Search results for ""author stephanie norgate""

In The Conversation, Stephanie Norgate explores relationships between nature and the city, the past and present, and character and writer. Shaped through both speech and storytelling, these visual, sensuous and imaginative poems celebrate friendship, even in grief, closeness in times of isolation and lockdown, and the longing to bridge gaps and find cures. Miracles are found in the everyday, in a child’s sleep or a lit-up house. Textiles transform into remembrancers, landscape into emotion. A contemporary Daedalus views his life from a hang-glider. A scrap of handwriting, cafe talk, an exploding car, an earthquake, the naming of fields or a line of walkers ignite conversations about place, time and the tender paradoxes of mortality. Stephanie Norgate’s first collection Hidden River (2008) was shortlisted for both the Forward Prize for Best First Collection and the Jerwood Aldeburgh First Collection Prize and was followed by The Blue Den (2012). The Conversation is her third collection. Her poetry has been praised for the ‘depth of its lyricism’ (Jackie Wills, Warwick Review), and for being ‘energetic and generous, and displaying a ‘feeling for place, for the roots of things’ and for being ‘searching, memorable and disconcerting … She has the ear for the music of a line and the shape and strength of an image.’ (R.V. Bailey, Artemis).

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"The Blue Den" is a book of lyrical, sensuous poems which builds on the achievement of Stephanie Norgate's debut collection "Hidden River", which was shortlisted for both the Forward First Collection Prize and the Jerwood Aldeburgh First Collection Prize. In "The Blue Den", people travel along the edges of roads, landscapes and emotions. The poems give voice to a stream under ice, a flooded road, and an ant beneath the sky. Strongly visual and imaginative, these poems explore the edges of memory, the mutual dependency of man and nature. Stephanie Norgate's second collection celebrates the power of intense looking and making, whether meditating on refugees in an oarless boat or Giacometti working restlessly at the figure of a strange walker. These poems inhabit marginal, unsung and free experiences: plastic bags along a road or the return of children over a lake. The underside resonates with strange vivid beauty.

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