Search results for ""author paul vincent""

`I was born in Belgium, I’m Belgian. / But Belgium was never born in me.’ So writes Leonard Nolens in `Place and Date’, which captures a mood of political and social disillusionment amid a generation of Dutch-speaking Belgians. And throughout this selection we encounter a poet engaged with the question of national identity. Frequently the poet moves into that risky terrain, the firstperson plural, in which he speaks as and for a generation of Flemings, embodying an attitude towards artistic and political commitment that he considers its defining mark. `We curled up dejectedly in the spare wheel of May sixtyeight’, he writes in the selection’s central sequence `Breach’. Nolens’ poetry is haunted by giants of twentieth-century European lyricism, by Rilke, Valéry, Neruda, Mandelstam and Celan, with whom he has arguably more affinity than with much poetry from the Dutch-language canon.

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Thirty-year-old Theresa Pellikaan is typical of the wealthy middle classes - with her respectable background, successful husband and house in an apparently sleepy, yet powerful, rich village. She works in a gallery, also typical of her type. When her former schoolmate Ruth Ackermann, brought up in the same village, makes waves with an international bestseller, but none of the villagers ever mention her achievement, not even the literary circle of Theresa's father, famous civil rights scholar Randolf Pellikaan, Theresa begins to wonder why. It can't only be because it's not 'literature'. It emerges that there is a dark secret in the village. Every member of the book club has a reason to keep quiet and Ruth Ackerman's novel threatens to bring the past into the present, with devastating results. Unable to cope with the silence, Theresa investigates, no matter the consequences.

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In this volume Paul Vincent presents a compelling collection of prose fiction, memoirs and anecdotes centring on Amsterdam from the seventeenth to the twenty-first century. His selection offers a rare insight into the history and culture of the city. The subjects range from Rembrandt to the persecution of the Jews in World War 2, from barricades in a working-class district during the Depression to a writer's unhealthy obsession with a massage parlour. These eighteen newly-translated tales give the reader, and the traveller, a tantalizing glimpse of the Amsterdam that lies beyond the tourist guidebooks.

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The Flemish writer Dani?l Robberechts (1937-1992) refused to identify his books as novels, stories, or essays, according them all equal status as, simply, writing. This liberation from genre gives his work, for all its apparent simplicity, an elusive, hypnotic quality, and no more so than in his debut, "Arriving in Avignon," which records a young man's first encounter with that labyrinthine city, and his likewise meandering relationship with a girl from his home town-and indeed virtually every woman he meets. Hesistant and cautious, unable quite to enter nor turn away, the young man seems to circle Avignon endlessly, in the process attempting to delay his inevitable descent into maturity and monogamy. What seems at first like a cross between a memoir and a guidebook comes in time to be the story of a young man's dogged yet futile quest to know his own mind-unless it's the ancient city of Avignon itself that is our real protagonist: a mystery that can be approached, but never wholly solved.

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Following in the footsteps of Celine and Joyce, and anticipating the gritty worldview of Burroughs and Bukowski . . .

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'I am holding on to that summer, not just in my thoughts but with my whole body, from my numb fingers down to my toes. The summer when the river was ours, and so was the boathouse, the city, the meadows and the reeds at the water's edge. Happiness only exists when you can touch it and I held it, I'm still holding it, that summer of 1939, now, here tonight.'Two young oarsmen are trained as a coxless pair by a mysterious German coach in the golden summer of pre-war Amsterdam. Through the pressure and rapture of physical exertion, teamwork and victory, Anton the shy outsider and calmly self-confident David, forge an intense relationship while the grim developments on the world stage remain at a great distance. But on the wintry eve of Holland's liberation, Anton stands on the bank of his beloved river and mourns a lost world: David has disappeared and the boathouse is now derelict and deserted . . .

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