Search results for ""author paul tremblay""

A haunting collection of short fiction from the bestselling author of The Pallbearers Club, A Head Full of Ghosts, and The Cabin at the End of the World. Paul Tremblay has won widespread acclaim for illuminating the dark horrors of the mind in novels and stories that push the boundaries of storytelling itself. The fifteen pieces in this brilliant collection, The Beast You Are, are all monsters of a kind, ready to loudly (and lovingly) smash through your head and into your heart. In "The Dead Thing," a middle-schooler struggles to deal with the aftermath of her parents' substance addictions and split. One day, her little brother claims he found a shoebox with "the dead thing" inside. He won't show it to her and he won't let the box out of his sight. In "The Last Conversation," a person wakes in a sterile, white room and begins to receive instructions via intercom from a woman named Anne. When they are finally allowed to leave the room to complete a task, what they find is as shocking as it is heartbreaking. The title novella, "The Beast You Are," is a mini epic in which the destinies and secrets of a village, a dog, and a cat are intertwined with a giant monster that returns to wreak havoc every thirty years. A masterpiece of literary horror and psychological suspense, The Beast You Are is a fearlessly imagined collection from one of the most electrifying and innovative writers working today.

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The monster at the heart of a cult 90s cursed horror film tells his shocking and bloody secret history. Slow burn terror meets high-stakes showdowns, from the bestselling author of A Head Full of Ghosts and The Cabin at the End of the World.

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Late one summer night, Elizabeth Sanderson receives the devastating news that every mother fears: her 13-year-old son, Tommy, has vanished in the woods of a local park. Riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. As the search grows more desperate, and the implications of what happened become more haunting and sinister, no one is prepared for the shocking truth about that night.

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The monster at the heart of a cult 90s cursed horror film tells his shocking and bloody secret history. Slow burn terror meets high-stakes showdowns, from the bestselling author of A Head Full of Ghosts and The Cabin at the End of the World.

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A chilling collection of psychological suspense and literary horror from the multiple award-winning author of the national bestseller The Cabin at the End of the World and A Head Full of Ghosts. A thrilling new collection from the award-winning author of A Head Full of Ghosts and The Cabin at the End of the World bringing his short stories to the UK for the first time. Unearth nineteen tales of suspense and literary horror, including a new story from the world of A Head Full of Ghosts, that offer a terrifying glimpse into Tremblay's fantastically fertile imagination. See a school class haunted by a life-changing video, the forces at work on four men fleeing the pawn shop they robbed at gunpoint, the meth addict kidnapping her daughter as the town is terrorized by a giant monster, or the woman facing all the ghosts who scare her most in a Choose Your Own Adventure. Intricate, humane, ingenious and chilling, embrace the Growing Things.

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The Stoker Award-winning, taut and propulsive twist on home invasion horror, packed psychological suspense. Soon to be a major film, Knock At the Cabin, directed by M. Night Shyamalan. Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake, with their closest neighbours more than two miles in either direction. As Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young and friendly. Leonard and Wen talk and play until Leonard abruptly apologises and tells Wen, "None of what's going to happen is your fault". Three more strangers arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out, "Your dads won't want to let us in, Wen. But they have to. We need your help to save the world." So begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are intertwined.

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The lives of the Barretts, a suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to halt Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help, and soon find themselves the unwitting stars of The Possession, a hit reality television show.Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls the terrifying events that took place when she was just eight years old, long-buried secrets and painful memories begin to surface-and a mind-bending tale of psychological horror is unleashed.

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The Stoker Award-winning, taut and propulsive twist on home invasion horror, packed psychological suspense. Soon to be a major film, Knock At the Cabin, directed by M. Night Shyamalan. Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake, with their closest neighbours more than two miles in either direction. As Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young and friendly. Leonard and Wen talk and play until Leonard abruptly apologises and tells Wen, "None of what's going to happen is your fault". Three more strangers arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won't want to let us in, Wen. But they have to. We need your help to save the world." So begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are intertwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay. Soon to be a major film. Knock at the Cabin, directed by M. Knight Shyamalan and startting Dave Bautista, Jonathan Groff, Rupert Grint and Nikki Amuka-Bird.

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"Delightfully morbid and surprisingly emotional" —The New York Times A chilling and twisty horror of toxic friendships, punk rock and vampire parasites from the Bram Stoker award-winning modern master of horror and author of The Cabin at the End of the World and A Head Full of Ghosts. 1988, and puberty has hit Art Barbara hard - he's a painfully socially awkward teenager, underweight, acne-ridden, and bent crooked by scoliosis. Worse, he has no extra credits to get him into college. So Art starts the Pallbearers’ Club, dedicated to mourning the homeless and lonely – the people with no one else to bury them. It might be a small club, unpopular and morbid, but it introduces Art to Mercy Brown, who is into bands, local history, folklore and digging up the dead. Decades later, Art is writing his memoir to try and make sense of it all, because nothing about Mercy is simple. It’s all a matter of trust, right? Their friendship twists and coils around the pair of them, captured in Polaroid snapshots and sweaty gigs and the freaky, inexplicable flashes of nightmare that lurk in a folded jacket at night. Because Art is writing his memoir to make sense of it all, but Mercy is reading it too. Mercy thinks Art’s novel – because this isn’t a memoir – needs some work, and she’s more than happy to set the record straight. What if Art didn’t get everything right? Come on, Art, you can’t tell just one side of the story… Seamlessly blurring the lines between fiction and memory, the supernatural and the mundane, The Pallbearers Club is an immersive, suspenseful portrait of an unforgettable and unsettling friendship.

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This omnibus brings Paul Tremblay's debut novels - classic noirs, The Little Sleep and No Sleep Till Wonderland - back in to print for the first time in over 10 years. Darkly comedic and carrying all the hallmarks of Tremblay's later work, they introduce Mark Genevich, a narcoleptic detective operating out of his mom's apartment in South Boston. In THE LITTLE SLEEP, Genevich is hired to identify the girl in a couple of photos - except the girl looks a lot like the reality TV star and DA's daughter, and he can't remember who gave him the job because he was asleep at the time. Wrangling deception, intrigue, cataleptic hallucinations and a body that could fall asleep at any moment Genevich follows the trail that leads him into his own family history, and his memories of his dear departed father. NO SLEEP TILL WONDERLAND sees Genevich dropping out, forced into group therapy by his landlord mother or face eviction. His new friend, Gus, finds out he's a PI and asks him to help find a local suit's lover. But soon Genevich is pulled into events over his head - rescuing a child from a burning house, maybe?; drug deals with a local bouncer and dealer; possibly getting a girlfriend. But solving mysteries is what Genevich does, starting with the mystery of what happened to him whilst he was asleep...

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A riveting novel of suspense and terror from the Bram Stoker award-winning author of The Cabin at the End of the World and A Head Full of Ghosts. When it happens, it happens quickly. New England is locked down, a strict curfew the only way to stem the wildfire spread of a rabies-like virus. The hospitals cannot cope with the infected, as the pathogen’s ferociously quick incubation period overwhelms the state. The veneer of civilisation is breaking down as people live in fear of everyone around them. Staying inside is the only way to keep safe. But paediatrician Ramola Sherman can’t stay safe, when her friend Natalie calls – her husband is dead, she’s eight months pregnant, and she’s been bitten. She is thrust into a desperate race to bring Natalie and her unborn child to a hospital, to try and save both their lives. Their once familiar home has becoming a violent and strange place, twisted in to a barely recognisable landscape. What should have been a simple, joyous journey becomes a brutal trial.

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