Search results for ""author robert macfarlane""

Stunning picture book collaboration from bestselling author Robert Macfarlane, actor Johnny Flynn and illustrator Emily SuttonOn my way through the wood wound a thread through the dream... Take a lyrical journey with a father and son who walk together through an ever-changing landscape and discover a world to come that''s filled with hope. This beautiful book sings with a love of words and rhythm, and vividly conjures the magic of nature.Astonishing artwork makes this picture book an instant classic An all-star collaboration created by actor-musician Johnny Flynn, bestselling author Robert Macfarlane and award-winning illustrator Emily Sutton An instant classic showcasing the beauty of nature Wonderful read-aloud text that sings with a love of words and rhythm Stunning illustrations for a picture book filled with hope and wonder

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From the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS - an essay on the joy of reading, for anyone who has ever loved a bookEvery book is a kind of gift to its reader, and the act of giving books is charged with a special emotional resonance. It is a meeting of three minds (the giver, the author, the recipient), an exchange of intellectual and psychological currency, that leaves each participant enriched. Here Robert Macfarlane recounts the story of a book he was given as a young man, and how he managed eventually to return the favour, though never repay the debt.From one of the most lyrical writers of our time comes a perfectly formed gem, a lyrical celebration of the transcendent power and humanity of the given book.

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Hailed as "the great nature writer of this generation" (Wall Street Journal), Robert Macfarlane is the celebrated author of books about the intersections of the human and the natural realms. In Underland, he delivers his masterpiece: an epic exploration of the Earth’s underworlds as they exist in myth, literature, memory, and the land itself. In this highly anticipated sequel to his international bestseller The Old Ways, Macfarlane takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind. Traveling through “deep time”—the dizzying expanses of geologic time that stretch away from the present—he moves from the birth of the universe to a post-human future, from the prehistoric art of Norwegian sea caves to the blue depths of the Greenland ice cap, from Bronze Age funeral chambers to the catacomb labyrinth below Paris, and from the underground fungal networks through which trees communicate to a deep-sunk “hiding place” where nuclear waste will be stored for 100,000 years to come. Woven through Macfarlane’s own travels are the unforgettable stories of descents into the underland made across history by explorers, artists, cavers, divers, mourners, dreamers, and murderers, all of whom have been drawn for different reasons to seek what Cormac McCarthy calls “the awful darkness within the world.” Global in its geography and written with great lyricism and power, Underland speaks powerfully to our present moment. Taking a deep-time view of our planet, Macfarlane here asks a vital and unsettling question: “Are we being good ancestors to the future Earth?” Underland marks a new turn in Macfarlane’s long-term mapping of the relations of landscape and the human heart. From its remarkable opening pages to its deeply moving conclusion, it is a journey into wonder, loss, fear, and hope. At once ancient and urgent, this is a book that will change the way you see the world.

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'The most exhilarating history of mountaineering ... a riveting read' Jeremy Paxman 'A truly inspiring read' Sir Ranulph Fiennes 'It simply fizzes with insights into the sublime madness of mountaineering' Roger Deakin Once we thought monsters lived there. In the Enlightenment we scaled them to commune with the sublime. Soon, we were racing to conquer their summits in the name of national pride. In this ground-breaking, classic work, Robert Macfarlane takes us up into the mountains: to experience their shattering beauty, the fear and risk of adventure, and to explore the strange impulses that have for centuries lead us to the world's highest places. WINNER OF THE GUARDIAN FIRST BOOK AWARD

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In Underland, Robert Macfarlane delivers an epic exploration of the Earth’s underworlds as they exist in myth, literature, memory, and the land itself. Traveling through the dizzying expanse of geologic time—from prehistoric art in Norwegian sea caves, to the blue depths of the Greenland ice cap, to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come—Underland takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind. Global in its geography and written with great lyricism, Underland speaks powerfully to our present moment. At once ancient and urgent, this is a book that will change the way you see the world.

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A timeless, beautifully designed gift for children and adults alike, The Lost Words is a gift that will be poured over and cherished for years to come.All over the country, there are words disappearing from children's lives. These are the words of the natural world; Dandelion, Otter, Bramble and Acorn, all gone. A wild landscape of imagination and play is rapidly fading from our children's minds.The Lost Words stands against the disappearance of wild childhood. It is a joyful celebration - in art and word - of nearby nature and its wonders. With acrostic spell-poems by award-winning writer Robert Macfarlane and illustrations by Jackie Morris, this enchanting book evokes the irreplaceable magic of language and nature for all ages.*** Discover The Lost Spells, the magical companion book from the creators of a literary phenomenon. ***Praise for The Lost Words:'The most beautiful and thought-provoking book I've read this year' Frank Cottrell-Boyce, Observer'Robert Macfarlane and Jackie Morris have made a thing of astonishing beauty' Alex Preston, Observer'My top book of the year' Susan Hill, Spectator'Gorgeous to look at and to read. Give it to a child to bring back the magic of language - and its scope' Jeanette Winterson, Guardian

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SHORTLISTED FOR THE SAMUEL JOHNSON PRIZESHORTLISTED FOR THE WAINWRIGHT PRIZEFrom the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS'Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather.Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it.'Enormously pleasurable, deeply moving. A bid to save our rich hoard of landscape language, and a blow struck for the power of a deep creative relationship to place' Financial Times'A book that ought to be read by policymakers, educators, armchair environmentalists and active conservationists the world over' Guardian

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THE SUNDAY TIMES BESTSELLERSHORTLISTED FOR THE SAMUEL JOHNSON PRIZEThe original bestseller from the beloved author of UNDERLAND, LANDMARKS and THE LOST WORDS - Robert Macfarlane travels Britain's ancient paths and discovers the secrets of our beautiful, underappreciated landscape'The Old Ways confirms Macfarlane's reputation as one of the most eloquent and observant of contemporary writers about nature' Scotland on SundayFollowing the tracks, holloways, drove-roads and sea paths that form part of a vast ancient network of routes criss-crossing the British Isles and beyond, Robert Macfarlane discovers a lost world - a landscape of the feet and the mind, of pilgrimage and ritual, of stories and ghosts; above all of the places and journeys which inspire and inhabit our imaginations.'Sublime... It sets the imagination tingling, laying an irresistible trail for readers to follow' Sunday Times'Read this and it will be impossible to take an unremarkable walk again' Metro'He has a rare physical intelligence and affords total immersion in place, elements and the passage of time: wonderful' Antony Gormley

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A beautiful gift for the intrepid explorer in your life by one of the most acclaimed and beloved nature writers working today, the internationally bestselling, prize-winning author of Landmarks, The Lost Words and The Old WaysA SUNDAY TIMES BESTSELLERWINNER OF THE WAINWRIGHT PRIZE 2019WINNER OF THE STANFORD DOLMAN TRAVEL BOOK OF THE YEAR AWARD 2020'You'd be crazy not to read this book' The Sunday TimesA Guardian Best Book of the 21st CenturyIn Underland, Robert Macfarlane takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers, to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea-caves, this is a deep-time voyage into the planet's past and future. Global in its geography, gripping in its voice and haunting in its implications, Underland is a work of huge range and power, and a remarkable new chapter in Macfarlane's long-term exploration of landscape and the human heart.SHORTLISTED FOR THE RSL ONDAATJE PRIZE 2020 'Macfarlane has invented a new kind of book, really a new genre entirely' The Irish Times'He is the great nature writer, and nature poet, of this generation' Wall Street Journal 'Macfarlane has shown how utterly beautiful a brilliantly written travel book can still be' Observer on The Old Ways'Irradiated by a profound sense of wonder... Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent on Landmarks'It sets the imagination tingling...like reading a prose Odyssey sprinkled with imagist poems' The Sunday Times on The Old Ways

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The name John Muir has come to stand for the protection of wild land and wilderness in both America and Britain. Born in Dunbar in 1838, Muir is famed as a pioneer of conservation, and his passion, discipline and vision are still inspirational today.Combining acute observation with a sense of inner discovery, Muir's description of the summer he spent in what would become Yosemite National Park in California's Sierra Nevada mountains raises an awareness of nature to a spiritual dimension. His journal provides a unique weaving of natural history, lyrical prose and amusing anecdote, retaining a freshness, intensity and honesty which will amaze the modern reader.

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Beautiful books make unforgettable gifts. This pocket-sized treasure is the perfect present for fans of nature, language and rich artwork, adult and child alike!Kindred in spirit to The Lost Words but fresh in its form, The Lost Spells introduces a beautiful new set of natural spell-poems and artwork by beloved creative duo Robert Macfarlane and Jackie Morris.Each "spell" conjures an animal, bird, tree or flower -- from Barn Owl to Red Fox, Grey Seal to Silver Birch, Jay to Jackdaw -- with which we share our lives and landscapes. Moving, joyful and funny, The Lost Spells above all celebrates a sense of wonder, bearing witness to nature's power to amaze, console and bring joy.Written to be read aloud, painted in brushstrokes that call to the forest, field, riverbank and also to the heart, The Lost Spells summons back what is often lost from sight and care, teaching the names of everyday species, and inspiring its readers to attention, love and care.'Luminously beautiful. An amulet in dark times, to be carried like a talisman out into the world, where it is very much needed' Dara McAnulty'A book about spells that succeeds in being spell-binding in its own right . . . It already feels like a true classic. Buy one copy for yourself and any others for as many children as you can afford' Books for Keeps

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This is a book about remoteness: a memoir of places observed in solitude, of the texture of life through the quiet course of the seasons in the far north of Scotland. It is a book grounded in the singularity of one place - a house in northern Aberdeenshire - and threaded through with an unshowy commitment to the lost and the forgotten. In these painterly essays Davidson reflects on art, place, history and landscape. Distance and Memory is his testament to the cold, clear beauty of the north.

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A beautiful new edition of a classic work of landscape history, in which Alfred Watkins introduced the idea of ancient 'ley lines' criss-crossing the English countryside. First published in 1925, The Old Straight Track described the author's theory of 'ley lines', pre-Roman pathways consisting of aligned stone circles and prehistoric mounds, used by our Neolithic ancestors. Watkins's ideas have intrigued and inspired generations of readers – from historians to hill walkers, and from amateur archaeologists to new-age occultists. This edition of The Old Straight Track, with a substantial introduction by Robert Macfarlane, will appeal to all who treasure the history, contours and mystery of Britain's ancient landscapes.

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With an introduction by Robert MacfarlaneShortlisted for the Samuel Johnson Prize and winner of the Hawthornden Prize.I had attached myself to the birds. I couldn't move on until the birds moved on, and the birds couldn't move on without the spring.One winter, after an enforced period of recuperation, William Fiennes finds himself restless and yearning for adventure. He travels to Texas, where he begins a quest to trace the million-strong flocks of snow geese making their spring flight thousands of miles north to the Arctic tundra. On his epic journey he meets people from every walk of life, from ex-nuns to train fanatics, and their stories resound with the longing to arrive at the right place in the world.Shortlisted for the Samuel Johnson Prize and winner of the Hawthornden Prize, The Snow Geese is a poignant and lyrical paean to the richness and wonder of the world around us. A unique blend of autobiography, travel and nature writing, this is a classic tale of belonging and the inescapable lure of home.

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'The finest book ever written on nature and landscape in Britain' GuardianIntroduction by Robert Macfarlane. Afterword by Jeanette WintersonIn this masterpiece of nature writing, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.

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In Holloway, "a perfect miniature prose-poem" (William Dalrymple), Macfarlane, artist Stanley Donwood, and writer Dan Richards travel to Dorset, near the south coast of England, to explore a famed "hollowed way"—a path used by walkers and riders for so many centuries that it has become worn far down into the soft golden bedrock of the region. In Ness, "a triumphant libretto of mythic modernism for our poisoned age" (Max Porter), Macfarlane and Donwood create a modern myth about Orford Ness, the ten-mile-long shingle spit that lies off the coast of East Anglia, which the British government used for decades to conduct secret weapons tests.

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In the summer of 1869, John Muir set out from California's Central Valley with a flock of sheep and trekked into the foothills of the Sierra Nevada. His journals describe the summer he spent in what would become Yosemite National Park. Celebrating the Sierra's lizards and mountain lions, tall trees and waterfalls, fierce thunderstorms and bears, Muir raises an awareness of nature to a spiritual dimension.John Muir is internationally acknowledged as one of the founding fathers of modern conservation and his vision, passion and integrity continue to inspire readers today - particularly in this, his best-loved book.

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In Come By The Hills Cameron McNeish shares his journeys through Scotland on foot, by bike and in his wee red campervan. He is still an adventurer, but these days things are a bit different. Reaching summits is still enjoyed, but no longer a priority. Instead, he takes us on a wide exploration of Scotland’s hills, forests, and coastlines, and the ancient tales that bring a turbulent history to life. He takes us into the loveliest of glens, Etive and Lyon, to our most distant islands in the Hebrides and Shetland, and reminisces on wonderful characters such as Dick Balharry, Finlay MacRae, and the early working-class climbers when they first took to the hills.

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Eerie, unsettling and hauntingly beautiful - a new collaboration from the bestselling creators of Holloway, Robert Macfarlane and Stanley Donwood 'Ness goes beyond what we expect books to do. Beyond poetry, beyond the word, beyond the bomb -- it is an aftertime song' Max Porter, Booker-longlisted author of Grief is the Thing with Feathers Somewhere on a salt-and-shingle island, inside a ruined concrete structure known as The Green Chapel, a figure called The Armourer is leading a ritual with terrible intent. But something is coming to stop him. Five more-than-human forms are traversing land, sea and time towards The Green Chapel, moving to the point where they will converge and become Ness. Ness has lichen skin and willow-bones. Ness is made of tidal drift, green moss and deep time. Ness has hagstones for eyes and speaks only in birds. And Ness has come to take this island back. What happens when land comes to life? What would it take for land to need to come to life?Using word and image, the pair have together made a minor modern myth. Part-novella, part-prose-poem, part-mystery play, in Ness their skills combine to dazzling, troubling effect. Robert Macfarlane is the author of The Lost Words with Jackie Morris, The Old Ways and Underland. Stanley Donwood is an artist and the author of Slowly Downward, Household Worms and Bad Island.

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A landmark publication that captures the beautiful richness of every aspect of trees and their importance for science, culture and the future of humankind. Trees feed us, shelter us, inspire us and heal us. In a world facing the destruction of the Amazon rainforest and a pressing climate emergency, the importance of these primeval beings in shaping our future is hard to understate. Generously illustrated and organized according to tree lifecycle – from seeds, leaves and form to wood, flowers and fruit – this book celebrates the great diversity and beauty of the 60,000 tree species that inhabit our planet. Exquisite details are rendered by surprising photography and infographics: intricate bark and leaf patterns, intertwined ecosystems, colourful flower displays, archaic wooden wheels and timber houses. Integral to science, art and culture, fundamental and fragile, dependent and depended on, the vitality of trees is revealed like never before.

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WITH AN INTRODUCTION BY ROBERT MACFARLANEDuring the Second World War, John Stewart Collis volunteered to leave his comfortable life as an academic to work on the land for the war effort. His account of this time perfectly captures the soft-handed, city-dweller's naivety and wonder both at the workings of nature and the toughness of life on a farm. It's set in the south of England and comprises exquisitely written sections on whatever happens to take Collis's fancy and inspire his thoughtful curiosity, ranging from humorous sketches of the characters he works alongside; mini-essays such as 'Contemplation upon Ants', The Mystery of Clouds', 'Colloquy on the Rick', 'Meditation while Singling Mangolds', 'The Garden of Eden'; and celebrations of the earthworm, pea and potato. His mind ranges far and wide through literature science and philosophy as well as amazing descriptive writing, which makes for a book that is as uncategorisable as it is enchanting.

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A Poetry Book Society Special Commendation Autumn 2022. [To] The Last [Be] Human collects four extraordinary poetry books—Sea Change, PLACE, fast, and Runaway—by Pulitzer Prize winner Jorie Graham. From the introduction by Robert Macfarlane: The earliest of the poems in this tetralogy were written at 373 parts per million of atmospheric CO2, and the most recent at 414 parts per million; that is to say, in the old calendar, 2002 and 2020 respectively. The body of work gathered here stands as an extraordinary lyric record of those eighteen calamitous years: a glittering, teeming Anthropocene journal, rife with hope and raw with loss, lush and sparse, hard to parse and hugely powerful to experience. Graham's poems are turned to face our planet's deep-time future, and their shadows are cast by the long light of the will-have-been. But they are made of more durable materials than granite and concrete, and their tasks are of record as well as warning: to preserve what it has felt like to be a human in these accelerated years when "the future / takes shape / too quickly", when we are entering "a time / beyond belief". They know, these poems, and what they tell is precise to their form... Sometimes they are made of ragged, hurting, hurtling, and body-fleeing language; other times they celebrate the sheer, shocking, heart-stopping gift of the given world, seeing light, tree, sea, skin, and star as a "whirling robe humming with firstness". To read these four twenty-first-century books together in a single volume is to experience vastly complex patterns forming and reforming in mind, eye, and ear. These poems sing within themselves, between one another, and across collections, and the song that joins them all is uttered simply in the first lines of the last poem of the last book: The earth said remember me. The earth said don't let go, said it one day when I was accidentally listening

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**AS HEARD ON BBC RADIO 4**'A master nature writer' (New York Times) provides the ultimate natural, social and cultural history of the Arctic landscape.The author of Horizon's classic work explores the Arctic landscape and the hold it continues to exert on our imagination.WITH AN INTRODUCTION BY ROBERT MACFARLANELopez's journey across our frozen planet is a celebration of the Arctic in all its guises. A hostile landscape of ice, freezing oceans and dazzling skyscapes. Home to millions of diverse animals and people. The stage to massive migrations by land, sea and air. The setting of epic exploratory voyages. In crystalline prose, Lopez captures the magic of the Arctic: the essential mystery and beauty of a continent that has enchanted man's imagination and ambition for centuries.'The Arctic dreamland seen and described by a writer of rare perception and poetic descriptive power... The pages sparkle with Arctic light' Scotsman

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Holloway - a hollow way, a sunken path. A route that centuries of foot-fall, hoof-hit, wheel-roll and rain-run have harrowed deep down into bedrock. In July 2005, Robert Macfarlane and Roger Deakin - author of Wildwood - travelled to explore the holloways of South Dorset's sandstone. They found their way into a landscape of shadows, spectres & great strangeness. Six years later, after Roger Deakin's early death, Robert Macfarlane returned to the holloway with the artist Stanley Donwood and writer Dan Richards. The book is about those journeys and that landscape. Moving in the spaces between social history, psychogeography and travel writing, Holloway is a beautiful and haunted work of art.

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Kurt Jackson’s Botanical Landscape is a new collection of poems, paintings, drawings, sculptures and printmaking by the artist and staunch environmentalist: responses to his engagement with and rich experience within the natural world of flora. From day-to-day plants – weeds, the flowers in the hedge, familiar trees and the vegetable garden – to the more unusual, twisted forms and strange fruit of the undergrowth, Jackson’s works celebrate the staggering diversity of the plant kingdom. For the art enthusiast, the naturalist, the gardener and the armchair horticulturist, Kurt Jackson’s Botanical Landscape maps a particularly expressive communion with nature and offers a unique and beguiling interpretation of the natural world.

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From Here to the Horizon presents the work of fifty of America’s leading contemporary landscape photographers in honor of the life and influence of Barry Lopez (1945–2020), one of our most revered writers about the landscape and our place within it. Work by each photographer was selected in relation to, and accompanied by, an excerpt from the best-selling book Home Ground: A Guide to the American Landscape, a reader’s A-to-Z guide to American landscape terms, edited by Lopez and Debra Gwartney. With images reflecting landforms or locations and others that are more evocative, the collection creates a portrait of the beauty, diversity, and abundance found in our shared North American topography.For Lopez, the land was never simply a background for human activity but reflected our aspirations and desires, both as individuals and communities. He had a particular affinity with photographers, and some have compared his precise, crystalline language to the artistry found in photography. As Virginia Beahan noted, “What impressed me so much about Barry’s writing was the slow-moving attention to detail . . . as he tried to make sense of the world.The collection includes leading photographers such as Virginia Beahan, Barbara Bosworth, Frank Gohlke, Lois Conner, Emmet Gowin, Mark Klett, David Maisel, Laura McPhee, Andrew Moore, Mark Ruwedel, and essays by Debra Gwartney, Robert Macfarlane, and Toby Jurovics. From Here to the Horizon serves as a marker of the admiration of and affection for Lopez and will spark the imagination of places we already know, or hope to one day visit, or may never see but carry with us because of the life-affirming work of writers like Lopez.Photographers: Robert Adams, Virginia Beahan, Marion Belanger, Michael Berman, Andrew Borowiec, Barbara Bosworth, Joann Brennan, Gregory Conniff, Linda Connor, Lois Conner , Thomas Joshua Cooper, Robert Dawson, Peter de Lory, Lucinda Devlin, Rick Dingus, Terry Evans, Lukas Felzmann, Steve Fitch, Frank Gohlke, Peter Goin, Emmet Gowin, Wayne Gudmundson, Owen Gump, David T. Hanson, Alex Harris, Allen Hess, Ron Jude, Robert Glenn Ketchum, Mark Klett, Stuart Klipper, Peter Latner, David Maisel, Laura McPhee, Andrew Moore, Eric Paddock, Mary Peck, Edward Ranney, Jeff Rich, Meghann Riepenhoff, Mark Ruwedel, Mike Smith, Joel Sternfeld, Martin Stupich, Willy Sutton, Bob Thall , Terry Toedtemeier, Geoff Winningham, Dennis Witmer, and William WylieWriters: Jeffery Renard Allen, Kim Barnes, Conger Beasley Jr., Lan Samantha Chang, Michael Collier, Elizabeth Cox, William deBuys, Pamela Frierson, Robert Hass, Patricia Hampl, Emily Hiestand, Linda Hogan, Barbara Kingsolver, William Kittredge, Gretchen Legler, Ellen Meloy, Robert Morgan, Antonya Nelson, Pattiann Rogers, Scott Russell Sanders, Eva Saulitis, Donna Seaman, Carolyn Servid, Kim Stafford, Arthur Sze, D. J. Waldie, Joy Williams, Terry Tempest Williams, and Larry Woiwod

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THE TIMES AUDIOBOOK OF THE YEAR'The finest book ever written on nature and landscape in Britain' GuardianIn this masterpiece of nature writing, beautifully narrated by Oscar-winning actor Tilda Swinton, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.

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With contributions by: William Boyd, Candice Carty-Williams, Imtiaz Dharker, Roddy Doyle, Pico Iyer, Robert Macfarlane, Andy Miller, Jackie Morris, Jan Morris, Sisonke Msimang, Dina Nayeri, Chigozie Obioma, Michael Ondaatje, David Pilling, Max Porter, Philip Pullman, Alice Pung, Jancis Robinson, S.F.Said, Madeleine Thien, Salley Vickers, John Wood and Markus Zusak'This story, like so many stories, begins with a gift. The gift, like so many gifts, was a book...' So begins the essay by Robert Macfarlane that inspired this collection. In this cornucopia of an anthology, you will find essays by some of the world's most beloved novelists, nonfiction writers, essayists and poets. 'You will see books taking flight in flocks, migrating around the world, landing in people's hearts and changing them for a day or a year or a lifetime. 'You will see books sparking wonder or anger; throwing open windows into other languages, other cultures, other minds; causing people to fall in love or to fight for what is right. 'And more than anything, over and over again, you will see books and words being given, received and read - and in turn prompting further generosity.' Published to coincide with the 20th anniversary of global literacy non-profit, Room to Read, The Gifts of Reading forms inspiring, unforgettable, irresistible proof of the power and necessity of books and reading.Inspired by Robert Macfarlane Curated by Jennie Orchard

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Reissue of J. A. Baker’s extraordinary classic of British nature writing, with an exclusive new afterword by Robert Macfarlane. J. A. Baker’s extraordinary classic of British nature writing was first published in 1967. Greeted with acclaim, it went on to win the Duff Cooper Prize, the pre-eminent literary prize of the time. Luminaries such as Ted Hughes, Barry Lopez and Andrew Motion have cited it as one of the most important books in twentieth-century nature writing. Despite the association of peregrines with the wild, outer reaches of the British Isles, The Peregrine is set on the flat marshes of the Essex coast, where J. A. Baker spent long winters looking and writing about the visitors from the uplands – peregrines that spend the winter hunting the huge flocks of pigeons and waders that share the desolate landscape with them. This new edition of the timeless classic, published to celebrate the 50th anniversary of its first publication, features an afterword by one of the book’s greatest admirers, Robert Macfarlane.

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'The finest book ever written on nature and landscape in Britain' GuardianIntroduction by Robert Macfarlane. Afterword by Jeanette WintersonIn this masterpiece of nature writing, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.

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Archipelago is one of the most important and influential literary magazines of the last twenty years. Running to twelve editions, it was edited by scholar-poet Andrew McNeillie, with the assistance later of James McDonald Lockhart, and began as an attempt to reimagine the relationships between the islands of Ireland and Britain. Archipelago has brought together established and emerging artists in creative conversations that have transformed the study of islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from the Aran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through some of the best in contemporary writing about place and people. This collection gathers poetry, prose and visual art in clusters grouped around the Irish and British archipelago, with contributions from an array of significant artists. With fifty contributors, Archipelago: A Reader includes: Moya Cannon is an Irish poet with seven published collections, the most recent being Collected Poems (2021). Deirdre Ni Chonghaile is a graduate of the University of Oxford and University College Cork. She is associated with NUI, Galway, and the University of Notre Dame, and is known for her work in music studies. Tim Dee is a naturalist, BBC radio producer and author of The Running Sky (2018). Seamus Heaney (1939-2013) was born in Northern Ireland. His career included teaching at Harvard and Oxford. He received many awards including the Nobel Prize in Literature, 1995. Kathleen Jamie is a Scottish writer whose work has appeared internationally. She has taught poetry at the University of Stirling since 2010. Michael Longley is a Northern Irish poet, and winner of the Whitbread Poetry Prize, the Hawthornden Prize, and the PEN Pinter Prize in 2017. Robert Macfarlane is a Writing Fellow of Emmanuel College, Cambridge. He has won the EM Forster Award for Literature. Derek Mahon (1941-2020) was a Northern Irish poet. He won the David Cohen Prize for Literature and the Poetry Now Award. Andrew McNeillie is a Welsh poet and current Literature Editor at Oxford University Press. His memoir An Aran Keening was published by The Lilliput Press, and he is founder of the Clutag Press and publisher of the Archipelago series. Sinead Morrisey is a Northern Irish winner of the T.S. Eliot Prize and the Forward Poetry Prize. She has taught in Belfast and Newcastle. 'Archipelago met and extended my own strong sense that there was a need to turn the compass-rose of some storytelling and art in Britain and Ireland away from the south and east and towards the north and west; away from the metropolis and towards the margins.' -Robert Macfarlane

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Since his rise to fame in 1967 when his work "The Peregrine" was awarded the Duff Cooper Memorial Prize, J A Baker has captured the popular imagination with his vivid descriptions of British landscapes and native wildlife. Compelling, strange and at times both startlingly funny and cruel, Baker's prose is at one with his image as a writer, which has, since the publication of his first work, been characterized as an obsessive recluse.Next to nothing was known about Baker, who died in 1987, until an archive of his materials and those related to him was gifted to the University of Essex in 2013. Only now has it been possible to piece together an accurate view of the life and unpublished work of the man whose writing has been described as "the gold standard for all nature writing" (Mark Cocker), and whose work has influenced naturalists such as Richard Mabey and Simon King, as well as film-makers David Cobham and Werner Herzog.This new book showcases the most compelling parts of the Baker Archive, containing previously unknown elements of his life, many photographs and unpublished poems.It provides an invaluable new insight into both his sensitive and passionate character, and late twentieth century Britian, a country experiencing the throes of agricultural and environmental change.

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This sumptuous and comprehensive evaluation showcases Smith’s 1815 hand-coloured map, A Delineation of the Strata of England and Wales, with part of Scotland, and illustrates the story of his career, from apprentice to fossil collector and from his 1799 geological map of Bath and table of strata to his detailed stratigraphical county maps. The introduction places Smith’s work in the context of earlier, concurrent and subsequent ideas regarding the structure and natural processes of the earth. The book is then organized into four geographical sections, each beginning with four sheets from the 1815 strata map, accompanied by related geological cross sections and county maps (1819–24), and is followed by displays of Sowerby’s fossil illustrations (1816–19) organized by strata. Interleaved between the sections are essays by leading academics that explore the aims of Smith’s work, its application in the fields of mining, agriculture, cartography, fossil collecting and hydrology, and its influence on biostratigraphical theories and the science of geology. Concluding the volume are reflections on Smith’s later work as an itinerant geologist and surveyor, plagiarism by his rival – President of the Geological Society, George Bellas Greenough – receipt of the first Wollaston Medal in 1831 in recognition of his achievements, and the influence of his geological mapping and biostratigraphical theories on the sciences, culminating in the establishment of the modern geological timescale.

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Edward Thomas's death in the Second World War robbed the world of a great poet, a fine writer, and a pioneering environmentalist. Published in 1909, The South Country is the happiest of all his books. Lyrical, passionate, acutely sensitive to life in the countryside and the rhythms of the seasons, it brilliantly merges landscape, folk culture and natural history into a record of what Edward Thomas saw and felt as he wandered the old ways of southern England.

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Brought to you by PenguinThe Lost Spells is an audio treasure, a new collection of 'spells' - acrostic poetry and artwork - by writer Robert Macfarlane and artist Jackie Morris. For those who loved The Lost Words - this is its little sister.Captivatingly read, calling to forest, field, riverbank, ocean and also to the heart, these 'spells' summon back what is often lost from sight and care. From Jay to Jackdaw, Oak to Barn Owl, Silver Birch to Grey Seal, they evoke the special spirit of each plant and creature. Above all, they celebrate a sense of wonder at nature's power to amaze, console and bring joy.Across a bewitching natural soundscape by renowned wildlife recordist Chris Watson, readers Yrsa Daley-Ward, Johnny Flynn and Julie Fowlis bring the magic of both nature and language to listeners in an immersive and unique audio experience.Praise for The Lost Words:'Gorgeous to look at and to read. Give it to a child to bring back the magic of language' Jeanette Winterson, Guardian'Breathtaking, magical... Jackie Morris has created something that you could spend all day looking at' New Statesman'Robert Macfarlane and Jackie Morris have made a thing of astonishing beauty' Observer© Robert Macfarlane, Jackie Morris 2020 (P) Penguin Audio 2020

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