Search results for ""author r. s. thomas""

R.S. Thomas (1913-2000) is one of the major poets of our time, as well as one of the finest religious poets in the English language and Wales’s greatest poet. This substantial gathering of his late poems shows us the final flowering of a truly great poet still writing at the height of his powers right through his 70s and 80s. It begins with his autobiographical sequence The Echoes Return Slow, which has been unavailable for many years, and goes up to Residues, written immediately before his death at the age of 87. These powerful poems – about time and history, the self, love, the machine, the Cross and prayer – cover all of his major areas of questioning. This is R.S. Thomas in a winter light, his fury concentrated on the inhumanity of man and modern technology, his gaze absorbed by the God he felt in Nature, but finding nourishment in 'waste places'. At the same time he writes with resigned feeling and immense insight, as well as grim humour and playful irony, of isolation, ageing, marriage and 'love’s shining greenhouses'. For Thomas, 'Poetry is that / which arrives at the intellect / by way of the heart.' Collected Later Poems 1988-2000 is the sequel to R.S. Thomas’s Collected Poems 1945-1990 (Dent, 1993; Phoenix Press, 1995), which only covers his collections up to Experimenting with an Amen (1986). It reprints in full the contents of R.S. Thomas’s last five collections, The Echoes Return Slow (Macmillan, 1988: unavailable for many years), and Bloodaxe’s Counterpoint (1990), Mass for Hard Times (1992), No Truce with the Furies (1995) and the posthumously published Residues (2002). It was a Poetry Book Society Recommendation. It was followed in 2013 by Uncollected Poems and in 2016 by Too Brave to Dream.

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RS Thomas was the greatest religious poet writing in English in the 20th century, but the 270 poems he chose for this definitive selection reveal a wide range of themes and concerns. He was a passionate Welsh patriot, but also an outspoken critic of his countrymen. His poems are an expression of his lifelong argument with himself, of his insistent search for God. In them he grapples with ideas of Welshness, with issues of technology, pollution, the decline of culture. He wrote too about love, about landscape, nature and birds. His is an urgent, prophetic and unique voice.

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When R.S. Thomas died in 2000, two seminal studies of modern art were found on his bookshelves - Herbert Read's Art Now (1933) and Surrealism (1936), edited by Read and containing essays by key figures in the Surrealist movement. Some three dozen previously unknown poems handwritten by Thomas were then discovered between the pages of the two books, poems written in response to a selection of the many reproductions of modern art in the Read volumes, including works by Henry Moore, Edvard Munch, George Grosz, Salvador Dali, Rene Magritte and Graham Sutherland - many of whom were Thomas's near contemporaries. These poems are published here for the first time - alongside the works of modern art that inspired them. Thomas's readings of these often unsettling images demonstrate a willingness to confront, unencumbered by illusions, a world in which old certainties have been undermined. Personal identity has become a source of anguish, and relations between the sexes a source of disquiet and suspicion.Thomas's vivid engagements with the works of art produce a series of dramatic encounters haunted by the recurring presence of conflict and by the struggle of the artist who, in a frequently menacing world, is 'too brave to dream'. At times we are offered an unflinching vision of 'a landscape God / looked at once and from which / later he withdrew his gaze'.

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R.S. Thomas (1913-2000) is a major writer of our time, one of the finest religious poets in the English language and one of Wales's greatest poets. His output was prolific: over six decades he published some 25 individual collections of poems, as well as several volumes of prose. A substantial number of his poems, however, have hitherto remained uncollected, and often elusive - poems published in newspapers, magazines and journals (many of them obscure), as well as in private or limited editions. Uncollected Poems - published to mark the centenary of Thomas's birth - brings together for the first time a rigorous selection of the best of these. The fruit of several years' research by Tony Brown and Jason Walford Davies, the volume makes available work which spans the whole of Thomas's career - from an early sonnet to his first wife, M.E. Eldridge (included in his first, unpublished, collection Spindrift in the late 1930s) and an early Iago Prytherch poem published in the Dublin Magazine, to poems which are powerful expressions of the metaphysical meditations of his later years. R.S. Thomas's Uncollected Poems takes its place alongside Collected Poems 1945-1990 (Dent, 1993; Phoenix, 2000), Selected Poems (Penguin, 2003) and Collected Later Poems 1988-2000 (Bloodaxe Books, 2004). It gives readers of R.S. Thomas's work access to much new and fascinating material. Uncollected Poems is a companion volume to R.S. Thomas's Collected Later Poems 1988-2000 (Bloodaxe Books, 2004), the sequel to Collected Poems 1945-1990 (Dent, 1993; Phoenix Press, 2000), which only covers his collections up to Experimenting with an Amen (1986). Collected Later Poems 1988-2000 reprints in full the contents of R.S. Thomas's last five collections, The Echoes Return Slow (Macmillan, 1988: unavailable for many years), and Bloodaxe's Counterpoint (1990), Mass for Hard Times (1992), No Truce with the Furies (1995) and the posthumously published Residues (2002). There is no overlap between the two Bloodaxe editions: none of the poems in Residues, uncollected at the time of his death in 2000, is included in Uncollected Poems.

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