Search results for ""author paul kildea""

Chopin’s Piano traces the history of Frédéric Chopin’s twenty-four Preludes through the instruments on which they were played, the pianists who interpreted them, and the traditions they came to represent. Yet it begins and ends with Chopin’s Mallorquin pianino, which the great keyboard player Wanda Landowska rescued from an abandoned monastery at Valldemossa in 1913—and which assumed an astonishing cultural potency during the Second World War as it became, for the Nazis, a symbol of the man and music they were determined to appropriate as their own. In scintillating prose, and with an eye for exquisite detail, Paul Kildea beautifully interweaves these narratives, which comprise a journey through musical Romanticism—one that illuminates how art is transmitted, interpreted, and appropriated over the ages.

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In November 1838, Frédéric Chopin, George Sand, and her two children sailed to Majorca to escape the Parisian winter. They settled in an abandoned monastery at Valldemossa in the mountains above Palma where Chopin finished what would eventually be recognized as one of the great and revolutionary works of musical Romanticism: his twenty-four Preludes. There was scarcely a decent piano on the island (these were still early days in the evolution of the modern instrument), so Chopin worked on a small pianino made by a local craftsman, Juan Bauza, which remained in their monastic cell for seventy years after he and Sand had left. Chopin’s Piano traces the history of Chopin’s twenty-four Preludes through the instruments on which they were played, the pianists who interpreted them, and the traditions they came to represent. Yet it begins and ends with the Majorcan pianino, which assumed an astonishing cultural potency during the Second World War as it became, for the Nazis, a symbol of the man and music they were determined to appropriate as their own. After Chopin, the unexpected hero of Chopin’s Piano is the great keyboard player Wanda Landowska, who rescued the pianino from Valldemossa in 1913, and who would later become one of the most influential artistic figures of the twentieth century. Paul Kildea shows how her story—a compelling account based for the first time on her private papers—resonates with Chopin’s, simultaneously distilling part of the cultural and political history of mid-twentieth century Europe and the United States. After Landowska’s flight to America from Paris, which the Germans would occupy only days later, her possessions—including her rare music manuscripts and beloved keyboards—were seized by the Nazis. Only some of these belongings survived the war; those that did were recovered by the Allied armies’ Monuments Men and restituted to Landowska’s house in France. In scintillating prose, and with an eye for exquisite detail, Kildea beautifully interweaves these narratives, which comprise a journey through musical Romanticism—one that illuminates how art is transmitted, interpreted, and appropriated between generations.

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Paul Kildea's Benjamin Britten: A Life in the Twentieth Century is the definitive biography of Britain's greatest modern composer - now in paperbackBenjamin Britten was Britain's greatest twentieth-century composer, who broke decisively with figures such as Elgar and Vaughan Williams and recreated English music in a fresh, modern, European form. Paul Kildea's biography has been acclaimed as the definitive account of Britten's extraordinary life, exploring his deeply held and controversial pacifism; his complex forty-year relationship with Peter Pears; and his creation of an artistic community in Aldeburgh. Above all, however, this book helps us understand the relationship of Britten's music to his life, and takes us as far into its unique alchemy as we are ever likely to go.PAUL KILDEA is a writer and conductor who has performed many of the Britten works he writes about, in opera houses and concert halls from Sydney to Hamburg. His previous books include Selling Britten (2002) and (as editor) Britten on Music (2003). He was Head of Music at the Aldeburgh Festival between 1999 and 2002 and subsequently Artistic Director of the Wigmore Hall in London, and lives in Berlin.'Must now rank as the standard work' Financial Times'Indispensable ... This is a masterly, highly readable account and the most comprehensive to date of the life and work of one of the 20th century's great musical figures' Barry Millington, Evening Standard'[A] wise, cautious, challenging book ... Kildea's verbal explorations of the music are done with level-headed sensitivity leavened by a quirky lightness of touch' Alexandra Harris, New Statesman

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'Beguiling ... Limpidly written, effortlessly learned' William Boyd, TLS, Books of the YearIn November 1838 Frédéric Chopin, George Sand and her two children sailed to Majorca to escape the Parisian winter. They settled in an abandoned monastery at Valldemossa in the mountains above Palma, where Chopin finished what would eventually be recognised as one of the great and revolutionary works of musical Romanticism - his 24 Preludes. There was scarcely a decent piano on the island (these were still early days in the evolution of the modern instrument), so Chopin worked on a small pianino made by a local craftsman, which remained in their monastic cell for seventy years after he and Sand had left.This brilliant and unclassifiable book traces the history of Chopin's 24 Preludes through the instruments on which they were played, the pianists who interpreted them and the traditions they came to represent. Yet it begins and ends with the Majorcan pianino, which during the Second World War assumed an astonishing cultural potency as it became, for the Nazis, a symbol of the man and music they were determined to appropriate as their own.The unexpected hero of the second part of the book is the great keyboard player and musical thinker Wanda Landowska, who rescued the pianino from Valldemossa in 1913, and who would later become one of the most influential musical figures of the twentieth century. Kildea shows how her story - a compelling account based for the first time on her private papers - resonates with Chopin's, while simultaneously distilling part of the cultural and political history of Europe and the United States in the central decades of the century. Kildea's beautifully interwoven narratives, part cultural history and part detective story, take us on an unexpected journey through musical Romanticism and allow us to reflect freshly on the changing meaning of music over time.

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