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This collection brings together original contributions from leading scholars in the field of Korean language acquisition research. Six of the eight articles in the book address various aspects of the L1 or L2 acquisition of Korean, with the remaining two dealing with Korean speakers' L2 acquisition of English or providing a general discussion of L1/L2 acquisition in the context of linguistic typology. "Frontiers of Korean Language Acquisition" represents these scholars' concerted effort to bring some of the pioneering work in Korean language acquisition to the wider international scholarly community. The collection will be of great interest to researchers in Korean language acquisition in particular and language acquisition in general. In addition, advanced students of first or second language acquisition, psycholinguistics, bilingualism, language and cognition, and general Korean linguistics will also find articles of interest in the collection.

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In Philosophy of the Nest, eminent Korean philosopher and poet Park Ynhui encapsulates decades of scholarship as he traces the world history of philosophy from his original perspective. The author, previously published in the West as Park Yee-mun, a nom de plume, follows an overarching vein in the history of philosophy and introduces readers to the meanings behind many ideas, especially the concept of the 'onto-semantical matrix.' Through his engaging, ground-breaking narrative Park offers us a fresh look at the history of philosophy as the world has read so far. Here the onto-semantical matrix serves as a universal measure by which that new perspective is presented to help the readerunderstand and assess all worldviews, the traditional core assertions and discourses of religion, philosophy and science.At another level, Park's work in Philosophy of the Nest also represents intellect and thought in Korea through the years and in our time.Park Ynhui was born in 1930 in Asan, South Korea's Chungcheongnamdo province.He graduated from the Department of French Literature at Seoul National University, subsequently earning a doctorate in French literature atthe Sorbonne, France, and a doctorate in philosophy at the University of Southern California, USA. Park Ynhui has occupied numerous academic positions, including as a professor of French literature at Ewha Womans University, Seoul, professor of philosophy at Rensselaer Polytechnic Institute, professor of philosophy at Simmons College, senior researcher in philosophy at the Harvard Graduate School of Education, visiting professor at the International Christian University in Tokyo and at the University of Mainz, and as an honorary professor at Pohang University of Science and Technology. Park Ynhui has published more than 100 books on poetry, philosophy and other topics, several of which have beentranslated into English, French or German.

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A special issue of "Eastern Art Report".

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"A History of Korea" is a product of a particular moment in South Korean social and political history, published in the aftermath of the popular resistance movements of the late 1980s that brought an end to military dictatorship and ushered in direct elections for the presidency of South Korea. The historians of the Korean Historical Research Association, who compiled the volume, were not dispassionate recorders of those events but rather active participants in the democracy movements of the time, who understood their scholarship as a contribution to popular resistance against military rule and as a tool for the democratisation and unification of Korea. These historians were writing against previous understandings of Korean history that they perceived as legitimising political and economic oppression from both Korean elites and foreign powers. As they stood in opposition to previous histories and their political underpinnings, they proposed their own visions of past, present, and future Korean societies. In so doing, they helped move the popular struggle for the democratisation of South Korea towards the centre of the national narrative. "A History of Korea" is a manifesto, a conscious call for a particular interpretation of Korean history for deployment in the democratisation, unification, and class liberation movements of the period. About the Korean Historical Research Association: The Korean Historical Research Association (Hanguk Yeoksa Yeonguhoe) was founded in 1988 as the ultimate result of several years of organisational work by historians who participated in the Korean social reform movements of the 1980s. The Association began as a mass organisation of Korea historians that, according to its founding mission statement, sought to "actively participate in the creation of a truly democratic and independent Korean society by joining together with a new determination to establish and continuously implement a scientific historiography based upon the correct worldview." The Korean Historical Research Association thus took up the goal of "contributing to the independence and democratisation of Korean society through the establishment of a scientific and practical historiography." The Association engages in joint research projects, spreading the results of historical research to the masses, and publishing and distributing academic journals and popular history texts. The Korean Historical Research Association now has more than 700 members and has created an efficient organisation that publishes and disseminates papers, books, and bulletins.

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Of the three great civilizations of East Asia, Korea used to attract the least attention. Overshadowed by their neighbours in China and Japan, Koreans had trouble gaining recognition abroad for the many accomplishments of their ancestors in such fields as architecture, music, dance, and the arts. That has begun to change in recent decades. As South Korea has gained economic power, people outside of Korea have begun to notice that Korea's past is at least as distinguished as its present. It is now possible to find good English-language introductions to many aspects of Korea's ancient culture. However, one area of Korea's culture has remained relatively unknown - the beauty and extraordinary story of Korean gardens has remained largely hidden from those outside Korea. This book by Heo Kyun fills that gap. Heo Kyun shows in this book how the gardens of Korea were distinctive, reflecting the beliefs and values of the Korean scholars who designed them and enjoyed them. Korea's traditional gardens, whether inside palace walls or in mountain valleys, manifest the Korean desire to live in harmony with nature. The gardens worked with nature, fitting into their natural environment rather than drastically altering that environment to satisfy human whims. Moreover, gardens provided a sanctuary from the cares of everyday life. Koreans designed their gardens to invoke the realms of the immortals they worshipped. When they entered their gardens, the Korean literati, political exiles and other recluses hoped to leave their worries behind them and seek comfort in the natural beauty that surrounded them. With his descriptions of the ideals behind Korea's traditional gardens as well as depictions of many of the famous gardens, Heo Kyun takes us into the worlds those scholars created, allowing us to summon, in our own minds, their extraordinary beauty, tranquillity and power.

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The Author: Heo Kyun ('Huh Gyun') has spent most of his adult life studying Korean aesthetics as seen in traditional paintings, architecture, handicraft and Buddhist art, paying special attention to the symbols used in those art forms as well as the ideas Koreans read into them. Over the many years he spent immersed in Korean aesthetics, Heo Kyun became interested in Korean gardens as well, recognising that gardens, too, are an art form. He realised that Korea's gardens, no less than other traditional art forms, reveal much about the Korean view of nature and the Korean philosophy of life. Heo studied the history of Korean art at both the undergraduate and the graduate level at Hongik University, Seoul. He has worked for the Ministry of Culture and Tourism as a specialist, identifying and appraising cultural properties, and has also served as the director of a Centre for Research on Korean Culture. Currently, he is an editor for the Academy of Korean Studies, where he continues to research attitudes and philosophies behind Korea's traditional culture. His publications in Korean include a number of books on Korea's traditional culture, including "A Stroll Around Korea's Old Palaces"; "Explaining the Ideas behind Korea's Old Paintings"; and "The World of Symbols in the Art Decorating Korea's Temples". The Photographer: Lee Gapcheol ('Yi Gapcheol') has travelled to virtually every corner of South Korea, capturing the dynamic spirit of the Korean people in his photographs. Among the published collections (in Korean) of his photographs is Challenge and Response. The Translator: Donald L Baker taught English as a Peace Corps Volunteer in Gwangju in the early 1970s and obtained his PhD in Korean history from the University of Washington in 1983. Since 1987, he has been teaching Korean cultural history at the University of British Columbia, where he is the director of the Centre for Korean Research. He has published numerous articles on Korean religion, philosophy and traditional science, and was one of the editors of the Sourcebook of Korean Civilisation. He is currently working on a survey of religion in modern Korea as well as a study of the Joseon dynasty scholar, Dasan Jeong Yagyong. He was assisted in this translation by Javier Joohang Cha, a Korean Studies graduate student at UBC.

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Cross-linguistically, verbs denoting existence have been one of the most fertile sources for the development of grammatical markers (eg, English 'be'). In the history of the Korean language as well, the verb is(i)- (the old form of iss-) has participated in the emergence of eleven different grammatical markers, including past tense/anterior -ess-, progressive -ko iss-, resultative -e iss-, connectives -ese 'and,' 'since,' -kose 'and,' and -myense 'while,' subject marker -kkeyse and four locative particles ('at,' 'from'). This book analyzes diachronic and synchronic corpus data of Korean, and investigates the multiple developmental pathways of the Korean existential verb is(i)- with cross-linguistic perspectives. This is the first book on Korean grammaticalization written in English.

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This volume contains eight papers that are all dedicated to issues in Korean morpho-syntax from a functional-typological perspective. The contributing authors include Kaoru Horie, Namkil Kim, Stefan Knoob, Sang Whan Seong, Jae Jung Song, Jae-Mog Song, Nam Sun Song and Jaehoon Yeon. The authors analyse Korean data from a cross-linguistic perspective, showing how cross-linguistic generalisations can contribute to an understanding of the structures in individual languages. Cross-linguistic generalisations are significant in understanding individual languages and in gaining insight into the nature of human language. Studies in individual languages and universal grammar should complement each other. The grammar of an individual language serves as direct evidence that provides the basis for universal grammar. Cross-linguistic generalisations make it possible for us to gain insight into the nature of language in general and, in turn, help us discover facts about particular languages. The authors explore various issues on morpho-syntactic phenomena through a cross-linguistic comparison between not only Korean and Japanese, but also Germanic or other languages. The cross-linguistic comparison appeals to semantic and pragmatic considerations. Since these semantic and pragmatic functions are the basis of comparison, it is inevitable that they play a role in cross-linguistic generalisation.

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Although several manuals on fieldwork techniques exist, and although most definitions of archaeology would specify excavation and fieldwork as the core of archaeological enquiry, this book is the first to undertake a comparative assessment of how such techniques are taught to university students in many different parts of the world. This book is the result of a three-day international conference held by the International Centre for Chinese Heritage and Archaeology (ICCHA) in Beijing in 2006. The contributors, who come from many parts of the world - Africa, Australia, India, Southeast Asia, South and North America and Europe - present strong arguments on the core theme, concepts of the past, and describe fieldwork practices and teaching in their own countries.This is a ground-breaking work both in its theoretical breadth and range of practical information. It will be invaluable to students and teachers of archaeology and heritage management, educationalists and historians. Contributors include J O Aleru, Brigitte Cech, Sarah Colley, Rafael Cruz Antillon, Caleb Adebayo Folorunso, Dorian Q Fuller, Luan Fengshi, Marta Luciani, Arkadiusz Marciniak, Timothy D Maxwell, Gustav Milne, Surapol Natapintu, Mike Parker Pearson, Dominic Perring, Innocent Pikirayi, Qin Ling, Stephen Shennan, B J Tubosun, Peter Ucko, Wang Tao, Gamini Wijesuriya, Seonbok Yi, Zhang Chi, Zhao Hui, and Zhao Zhijun.

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How are contemporary artists, east and west, conveying and transforming the soul, philosophy and aesthetics of the classical traditions as they create their own work today? How are those traditions being consciously renewed and how do they remain active and alive in the modern world? Which traces of the old ink of centuries past are inspirational still? The Music of Ink was a unique and experimental event at the British Museum in June 2005. It brought together well-known contemporary artists from Beijing, Dublin and London: literary artists Yang Lian and Romesh Gunesekera; visual artists Qu Lei Lei and Denis Brown; and performing artists Zeng Laide and Rohan de Saram The artists were invited to explore the creative links between the classical and the contemporary, both in their own work and with special regard to China. This book will delight readers who are interested in traditional and contemporary art, calligraphy, literature and music.

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South Asia is well known for its vibrant visual culture, with a rich artistic tradition that stretches back over two millennia. Traditional Arts of South Asia: continuity in contemporary patronage and practice examines the challenges of modernity to the development, understanding and practice of the traditions of architecture, sculpture, textiles and paintings of South Asia in the nineteenth and twentieth centuries. Included are studies of traditions of art in India and Sri Lanka in the context of the nineteenth century British Arts & Crafts Movement; the production and consumption of block-printed cloth and other textiles in western India; the impact of modern technology on the mass reproduction of Hindu imagery; tradition and innovation in the practice of bronze-casting and temple painting in south India; and the patronage and design of religious architecture, both Hindu and Islamic, in modern South Asia. The papers included are by a distinguished group of eleven scholars and practitioners of traditional arts from India, Pakistan, Britain and the United States.

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