Search results for ""author victor burleigh""

In cities across the land in the 1980s it was not uncommon to wake up in the morning and find nearly every telephone pole sporting a poster advertising some event or concert. Looked at in retrospect, these posters make up a kind of "street art, " with all the vitality and "in-your-face-ness" of the youth culture. Mostly produced on photocopiers or simple litho printers, the designs avant garde, and raw and strong enough to catch the eye of a passerby. Victor Burleigh has gathered together nearly 750 of these original posters, produced from 1977 to 1989 and posted on poles, blank walls, coffee shops, and in the clubs. They are from a time when San Francisco was at the heart of the punk rock phenomenon. Nearly every night one of the clubs would offer a live concert of an up-and-coming group. Each club produced its own posters and posted them at every available spot. The result is a wide collection of styles and graphic images, as well as a history of the rock scene in the 1980s captured in posters and reproduced in this large, wonderful volume. It is a must for graphic designers, rock historians, and collectors.

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Bob Marley died in 1981, but the interest he generated in the raggae, blues, and world beat music continued to grow. Around the world local bands sprang up and clubs began to feature the music to ever-increasing numbers of patrons. To advertise these events hundreds of posters were hung on telephone poles, vacant walls, and shop windows. Made on photocopiers and litho presses, by local artists, they have the edge that comes from needing to catch one's attention with a minimum of expense. The result is raw, "in-your-face" street art that captures the spirit of a generation. Victor Burleigh has gathered together more than 500 original posters dating from 1977 to 1989, from San Francisco, a city on the cutting edge of the music world and a haven for raggae, blues, and world beat music. Nearly every night one of the many music clubs would offer a live concert of an up-and-coming group. Since every club produced its own posters, there is a wide variety of styles and graphic images, as well as a history of the music scene captured in these posters. They are reproduced in this large volume that is a must for graphic designers, rock historians, and collectors. It is a perfect companion to Burleigh's first book, Great Rock & Roll Street Art.

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