Search results for ""lsu museum of art""

In 2005 photographer Mark Perrott learned that Pittsburgh’s Western Penitentiary, located just downriver from the city center, was about to close. He requested permission to visit the 1885 Gothic sandstone structure, and ended up touring the site with a former Pennsylvania Department of Corrections administrator. They walked through spaces of confinement and institutional organization like the Mess Hall, Laundry, Commissary, Chapel, Death Row, and the cellblocks. Mark recalls, "None of this prepared me for the experience of E Block - the row of cells dedicated to the housing of newly-arrived prisoners. Prisoners spent three days to two weeks on E Block, until the system `classified’ them and moved them along to other cellblocks, or to other institutions. Each cell had whitewashed walls, most often covered with graffiti. I read every square inch of each wall. These were the unfiltered voices of men in their first days of separation and incarceration. As I moved from cell to cell, these voices became a chorus of shame, rage, bravado, advice, hate, humor, confession, and contrition. Over the next year I wrote down each word and photographed every surface."

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Through the Crystal Ball of the Chancellor's Residence brings you inside the original 1928 Chancellor's Residence at 1803 Hillsborough Street to share the vision and the family life of each of the university's leaders, from President Brooks to Chancellor Woodson. Just as the glass globe on the newel of the staircase near the front door reflects a panoramic view of the rooms, the furniture, and the world outside, the house too is a crystal ball through which we can view North Carolina State's history through most of the twentieth century. Treasured photographs from the albums of the house's former residents convey the spirit of each family.The idea for this book was born in late 2011 as Chancellor Randy Woodson and his wife Susan moved from the residence to ""The Point,"" the new residence on Main Campus Drive at Centennial Campus. The stately Georgian Revival house had projected the dignified image of the leaders of the institution since its completion in 1928, and Susan wanted to celebrate the role of the old house during its eighty-three years.The old chancellor's residence on Hillsborough Street will be renovated and expanded as the home of the Gregg Museum of Art & Design. The Gregg's collection of over 25,000 objects includes major holdings in textiles, clothing, ceramics, folk and Native American art, photography, design, decorative arts, and self-taught art. The museum will be able to present more of its holdings as well as special exhibits in the 15,000-square-foot addition designed by the Freelon Group architects of Durham.This book also honors the other buildings and the plan of the historic North Campus along Hillsborough Street. Using documentary images from the NCSU Libraries Special Collections Research Center and recent images by photographers Edward T. Funkhouser, Roger Winstead, Craig McDuffie, Roger Manley, and others, it explores the university's architectural roots, beginning with the 1887 construction of Main Building (Holladay Hall), when one building held the entire college. During the Roaring Twenties, nationally known architect Warren Manning transformed the campus into a modern, harmonious ensemble of Neoclassical Revival educational buildings, Colonial Revival dormitories, gymnasium, and landscape courtyards. The former chancellor's residence stands as one of the final elements of the transformed campus, which served the university well until its growth boom after World War II.

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The Visual Blues explores the enormous impact that blues and jazz music emanating from the Deep South and moving north had on artists associated with the Harlem Renaissance. Through a synthesis of interdisciplinary studies, The Visual Blues will fill a major gap in the historiography of the intersection between African-American art and music. The catalogue will revive an era of America’s history, weaving the story of rhythmic creativity throughout its pages. The Visual Blues shows how the artists and musicians of the Harlem Renaissance blurred artistic boundaries, drawing inspiration from each other and contributing to each other’s art forms. The art scene in Harlem from 1919 to approximately 1940 encouraged a melding of art, music, literature, and poetry, providing a creative haven and outlet for transcending hardships and shattering racial stereotypes. The Visual Blues features a wide range of artists, some of whom already have established reputations and art markets, and others who are under-recognized and are rarely seen publicly. The Visual Blues comprises sixty-four paintings, drawings, prints, photographs, and sculptures by some of the most recognized and celebrated African-American artists of the Harlem Renaissance.

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In celebration of Louisiana State University's sesquicentennial, Treasures of LSU trumpets the numerous and diverse riches found throughout the Baton Rouge campus and beyond. The 101 distinguished artworks, architectural gems, research collections, and scientific and cultural artifacts highlighted here represent only a small fraction of the material resources that surround and engage LSU faculty, staff, and students on a daily basis. As LSU chancellor emeritus Paul W. Murrill declares in his foreword, ""All reflect expressions of superb quality. All encourage, in one way or another, the human spirit to soar.""Some of these treasures act as artistic backdrops to everyday campus life. In Unity Ascending, the striking Frank Hayden sculpture, greets all who enter the LSU Student Union. Vibrant Depression-era murals decorate the corridors of Allen Hall. Other treasures reside in out-of-the-way places. The Department of Geology and Geophysics houses the Henry V. Howe Type Collection of shelled microorganisms -- tiny, beautifully varied fossils that frequently aid geologists in determining the ages of rocks and features of ancient environments. The LSU Museum of Natural Science, in Foster Hall, holds one of the largest and most prestigious research collections of bird specimens in the world.An LSU cadet uniform and a hand-spun Acadian quilt from the LSU Textile & Costume Museum; an enchanting silky-camellia specimen from the collections of the LSU Herbarium, founded in 1869; pottery by Walter Anderson and portraits by William Hogarth and Joshua Reynolds from the LSU Museum of Art -- all showcase the immense variety of LSU's assets. Other featured treasures include a historic dogtrot house at the LSU Rural Life Museum, John James Audubon's double elephant folio Birds of America from the E. A. McIlhenny Natural History Collection at Hill Memorial Library, and cherished campus landmarks like the Indian Mounds, the French House, and Mike the Tiger's habitat.Full-page color photographs set off the treasures to stunning effect. Interpretive essays by LSU faculty, staff, and students explain the origins, history, and sometimes myths surrounding each item. Published by LSU Press during its seventy-fifth year of operation, Treasures of LSU is itself a treasure that inspires pleasure and amazement in discovering the wealth and diversity of LSU's resources and affirms the university's numerous cultural contributions to the world community.

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In celebration of Louisiana State University's sesquicentennial, Treasures of LSU trumpets the numerous and diverse riches found throughout the Baton Rouge campus and beyond. The 101 distinguished artworks, architectural gems, research collections, and scientific and cultural artifacts highlighted here represent only a small fraction of the material resources that surround and engage LSU faculty, staff, and students on a daily basis. As LSU chancellor emeritus Paul W. Murrill declares in his foreword, ""All reflect expressions of superb quality. All encourage, in one way or another, the human spirit to soar.""Some of these treasures act as artistic backdrops to everyday campus life. In Unity Ascending, the striking Frank Hayden sculpture, greets all who enter the LSU Student Union. Vibrant Depression-era murals decorate the corridors of Allen Hall. Other treasures reside in out-of-the-way places. The Department of Geology and Geophysics houses the Henry V. Howe Type Collection of shelled microorganisms -- tiny, beautifully varied fossils that frequently aid geologists in determining the ages of rocks and features of ancient environments. The LSU Museum of Natural Science, in Foster Hall, holds one of the largest and most prestigious research collections of bird specimens in the world.An LSU cadet uniform and a hand-spun Acadian quilt from the LSU Textile & Costume Museum; an enchanting silky-camellia specimen from the collections of the LSU Herbarium, founded in 1869; pottery by Walter Anderson and portraits by William Hogarth and Joshua Reynolds from the LSU Museum of Art -- all showcase the immense variety of LSU's assets. Other featured treasures include a historic dogtrot house at the LSU Rural Life Museum, John James Audubon's double elephant folio Birds of America from the E. A. McIlhenny Natural History Collection at Hill Memorial Library, and cherished campus landmarks like the Indian Mounds, the French House, and Mike the Tiger's habitat.Full-page color photographs set off the treasures to stunning effect. Interpretive essays by LSU faculty, staff, and students explain the origins, history, and sometimes myths surrounding each item. Published by LSU Press during its seventy-fifth year of operation, Treasures of LSU is itself a treasure that inspires pleasure and amazement in discovering the wealth and diversity of LSU's resources and affirms the university's numerous cultural contributions to the world community.

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