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'Sumptuous, elegant, beautifully paced...completely absorbing' The Guardian Proust's oceanic novel In Search of Lost Time looms over twentieth-century literature as one of the greatest, yet most endlessly challenging, literary experiences. Now, in what renowned translator Arthur Goldhammer says might be "likened to a piano reduction of an orchestral score," the French illustrator Stephane Heuet re-presents Proust in graphic form for anyone who has always dreamed of reading him but was put off by the sheer magnitude of the undertaking. This graphic adaptation reveals the fundamental architecture of Proust's work while displaying a remarkable fidelity to his language as well as the novel's themes of time, art, and the elusiveness of memory.

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In what renowned translator Arthur Goldhammer called “a piano reduction of an orchestral score,” the first volume of Stéphane Heuet’s adaptation of In Search of Lost Time electrified the graphic community like no other—re-presenting the novel for anyone who has always dreamed of reading Proust but was put off by the sheer magnitude of the undertaking. Whereas the first volume described the narrator’s childhood in the pastoral town of Combray, the second volume portrays the narrator’s foray into adolescence, set in the opulent seaside resort of Balbec. Preserving Proust’s original dissection of the spontaneity of youth, translator Laura Marris captures the narrator’s infatuation with his playmates—his memories of their intoxicating afternoons together unfolding as if in a dream. Featuring some of Proust’s most memorable characters—from mysterious Charlus to beguiling young Albertine—this second volume becomes a necessary companion piece for any lover of modern literature.

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With its sweeping digressions into the past and reflections on the nature of memory, Proust’s oceanic novel In Search of Lost Time looms over twentieth-century literature as one of the greatest, yet most endlessly challenging, literary experiences. Influencing writers like Virginia Woolf and James Joyce, and even anticipating Albert Einstein in its philosophical explorations of space and time, In Search of Lost Time is a monumental achievement and reading it is a rite of passage for any serious lover of literature. Now, in what renowned translator Arthur Goldhammer says might be “likened to a piano reduction of an orchestral score,” the French illustrator Stéphane Heuet re-presents Proust in graphic form for anyone who has always dreamed of reading him but was put off by the sheer magnitude of the undertaking. This New York Times best-selling graphic adaptation reveals the fundamental architecture of Proust’s work while displaying a remarkable fidelity to his language as well as the novel’s themes of time, art, and the elusiveness of memory. As Goldhammer writes in his introduction, “The reader new to Proust must attend closely, even in this compressed rendering, to the novel’s circling rhythms and abrupt cross-cuts between different places and times. But this necessary attentiveness is abetted and facilitated by the compactness of the graphic format.” In this first volume, Swann’s Way, the narrator Marcel, an aspiring writer, recalls his childhood when—in a now-immortal moment in literature—the taste of a madeleine cake dipped in tea unleashes a torrent of memories about his family’s country home in the town of Combray. Here, Heuet and Goldhammer use Proust’s own famously rich and labyrinthine sentences and discerning observations to render Combray like never before. From the water lilies of the Vivonne to the steeple and stained glass of the town church, Proust’s language provides the blueprint for Heuet’s illustrations. Heuet and Goldhammer also capture Proust’s humor, wit, and sometimes scathing portrayals of Combray’s many memorable inhabitants, like the lovelorn Charles Swann and the object of his affection and torment, Odette de Crécy; Swann’s daughter, Gilberte; local aristocrat the Duchesse de Guermantes; the narrator’s uncle Adolphe; and the hypochondriac Aunt Léonie. Including a Proust family tree, a glossary of terms, and a map of Paris, this graphic adaptation is a surprising and useful companion piece to Proust’s masterpiece for both the initiated and those seeking an introduction.

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