Search results for ""author philip knox""

Annual volume showcasing the best new work in this field. New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Essays in this volume engage with widely varied themes, from confession in the domestic household to international politics and statecraft; experimental scientific knowledge, and the supernatural world of demons; canonical Arthurian romance, and scholastic theology in the vernacular; monastic historiographical visions, and geographies of pilgrimage. Investigations range from the twelfth to the fifteenth centuries, and from England to the Holy Land. Chrétien de Troyes's Le chevalier de la charrette and Geoffrey Chaucer's Friar's Tale are examined in new ways, and with new conclusions for their engagements with technologies of embodiment and the hermeneutics of bodily contact; Laȝamon's Brut is shown to bring the expectations of monastic historiography into the vernacular, while Reginald Pecock's radical and sophisticated vernacular theology is explicated in all its dangerous heterodoxy. Multiple narratives converge and are occluded at the Cave of the Patriarchs in Hebron; Albert the Great experiments with animals and reorients humans in the natural world; Alain Chartier strives to build a united French state. Finally, domestic, familial, and civic bonds of obligation emerge in the shared textual communities of anonymous, late-medieval confessional forms. CONTRIBUTORS: ROBYN A. BARTLETT, KANTIK GHOSH, AYLIN MALCOLM, ALASTAIR MINNIS, LUKE SUNDERLAND, JAMIE K. TAYLOR, HANNAH WEAVER, LUCAS WOOD.

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An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English Studies New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe. Essays in this volume engage with real and metaphorical relations between humans and nonhumans, with particular focus on spiders, hawks, and demons; discuss some of the earliest Middle English musical and, it is argued, liturgical compositions; describe the generic flexibility and literariness of medical discourse;consider strategies of affective and practical devotion, and their roles in building a community; and offer an example of the creativity of fifteenth-century vernacular religious literature. Texts discussed include the Old English riddles and Alfredian translations of the psalms; the lives of saints Dunstan, Godric, and Juliana, in Latin and English; Piers Plowman, in fascinating juxtaposition with Hugh of Fouilloy's Aviarium; medical remedybooks and uroscopies, many from unedited manuscripts; and the fifteenth-century English Life of Job. LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford; PHILIP KNOX is University Lecturer in English and Fellow of Trinity College, Cambridge; WENDY SCASE is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; DAVID LAWTON is Professor of English at Washington University in St Louis. Contributors: Jenny C. Bledsoe, Heather Blurton, Hannah Bower, Megan Cavell, Cathy Hume, Hilary Powell, Isabella Wheater

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Cutting-edge and fresh new outlooks on medieval literature, emphasising the vibrancy of the field. New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Essays in this volume engage with a wide range of subject matter, from as far back as Livy (d.c.AD 12/18) to Erwin Panofsky (d. 1968). They demonstrate that medieval textual cultures is a radically negotiable category and that medieval understandings of the past were equally diverse and unstable.They reflect on relationships between history, texts, and truth from a range of perspectives, from Foucault to "truthiness", a twenty-first-century media coinage. Materiality and the technical crafts with which humans engage withthe natural world are recurrent themes, opening up new insights on mysticism, knighthood, and manuscript production and reception. Analysis of manuscript illuminations offers new understandings of identity and diversity, while a survey of every thirteenth-century manuscript that contains English currently in Oxford libraries yields a challenging new history of script. Particular texts discussed include Chrétien de Troyes's Conte du Graal, Richard Rolle's Incendium amoris and Melos amoris, and the Middle English verse romances Lybeaus Desconus, The Erle of Tolous, Amis and Amiloun, and Sir Gawain and the Green Knight.

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Annual volume on medieval textual cultures, engaging with intellectual and cultural pluralism in the Middle Ages, showcasing the best new work in this field. New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Essays in this volume engage with widely varied themes: law and literature; manuscript production, patronage, and aesthetics; real and imagined geographies; gender and its connections to narrative theory and to psychoanalysis. Investigations range from the eleventh to the fifteenth centuries, from England to the eastern Mediterranean. New arguments are put forward about the dating, context, and occasion of Geoffrey Chaucer's Boece, while the narrative dynamics of Chaucer's "Franklin's Tale" and "Tale of Melibee" are examined from new perspectives. The topography of the Holy Lands appears both as a set of emotional sites, depicted in the Prick of Conscience in its account of the end of the world, and as co-ordinates in the cultural imaginary of medieval the wine-trade. Grendel's mother emerges as the invisible and unavowable centre of male heroic culture in Beowulf, and the fourteenth-century St Erkenwald is brought into contact with the community-building project of the medieval death investigation. Finally, the late medieval Speculum Christiani is revealed to be a work with deep aesthetic investments when read through the framework of how its medieval scribes encountered and shaped that work.

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An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English Studies New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe. Essays in this volume trace institutional histories, examining the textual and memorial practices of religious institutions across the British Isles; explore language games that play with meaning in Anglo-French poetry; examine the interplay of form and matter in Italian song; position Old Norse sagas in an ecocritical and a postcolonial framework; consider the impact of papal politics on Middle English poetry; and read allegorical poetry as a privileged site for asking fundamental questions about the nature of the mind. Texts discussed include lives of St Aebbe of Coldingham, with a focus on the twelfth-century Latin Vita and its afterlives; a range of Latin and vernacular works associated with institutional houses, including the Vie de Edmund le rei by Denis Piramus and the Ecclesiastical History of Orderic Vitalis; both the didactic and lyrical writings of Walter de Bibbesworth; the trecento Italian caccia, especially examples by Vincenzo da Rimini and Lorenzo Masini;Bárðar saga, Egils saga, and other Old Norse works that reveal the traces of encounters with a racial other; John Gower's Confessio Amantis, in striking juxtaposition with late-medieval accounts of ecclesiastical crisis; and Alain Chartier's Livre de l'Espérance. PHILIP KNOX Is University Lecturer in English and Fellow of Trinity College, Cambridge; KELLIE ROBERTSON is Professor of English and Comparative Literature at theUniversity of Maryland; WENDY SCASE is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford. Contributors: Daisy Delogu, Thomas Hinton, Thomas O'Donnell, Daniel Remein, Jamie L. Reuland, Zachary Stone, Christiania Whitehead.

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