Search results for ""author sheila delany""

Compiled by a radical journalist and poet in the early days of the French Revolution, these subversively satirical lives of women saints sought to win both women and men away from religion. Though based on authentic hagiography, Maréchal's "new" legendary introduces a skeptical, rationalist perspective that anticipates modern critical approaches. Along with Delany's thorough introduction and notes, Anti-Saints offers a new perspective on the cultural climate of the French Revolution and a strikingly modern contribution to our own public conversation on religion. A must for scholars and non-specialists alike, and lovers of audacious wit.

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Sheila Delany's spirited translation of Osbern Bokenham's Legendys of Hooly Wummen (1443–1447) makes available in modern English the first all-female hagiography. Closely translated from elaborate, Latinate Middle English verse into fluent prose, A Legend of Holy Women contains the Augustinian friar’s version of the stories of 13 women saints from gospel, apocrypha, martyrology, and high-medieval history. As Delany writes in her comprehensive introduction, “Bokenham gives us not only an all-female hagiography—an authorial decision significant in its own right—but a gallery of powerful, articulate women who are indubitably worthy to do God’s work. Some of them are well-educated, some give sound political advice to a monarch, some preach, converting hundreds and thousands to Christianity, some walk on water or perform resurrection. Nor are they pacifists; on the contrary, they call for divinely inflicted vengeance and approve violence in their cause.” Delany argues that Geoffrey Chaucer’s Legend of Good Women provided a principle of selection and of arrangement for Bokenham’s array of saints. She suggests further that the friar’s choice of all-female hagiography, and his poetic representation of holy women, are closely linked to patronage and politics in fifteenth-century England. The translation is accompanied by full notes which, along with the introduction, make the book accessible to a wide audience. It will appeal to all readers interested in the representation of women in late-medieval culture as well as to scholars and students in medieval, renaissance, religious, and women’s studies.

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“My God! Pardon me if I have dared to make sacred things serve a profane love; but it is you who have put passion into our hearts; they are not crimes—I feel this in the purity of my intentions.” —Agatha, writing to Zoé In pre-revolutionary Paris, a young woman falls for a handsome young priest. To be near him, she dresses as a man, enters his seminary, and is invited to become a fully ordained Catholic priest—a career forbidden to women then as now. Sylvain Maréchal’s epistolary novella offers a biting rebuke to religious institutions and a hypocritical society; its views on love, marriage, class, and virtue remain relevant today. The book ends in La Nouvelle France, which became part of British-run Canada during Maréchal’s lifetime. With thorough notes and introduction by Sheila Delany, this first translation of Maréchal’s novella, La femme abbé, brings a little-known but revelatory text to the attention of readers interested in French history and literature, history of the novel, women’s studies, and religious studies.

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