Search results for ""galerie patrick seguin""

Pieces-Meubles is the title of a two-part exhibition, held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. The 1995 exhibition compared contemporary art with 20th-century design, inviting around 20 artists to choose a piece of furniture to interact with their work or to integrate it by creating a new work. The 2016 exhibition was centered around Jean Prouve, whose 6x6 dismountable house, the Maison des Sinistres de Lorraine, had been installed at Galerie Patrick Seguin. Among the invited artists, some of whom participated in both exhibitions, were John Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel and Franz West.This book illustrates these two innovative exhibitions. Introduced with a substantial preface by Nickas, Pieces-Meubles is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows.

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The Ateliers Jean Prouvé built the structure housing the Ferembal offices in Nancy in 1948. At the request of the Galerie Patrick Seguin, in 2010, architect Jean Nouvel undertook a thoroughgoing "adaptation" of the Prouvé building, demonstrating the enduring relevance of the method. This volume documents both projects.

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A new and expanded slipcased edition of the 2007 monograph, with a particular focus on Prouvé’s furniture designs This exquisitely produced and comprehensive slipcased publication, edited by Paris’ Galerie Patrick Seguin, is a new and enlarged edition of the original two-volume Jean Prouvé monograph that was published in 2007 to fill a hole in the previously existing scholarship, most of which had focused on Prouvé’s architecture. Featuring a redesigned cover and graphics, it adds presentations of each house exhibited by Galerie Patrick Seguin (with archival images, plans and contemporary photos); an expanded selection of private international collections with photography of Prouvé furniture; and a catalog of Prouvé exhibitions organized by Galerie Patrick Seguin from 1990 to 2016. Also included (from the original edition) are a collection of interviews with collectors and design professionals; a detailed biography of Prouvé by his daughter, Catherine Prouvé; and essays by design historian Raymond Guidot and architecture historian Catherine Coley. Today the oeuvre of Prouvé is considered essential to the history of 20th-century design. Prouvé’s furniture designs were determined by the interior spaces the pieces would inhabit, and they were developed in tandem with the modernist principles of the “art of living” and “harmonious habitat” that were so characteristic of the time. This volume celebrates the unity of his brilliant vision.

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The first of nine monographs published by the Galerie Patrick Seguin on Prouvé''s housing modulesThough lacking any formal education in architecture, Jean Prouvé (1901-1984) became one of the most influential architects of the twentieth century, boldly experimenting with new building designs, materials and methods. Prouvé was raised in an environment of artistic, socially motivated innovation: his father belonged to l''École de Nancy, a collective that sought to unite art, industry and social awareness. He continued this practice throughout his adulthood, opening the Ateliers Jean Prouvé to manufacture standardized, economical goods on a mass scale--which, during World War II, included creating portable and demountable barracks. After the war, the French government commissioned Prouvé to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Despite th

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Jean Prouvé began to design portable and demountable barracks for the French army during the Second World War. After the war, the French government commissioned Prouvé to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Few of these groundbreaking structures were built, making them exceedingly rare today—prompting Galerie Patrick Seguin’s tireless efforts over the past 27 years to preserve and promote these important designs. The gallery owns the largest collection of Prouvé’s demountables, 22 in total. This volume focuses on his Metropole Demountable House, and is luxuriously illustrated with archival and contemporary photographs. Though lacking any formal education in architecture, Jean Prouvé (1901–84) became one of the most influential architects of the 20th century, boldly experimenting with new building designs, materials and methods. “His postwar work has left its mark everywhere,” wrote Le Courbusier, “decisively.”

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In 1969, the French oil company Total began implementing a mass-production model for its gas stations—large ones for France's freeways, and the smaller roadside units. The company called in Jean Prouvé, who had already amply demonstrated his skills in the field of prefabrication. This volume documents this dimension of Prouvé's "demontable" architecture.

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This revised edition of Patrick Seguin's 2013 volume on Jean Prouvé's Maison Démontable 8x8 Demountable House includes new images and layout. In 1938, continuing his research into demountable houses, Prouvé came up with the structural principle of the axial portal frame, which he patented the following year. He applied it to his government-commissioned eight-meter modules, documented here.

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Jean Prouvé’s Ferembal House was built in Nancy, France, in 1948, as the office for a can factory. Composed of five axial frames clad with wooden panels, set on a tall masonry base and occupying less than 600 square feet in a single raised story, this prefabricated structure was a classic example of Prouvé’s advocacy of mobile architecture. Thirty years later, however, the company went out of business and the factory was demolished. Fortunately a Nancy resident had the wherewithal to dismantle and preserve Prouvé’s innovative building, putting it into storage. In 1991, the well-known Parisian design gallerist Patrick Seguin traveled to Nancy to locate the Ferembal House. Seguin spent the next ten years raising the funds to renovate it, working in tandem with Prouvé experts, and in 2007 invited his longstanding friend, the architect Jean Nouvel, to undertake a creative adaptation of the House. Drawing on contemporary technical resources, Nouvel brilliantly extended and systematized its fundamental modularity with stackable Ductal blocks and a floor of removable slabs. The results were exhibited in the Tuileries Gardens in Paris, in 2010. This comprehensive account of Prouvé’s posthumous collaboration with Nouvel recounts the tale of the Ferembal House with archival photographs and plans of the original structure and a detailed account of Nouvel’s inspired interventions.

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Jean Prouvé began to design portable and demountable barracks for the French army during the Second World War. After the war, the French government commissioned Prouvé to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Few of these groundbreaking structures were built, making them exceedingly rare today—prompting Galerie Patrick Seguin’s tireless efforts over the past 27 years to preserve and promote these important designs. The gallery owns the largest collection of Prouvé’s demountables, 22 in total. This volume focuses on his 1956 Demountable House, and is luxuriously illustrated with archival and contemporary photographs. Though lacking any formal education in architecture, Jean Prouvé (1901–84) became one of the most influential architects of the 20th century, boldly experimenting with new building designs, materials and methods. “His postwar work has left its mark everywhere,” wrote Le Courbusier, “decisively.”

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Jean Prouvé began to design portable and demountable barracks for the French army during the Second World War. After the war, the French government commissioned Prouvé to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Few of these groundbreaking structures were built, making them exceedingly rare today--prompting Galerie Patrick Seguin’s tireless efforts over the past 27 years to preserve and promote these important designs. The gallery owns the largest collection of Prouvé’s demountables, 22 in total. The second in Galerie Patrick Seguin’s series of boxed sets on Prouvé’s demountable architecture, Jean Prouvé Architecture: 5 Volume Box Set No. 2 compiles five further volumes of research on these structures: monographs on the Metropole Demountable House, the 6 x 6 Demountable House (adapted by Rogers Stirk Harbour + Partners), the Villejuif Temporary School, the 4 x 4 Military Shelter and the Les Jours Meilleurs Demountable House. Each monograph (available individually or as part of this limited-edition box set) focuses on a single building, and is luxuriously illustrated with archival and contemporary photographs. Though lacking any formal education in architecture, Jean Prouvé (1901–84) became one of the most influential architects of the 20th century, boldly experimenting with new building designs, materials and methods. “His postwar work has left its mark everywhere,” wrote Le Courbusier, “decisively.”

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Compiling all five of Galerie Patrick Seguin''s volumes on the demontable architecture of Jean ProuvéThis limited-edition boxed set compiles all five of Galerie Patrick Seguin''s volumes on the demontable architecture of Jean Prouvé: the revised editions of 6x6 and 8x8, plus three new monographs on the BCC Demountable House, Ferembal Demountable House (adapted by Jean Nouvel), and the Filling Station. Each is illustrated with both archival and contemporary documentation.

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Jean Prouvé began to design portable and demountable barracks for the French army during the Second World War. After the war, the French government commissioned Prouvé to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Few of these groundbreaking structures were built, making them exceedingly rare today—prompting Galerie Patrick Seguin’s tireless efforts over the past 27 years to preserve and promote these important designs. The gallery owns the largest collection of Prouvé’s demountables, 22 in total. This volume focuses on the Villejuif Temporary School designed in 1957. It is luxuriously illustrated with archival and contemporary photographs. Though lacking any formal education in architecture, Jean Prouvé (1901–84) became one of the most influential architects of the 20th century, boldly experimenting with new building designs, materials and methods. “His postwar work has left its mark everywhere,” wrote Le Courbusier, “decisively.”

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Shows how far ahead of his time Prouvé really wasas early as the 1930s he was designing temporary and modular housing that could be flat-packed, shipped, bolted together on site and inhabited within a matter of hours. Jack Self, The Architectural ReviewThough lacking any formal education in architecture, Jean Prouvé (1901-1984) became one of the most influential architects of the twentieth century, boldly experimenting with new building designs, materials and methods. Prouvé was raised in an environment of artistic, socially motivated innovation: his father belonged to l''École de Nancy, a collective that sought to unite art, industry and social awareness. He continued this practice throughout his adulthood, opening the Ateliers Jean Prouvé to manufacture standardized, economical goods on a mass scale--which, during World War II, included creating portable and demountable barracks. After the war, the French government commissioned Prouvé to design inexpen

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This is the revised edition of Patrick Seguin's 2013 volume on Jean Prouvé's Maison Démontable 6x6 Demountable House. It includes new images and layout. At the end of the Second World War, Prouvé began designing temporary houses for the homeless in Lorraine and Franche-Comté in eastern France, using his patented axial frame as the basis for modules of various sizes.

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From the leading independent travel and style magazine Cereal comes Cereal City Guide: Paris: a portrait of the French capital offering a finely curated edit on what to see and do for discerning travelers and locals alike. Rich Stapleton and Rosa Park, Cereal’s founders, travel extensively for the magazine and were inspired to create a series of city guides that highlighted their favorite places to visit. Now, after building a loyal readership that counts on their unique, considered advice, they are relaunching the books with a fresh design and new content. Rather than a comprehensive directory of all there is to see and do, these Cereal City Guides offer instead an edit of points of interest and venues that reflect Cereal’s values in both quality and aesthetic sensibility. Rich and Rosa have personally visited hundreds of venues in Paris, distilling their preferred locales down to their firm favorites. From lively, local-filled cafés to design-driven boutiques that channel the inimitable Parisian savoir faire, these are the finds that that will offer a more personal take on the city. Meticulously researched and illustrated with original photography, each guide includes: photo essays of striking images of the city an illustrated neighborhood map interviews and essays from celebrated locals such as Patrick Seguin of Galerie Patrick Seguin, artist Frédéric Forest, and more lists of essential architectural points of interest, museums, galleries, day trips outside the city, and unique goods to buy an itinerary for an ideal day in Paris Cereal City Guide: Paris is a design-focused portrait of an iconic city, offering a distinctive look at the best museums, galleries, restaurants, and shops. Also, check out Cereal City Guide: London and Cereal City Guide: New York.

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