Search results for ""author t. g. wilfong""

This catalogue documents an exhibition at the Kelsey Museum of Archaeology on the mysterious ancient Egyptian jackal-headed gods associated with death and the afterlife. These gods are immediately identifiable symbols of ancient Egypt, but their specific identities and roles are often less well known. Death Dogs is the first exhibition to examine their mysteries. The exhibition and catalogue focus on the three most important jackal gods: Anubis (embalmer and guide to the dead), Wepwawet (opener of the ways to the afterlife) and Duamutef (son of Horus, protector of the canopic jar). Jackal gods are represented by a variety of artifacts in the Kelsey Museum collectionstatues, paintings, amulets and other objects. These artifacts are used to examine the jackal gods and their functions in the wider context of ancient Egyptian religion and follow their changing roles into the Graeco-Roman period and beyond. The catalogue features 44 artifacts from the exhibition, some never before exhibited or published, many from University of Michigan excavations in Egypt, along with supplementary artifacts, archival photographs, vintage book illustrations and explanatory graphics. Modern pop cultural manifestations of the Egyptian jackal gods are included to document their persistence into the present. Includes 181 colour illustrations.

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Illustrated in colour throughout. The elaborately decorated coffin of Djehutymose, a priest of the ancient Egyptian god Horus from around 625-580 BC, is one of the central artifacts of the Kelsey Museum of Archaeology's Egyptian collection. Using the images and texts from the coffin along with related artifacts in the Kelsey Museum, Egyptologist T. G. Wilfong explores what the coffin tells us about ancient Egyptian ideas of life, death, and the afterlife. We follow Djehutymose through his life as a priest, through his death, embalming, and afterlife, examining his gods and symbols as he undertakes a voyage into the afterlife. Finally we see how his coffin journeyed from ancient Egypt to modern Ann Arbor. This richly illustrated book serves as a general introduction to ancient Egyptian religion as well as a specialised study of a single Egyptian artifact in its wider contexts.

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The 1924-1935 University of Michigan excavations at the Graeco-Roman period Egyptian village of Karanis yielded thousands of artifacts and extensive archival records of their context. The Karanis material in the Kelsey Museum of Archaeology and the University of Michigan Library Papyrology Collection forms a unique body of information for understanding life in an agricultural village in Ptolemaic and Roman Egypt. In 2011 and 2012, the Kelsey Museum of Archaeology presented the exhibition Karanis Revealed in two parts, using artifacts from the excavations and archival material to explore aspects of the site and its excavation in the 1920s and 1930s. As preparation for the exhibition progressed, it became clear that part of the story of the Michigan Karanis expedition lay in the current and ongoing research on the material it yielded by curators, faculty, staff, and students from the University of Michigan. Such projects include new work on known artifacts and papyri, the discovery or rediscovery of important unpublished artifacts and archival sources, new field research at Karanis, and even sonic investigations of the site and its history. The present volume summarizes the recent exhibition and presents some of the new research that helped inspire it.

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Hours of Infinity is the catalogue of an exhibition and performance by artist John Kannenberg at the Kelsey Museum of Archaeology and the Work Gallery in Ann Arbor, Michigan. The three bodies of work comprising Hours of Infinity use an imprecise drawing method coupled with a disciplined approach to sonic observation that merge with elements of ancient Egyptian and Greek philosophies, contemporary museum theory and mathematical proofs to investigate the timelessly beautiful imperfection inherent within the human experience of the Infinite. The catalogue features full color plates of the drawings in the exhibition, photographs documenting the making of the exhibitions and performance, and images showing the relationship of both to the collections and space of the Kelsey Museum of Archaeology. The catalog is designed and written by artist John Kannenberg and features a foreword by sonic arts critic Marc Weidenbaum and an introduction by Egyptologist T.G. Wilfong.

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