Search results for ""author petronius""

Petronius lived during the reign of the notorious emperor Nero, a writer in a decadent empire, and in Frederic Raphael he finds a translator who brings his words vividly alive. Petronius' Rome is not the noble civilisation of classical ideals; his Romans are lascivious, amoral and stylish, inhabiting a louche world of ostentatious, nouveau riche extravagance and flirtation with the seductive menace of the Roman underclass. In Raphael's hands, the "Satyrica" becomes a modern novel, Petronius a contemporary. Freed of the weight of classical decorum, the "Satyrica" is racily subversive, scandalously entertaining. This work, writes Raphael, has always been excluded from the curriculum: it offers no improving pieties. Petronius' - and Raphael's - ancient Rome is recognisably the city of Pasolini and Fellini as much as of Virgil.

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This new Satyricon features not only a lively, new, annotated translation of the text, but fresh and accessible commentaries that discuss Petronius' masterpiece in terms of such topics as the identity of the author, the transmission of his manuscript, literary influences on the Satyricon, and the distinctive literary form of this work—as well as such features of Roman life as oratory, sexual practices, households, dinner parties, religion, and philosophy. It offers, in short, a remarkably informative and engaging account of major aspects of Imperial Roman culture as seen through the prism of our first extant novel.

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Documenting the colourful escapades of the former gladiator Encolpius and his less than faithful lover Giton, the "Satyricon" plunges the reader into the lives of ordinary Roman citizens, vividly revealing the Empire's seamy underbelly. A host of unforgettable characters are satirically presented, such as Trimalchio, the pretentious parvenu host, in a memorable banquet scene, the lascivious priestess Quartilla and the narrator's unreliable, roguish friend Ascyltus. Sometimes referred to as the first novel - although surviving only in fragments - this bawdy, picaresque and surprisingly modern narrative is considered one of the founding masterpieces of Western literature.

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The Satyricon is one of the most outrageous and strikingly modern works to have survived from the ancient world. Most likely written by an advisor of Nero, it recounts the adventures of Encolpius and his companions as they travel around Italy, encountering courtesans, priestesses, con men, brothel-keepers, pompous professors ­and, above all, Trimalchio, the nouveau riche millionaire whose debauched feasting and pretentious vulgarity make him one of the great comic characters in literature. Estimated to date from 63 - 65 AD, and only surviving in fragments, The Satyricon nevertheless offers an unmatched satirical portrait of the age of Nero, in all its excesses and chaos.

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Two rollicking Roman satires.The Satyrica (Satyricon liber), a comic-picaresque fiction in prose and verse traditionally attributed to the Neronian Petronius (d. AD 66) but possibly of Flavian or Trajanic date, survives only as fragments of a much larger whole. It takes the form of a first-person narrative by the endearing ne’er-do-well Encolpius, a brilliant storyteller, parodist, and mimic who recalls episodes from his past life as a wandering bohemian, living by his wits on the margins of society in Greek southern Italy and encountering a vividly realized array of characters from the early imperial demimonde, including the wealthy freedman Trimalchio, one of the most unforgettable characters in all of Latin literature.Paired with the Satyrica, and likewise in prose and verse, is the Apocolocyntosis (Pumpkinification), a short satirical pamphlet lampooning the death, apotheosis, and attempt to enter heaven of the emperor Claudius (reigned 41–54). If the work of Lucius Annaeus Seneca (4 BC–AD 65), better known for his austere Stoic moralism, its sarcastic wit and rollicking humor were no doubt inspired by bitterness over his exile at Claudius’ hands in 41–49.For this Loeb edition the Latin texts have been freshly edited and translated, with ample introductions and explanatory notes.

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Perhaps the strangest—and most strikingly modern—work to survive from the ancient world, The Satyricon relates the hilarious mock epic adventures of the impotent Encolpius, and his struggle to regain virility. Here Petronius brilliantly brings to life the courtesans, legacy-hunters, pompous professors and dissolute priestesses of the age - and, above all, Trimalchio, the archetypal self-made millionaire whose pretentious vulgarity on an insanely grand scale makes him one of the great comic characters in literature. Seneca's The Apocolocyntosis, a malicious skit on 'the deification of Claudius the Clod', was designed by the author to ingratiate himself with Nero, who was Claudius' successor. Together, the two provide a powerful insight into a darkly fascinating period of Roman history.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics

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