Search results for ""author thomas degloma""

The chorus of the Christian hymn "Amazing Grace" reads, "I once was lost, but now am found, / Was blind but now I see." Composed by a priest who formerly worked as a slave trader, the song expresses his experience of divine intervention after a perilous trip at sea, one that ultimately caused him to see the error of his ways. This theme of personal awakening is a feature of countless stories throughout history, where "wretches" like the slave owner are saved from darkness and despair by suddenly seeing the light. In Seeing the Light, Thomas DeGloma explores such accounts of personal discovery, employing a variety of primary source materials, from newsletters to websites to video documentaries and foundational texts. In stories that range from the discovery of a religious truth to remembering a childhood trauma to coming out of the closet, DeGloma reveals a common social pattern: When people escape a place of darkness by discovering a life-changing truth, they typically ally with a new community. Individuals then use these autobiographical stories to shape their stances on highly controversial issues such as childhood abuse, war and patriotism, political ideology, and religious conversion. Thus, while such stories are seemingly very personal, they also have a distinctly social nature. Tracing a wide variety of narratives through a stunning three thousand years of history, Seeing the Light uncovers the common threads of such stories and reveals the crucial, little-recognized social logic of personal discovery.

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A rich sociological analysis of how and why we use anonymity. In recent years, anonymity has rocked the political and social landscape. There are countless examples: An anonymous whistleblower was at the heart of President Trump’s first impeachment, an anonymous group of hackers compromised more than 77 million Sony accounts, and best-selling author Elena Ferrante resolutely continued to hide her real name and identity. In Anonymous, Thomas DeGloma draws on a fascinating set of contemporary and historical cases to build a sociological theory that accounts for the many faces of anonymity. He asks a number of pressing questions about the social conditions and effects of anonymity. What is anonymity, and why, under various circumstances, do individuals act anonymously? How do individuals accomplish anonymity? How do they use it, and, in some situations, how is it imposed on them? To answer these questions, DeGloma tackles anonymity thematically, dedicating each chapter to a distinct type of anonymous action, including ones he dubs protective, subversive, institutional, and ascribed. Ultimately, he argues that anonymity and pseudonymity are best understood as performances in which people obscure personal identities as they make meaning for various audiences. As they bring anonymity and pseudonymity to life, DeGloma shows, people work to define the world around them to achieve different goals and objectives.

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A rich sociological analysis of how and why we use anonymity. In recent years, anonymity has rocked the political and social landscape. There are countless examples: An anonymous whistleblower was at the heart of President Trump’s first impeachment, an anonymous group of hackers compromised more than 77 million Sony accounts, and best-selling author Elena Ferrante resolutely continued to hide her real name and identity. In Anonymous, Thomas DeGloma draws on a fascinating set of contemporary and historical cases to build a sociological theory that accounts for the many faces of anonymity. He asks a number of pressing questions about the social conditions and effects of anonymity. What is anonymity, and why, under various circumstances, do individuals act anonymously? How do individuals accomplish anonymity? How do they use it, and, in some situations, how is it imposed on them? To answer these questions, DeGloma tackles anonymity thematically, dedicating each chapter to a distinct type of anonymous action, including ones he dubs protective, subversive, institutional, and ascribed. Ultimately, he argues that anonymity and pseudonymity are best understood as performances in which people obscure personal identities as they make meaning for various audiences. As they bring anonymity and pseudonymity to life, DeGloma shows, people work to define the world around them to achieve different goals and objectives.

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The chorus of the Christian hymn "Amazing Grace" reads, "I once was lost, but now am found, / Was blind but now I see." Composed by a priest who formerly worked as a slave trader, the song expresses his experience of divine intervention after a perilous trip at sea, one that ultimately caused him to see the error of his ways. This theme of personal awakening is a feature of countless stories throughout history, where "wretches" like the slave owner are saved from darkness and despair by suddenly seeing the light. In Seeing the Light, Thomas DeGloma explores such accounts of personal discovery, employing a variety of primary source materials, from newsletters to websites to video documentaries and foundational texts. In stories that range from the discovery of a religious truth to remembering a childhood trauma to coming out of the closet, DeGloma reveals a common social pattern: When people escape a place of darkness by discovering a life-changing truth, they typically ally with a new community. Individuals then use these autobiographical stories to shape their stances on highly controversial issues such as childhood abuse, war and patriotism, political ideology, and religious conversion. Thus, while such stories are seemingly very personal, they also have a distinctly social nature. Tracing a wide variety of narratives through a stunning three thousand years of history, Seeing the Light uncovers the common threads of such stories and reveals the crucial, little-recognized social logic of personal discovery.

Read more less