou's artistry, wit, and indomitable spirit. Edited by Mildred R. Mickle, Assistant Professor of English at Penn State Greater Allegheny, this volume brings together a variety of critical offerings on Angelou's famous autobiography. Mickle's introduction pays tribute to Angelou's achievement and examines the inspiration she drew from Phillis Wheatley's civil rights advocacy as well as the similarities between ""Caged Bird"" and Harriet Jacobs' ""Incidents in the Life of a Slave Girl"" and Paul Lawrence Dunbar's poetry. ""The Paris Review""'s Christopher Cox reminds readers of how revolutionary Angelou's autobiography was when it was published and recounts the comments Angelou made on her work in an interview with George Plimpton. Four original essays by Amy Sickels, Pamela Loos, Neil Heims, and Robert C. Evans provide valuable context for reader's new to Angelou's work. Sickels discusses the historical events that surround Angelou's life: the civil rights, black power, and black arts movements as well as the emergence of black women's literature with the first publications of Toni Morrison, Nikki Giovanni, Alice Walker, and Lucille Clifton. Loos provides a survey of the major pieces of criticism on ""Caged Bird"", paying special attention to the book's early reception and how it fits in the autobiographical genre and slave narratives, as well as issues of race, gender, aesthetics, and identity. Neil Heims discusses the struggle for a black identity through readings of both ""Caged Bird"" and James Baldwin's ""If Beale Street Could Talk"". Finally, Robert C. Evans examines the role that both formal and informal education play in the young Maya's maturation. The collection also includes ten previously published essays that examine ""Caged Bird"" through a variety of lenses. Critics examine the character of young Maya, noting how her rootlessness contributes to her perseverance and adaptability, as well as how Angelou's narrative technique allows her to recount the details of incredible life without being controlled by them. The book's treatment of sexual abuse is also investigated in the larger context of other black women's narratives of sexual abuse. Other critics attend to ""Caged Bird""'s place in the genre of ethnic autobiography and the particular challenges it presents to teachers seeking to expose students multicultural literature; the childhood roots of Angelou's political activism; the influence of blues music on the narrative's structure; and, the young Maya's relationships with the black community, literature, and the women in her life.

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This title includes in-depth critical discussions of Edgar Allan Poe's work. This is a collection of sixteen essays by leading scholars examining the short stories and life of the 19th century American writer Edgar Allan Poe. Representing the best of a broad range of critical perspectives from the psychoanalytical to the postcolonial, the volume serves as an excellent introduction to Poe's tales and the critical conversation surrounding them. The volume is introduced by Steven Frye, Professor of English at California State University, Bakersfield, the author of ""Historiography and the American Romance: A Study of Four Authors"" (2001) and the editor of ""Poe Studies/Dark Romanticism: History, Theory, Interpretation"" (2008). Original essays illuminate the influences that shaped Poe, contextualize his work, and assess his enduring impact on American and Continental poetry and fiction. A sketch of the historical and cultural forces surrounding Poe illuminates their influence on his aesthetic; a reception history examines Poe's enduring contributions to the short story genre, the French Symbolist movement, and modernist aesthetics; a comparison of Poe's and Baudelaire's works reveals how the two authors exploited the duplicitous possibilities within the writer-reader relationship; and a critical reading of ""The Fall of the House of Usher,"" ""The Black Cat,"" ""The Tell-Tale Heart,"" ""Ligeia,"" and ""Bernice"" seeks to expose the stories' unifying aesthetic principles. Further, a varied selection of critical views offers detailed analyses of Poe's most essential tales like ""The Murders in the Rue Morgue"", ""The Fall of the House of Usher"", ""The Cask of Amontillado"", ""The Gold Bug"", and ""Ligeia"". Uniquely, the collection also contains an original essay by Nathaniel Rich, senior editor of ""The Paris Review"". Reflecting on Poe's insight into and fascination with the perverse instincts of humanity, Rich offers a writer's perspective on one of America's most enigmatic writers. Finally, a wealth of reference material, including a complete list of Poe's publications and a full biography, rounds out the volume by giving readers ample sources for continuing their studies. Edited and with an introduction by Steven Frye, the collection is a gateway into the best of Poe and his critics. Each essay is 5,000 words in length, and all essays conclude with a list of 'Works Cited', along with endnotes.

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This title contains in-depth critical discussions of Arthur Miller's great drama. When it premiered, ""Death of a Salesman"" received immediate critical praise and popular attention. Miller set out to change the face of American Drama and succeeded. The play won the Pulitzer Prize, the New York Drama Critics' Circle Award, the Donaldson Award, and Tony Awards for best play, best direction, best scene design, and best supporting actor. To this day, it remains one of the most-read and most performed plays in the world, and no survey course on American Drama would be complete without it. Edited by distinguished scholar and one-time President of the American Theatre and Drama Society, Brenda Murphy, this volume brings together some of the best essays written on Miller's most accomplished play. The essays contained within present a variety of critical viewpoints and an array of critical approaches. Close readings include Jon Dietrick's consideration of the play in the context of literary naturalism and monetary theory and Terry W. Thompson's analysis of Willy's comparison of Biff to Hercules. Chester E. Eisinger looks at the differences between dream and reality while also considering the competing dreams of the Loman family and Fred Ribkoff addresses the dynamics of shame, guilt, empathy, and the search for identity in the play. In the volume's two concluding essays, Matthew C. Roudane provides a broad-based reading of ""Salesman"" while Christopher Bigsby considers the play in the context of American Culture. Each essay is 5,000 words in length, and all essays conclude with a list of ""Works Cited,"" along with endnotes.

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The border between fact and fiction has always been a porous one for Isabel Allende. Her acclaimed first novel, The House of the Spirits, began as a letter to her dying grandfather yet is filled with ghosts and green-haired and clairvoyant women; her memoir Paula, though ostensibly nonfiction, is a moving and highly imaginative account of her family history and the illness and death of her daughter, Paula. Even in the many interviews she has given, Allende has embellished the details of her life to captivate and charm her readers. She has more than succeeded. Around the world, readers have flocked to both her fiction and her nonfiction, making her one of the best-selling women novelists in the world today. Edited and with an introduction by John Rodden, a celebrated Allende scholar, this volume in the Critical Insights series brings together a variety of essays on this Chilean Scheherazade. Rodden's introduction assesses the phases of Allende's career and her growth as a writer, and Michael Wood, writing on behalf of The Paris Review, considers Allende's relation to magical realism. Amanda Hopkinson, in turn, provides a comprehensive biography of Allende and a measured examination of how her life has informed her work.For students encountering Allende for the first time, four introductory essays provide a valuable framework for studying her in greater depth. Beth E. Jörgenson surveys the range of critical opinions and the major strands of critical thought on Allende's work, and Charles Rossman's close reading of The House of the Spirits analyzes in depth the novel's setting, characters, and plot. María Roof compares Allende's use of the family saga novel to Maryse Condé's, and Carrie Sheffield describes the context in which Allende wrote her first and most popular novel, The House of the Spirits.Next, a collection of essays on key works and subjects deepens readers' understanding of Allende. The House of the Spirits is treated by Sara E. Cooper, who uses family systems theory to explicate the novel's major themes, and Barbara Foley Buedel considers the magical realist aspects of Eva Luna and The Stories of Eva Luna. Linda S. Maier and Cherie Meacham both explore Paula, with Maier focusing on how the memoir acted as a catharsis for Allende and Meacham relating the work to The House of the Spirits.Allende's prequels to The House of the Spirits—Daughter of Fortune and Portrait in Sepia—are then taken up by John Rodden and Nadia Avendaño. Rodden examines the autobiographical facets of both novels while Avendaño considers how Allende breaks down gender barriers in Daughter of Fortune. Linda Gould Levine extends Avendaño's insights with a broad study of how Allende has transgressed boundaries of race, class, gender, and nationality throughout her career. Vincent Kling seeks to overturn the common perception of Allende as little more than a popular novelist by revealing how she continually draws on myth, archetype, and paradox to lend depth and nuance to her writing.A quartet of essays then treat a few of Allende's lesser known works. Philip Swanson examines Zorro, while Luz María Umpierre analyzes one of the short stories, "Two Words." Don Latham discusses the magical realist facets of Allende's young adult novels, and John Rodden considers Allende's self-presentation in her interviews.Rounding out the volume are a chronology of Allende's life and a list of her principal publications as well as a bibliography for readers seeking to study this fascinating author in greater depth.Finally, the volume's appendixes offer a section of useful reference resources:A chronology of the author's lifeA complete list of the author's works and their original dates of publicationA general bibliographyA detailed paragraph on the volume's editorNotes on the individual chapter authorsA subject index

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This new edition of ""Notable American Novelists"" presents biographical sketches and analytical overviews of 145 of the best-known American and Canadian writers of long fiction from the 19th and 20th centuries, arranged alphabetically by name. The set's three volumes survey the novelists, whose works are included in core curricula of high school and undergraduate literature studies. Essays on living authors and all the bibliographies in the articles are updated. About two-thirds of the essays are illustrated with portraits of the writers. ""Notable American Novelists"" features often-studied writers ranging from Nathaniel Hawthorne, Mark Twain, Ernest Hemingway, William Faulkner, and Jack London to Joan Didion and J. D. Salinger. Other important nineteenth century figures include Herman Melville, James Fenimore Cooper, Harriet Beecher Stowe, and George Washington Cable. Among the other major twentieth century writers featured are Sinclair Lewis, Norman Mailer, Joyce Carol Oates, John Irving, E. L. Doctorow, Joseph Heller, Toni Morrison, Vladimir Nabokov, Thomas Pynchon, John Steinbeck, Kurt Vonnegut, and John Updike. One can also find essays on such widely read and popular authors as Stephen King, James Michener, Louisa May Alcott, Larry McMurtry, and Anne Rice. A major addition to this new edition is the inclusion of Canadian novelists: Margaret Atwood, Robertson Davies, Frederick Philip Grove, Margaret Laurence, Mordecai Richler, and Sinclair Ross. Each essay begins with a presentation of reference information: the novelist's birth and death dates and a list of the writer's principal works of long fiction, with publication dates. ""Other literary forms"" then briefly describes genres other than long fiction in which the writer has worked, and an ""Achievements"" section encapsulates the author's central contribution and notes major honors and awards. The major sections of the text follow: ""Biography"" provides a sketch of the author's life, and ""Analysis"" looks at the novelist's work in detail; this section examines central and well-known works in the author's canon and illuminates the themes and techniques of primary interest to the novelist. The longest section in the article, ""Analysis"" is divided into subsections on the writer's major individual works. Following ""Analysis"" is a categorized list, ""Other major works,"" that provides titles and dates of works the author has written in genres other than long fiction, including plays, poetry, short fiction, and nonfiction. Each essay concludes with an updated, annotated bibliography. All articles are signed by the principal writer and, where applicable, by the updating contributor. Three helpful reference features are included at the end of volume 3: a glossary entitled ""Terms and Techniques,"" a time line of the writers' birthdates, and an index.

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