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In 2012, a book debuted that would go on to canonical status and usher in a new way of writing about film. Kier-La Janisse''s HOUSE OF PSYCHOTIC WOMEN explored hundreds of films through a daringly personal lens. In this pioneering work, anecdotes and memories interweave with film history, criticism, trivia and confrontational imagery to create a reflective personal history and an examination of female madness, both onscreen and off. Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - ''the eccentric'' - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play. This sharply-designed book, including a 48-page full-colour section, is pack

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Mad medics... sinister surgeons... psychopathic psychiatrists. We put our trust in them. They say they want to help, to cure, to relieve pain and soothe suffering. They claim those experiments they''ve been performing are for the greater good of mankind. But what if they actually want the opposite? What happens when doctors are dead set on researching the strange, the bizarre, the weird? What happens when all that scientific and medical knowledge only results in the creation of unimaginable horror? Ever since the dawn of cinema, filmmakers have been depicting on screen the potential outcomes of medical madness and science gone sick. Now join surgeon, author, film critic and not-at-all-mad Doctor (at least according to him) John Llewellyn Probert as he takes a detailed look at the history of one of the most enduring archetypes in cinema, with an introductory overview of the genre followed by reviews of over 200 key mad doctor movies. In addition to critical appraisal, the author''s own

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