Search results for ""author philip gerard""

Notable events of the 1950s in North Carolina, the second book in this North Carolina history series.This book is the second in a series of small, richly illustrated books about North Carolina history through the decades. Originally published as hugely popular serialized articles for Our State magazine, this book chronicles events in North Carolina in the 1950s—a decade which began with a postwar boom in transportation, travel, and progress while some North Carolinians also began to speak out for their rightful piece of prosperity and freedom. The volume is not a textbook overview of the state’s history. Rather, each chapter focuses on a lively and illuminating set of events in the era such as the fight for recognition by the Lumbee Tribe, the opening of an art museum with a collection owned by the people of North Carolina, the formation of Research Triangle Park, and the birth of the civil rights era at a small lunch counter.The book contains color vintage photographs and illustrations. The author—writer, professor, and musician, Philip Gerard—has published widely, including an iconic novel about the Wilmington coup of 1898, Cape Fear Rising, and is beloved in North Carolina, especially among Our State readers.

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This book is the first in a series of small, richly illustrated books about North Carolina history through the decades. Originally published as hugely popular serialized articles for Our State magazine, this book chronicles events in North Carolina in the 1940s—a decade which began with the state gearing up for war just as the last formerly enslaved person passed away. The volume is not a textbook overview of the state’s history. Rather, each chapter focuses on a lively and illuminating set of events in the era, such as the music explosion around John Coltrane and Thelonious Monk in the eastern part of the state and Earl Scruggs and traditional string band music in the west, the polio pandemic, shipbuilding in wartime, a harsh era of hurricanes and floods, as well as tobacco as the king of the farming and industrial sectors. The book contains color vintage photographs and illustrations. The author, writer, professor, and musician, Philip Gerard, has published widely, including an iconic novel about the Wilmington coup of 1898, Cape Fear Rising, and is beloved in North Carolina, especially among Our State readers.

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All writers conduct research. For some this means poring over records and combing, archives but for many creative writers research happens in the everyday world when they scribble an observation on the subway, when they travel to get the feel for a city, or when they strike up a conversation with an interesting stranger.The Art of Creative Research helps writers take this natural inclination to explore and observe and turn it into a workable and enjoyable research plan. It shows that research shouldn't be seen as a dry, plodding aspect of writing. Instead, it's an art that all writers can master, one that unearths surprises and fuels imagination. This lends authenticity to fiction and poetry as well as nonfiction. Philip Gerard distills the process into fundamental questions: How do you conduct research? And what can you do with the information you gather? He covers both in-person research and work in archives and illustrates how the different types of research can be incorporated into stories, poems, and essays using examples from a wide range of writers in addition to those from his own projects. Throughout, Gerard brings knowledge from his seasoned background into play, drawing on his experiences as a reporter and a writer of both fiction and nonfiction. His enthusiasm for adventure is infectious and will inspire writers to step away from the keyboard and into the world. "Research can take you to that golden intersection where the personal meets the public, the private crosses the universal, where the best literature lives," Gerard writes. With his masterly guidance, anyone can become an expert in artful investigation.

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In Down the Wild Cape Fear, novelist and nonfiction writer Philip Gerard invites readers onto the fabled waters of the Cape Fear River and guides them on the 200-mile voyage from the confluence of the Deep and Haw Rivers at Mermaid Point all the way to the Cape of Fear on Bald Head Island. Accompanying the author by canoe and powerboat are a cadre of people passionate about the river, among them a river guide, a photographer, a biologist, a river keeper, and a boat captain. Historical voices also lend their wisdom to our understanding of this river, which has been a main artery of commerce, culture, settlement, and war for the entire region since it was first discovered by Verrazzano in 1524. Gerard explores the myriad environmental and political issues being played out along the waters of the Cape Fear. These include commerce and environmental stewardship, wilderness and development, suburban sprawl and the decline and renaissance of inner cities, and private rights versus the public good.

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As we enter the third decade of the twenty-first century, the world is undergoing a major historical shift: Africa, and the Global South more generally, is increasingly becoming a principal theatre in which the future of the planet plays itself out. But not only this: Africa is at the same time emerging as one of the great laboratories for novel forms of social, economic, political, intellectual, cultural, and artistic life. Often arising in unexpected places, these new forms of life materialize in practices that draw deeply from collective memory while simultaneously assuming distinctly contemporary, even futuristic, guises. In November 2017, the second session of the Ateliers de la pensée – Workshops of Thought – was held in Dakar, Senegal. Fifty African and diasporic intellectuals and artists participated and their debates unfolded along numerous thematic lines, approached from the standpoints of many different disciplines. This volume is the result of that encounter. Among the many topics discussed were the concurrence and entanglement of multiple temporalities, the politics of life in the Anthropocene, the project of decolonization, and the preservation and transmission of different ways of knowing. At a time when the world is haunted by the specter of its own end, the contributors to this volume ask whether one can, by taking Africa as a point of departure, seize hold of other options for the future – not only for Africa, but for the world. The Politics of Time and its companion volume, To Write the Africa World, will be indispensable works for anyone interested in Africa – its past, present, and future – and in the new forms of critical thought emerging from Africa and the Global South.

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As we enter the third decade of the twenty-first century, the world is undergoing a major historical shift: Africa, and the Global South more generally, is increasingly becoming a principal theatre in which the future of the planet plays itself out. But not only this: Africa is at the same time emerging as one of the great laboratories for novel forms of social, economic, political, intellectual, cultural, and artistic life. Often arising in unexpected places, these new forms of life materialize in practices that draw deeply from collective memory while simultaneously assuming distinctly contemporary, even futuristic, guises. In November 2017, the second session of the Ateliers de la pensée – Workshops of Thought – was held in Dakar, Senegal. Fifty African and diasporic intellectuals and artists participated and their debates unfolded along numerous thematic lines, approached from the standpoints of many different disciplines. This volume is the result of that encounter. Among the many topics discussed were the concurrence and entanglement of multiple temporalities, the politics of life in the Anthropocene, the project of decolonization, and the preservation and transmission of different ways of knowing. At a time when the world is haunted by the specter of its own end, the contributors to this volume ask whether one can, by taking Africa as a point of departure, seize hold of other options for the future – not only for Africa, but for the world. The Politics of Time and its companion volume, To Write the Africa World, will be indispensable works for anyone interested in Africa – its past, present, and future – and in the new forms of critical thought emerging from Africa and the Global South.

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