Search results for ""author richard wagner""

Der fliegende Hollander is the first of Wagner's operas that the author considered to be representative of his mature style. The Dutchman embodies one of the major themes that recur throughout Wagner's work: that of a central character seeking redemption from a loving woman. Originally taken from a story by Heinrich Heine, Wagner extended and enriched his musical and dramaturgical language to produce an opera of extraordinary power. An essay in the guide places the opera in the context of emerging German Romanticism, and another highlights the musical riches of the score. A further article explores the emerging importance of myth to Wagner and his contemporaries. As well as a detailed description of the work's performance history, the volume contains Wagner's own instructions to his performers and his programme note about the overture. Illustrations, a thematic guide, the full libretto with English translation and reference sections are also included.

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Restructuring information in an XML document so that it works in other formats used to be a time-consuming ordeal involving lots of blood, sweat, and tears. Now XSLT (Extensible Stylesheet Language Transformations) makes the process nearly instantaneous. Just provide an example of the kind of information you’d like to see, and XSLT does the rest. With XSLT you can effortlessly transform XML documents into virtually any kind of output, including other XML documents and HTML pages. But mastering XSLT can be tricky, especially if you’ve never worked with XML or HTML; and most books on the subject are written for people who have. Here comes XSLT For Dummies to the rescue! XSLT For Dummies is your ticket to quickly mastering XSLT—no matter what your prior programming experience. Writing in easygoing, plain English, XML pro Richard Wagner provides expert advice, step-by-step guidance, and tons of crystal-clear examples to help you harness the power of XSLT to transform documen ts. In no time you’ll: Understand how XSLT works with XSL and XPath Experiment with templates, stylesheets, and expressions Perform HTML transformations Master XPath data types and functions Combine XSLT stylesheets Explore cool XSLT programming tricks XSLT For Dummies works from the ground up, starting with a practical introduction of the “X-Team”—XML, XSL, XSLT, and X-Path—and instructions on how to write a XSLT stylesheet. From there it quickly moves onward and upward through the whole range of important XSLT topics, including: Transforming with stylesheets Understanding and using template rules Using XPath to locate nodes in XML documents Combining XSLT stylesheets and adding processing instructions Debugging XSLT transformations Ten XSLT processors available online It doesn’t matter whether you’re a babe in the woods who can’t tell a “tag” from an element, or you’re an old pro at creating XML documents, XSLT For Dummies offers you a fun, easy way to explore and take full advantage of Extensible Stylesheet Language Transformations.

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Get to know the beliefs and practices inspired by Jesus ChristDiscover what it means to be a Christian and follow the gospelCurious about Christianity? This friendly guide helps you understand the basic teachings of the Christian faith, exploring the common ground that all Christians share, the differences among the major branches, the key events in Christian history, the key theological issues, and the many ways Christians live out their faith in today's world. The Dummies Way Explanations in plain English "Get in, get out" information Icons and other navigational aids Tear-out cheat sheet Top ten lists A dash of humor and fun Discover how to: Express the core essentials of Christianity Appreciate the life and teachings of Jesus Understand why the Bible is central to the faith Respect the unique roles of the Trinity Explore controversial issues among the branches

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These Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. More than any other work in the operatic repertory, Parsifal demands a personal commitment and response. As the culmination of half a lifetime’s preoccupation with the issues of compassion and redemption, it has profound philosophical implications. As the ultimate example of Wagner’s idiom it is an extraordinary musical structure. The unique quality of the subject inspired a wholly original musical conception. Here are four very different essays designed, in their variety, to set you thinking about it what it means to you. The translation was commissioned for the first production by English National Opera in 1986. Contains: A Very Human Epic Mike Ashman Recapitulation of a Lifetime Dieter Borchmeyer Experiencing Music and Imagery in ‘Parsifal’ Robin Holloway ‘Parsifal’: Words and Music Carolyn Abbate Discussions into the Dramaturgy of ‘Parsifal’ Gerd Rienäcker Thematic Guide Lionel Friend ‘Parsifal’ poem by Richard Wagner ‘Parsifal’ English translation by Andrew Porter Discography Cathy Peterson Bibliography

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Music examples and charts illustrate the analyses, and each essay is fully annotated by the editor. in some cases, the results of the original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English. A score embodying the best available musical text. Historical background—what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material. A detailed analysis of the music, by the editor of the volume or another well-known scholar. Other significant analytic essays and critical comments, exposing the student to a variety of opinions about the music.

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* The complete solution! This revolution in product design incorporates 6 books in 1 straightforward desk reference. Provides in depth coverage of the many features and specifications of XML, the data interchange standard of choice. * XML All in One For Dummies is a true desk reference designed to guide readers through the features and specifications of the leading edge XML dialects and help them develop their own custom Web applications all under one cover. * Covers XML basics, using DTD's with XML, XML namespaces, XML schemas, styling XML documents, XML's linking languages, XML tools, using XML in the real world, and more. * The first two editions of XML For Dummies have sold more than 85,000 units. * According to Microsoft's CEO Steve Ballmer "XML will become the universal medium by which Web sites and users of Web sites communicate." * Written by NIIT a global training, IT consulting and software development organization. NIIT trains over 150,000 individuals each year in Information Technology areas. * The For Dummies series a repeat winner, now with more than 100 million books in print.

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Advice and examples help you find your own prayer style Discover how prayer works and why you need it now more than ever Do you want to pray, but you're not sure how? This friendly guide explains the different kinds of prayer - revealing how and why to pray and how to discern God's answers. You'll see how to overcome hindrances, how to use a journal, and how to pray on your own. Discover what "Thy will be done" means and how to approach prayers that seemingly haven't been answered. The Dummies Way * Explanations in plain English * "Get in, get out" information * Icons and other navigational aids * Tear-out cheat sheet * Top ten lists * A dash of humor and fun

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A superb new translation of one of the greatest nineteenth century poems: the libretto to Wagner's Ring cycleThe scale and grandeur of Wagner's The Ring of the Nibelung has no precedent and no successor. It preoccupied Wagner for much of his adult life and revolutionized the nature of opera, the orchestra, the demands on singers and on the audience itself. The four operas-The Rhinegold, The Valkyrie, Siegfried and Twilight of the Gods - are complete worlds, conjuring up extraordinary mythological landscapes through sound as much as staging. Wagner wrote the entire libretto before embarking on the music. Discarding the grand choruses and bravura duets central to most operas, he used the largest musical forces in the context often of only a handful of singers on stage. The words were essential: he was telling a story and making an argument in a way that required absolute attention to what was said. The libretto for The Ring lies at the heart of nineteenth century culture. It is in itself a work of power and grandeur and it had an incalculable effect on European and specifically German culture. John Deathridge's superb new translation, with notes and a fascinating introduction, is essential for anyone who wishes to get to grips with one of the great musical experiences.

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A superb new translation of the libretto to Wagner's Ring cycle'Smiling in sorrowI sing of love'The Ring of the Nibelung, Wagner's epic cycle of four musical dramas about primal envy, cosmic conflict, the search for glory, spectacular self-sacrifice, redeeming human love and the downfall of gods, revolutionized the nature of opera and conjured up an entire mythological world. It is also one of the greatest texts ever written for the lyric stage, where words are not an adjunct to the music, but an essential part of a transformative experience. John Deathridge's superb new facing page translation of the Ring libretto conveys the pungency and vitality of Wagner's words, reflecting the work's literary power while retaining its sense and dramatic energy. Translated with an introduction and notes by John Deathridge

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"One might say that where Religion becomes artificial, it is reserved for Art to save the spirit of religion." With these words Richard Wagner began "Religion and Art" (1880), one of his most passionate essays. That passion made Wagner himself a central icon in the growing cult of art. Wagner felt that he lived in an age of spiritual crisis. "It can but rouse our apprehension, to see the progress of the art-of-war departing from the springs of moral force, and turning more and more to the mechanical," he wrote. In response to the frightening progress of dynamite and steel, Wagner adopted the role of the Tone Poet Seer, who reveals the inexpressible in concert halls and cleanses souls in waves of symhonic revelation."Religion and Art" is the pivot of the works collected here. Also included are his defining essays "Public and Popularity" and "The Public in Time and Space"; his papers relating to the creation of the Bayreuth School; his complaint against publishers, "On Poetry and Composition" (1879); his article on the first production of Parsifal (1882); and other works that speak his mind about strengthening the spirit through music.These works participated in the duel between Wagner and Nietzsche that ensued after the breakup of their friendship in 1878. Nietzsche publicly called Wagner an incurable romantic, emphasizing how sick he thought both Wagner and his art were. Here Wagner counterattacks with arch innuendo and sarcasm.This edition includes the complete volume 6 of the 1897 translation of Wagner's works commissioned by the London Wagner Society.

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Decode one of the most complex books in the Bible!Are you baffled by the Book of Revelation? Understand the purpose, key themes, and symbolism of the most fascinating book in the Bible with The Book of Revelation For Dummies, an easy-to-understand guide that will help you grasp the enduring messages of Revelation and apply them to your life. You will understand what Revelation says about the past, present, and future, and how it relates to the rest of the Bible. You will learn how this mysterious book of the Bible fits into a historical context. You’ll discover all kinds of interesting facts about the apostle John and learn about the details of his world. You will be able to choose a perspective for interpreting this book of the Bible and decipher the many haunting symbols. There is no need to read this reference guide from cover to cover; simply browse the table of contents or flip through the pages to find the answers and assistance that you need. Discover how to: Interpret the prophecy of the Revelation Place it in historical context Understand how it relates to other books in the Bible Unravel the details of the apostle John’s life and world Choose a perspective for understanding See the grander scheme of things Complete with lists of the ten most commonly asked questions about end times and the ten rules of thumb for interpreting scripture, The Book of Revelation For Dummies will help you understand and decode one of the most perplexing books in the Bible!

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With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.

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"Saint Beethoven!. . . . He was clad in somewhat untidy houseclothes, with a red woolen scarf wrapped round his waist; long, bushy grey hair hung in disorder from his head, and his gloomy, forbidding expression by no means tended to reassure. . . ." When Wagner published the first collection of his writings he was pleased to admit how well he wrote, even when young. Historians and musicians ever since have agreed that some of his most important and revelatory works were written when he was first establishing his reputation in Paris and Dresden. Pilgrimage to Beethoven and Other Essays provides translations of the first two volumes of his Gesammelte Schriften (1871-1873). These works reveal how committed he was to emphasizing Germanic qualities in his music and define his opposition to the music of France and Italy.In addition to his influential essay on Beethoven's Ninth Symphony, this volume includes two early essays on Germanic myth—"The Wibelungen" and "The Nibelungen-Myth"—his homages to Carl Maria von Weber, and the complete text of his autobiographical A German Musician in Paris, with its famous "Pilgrimage to Beethoven."The volume concludes with his "Plan of Organisation of a German National Theatre" (1849), founded upon Beethoven's moral music. Listeners "inspired by Beethoven's music have been more active and energetic citizens-of-State than those bewitched by Rossini, Bellini, and Donizetti." Throughout these essays, as throughout his life, Wagner knew how to provoke.This edition includes the complete volume 7 of the 1898 translation commissioned by the London Wagner Society.

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Richard Wagner’s fifteen-hour operatic cycle The Ring of the Nibelung ends with this great music drama. Michael Tanner’s essay tackles the scale and meaning not just of this work but of Wagner’s whole undertaking, showing that Götterdämmerung is – for all its length – his fastest-moving drama. Composer Robin Holloway brings the focus of creative genius to his discussion of the score, while Christopher Winkle’s article analyses Brunnhilde’s concluding monologue. The ninety numbered musical themes of the Thematic Guide are cross-referenced to the other Ring guides. Contents: An Introduction to the End, Michael Tanner; Motif, Memory and Meaning in ‘Twilight of the Gods’, Robin Holloway; The Questionable Lightness of Being: Brunnhilde’s Peroration to ‘The Ring’, Christopher Wintle; Götterdämmerung: Poem by Richard Wagner; Twilight of the Gods: English translation by Andrew Porter

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This opera has been described as "the longest single smile in the German language". But Roland Matthews indicates that violence is not far beneath the surface of this portrait of medieval Nuremberg. Arnold Whittall's analysis gives a bird's-eye view of the complexity of the score. Timothy McFarland explores the significance of the choice of subject: that nostalgia for a pre-industrial community, which was a symptom of the German nationalist movement. The long text has many subtleties which opera audiences can hardly appreciate without reading it, and the musical themes are numbered to indicate where they occur. Contents: 'My most genial creation...', Roland Matthews; A Musical Commentary, Amold Whittall; Wagner's Nuremberg, Timothy McFarland; Die Meistersingers von Nurnberg: Poem by Richard Wagner; The Mastersingers of Nuremberg: English translation by Frederick Jameson, revised by Gordon Kember and Norman Feasey

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The legend of the Swan Knight who rescues a princess from the forces of pagan evil is one of the foundation myths of Christian Europe. Lohengrin's transformed Wagner into an international figure almost overnight, and it remained his most popular work throughout the nineteenth century. Thomas Grey proposes that this was because it offered a 'cautious taste' of his later works, while preserving some of the comfortably familiar traditions of French grand opera. John Deathridge asks why Wagner was so quick to deny its specifically Christian symbolism, and Janet Nelson argues that his vision of the Christian Middle Ages uncannily prefigured a modern historical approach. This new English translation is by Amanda Holden.

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Das Rheingold, the opening of Wagner's four-part Ring of Nibelung, stands out as more genteel and picturesque than the others. But it immediately establishes the huge scale of the overall work, and the extraordinary musical language that will be displayed throughout. It is a miracle of musical history that Wagner's 1850 conception could be brought to completion, in an organic whole, some twenty-five years later. Stewart Spencer discusses the way in which Wagner fuses genuine mythology with his own invention and John Deathridge places the opera in the context of The Ring and its century.

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“Things like this are written only for people who have good powers of endurance (so really for nobody!)”, wrote Wagner about Die Walküre. Yet, as Geoffrey Skelton points out, the opera has enjoyed a separate popularity and existence from the Ring Cycle. George Gillespie shows just how the string of mythical events was converted into a drama remarkable for its concentrated excitement and fine construction. Barry Millington introduces the web of motifs in the complex score. The English version, with Elizabeth Forbes’s translation of the verses that Wagner did not eventually set to music but retained as footnotes to his published version, is by acclaimed translator Andrew Porter. Contents: A Conflict of Power and Love, Geoffrey Skelton; Chronology of the Composition of ‘The Valkyrie’; An Introduction to the Music of ‘The Valkyrie’, Barry Millington; New Myths for Old, George Gillespie; Translating ‘The Ring’, Andrew Porter; Die Walküre: Poem by Richard Wagner; The Valkyrie: English translation by Andrew Porter

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'A Landmark in Musical History' is John Luke Rose's title for the introduction to this extraordinary piece of theatre. It belongs to the German tradition of mystical writing, and a short note on the poem itself by Martin Swales and Timothy McFarland elucidates some of Wagner's literary techniques. Anthony Negus, who assisted Reginald Goodall on the WNO production of Tristan and Isolde, has contributed a penetrating analysis of the musical structure of the opera, while Patrick Carnegy assesses the remarkable solutions to staging an opera which some argue is best experienced with your back to the performers.

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Poor, frustrated, and angered by the “fashion-mongers and mode-purveyors” of art, Richard Wagner published The Art-Work of the Future in 1849. It marked a turning point in his life: an appraisal of the revolutionary passions of mid-century Europe, his farewell to symphonic music, and his vision of the music to come. Beethoven’s Ninth Symphony was unsurpassable, he wrote. Henceforth "The Folk must of necessity be the Artist of the Future," and only artists who were in harmony with the Folk could know what harmony was for. The essay became a touchstone for Wagner, his family, friends, and followers, as he sought to produce works that thoroughly combined music, dance, drama, and national saga. In addition to Wagner’s epoch-defining essay, this volume includes his "Autobiographical Sketch," "Art and Climate"; his libretto for an opera, "Wieland the Smith"; and his notorious "Art and Revolution." The concluding piece, "A Communication to My Friends (1851), explains his views on his first successes—The Flying Dutchman, Lohengrin, and Tannhäuser—and defines his agenda for later works. As spokesman for the future, Wagner spoke most of himself. In these works he set forth his ambitions, identified his enemies, and began a campaign for public attention that made him a legend in his own time and in ours.

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Here is a wonderful book that not only helps readers gain a fuller understanding of The Ring Cycle, but is also a joy to read. Noted film producer Michael Birkett gets to the heart of the story to produce a narrative that will thrill and delight.

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