Search results for ""author robert orlando""

"Better to fight for something than live for nothing." — General George S. PattonIt is 75 years since the end of WW II and the strange, mysterious death of General George S. Patton, but as in life, Patton sets off a storm of controversy.The Tragedy of Patton: A Soldier's Date With Destiny asks the question: Why was General Patton silenced during his service in World War II? Prevented from receiving needed supplies that would have ended the war nine months earlier, freed the death camps, prevented Russian invasion of the Eastern Bloc, and Stalin's murderous rampage. Why was he fired as General of the Third Army and relegated to a governorship of post-war Bavaria? Who were his enemies? Was he a threat to Eisenhower, Montgomery, and Bradley? And is it possible as some say that the General's freakish collision with an Army truck, on the day before his departure for US, was not really an accident? Or was Patton not only dismissed by his peers, but the victim of an assassin's bullet at their behest? Was his personal silence necessary?General George S. Patton was America's antihero of the Second World War. Robert Orlando explores whether a man of such a flawed character could have been right about his claim that because the Allied troops, some within 200 miles of Berlin, or just outside Prague, were held back from capturing the capitals to let Soviet troops move in, the Cold War was inevitable. Patton said it loudly and often enough that he was relieved of command and silenced. Patton had vowed to “take the gag off” after the war and tell the intimate truth and inner workings about controversial decisions and questionable politics that had cost the lives of his men. Was General Patton volatile, bombastic, self-absorbed, reckless? Yes, but he was also politically astute and a brilliant military strategist who delivered badly needed wins.Questions still abound about Patton’s rise and fall. The Tragedy of Patton seeks to answer them.

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“Trump knew from early on that he who controls the story controls the world.”Writer/director Robert Orlando, locked down during the Covid-19 pandemic, learned Citizen Kane was Trump’s favorite film, and the parallels were astonishing. Both Kane and Trump are swaggering masters of media, and both claim to stand for the working man. “Orson Welles, the boy genius of Kane, was possessing me from the grave,” states Orlando. In Orlando’s acclaimed documentary Citizen Trump, we witness Trump, like Kane, trying to escape unglamorous beginnings. A decades-long effort to rise as aspiring Hollywood mogul, real estate player, darling of gossip columnists, casino owner, dabbler in politics, and reality TV star. Each new stage was a rehearsal for his role as president. In this follow-up to the film, Orlando takes an even deeper dive into the nature of Trump’s background as an entertainer—and how it led to the miraculous upset of Clinton and his rise as president. Truth-be-told, Kane was crushed by scandal; Trump was not. He triumphed above front-page divorces, bankruptcies, unprecedented media attacks, and political chaos. Did his failed attempt at re-election end his star power? Citizen Trump gives us our looking glass. “Filmmaker Robert Orlando probes some of the secrets of Trump’s obsessions, and finds answers in what the president has described as his favorite film [Citizen Kane]…. Striking, very watchable. Fascinating film!” —Michael Medved, Movie Critic “Robert Orlando’s 2020 documentary shows Trump’s favorite film is a road map to his methods.” —Joseph Serwach, Medium “To do so, he tells President Trump’s life story in the cinematographic style of Citizen Kane, incorporating the iconic snow globe, the campaign poster, and even the mysterious word (‘Rosebud’) that is central to Orson Welles’ masterpiece.” —Gabriel Andrade, Merion West “Through the lens of the 1941 classic Citizen Kane, a documentary filmmaker seeks to understand the life journey of President Trump and his successful venture into politics.” —Josh Shepherd, The Federalist “This is the fascinating parallel that inspired Robert Orlando. The film is remarkable—truly in the literal sense. It’s visually engaging, if not riveting.” —Paul Kengor, The American Spectator

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