Search results for ""granta books""

Granta magazine has published some of the best writing about family relationships in the English language. Over the years its writers have dealt with the most difficult, the most important and the most personal relationships of their lives. Granta Books' publication, in 1993, of Blake Morrison's And When Did You Last See Your Father? heralded the huge rise in popularity of the literary memoir, and since then Granta has carried pieces of non-fiction and fiction about the family from writers including Doris Lessing, Jane Anne Phillips, Hanif Kureishi, Jackie Kay, Helen Simpson, Linda Grant, Orhan Pamuk, Graham Swift, Ian Jack, Justine Picardie, Edmund White, Joy Williams, John McGahern, Jon McGregor, Paul Theroux, A. L. Kennedy, Siri Hustvedt and David Goldblatt. The New Granta Book of the Family collects together a stunning variety of pieces about every member of the family.

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Thinkers such as Aristotle, Plato and Parmenides have shaped the way we see the world, and it is their original conception of philosophy which has placed topics such as logic, metaphysics, ethics and ontology at the heart of philosophical debates for centuries. Miriam Leonard not only explores the central theories of their works, but also gives some sense of the process of abstraction, which sees written texts transformed into timeless ideals. She looks at how simple phrases such as 'In what way?' or 'There is ...' are turned into the language of philosophy. Taking passages from Heraclitus, Parmenides, Lucretius and Cicero, as well as Plato and Aristotle, she investigates the breadth and diversity of Greek and Roman thought and provides an account of the influence of its texts on the later history of ideas.

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Montaigne (1533-92) is commonly regarded as an early modern sceptic, standing at the threshold of a new secular way of thinking. He is also known for his ground-breaking exploration of the 'subject' or the 'self'. Terence Cave discusses these and other key aspects of the Essais (Montaigne's major work) not as philosophical themes but as features in the mapping of a mental landscape: the project of the Essais is cognitive rather than philosophical. Similarly, he reads the Essais not as 'essays' in the literary sense but as 'trials' or 'soundings' in which the manner of writing - the shape of the sentences, the use of metaphors and other figures - is crucial. Taking passages from many different chapters of the Essais, this book guides the reader through Montaigne's investigation of the 'subtle shades and stirrings' of the mind.

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This Book Will Save Your Life is an uplifting story about one man's efforts to bring himself back to life. Richard is a modern-day everyman, a middle-aged divorcee trading stocks out of his home in Los Angeles who needs no one. His life has slowed almost to a standstill until two incidents conspire to hurl him back into the world. One day he wakes up with a knotty cramp in his back, which rapidly develops into an all-consuming pain. At the same time a wide sinkhole appears outside his living-room window, threatening the foundations of his house. A vivid novel about compassion and transformation, This Book Will Save Your Life reveals what can happen if you are willing to open yourself up to the world around you. Since her debut in 1989, A. M. Homes has been among the boldest and most original voices of her generation, acclaimed for the psychological accuracy and unnerving emotional intensity of her storytelling. Her keen ability to explore how extraordinary the ordinary can be is at the heart of this touching and funny novel, which was shortlisted for the Richard & Judy Book Club in 2007.

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In December 2005, London lost one its most famous symbols: the Routemaster bus - a bus designed and made in London, by Londoners for Londoners, which was to London what the gondola is to Venice. In terms of postcards, books, films and cheap souvenirs, and in the eyes of the world, the Routemaster represented the city just as much as Big Ben. It was the last bus to be have conductors as well as drivers, the last bus to ring familiar shouts that are at least a century old: 'Fares please,' 'Full up inside but room on top,' 'Next stop the British Museum'! The last bus, in other words, to be a proper bus. In this fond history, Travis Elborough tells the story of the Routemaster's invention, rise and decline, of the people who worked on it and of the enthusiasts who were mad about it. The streets will never be the same again.

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Dire Sunday services, shrinking congregations and financial meltdown are the realities of the contemporary Church of England. In this controversial book, Michael Hampson, who worked as a parish priest for thirteen years, examines why the Church of England is in such crisis. He describes a church irreconcilably divided between liberals and evangelicals, shackled by tradition and with little resonance for the laity of modern Britain. He locates the roots of its demise in its history, from the Reformation to the ordination of women and beyond. The internal fault lines of the Church were exposed in 2003 by the forced resignation of Jeffrey John, the first openly gay man appointed a bishop. Michael Hampson demolishes the damaging arguments against homosexual clergy and movingly describes his own journey to ordination as a gay man within a prejudiced Church. In a powerful conclusion, he argues that a radical transformation of both culture and structure is the one hope for the renewal of the Church of England. Last Rites is a fiery insider's fascinating view of a Church that has failed its clergy, its laity and the nation at large.

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'Necessity makes existentialists of us all ... It is a map drawn truthfully to our likeness' Existentialism is not a unified doctrine or belief in any conventional sense. It breaks ranks with all previous philosophy, unsettles orthodox religion, and questions the supremacy of science. However, the question it poses is of fundamental importance to us all: What on earth am I to make of my existence? In this lively and provocative new introduction to existentialism, Richard Appignanesi challenges the reader to take part in a series of 'thought experiments' in order to illuminate what it means to approach the question of our being human existentially. He looks at the history of an existential approach to the question of being and traces it through the thought of major thinkers and writers such as Soren Kierkegaard, Jean-Paul Sartre and Albert Camus. Throughout, he emphasizes our need to face in good faith the consequences of what one is being. He also looks at existentialism's encounters with Islam, Freud, feminism, race and the notion of progress.

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There is a story about a Jew who travels from Israel to the United States. When he returns, he tells his friend some of the amazing things he has seen. 'I met a Jew who had grown up in a yeshiva and knew large sections of the Talmud by heart. I met a Jew who was an atheist. I met a Jew who owned a large business and I met a Jew who was an ardent communist.' 'So what's so strange?' the friend asks. 'America is a big country and millions of Jews live there.' 'You don't understand,' the man answers. 'It was the same Jew.' Judaism is not simply a series of beliefs. It is a practice and a way of life. What Do Jews Believe? explores the variety of ways Jews live their lives: religious and secular, Ashkenazi and Sephardi, Jews in Israel and Jews who live in the Diaspora. It asks what Judaism means and what it means to be a Jew. It also asks how and why such a small number of people, totalling no more than 20 million worldwide, have played such a significant role in our history.

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'Deconstruction is not neutral. It intervenes' Jacques Derrida An idiosyncratic and highly controversial French philosopher, Jacques Derrida inspired profound changes in disciplines as diverse as law, anthropology, literature and architecture. In Derrida's view, texts and contexts are woven with inconsistencies and blindspots that provide us with a chance to think in new ways about, among other things, language, community, identity and forgiveness. Derrida's suggestions for 'how to read' lead to a new vision of ethics and a new concept of responsibility. Penelope Deutscher discusses extracts from the full range of Derrida's work, including Of Grammatology, Dissemination, Limited Inc, The Other Heading: Reflections on Europe, Monolinguism of the Other, Given Time and Force of Law.

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Sofka Zinovieff had fallen in love with Greece as a student, but little suspected that years later she would return for good with an expatriate Greek husband and two young daughters. This book is a wonderfully fresh, funny and inquiring account of her first year as an Athenian. The whole family have to get to grips with their new life and identities: the children start school and tackle a new language, and Sofka's husband, Vassilis, comes home after half a lifetime away. Meanwhile, Sofka resolves to get to know her new city and become a Greek citizen, which turns out to be a process of Byzantine complexity. As the months go by, Sofka's discovers how memories of Athens' past haunt its present in its music, poetry and history. She also learns about the difficult art of catching a taxi, the importance of smoking, the unimportance of time-keeping, and how to get your Christmas piglet cooked at the baker's.

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Though Wittgenstein wrote on the same subjects that dominate the work of other analytic philosophers - the nature of logic, the limits of language, the analysis of meaning - he did so in a peculiarly poetic style that separates his work sharply from that of his peers and makes the question of how to read him particularly pertinent. At the root of Wittgenstein's thought, Ray Monk argues, is a determination to resist the scientism characteristic of our age, a determination to insist on the integrity and the autonomy of non-scientific forms of understanding. The kind of understanding we seek in philosophy, Wittgenstein tried to make clear, is similar to the kind we might seek of a person, a piece of music, or, indeed, a poem. Extracts are taken from Tractatus Logico-Philosophicus and from a range of writings, including Philosophical Investigations, The Blue and Brown Books and Last Writings on the Philosophy of Psychology.

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Rebellion is the story of Great War veteran Andreas Pum, who loses a leg and gains a medal. He marries, plays a barrel organ and is happy. But hen he is imprisoned after a fight, life seems unbearably altered. A chance encounter with an old comrade who has made his fortune introduces Pum to a world where he has a transfiguring experience of justice.

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Ned and Nina are trying to conceive, so when Ned jets off with no notice to the funeral of Douglas, a mysterious friend from his student days, Nina follows him so they can have sex on time. Douglas was the ringleader of a fellowship of chums at NYU and Nina is baffled by the extraordinary hold the group - and Douglas in particular - have on Ned. The novel explores the reconfiguring and reappraisal of the clique following Douglas's tragic death. Subtle Bodies asks why we make the friends we do, why we keep them and how we make sense of our personal histories. It is a wise, funny and keenly observed portrayal of shifting relationships and new truths emerging from old certainties. Like all of Rush's work it embodies the dictum 'fiction is truth told excessively and beautifully'. It is a warm-hearted and pitch-perfect master class in the art of the novel.

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How we eat, farm and shop for food is not only a matter of taste. Our choices regarding what we eat involve every essential aspect of our human nature: the animal, the sensuous, the social, the cultural, the creative, the emotional and the intellectual. Thinking seriously about food requires us to consider our relationship to nature, to our fellow animals, to each other and to ourselves. So can thinking about food teach us about being virtuous, and can what we eat help us to decide how to live? From the author of The Ego Trick and The Pig that Wants to be Eaten comes a thought-provoking exploration of our values and vices. What can fasting teach us about autonomy? Should we, like Kant, 'dare to know' cheese? Should we take media advice on salt with a pinch of salt? And can food be more virtuous, more inherently good, than art?

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Over the last fifty years, humanity has developed an extraordinary global utility which is omnipresent, universal, and available to all: the Global Positioning System (GPS). A network of twenty-four satellites and their monitoring stations on Earth, it makes possible almost all modern technology, from the smartphone in your pocket to the Mars rover. Neither the internet nor the cloud would work without it. And it is changing us in profound ways we've yet to come to terms with. While GPS has brought us breathtakingly accurate methods of timekeeping, navigation, and earthquake tracking, our overwhelming reliance on it is having unexpected consequences on our culture, and on ourselves. GPS is reshaping our thinking about privacy and surveillance, and brings with it the growing danger of GPS terrorism. Neuroscientists have even found that using GPS for navigation may be affecting our cognitive maps - possibly rearranging the grey matter in our heads - leading to the increasingly common phenomenon 'Death by GPS', in which drivers blindly follow their devices into deserts, lakes, and impassable mountains. Deeply researched, inventive and with fascinating insights into the way we think about our place in the world, Pinpoint reveals the way that the technologies we design to help us can end up shaping our lives. It is at once a grand history of science and a far-reaching book about contemporary culture.

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In elegant, precise prose Donald Antrim crafts funny, tender stories of men and women disorientated by love, loss, and bouts of sorrow. An unfaithful husband goes out to buy flowers for his wife, while across town a new couple, both survivors of difficult childhoods, find comfort together in other people's apartments. On the edge of a university campus, a group of students are brought together by their ageing drama professor, whose predilection for pot and crush on his star pupil threaten to tip their performance of A Midsummer Night's Dream into a surreal and dangerous farce. And in the title story, a bereaved art teacher drives into the Blue Ridge Mountains of Virginia intending to throw away his ex-girlfriend's paintings.

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In the 1790s, Britain underwent what the politician Edmund Burke called 'the most important of all revolutions...a revolution in sentiments'. Inspired by the French Revolution, British radicals concocted new political worlds to enshrine healthier, more productive, human emotions and relationships. The Enlightenment's wildest hopes crested in the utopian projects of such optimists - including the young poet Samuel Taylor Coleridge, the philosophers William Godwin and Mary Wollstonecraft, the physician Thomas Beddoes and the first photographer Thomas Wedgwood - who sought to reform sex, education, commerce, politics and medicine by freeing desire from repressive constraints. But by the middle of the decade, the wind had changed. The French Revolution descended into bloody Terror and the British government quashed radical political activities. In the space of one decade, feverish optimism gave way to bleak disappointment, and changed the way we think about human need and longing. A Revolution of Feeling is a vivid and absorbing account of the dramatic end of the Enlightenment, the beginning of an emotional landscape preoccupied by guilt, sin, failure, resignation and repression, and the origins of our contemporary approach to feeling and desire. Above all, it is the story of the human cost of political change, of men and women consigned to the 'wrong side of history'. But although their revolutionary proposals collapsed, that failure resulted in its own cultural revolution - a revolution of feeling - the aftershocks of which are felt to the present day.

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The war over private life spreads inexorably. Some seek to expose, invade and steal it, others to protect, conceal and withhold it. Either way, the assumption is that privacy is a possession to be won or lost. But what if what we call private life is the one element in us that we can't possess? Could it be that we're so intent on taking hold of the privacy of others, or keeping hold of our own only because we're powerless to do either? In this groundbreaking book, Josh Cohen uses his experience as a psychoanalyst, literature professor and human being to explore the concept of 'private life' as the presence in us of someone else, an uncanny stranger both unrecognisable and eerily familiar, who can be neither owned nor controlled. Drawing on a dizzying array of characters and concerns, from John Milton and Henry James to Katie Price and Snoopy, from philosophy and the Bible to pornography and late-night TV, The Private Life weaves a richly personal tapestry of ideas and experience. In a culture that floods our lives with light, it asks: how is it that we remain so helplessly in the dark?

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The Hebrides hold a remarkable place in the imaginations of Scotland and England. On the outer edge of the British Isles and facing the Atlantic Ocean, these iconic islands form part of Europe's boundary. Because of their unique position, they have been at the centre of a network of ancient shipping routes which has led to a history of cultures colliding and merging. Home to a long and rich Gaelic tradition, they have attracted saints and sinners, and artists and writers, inspiring awe and dread as well as deep attachment. Over six years, Madeleine Bunting travelled to the Hebrides, exploring their landscapes, histories and magnetic pull. With great sensitivity and perceptiveness, she delves into the meanings of home and belonging, which in these islands have been fraught with tragedy as well as tenacious resistance. She finds that their history of dispossession and migration played a part in the British imperial past. And perhaps more significant still is the extent of the islands' influence on ideas of Britishness. Love of Country shows how the islands' history is a backdrop for contemporary debates about the relationship between our nations, how Britain was created, and what Britain has meant - for good and for ill.

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An inspiring novel; a philosophical love story; a moving ode to a woman, as joyful and celebratory as it is elegiac. The narrator is a man in his forties, a scholar of ancient Greek philosophy known as Hoo. He has been given the nickname by Mellie, the woman he addresses in this book while exploring his memories of their years together and apart. The two of them have known each other since high school in New York in the 1950s - and perhaps, Hoo thinks, much longer than that. Only as the novel unfolds do his reasons for writing to her, and the full nature of their relationship, become clear.

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Britain is the home of the badger - there are more badgers per square kilometre in this country than in any other. And yet many of us have never seen one alive and in the wild. They are nocturnal creatures who vanish into their labyrinthine underground setts at the first hint of a human. Here, Patrick Barkham follows in the footsteps of his badger-loving grandmother, to meet the feeders, farmers and scientists who know their way around Badgerlands: the mysterious world in which these distinctively striped creatures snuffle, dig and live out their complex social lives. As the debate over the badger cull continues, Barkham weighs the evidence on both sides of the argument, and delves into the rich history of the badger - from their prehistoric arrival in Britain and their savage persecution over the centuries, to Kenneth Grahame's fictional creation in Wind in the Willows and the badger who became a White House pet. From the celebrated author of The Butterfly Isles, this is rich, vivid nature writing at its best.

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Jo Langer and her husband Oscar were committed communists; she Hungarian, he Slovakian. During the Second World War the couple, both Jewish, escaped to America. Most members of their extended family were murdered in the Holocaust. After the war, they returned to Czechoslovakia to help build communism. She worked for state exports in Bratislava; he was an economist working for the Central Committee. In 1951 Oscar Langer was arrested and detained as part of the anti-Semitic purge of the Communist Party that culminated in the infamous Slánkský trials. He was subjected to solitary confinement, threats against his family, unbearable cold and hunger, anti-Semitic abuse and beatings. In the end, he submitted. In a statement dictated by his interrogators he said, 'I confess that I am an important link in the anti-state conspiracy of Zionists and Jewish bourgeois nationalists'. Jo Langer lost her job, and was exiled to the countryside. In Convictions, she vividly describes trying to her protect her two daughters and scrape a living, surviving the loss of her husband, her place in society and her faith in communism. Oscar Langer died shortly after his release from prison. Jo Langer left Czechoslovakia during the Prague Spring in 1968, and went into exile in Sweden.

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In his first venture into non-fiction, the celebrated novelist Rupert Thomson has produced one of the most extraordinary and unforgettable memoirs of recent years. On a warm, sunny day in July 1964, Thomson returned home from school to discover that his mother had died suddenly while playing tennis. Twenty years later, Thomson and his brothers receive word that their father, who suffered chronic lung damage during the war, has died alone in hospital. In an attempt to come to terms both with their own loss and with their parents' legacies, the three brothers move back into their father's house. The time they spend in this decadent, anarchic commune leads to a rift between Thomson and his youngest brother, a rift that will not be addressed for more than two decades. This Party's Got to Stop works Thomson's memories into a powerful mosaic that reveals the fragility of family life in graphic and often heartbreaking detail. It is both a love letter to a lost brother and a chronicle of the murderousness and longing that can characterize blood relationships.

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For centuries, unicorns have inspired, enchanted and eluded humanity. The beast appears in the Old Testament and there was a brisk trade in unicorn parts in medieval times, with travellers regularly reporting sightings into the modern era. But by the early twentieth century scientists had conceded that the unicorn never existed. It turns out they were a little hasty. Where did the unicorn come from, and how was it accepted as a part of the animal kingdom for so long? Chris Lavers argues that although the unicorn of our imagination isn't real, traces of its character can be found in existing species. In this lively and vivid exploration of the natural world, Lavers follows the beast's trail to the plateaus of India and into the jungles of Africa to unearth the flesh and blood ancestors of our iconic unicorn.

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From the 1960s to the 1980s, Sweden was an affluent, egalitarian country envied around the world. Refugees were welcomed, even misfit young Englishmen could find a place there. Andrew Brown spent part of his childhood in Sweden during the 1960s. In the 1970s he married a Swedish woman and worked in a timber mill while helping to raise their small son. Fishing became his passion and his escape. In the mid-1980s his marriage and the country fell apart. The Prime Minister was assassinated. The welfare system crumbled along with the industries that had supported it. Twenty years later, Andrew Brown travelled the length of Sweden in search of the country he had loved, and then hated, and now found he loved again.

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Sardar travels to Asian communities throughout the UK to tell the history of Asians in Britain - from the arrival of the first Indian in 1614, to the young extremists in Walthamstow mosque in 2006. He interweaves throughout an illuminating account of his own life, describing his carefree childhood in Pakistan, his family's emigration to racist 1950s Britain, and his adulthood straddling two cultures. Along the way he asks: are arranged marriages a good thing? Does the term 'Asian' obscure more than it conveys? Do vindaloo and balti actually exist? And is multiculturalism an impossible dream?

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'Be a philosopher; but, amidst all your philosophy, be still a man.' David Hume David Hume is generally recognized as the United Kingdom's greatest philosopher, as well as a notable historian and essayist and a central figure of the Enlightenment. Yet his work is delicately poised between scepticism and naturalism, between despair at the limited powers of the mind and optimism at the progress we can make by understanding it. This difficult balancing act has given rise to a multitude of different interpretations: reading Hume has never been free of controversy. In this new approach to his writings, Simon Blackburn describes how Hume can be considered one of the earliest, and most successful, evolutionary psychologists, weaving plausible natural accounts of the way we should think of ourselves and of how we have come to be what we are.

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The Arctic: An Anthology features an international mix of classic first-person accounts of exploration, literary travelogues and works of cultural history, natural science and fiction about the North Pole. The contributors include British, American, Scandinavian and Russian explorers such as John Franklin, Fridtjof Nansen, Salomon August Andree, Knud Rasmussen and Robert Peary; novelists such as Jules Verne, Jack London and Barry Lopez; and environmental explorers such as Gretel Ehrlich. It is published alongside the companion volume, The Antarctic: An Anthology.

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On the day that A. M. Homes was born in 1961, she was given up for adoption. Her birth parents were a twenty-two year old woman and an older married man with whom she was having an affair. Thirty years later, out of the blue, Homes was contacted by a lawyer on behalf of her birth mother, and they began to correspond; her biological father contacted her soon after. These two individuals and their effect on the adult Homes are strange and unexpected, and the story spirals into something utterly raw and hilarious, heartbreaking and absurd. Along the way, Homes describes the clash between her childhood fantasies of her birth parents and the disappointing reality. She writes about the experience of experiencing biological resemblance for the first time (in 'My Father's Ass') and the addictiveness of the genealogical research she embarks on. She reflects on the significance of DNA testing and having two mothers and two fathers and unearths profound truths about her family and herself. Finally, she writes movingly about her own baby daughter and the way she has recently helped to mend Homes' fractured life.

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Welcome to the favela, welcome to the rainforest, welcome to the real Brazil. This is the Brazil where a factory worker is loyal to his company for decades, only to find out that they knew the product he was making would eventually poison him. This is the Brazil where the mothers of the favela expect their sons to die as victims of the drug trade while still in their teens. This is the Brazil where the women initiated into the old Amazonian tradition of 'baby-pulling' deliver babies in their own time, far away from the drugs and scalpels of the modern hospital. In the company of award-winning journalist Eliane Brum, we meet the individuals struggling to stay afloat in a society riven by inequality and violence, and witness the resilience of spirit and commitment to life that makes Brazil one of the most complicated, most exhilarating places on earth.

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On 2 February 1959, a musical about the life and times of heavyweight boxing star Ezekiel Dhlamini (known as 'King Kong') opened in Johannesburg to a packed audience that included Nelson Mandela. King Kong was not just South Africa's first ever musical, but one that grew out of a collaboration between black people and white, and showcased an all-black cast. It was an instant hit, bursting through the barriers of apartheid and eventually playing to 200,000 South Africans of every colour before transferring to London's West End. Pat Williams, the show's lyricist, was at the time an apolitical young woman trying to free herself from the controls and prejudices of the genteel white society in which she lived. Here she recounts her experience of growing up in a divided South Africa, her involvement in the musical, and its lasting impact both on herself and on the show's cast, many of whom went on to find international fame, like South African jazz legends Miriam Makeba and Hugh Masekela. Her memoir takes the story up to the present day. It is both a vivid evocation of a troubled time and place as well as a celebration of a joyous production, in which a group of young people came together in South Africa's dark times - to create a show which still lives on today.

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Every year, air pollution prematurely kills seven million people around the world, in rich countries and poor ones. It is strongly linked to strokes, heart attacks, many kinds of cancer, premature birth and dementia, among other ailments. In Choked, Beth Gardiner travels the world to meet the scientists who have transformed our understanding of pollution's effects on the human body, and to trace the economic forces and political decisions that have allowed it to remain at life-threatening levels. But she also focuses on real-world solutions, and on inspiring stories of people fighting for a healthier future. Compellingly written, and alive with the personalities of the people who study, breathe and fight bad air, Choked is a vital contribution on one of the most important - but too often ignored - issues of our time.

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'As British official records are still "going missing", the significance of Cobain's work only increases' David Olusoga, author of Black and British 'In an astonishing book, the writer Ian Cobain reveals the mass destruction of records and archives, and the false memory it has left us with' Andrew Marr In 1889, the first Official Secrets Act was passed. Since then a culture of secrecy has flourished. As successive governments have been selective about what they choose to share with the public, we have been left with a distorted and incomplete understanding not only of the workings of the state but of our nation's culture and its past. Ian Cobain reveals how key moments in British history since the end of WWII have been manipulated by these official secrets. We follow the decades-long attempts to conceal the existence of Bletchley Park and its successor, GCHQ. We learn how a series of astonishing wars were fought during the 1960s and 1970s remained unreported. He also tells of the government's hidden links with terrorist cells during the Troubles, and reveals the state's peacetime surveillance techniques, not to mention its cynical manipulation of the criminal justice system and 'freedom of information'. Drawing on previously unseen material and rigorous research, The History Thieves is a gripping story of how a complex bureaucratic machine has been created by the British state, allowing governments to evade accountability and bury their secrets. 'An engrossing account of how government officials burned the records of imperial rule as the British empire came to an end' Book of the Week, Guardian 'An important book which deserves to change the way we see our recent past...' Daily Mail

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Billy Palmer grew up in a sleepy rural village, but his dreams were always for something else, something beyond the world he knew. As a child, this desire for the unexplored got him into trouble, as a teenager it drove him to adventure, and as an adult it propels him across the Atlantic to the dazzling lights of Manhattan, where the excitement he's craved seems finally to come within his grasp, but at what price? Engaging, evocative and flawlessly paced, The Billy Palmer Chronicles is a pitch-perfect tale of one man's search for the life he's imagined.

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Having lost his parents at an early age, Niko has always looked to his older sister for protection. So when she starts wanting a life of her own, Niko tries everything he can think of to keep her attention, taking ever greater risks with his life and the lives of others until the day it ends in a tragedy. On returning to his flat after the grim event, Niko finds an uninvited biker sitting on his sofa. Big, bearded, and boldy asserting that he is Jesus, the biker gently but firmly advises Niko to clean up his act.And Niko does what he's told, with surprising consequences...

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One minute, 11-year-old Carmen is watching her hippy mum put curlers in for the first time, the next she is being dragged with her sister through LA airport with her mother muttering about 'the patriarchy' under her breath. The three of them board a plane that takes them to Peru, next door to the Chile from which the family had fled after Pinochet's coup. Eight days after landing in Lima, and still perplexed by their mother's disguises and lies, they're off again, on a bus bound they know not where. They are then to spend most of the next decade, the 1980s, moving from dictatorship to dictatorship, evading capture, torture and peril at every turn. It is no way to spend your teenage years, until, overnight, it becomes the way Carmen herself chooses.

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Love, loss and competitive tree-climbing are preoccupying the hero of 'Coelacanth'. This is a boy-meets-girl story with a twist, a tumble, several daring somersaults from the branches, and the discovery that love - like the coelacanth fish that was thought to be extinct - can lurk in the very darkest depths. In 'Not Everything Is Significant', we meet a biographer who is suffering from writers' block and a footnoter who is a stickler for detail - together they're pondering the meaning of a diary that arrived mysteriously through the post and which appears to predict the future, prompting some very tricky questions about the nature of destiny. Finally, in 'Supercollider for the Family' a husband and wife each face a challenge: he to build a 'supercollider' small enough for household use, she to complete a tightrope walk around the world. Their missions take us from a top-secret particle-physics lab deep underground to the vertiginous heights of a wire above a canyon, suspended like a slender silver thread between soil and sky. Originally written for stage performance, laced with wit and bursting with imagination, these three disarming creations work a dazzling, moving magic on the page.

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When Rachel sets off alone for her mother's isolated country house, she promises herself that the business of packing up and selling will only take a couple of weeks, and then she'll be home again, and back to normal. But from the moment she steps through the front door, Rachel feels that the house contains more than she had expected: along with the memories of her mother, there is something else, a presence - not quite tangible - trying to make itself felt. As Rachel struggles to put her mother's affairs in order, she grows ever more convinced that the house holds a message for her. Can the ghosts of the past be forcing their way into the present, or is Rachel really beginning to lose her mind?

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Somewhere in the jungles of Uganda, there hides a fugitive rebel leader: he is said to take his orders directly from the spirit world and, together with his ragged army of brutalized child soldiers, he has left a bloody trail of devastation across his country. Joseph Kony is now an internationally wanted criminal, and yet nobody really knows who he is or what he is fighting for. Intrigued by the myths, Matthew Green heads off into a war zone, meeting the victims, the peacemakers and the regional powerbrokers as he tracks down the man himself. The Wizard of the Nile is the first book to peel back the layers of mysticism and murky politics surrounding Kony, to shine a searching light onto this forgotten conflict, and to tell the gripping human story behind an inhumane war and a humanitarian crisis.

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Here is the book that exposes the true status of the world's energy supplies, revealing both the scale of the disaster looming over our planet, and the action each and every one of us must take - right now - if we are to stand a chance of averting it. No previous book on the oil trade has had such unprecedented access to the boardrooms of the mightiest oil companies, or such insider knowledge of geology and engineering. And none has made such a persuasive and inspiringcall for immediate individual action.

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27th November 1918, London. Just 16 days after the end of the Great War, with the nation on its knees, Billie Carleton takes to the stage for the last time. She is found dead the next day in her bedroom. The cause of death: a cocaine overdose. The drugs were traced back to the Chinese community in Limehouse. And for nearly half a century, Billie Carleton's case was to linger in popular imagination: a cautionary tale of the relationship between young girls, dope and predatory men. This is the story of how drug use was transformed into a national menace. It's the story of how morphine and cocaine, once commonly available in any chemist's shop, became the subject of vicious narratives targeting racial minorities and the working classes. And it's a reflection on how drugs provide a way of speaking simultaneously about women, race, class, sex and the nation's place in the world - both in at the turn of the 20th Century and in Britain today.

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Two star-crossed lovers tumble between fictional worlds in this breathtakingly inventive exploration of the lives we lead and the stories we tell in the course of a relationship.

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A psychoanalyst's ground-breaking exploration of the taboo emotion of anger, and its impact on our personal and political lives, from the acclaimed author of Not Working.

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Growing up in Rostock, in the north of Germany, Walter has a comfortable upbringing: quiet and content, he spends his days scheming with school friends and resisting the torment of his older siblings. But, as the country rolls toward war, the attitudes of his teachers, peers and family begin to slide, and it isn't long before the roar of falling bombs, charged silences and mounting intolerance begin to puncture Walter's carefree youth. Following the Kempowski family from the months before the outbreak of war through to the fall of Berlin, An Ordinary Youth is the fascinating story of an ordinary childhood in extraordinary times. Here, Walter's academic struggle sits alongside his father's conscription; his brother's love of jazz burgeons amid the destruction of the barrages. And all the while, the horrors of Nazism loom in the peripheries - communicated in furtive looks or hushed conversations - running alongside the Kempowski family's daily rituals and occasional scandals. A bests

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With an introduction by Margo Jefferson Thursday 28 May 1931. On Whit Monday the sun blazed, making the grass semi-transparent. And space & leisure seemed to lie all about; & I said, not once in an exstasy, but frequently & soberly, This is happiness. Why should I feel now calmer, quieter than ever before? This volume of Virginia Woolf's diary has a slower pace: she is finishing The Waves and wrestling with the shape of her next novel (The Years). These years are marred by the death of many of the people in her circle, including her close friend Lytton Strachey. Woolf also reflects on the political situation in Britain, and the menacing rise of fascism abroad. The diary testifies to the sense of external threat, as well as the tension between her social and her writing life, but as she and Leonard embark on a series of foreign trips she also revels in the discovery of new places and the profound contentment of her marriage.

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