Search results for ""independent curators inc.,u.s.""

EN MAS' is one of the first publications to give serious scholarly attention to contemporary art works considering carnival in the 21st century, filling a gap in two decades of exhibitions of contemporary Caribbean art that did not explicitly address carnival as an artistic practice. A hybrid exhibition catalogue and academic reader with a lively carnivalesque feel, it presents nine newly commissioned artist projects by John Beadle, Charles Campbell, Christophe Chassol, Nicolás Dumit Estévez, Marlon Griffith, Hew Locke, Ebony G. Patterson, Lorraine O'Grady and Cauleen Smith. The book also includes a timeline of diasporic pan-Caribbean carnivals, tracing the influence of Caribbean carnivals and festivals on the theater, dance, and Broadway stages in New York and London, in contemporary art galleries and biennials from São Paulo to Havana to Gwangju, at the Olympics as well as in protest and other movements.

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Slightly Unbalanced surveys the prevalence of psychological neurosis as a subject in contemporary art. During the past 15 years, inspired by the work of several prominent older artists, a younger generation has expanded the contemporary art vocabulary to encompass a subject that is now well known by the general public. Cumulatively, they make use of psychology as a kind of lingua franca--we all know what the symptoms of neurosis are, if not the particular diagnoses. Beginning with historical work by Louise Bourgeois, Mike Kelley, Bruce Nauman and Cindy Sherman and proceeding to more recent work by artists including Alex Bag, Sophie Calle, Beth Campbell, Harry Dodge and Stanya Kahn, Sarah Hobbs, Sean Landers, Cary Leibowitz, Dave McKenzie, Tony Oursler, Danica Phelps, William Pope.L, Ada Ruilova, Ward Shelley and David Shrigley, this exhibition catalogue encompasses the range of media prevalent today: video art, installations, photographs, paintings and drawings.

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Since 1981, Independent Curators International (ICI) has run a series in which prominent New York artists talk about their work to an audience gathered at the artist's studio. The New York Studio Events program has visited some 200 distinguished artists throughout its history, including Janine Antoni, Mel Bochner, Louise Bourgeois, Petah Coyne, Leon Golub, David Levinthal, Mary Lucier, Laurie Simmons, Richard Tuttle, Fred Wilson, Vik Muniz and Andrea Zittel. Inside the Studio shares for the first time the invaluable archive of audio recordings made during these events, excerpting from approximately 75 of the most fascinating to provide an exceptional oral record of these artists' thinking about their working processes, conceptual issues, the current scene and artists whose work they themselves admire. Founded in 1975, ICI's mission is to enhance the understanding and appreciation of contemporary art through traveling exhibitions and other activities that reach a diverse national and international audience. Collaborating with a wide range of eminent curators over the years, ICI has created some 100 exhibitions that collectively have included the work of more than 2,500 artists, presented at over 450 art spaces located throughout the United States, and 20 other countries.

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In 2011, Independent Curators International (ICI) launched Sourcebook, a new publication series with a focus on artists and their practice, offering a fresh perspective on political and cultural issues impacting and inspiring the artistic process. Each volume is edited by an artist, from a selection of his or her own archive, and is comprised of images, documents, articles, letters and newspaper clippings. For the second Sourcebook in the series, ICI has invited conceptual artist Allen Ruppersberg to cull his archives, stored between his family home in Cleveland and his studio in Los Angeles. Articulated around nine important works spanning the breadth of the artist’s practice from 1978–2012, the publication delves into the primary material that Ruppersberg uses as his medium: popular culture ephemera, newspapers, magazine covers, snapshots, home movies, educational slides, advertising and posters. This material becomes the visual registry that is reconfigured in numerous Ruppersberg projects.

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What is contemporary curatorial thought? Current discourse on the topic is heating up with a new cocktail of bold ideas and ethical imperatives. These include: cooperative curating, especially with artists; the reimagination of museums; curating as knowledge production; the historicization of exhibition-making; and commitment to extra-artworld participatory activism. Less obvious, but increasingly of concern, are issues such as rethinking spectatorship, engaging viewers as co-curators and the challenge of curating contemporaneity itself. In these five essays, art historian and theorist Terry Smith surveys the international landscape of current thinking by curators; explores a number of exhibitions that show contemporaneity in recent, present and past art; describes the enormous growth world wide of exhibition infrastructure and the instability that haunts it; re-examines the contribution of artist-curators and questions the rise of curators utilizing artistic strategies; and, finally, assesses a number of key tendencies in curating as responses to contemporary conditions. Thinking Contemporary Curating is the first book to comprehensively chart the variety of practices of curating undertaken today, and to think through, systematically, what is distinctive about contemporary curatorial thought.

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Jess: To and From the Printed Page focuses on the artist simply known as "Jess" (1923-2004), and celebrates his lively and lifelong dialogue with poets, poetry and printed matter. Published to accompany the iCI touring exhibition, it features collages made for publication, the books and magazines in which they were reproduced, as well as many previously unreproduced paintings, drawings and assemblages. The book offers a fresh perspective on Jess's work by specifically addressing the interrelation between his art and the California literary culture of which he was a part. It also explores the intimacy of the collaborations and conversations in which he participated over five decades, and points to his effect on younger artists today--through his use of "pop" materials in collage and paint, his early homoerotic themes and his enjoyment of the book format as a compositional vehicle.

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Edited by Dore Ashton, and instigated by Komar & Melamid projects to salvage Russia's remaining monuments to totalitarianism, Monumental Propaganda mixes levity and seriousness, presenting 26 proposals by among others Arman, Ericson & Ziegler, Joseph Kosuth, Valery Aisenberg, Eidia, IRWIN, Ilia Kitup, Komar & Melamid, Alexander Zosimov and Mark Tansey.

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