Search results for ""blum poe""

"Quin’s paintings roil with the frenetic energy of many lines in motion, each moving with a different weight and at a different speed; the finished compositions hum with the radiant electricity of a neon sign" –Cultured The paintings of Los Angeles– and San Francisco–based artist Lauren Quin (born 1992) have mesmerized audiences with their electric colors and pulsating lines. Her compositions contain an intricate language of overlapping shapes (most recently, Légeresque tubes), engendering a dizzying multitude of compositional center points. Each painting features motifs—spider, needle, sun—which she then transfers onto the canvas through a monoprint technique. This is the first comprehensive monograph on Quin, accompanying her solo show at the Nerman Museum of Contemporary Art. Featuring a foreword by Nerman director JoAnne Northrup, essays by art historian Fanny Singer and artist and writer Juliana Halpert, and an interview with the artist by curator Sarah Lehrer-Graiwer, My Hellmouth also provides insight into Quin's artistic process.

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Recent works from the Danish artist transmuting religious archetypes into imaginative new scenarios This monograph highlights the recent work of Copenhagen-based artist Alexander Tovborg (born 1983). Documenting Tovborg’s work across painting, drawing and sculpture from the last two years, this publication illuminates the artist’s deep knowledge of religious symbolism and archetypes—concepts that inform his multidisciplinary art, personal life and ideology. His research into the origins and contemporary iterations of symbology, mysticism and religious archetypes has yielded varied bodies of work that span subjects such as the hallucinogenic and erotic first meeting of Adam and Eve; the lost adolescence of Jesus Christ; and a wedding procession of paintings representing the marriage of heaven and hell, among others. Through newly commissioned texts, including a critical essay, poem, a short story and an interview with the artist, this volume introduces readers to Tovborg’s rigorously researched, imaginative art.

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Portrait-making receives a revisionist survey uniting artists of all ages, identities and nationalitiesSpanning from the early 19th century to the present day, this prodigious survey brings together over 50 artists from around the world and argues that the portrait is an enduringly democratic, humanistic genre. Moving beyond binary thinking, the exhibition emphasizes the diversity of subjects and complexities of character that artists have captured through various modes of portrait-making. Looking backward and forward, Pictures Girls Make recontextualizes pioneering portraitists who escaped the narrow first draft of the past century, while also surveying a wide range of contemporary painters. Far from just girls, this range of artists has pushed the genre to capture the actual conditions, social structures and day-to-day experiences that form human existence.Artists include: Gertrude Abercrombie, Maria Anto, Ernie Barnes, Jerome Caja, Xinyi

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Released on the 50th anniversary of the publication of Penny Slinger''s iconic artists' book 50% The Visible Woman, this 2021 edition presents Slinger's series of surrealist photomontage works and poetry unabridged for the first time, following the hand-constructed snakeskin-bound book from 1969, and the out-of-print abridged edition from 1971. With a new conversation transcribed between Slinger and fellow artist and friend Linder.

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You Should’ve Heard Just What I Seen explores how music shapes the experience of making and looking at art, with original contributions from over 50 leading contemporary artists, curators and gallerists. Invited to submit pieces that touch on the way music factors into both their lives and practice, the conversations, poems, essays, lists, show flyers, t-shirts, paintings and photographs they provided are collected in this supreme reader on contemporary art and sound. Featuring works and texts from an international group of artists, the publication is both a lively reader and a visually compelling document of the art of today. The contributors are Kelly Taxter, Maureen Brenner, Elizabeth Peyton, Charlemagne Palestine, Jay Sanders (Whitney Museum of American Art), Chris Ofili, Jeremy Deller, Steven Baker, Dave Muller, Jeff Poe (Blum & Poe), Anne Collier, Lesley Vance, Margaret Lee (47 Canal), Tyson Reeder, Alex Olson, Kelley Walker, Rashid Johnson, Martin Creed, Andrew Kuo, Macrae Semans, Jim Drain, Charles Long, Sarah Thompson, David Kordanksy / Stuart Krimko (David Kordansky Gallery), Roe Ethridge, Matt Anderson (DJ Matt), Spencer Sweeney, Yoshitomo Nara, Christoph Gerozissis (Anton Kern Gallery), Scott Reeder, Kai Althoff, Dan Aran / Uri Aran, Thomas Lax (Studio Museum of Harlem), Laura Owens, Amy Granat, Peter Doig, Trisha Donnelly, Edgar Arceneaux, Brian Degraw, James Fuentes (James Fuentes), Barry Johnston, Naima J. Keith (The Studio Museum in Harlem), Nicholas Party, Berry Van Boekel, Adam Putnam, Brendan Fowler, Mike Watt and Matthew Higgs (White Columns).

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Three decades of the beloved Japanese artist’s paintings, drawings, sculptures and more Yoshitomo Nara is among the most beloved Japanese artists of his generation. His widely recognizable portraits of menacing figures reflect the artist’s raw encounters with his inner self. Nara’s oeuvre takes inspiration from a wide range of resources—memories of his childhood, music, literature, studying and living in Germany (1988–2000), exploring his roots in Japan, Sakhalin and Asia, and modern art from Europe and Japan. Spanning 35 years (1985 to 2020), this book—which accompanies the major career retrospective organized by the Los Angeles County Museum of Art—presents the full range of Nara’s work. It also examines the artist’s work through the lens of his longtime passion—music—and features “liner notes” written by the artist about various albums in his personal collection of 1960s and 70s folk and rock albums, published in English for the first time. The book features paintings, drawings, sculpture, ceramic figures, an installation that re-creates his drawing studio, and never-before-exhibited idea sketches that reflect the artist’s empathic eye, shining a light on Nara’s conceptual process. Readers will see the evolution of a dynamic artist who has become more contemplative with age. Yoshitomo Nara was born in 1959 in Aomori, Japan, and graduated with a master's degree from Aichi Prefectural University of Fine Arts and Music and later studied at Kunstakademie Düsseldorf. In the fall of 2010, the Asia Society in New York presented the first major New York exhibition of his work. He is represented by Pace Gallery and Blum & Poe.

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