Search results for ""author stephen spotswood""

The 'razor-sharp' first book in the charming, fast-paced Pentecost and Parker mystery series. Book Two, Murder Under Her Skin, coming December 2021!Meet your new favourite duo, audacious and iconic, and perfect for fans of The Thursday Murder Club by Richard Osman, The Marvellous Mrs. Maisel, Agatha Christie and M. C. Beaton.It's 1945 and Lillian Pentecost is the most successful private detective in New York City, but she needs help. Enter Willowjean Parker, a circus runaway - and the perfect assistant. Quick-witted and street-smart, she's a jack-of-all-trades with a unique skill-set. She can pick locks blindfolded, wrestle men twice her size, and throw knives with deadly precision - all of which come in handy working for Ms P.When wealthy young widow Abigail Collins is murdered Pentecost and Parker are hired by the family to track down the culprit. On Halloween night, there was a costume party at the Collins' mansion, where a fortune teller performed a séance which greatly disturbed Abigail. Several hours later her body was discovered bludgeoned to death in her late husband's office. Problem is, the door to the office was locked from the inside. There was no-one else in the room, and the murder weapon was beside the victim; the fortune teller's crystal ball.It looks like an impossible crime, but Pentecost and Parker know there is no such thing...A 2020 Radio 2 Book Club pick.Praise for Fortune Favours the Dead:'Razor-sharp, tons of flair and a snappy sense of humour' Tana French'Bullets, blood, bodies, and belly-laughs: all the ingredients of a classic mystery novel. Stephen Spotswood hard-boils with the best of 'em!' Alan Bradley, bestselling author of the Flavia de Luce Mystery Series'Fortune Favours the Dead takes gritty 40s noir, shakes it up, gives it a charming twist, and serves it up with unforgettable style. My new favourite sleuthing duo.' Deanna Raybourn, author of the Veronica Speedwell Mysteries'Spotswood's stellar debut puts a modern spin on classic hard-boiled fiction. . . a novel to remember.' Publishers Weekly'This novel not only offers fun, offbeat characters and an exceptional flavour of the time, it's utterly charming too.' Woman's Weekly'This hugely enjoyable debut is a deft melange of Agatha Christie-style locked-room murder mystery and 1940s Chandler-esque pulp crime fiction with a feisty narrator' Irish Independent Review'A highly accomplished, auspicious first entry in what we must hope will be a long-running series' The Irish Times

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New York's famed female detective duo, Pentecost and Parker, are back in their fourth audacious adventure. Perfect for fans of The Thursday Murder Club, The Marvellous Mrs. Maisel, Agatha Christie and M. C. Beaton.When Vera Bodine, an elderly recluse with an exceptional memory, goes missing, detective duo Lillian Pentecost and her assistant Willowjean "Will" Parker are hired to track her down. But New York City in 1947 is a dangerous place, and there's no shortage of people who want to bury the secrets that Bodine has been keeping. As the clock is ticking to find Bodine alive, circumstances conspire to pull both investigators off the case. Will is hot on the trail of a stick-up team who are using her name - and maybe her gun - for their own ends. While Lillian finds herself up against murder-obsessed millionaire Jessup Quincannon, who has discovered a secret from her past that threatens to destroy her. To solve this mystery, and defeat their own personal demons, the pair must go nose-to-nose with murderous gangsters, make deals with conniving federal agents, confront Nazi spies, and bend their own ethical rules to the point of breaking - before time runs out for everyone.

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The perfect murder mystery for fans of Richard Osman and Robert Thorogood.''Spotswood understands that [...] spending time with unforgettable characters is paramount.'' - New York Times''A loving, intricately plotted tribute to the great days of American noir.'' - Daily MailNew York, 1946: The last time Will Parker let a case get personal, she walked away with a broken face, a bruised ego, and the solemn promise never again to let her heart get in the way of her job. But she called Hart and Halloway''s Travelling Circus and Sideshow home for five years, and Ruby Donner, the circus''s tattooed ingenue, was her friend. To make matters worse the prime suspect is Valentin Kalishenko, the man who taught Will everything she knows about putting a knife where it needs to go. To uncover the real killer and keep Kalishenko from a date with the electric chair, Will and Ms. Pentecost join the circus in sleepy Stoppard, Virginia,

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Pentecost and Parker, the most audacious and iconic detective duo in 1940s Manhattan, are back. If you're a fan of Richard Osman, The Marvellous Mrs Maisel, Agatha Christie and M. C. Beaton you'll love this hugely entertaining murder mystery.Following on from Fortune Favours the Dead and Murder Under Her Skin, the third Pentecost and Parker mystery is 'even smarter, spikier and more surprising than the first two' New York TimesNew York City, 1947. For years, Holly Quick has written gruesome tales of revenge for pulp detective magazines. Now someone is bringing her stories to life and leaving a trail of blood behind. With the threat of another murder looming, and reluctant to go to the police, Holly turns to the renowned detective duo Willowjean "Will" Parker and her boss Lillian Pentecost.Soon they are diving into an underground world of people obsessed with murder. Can the killer be found in the Black Museum Club, run by a philanthropist whose collection of grim murder memorabilia may not be enough to satisfy him? Or is it Holly's pair of editors aren't telling the full story?With victims seemingly chosen at random and a murderer who thrives on spectacle, Pentecost and Parker need to act fast. For Holly Quick has her own secret and it's about to bring death to their door . . .

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The perfect murder mystery for fans of Richard Osman and Robert Thorogood.'Spotswood understands that [...] spending time with unforgettable characters is paramount.' - New York Times'A loving, intricately plotted tribute to the great days of American noir.' - Daily MailNew York, 1946: The last time Will Parker let a case get personal, she walked away with a broken face, a bruised ego, and the solemn promise never again to let her heart get in the way of her job. But she called Hart and Halloway's Travelling Circus and Sideshow home for five years, and Ruby Donner, the circus's tattooed ingenue, was her friend. To make matters worse the prime suspect is Valentin Kalishenko, the man who taught Will everything she knows about putting a knife where it needs to go.To uncover the real killer and keep Kalishenko from a date with the electric chair, Will and Ms. Pentecost join the circus in sleepy Stoppard, Virginia, where the locals like their cocktails mild, the past buried, and big-city detectives not at all. The two swiftly find themselves lost in a funhouse of lies as Will begins to realize that her former circus compatriots aren't playing it straight, and that her murdered friend might have been hiding a lot of secrets beneath all that ink.Dodging fistfights, firebombs, and flying lead, Will puts a lot more than her heart on the line in the search of the truth. Can she find it before someone stops her ticker for good?Praise for Stephen Spotswood:'Razor-sharp, tons of flair. A really good noir novel.' Tana French'Spotswood's stellar debut puts a modern spin on classic hard-boiled fiction. . . The deep and sensitive characterization of the two protagonists, coupled with rich description and tonally spot-on humour, make this a novel to remember. Spotswood is definitely a writer to watch.' Publishers Weekly'This novel not only offers fun, offbeat characters and an exceptional flavour of the time, it's utterly charming too.' Woman's Weekly'This hugely enjoyable debut is a deft melange of Agatha Christie-style locked-room murder mystery and 1940s Chandler-esque pulp crime fiction with a feisty narrator' Irish Independent Review'Persuasive in its attention to period detail and dialogue, with well-constructed set piece scenes deftly staged, this is a highly accomplished, auspicious first entry in what we must hope will be a long-running series' The Irish Times

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