Search results for ""author paul auster""

Discover the works of Joe Brainard, whose quirky style earned him a reputation as a “recognizable American phenomenon” and “oddball classicist”—with a foreword by 4321 author Paul Auster (John Ashbery) An artist associated with the New York School of poets, Joe Brainard (1942-1994) was a wonderful writer whose one-of-a-kind autobiographical work I Remember has had a wide and growing influence. It is joined in this major new retrospective with many other pieces that for the first time present the full range of Brainard's writing in all its deadpan wit, madcap inventiveness, self-revealing frankness, and generosity of spirit. The Collected Writings of Joe Brainard gathers intimate journals, jottings, stories, one-liners, comic strips, mini-essays, and short plays, many of them available until now only as expensive rarities, if at all. “Brainard disarms us with the seemingly tossed-off, spontaneous nature of his writing and his stubborn refusal to accede to the pieties of self-importance,” writes Paul Auster in the introduction to this collection. “These little works . . . are not really about anything so much as what it means to be young, that hopeful, anarchic time when all horizons are open to us and the future appears to be without limits.” Assembled by the author’s longtime friend and biographer Ron Padgett and including fourteen previously unpublished works, here is a fresh and affordable way to rediscover a unique American artist.

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Encuadernación: RústicaColección: LB Biblio autor

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Una inquietante novela sobre el límite entre la realidad y la ficción, sobre la mentira, el deseo y el amor. En 1967, Adam Walker estudia en la Universidad de Columbia. Una noche, conoce a Rudolf y Margot. Rudolf, le ofrece a Adam la dirección de una revista. Adam sospecha que quizá sea un hombre peligroso, pero no puede resistirse a su oferta.

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El único hecho inmutable en la vida de Ferguson es que nació el 3 de marzo de 1947 en Newark, Nueva Jersey. A partir de ese momento, varios caminos se abrirán ante él y le llevarán a vivir cuatro vidas completamente distintas, a crecer y a explorar de formas diferentes el amor, la amistad, la familia, el arte, la política e incluso la muerte, con algunos de los acontecimientos que han marcado la segunda mitad del siglo XX americano como telón de fondo.Y si hubieras tomado un camino diferente en un momento crucial de tu vida? En 4 3 2 1, su primera novela después de siete años, Paul Auster explora de forma magistral los límites del azar y las consecuencias de nuestras decisiones. Porque todo suceso, por mínimo que parezca, abre unos caminos y cierra otros.Siento que he estado preparándome toda la vida para escribir este libro, reconocía el autor de La trilogía de Nueva York en una entrevista con el director de cine Wim Wenders. Acogida por los medios como la m

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White Spaces gathers the poetry and prose of Paul Auster from various small-press books issued throughout the seventies. These early poetic works are crucial for understanding the evolution of Auster’s writing. Taut, lyrical, and always informed by a powerful and subtle music, his poems begin with basics—a swallow’s egg, stones, roots, thistle, “the glacial rose”—and push language to the breaking point. As Robert Creeley wrote, “The enduring power of these early poems is their moving address to a world all too elusive, too fragmented, and too bitterly transient.” Auster’s poems are grounded in a physical utterance that is at once an exploration of the mind and of the world. This collection begins with compact verse fragments from Spokes (originally published in Poetry, 1971) and goes through Auster’s marvelous later collections including Wall Writing (The Figures, 1976), Facing the Music (Parenthese, 1979), and White Spaces (Station Hill, 1980).

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This volume of Paul Auster's collected novels includes Travels in the Scriptorium, Man in the Dark, Invisible and Sunset Park.

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Sinuously constructed in four interlocking parts, Invisible opens in New York City in the spring of 1967 when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University meets the enigmatic Frenchman Rudolf Born, and his silent and seductive girlfriend Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.Three different narrators tell the story, as it travels in time from 1967 to 2007 and moves from New York to Paris and to a remote Caribbean island in a story of unbridled sexual hunger and a relentless quest for justice.With uncompromising insight, Auster takes us to the shadowy borderland between truth and memory, authorship and identity to produce a work of unforgettable power that confirms his reputation as one of America's most spectacularly inventive writers.

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An old man sits in a room, with a single door and window, a bed, a desk and a chair. Each day he awakes with no memory, unsure of whether or not he is locked into the room. Attached to the few objects around him are one-word, hand-written, labels and on the desk is a series of vaguely familiar black-and-white photgraphs and four piles of paper. Then a middle-aged woman called Anna enters and talks of pills and treatment, but also of love and promises.Who is this Mr Blank, and what is his fate? What does Anna represent from his past - and will he have enough time to ever make sense of the clues that arise? After the huge success of The Brooklyn Follies, Travels in the Scriptorium sees Auster return to more metaphysical territory. A dark puzzle, and a game that implicates both reader and writer alike, it is an ingenious exploration of language, responsibility and the passage of time.

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Meet Mr Bones, the canine hero of Paul Auster's remarkable novel. Bones is the sidekick of Willy G. Christmas, a brilliant but troubled poet-saint from Brooklyn. Together they sally forth across America to Baltimore, Maryland, on one last great adventure, searching for Willy's old teacher, Bea Swanson. Years have passed since Willy last saw his beloved mentor, who used to know him as William Gurevitch, son of Polish war refugees. But is Mrs Swanson still alive? And if not, what will prevent Willy from vanishing into that other world known as Timbuktu? 'In this brilliant novel, Auster writes with economy, precision and the quirky pathos of noir, addressing the pernicious ubiquity of American consumerism, the nature of love and the core riddles of ontology. Above all, though, this is the affecting tale of a special dog's place in the universe of humans and in the fleeting life of a special man.' Publishers Weekly

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In this acrobatic and virtuosic collection, Paul Auster traces the compulsion to make literature. In a selection of interviews, as well as in the essay 'The Red Notebook' itself, Auster reflects upon his own work, on the need to break down the boundary between living and writing, and on the use of certain genre conventions to penetrate matters of memory and identity. The Red Notebook both illuminates and undermines our accepted notions about literature, and guides us towards a finer understanding of the dangerously high stakes involved in writing. It also includes Paul Auster's impassioned essay 'A Prayer for Salman Rushdie', as well as a set of striking and bittersweet reminiscences collected under the apposite title, 'Why Write?'

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Remarkably powerful.' Washington PostA compelling polemic, dismaying and often moving.' Jake Kerridge, Daily TelegraphNo issue divides Americans more deeply than the debate around guns. Paul Auster begins his examination of gun violence by looking into his own past, knowing first-hand how families can be wrecked by a single deadly act.Bloodbath Nation traces the origins of America's obsession with guns through one hundred and eighty years of history. The armed conflict against the native population and the brutal methods used to protect the institution of slavery created a nation that has never fully come to terms with its own past.This fraught heritage still hovers over the social and political landscape of the present moment. Change is necessary but it seems all but impossible. Auster asks the ultimate question: what kind of country do Americans want to live in? The answer, he argues, will not come fr

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The Book of Illusions, written with breath-taking urgency and precision, plunges the reader into a universe in which the comic and the tragic, the real and the imagined, and the violent and the tender dissolve into one another. One man's obsession with the mysterious life of a silent film star takes him on a journey into a shadow-world of lies, illusions, and unexpected love. After losing his wife and young sons in a plane crash, Vermont professor David Zimmer spends his waking hours mired in grief. Then, watching television one night, he stumbles upon a lost film by silent comedian Hector Mann, and remembers how to laugh . . .Mann was a comic genius, in trademark white suit and fluttering black moustache. But one morning in 1929 he walked out of his house and was never heard from again. Zimmer's obsession with Mann drives him to publish a study of his work; whereupon he receives a letter postmarked New Mexico, supposedly written by Mann's wife, and inviting him to visit the great Mann himself. Can Hector Mann be alive? Zimmer cannot decide - until a strange woman appears on his doorstep and makes the decision for him, changing his life forever.'A nearly flawless work . . . Auster will be remembered as one of the great writers of our time.' San Francisco Chronicle 'Auster's elegant, finely calibrated The Book of Illusions is a haunting feat of intellectual gamesmanship.' TheNew York Times

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'I was looking for a quiet place to die. Someone recommended Brooklyn, and so the next morning I travelled down there from Westchester to scope out the terrain . . .'So begins Paul Auster's remarkable new novel, The Brooklyn Follies. Set against the backdrop of the contested US election of 2000, it tells the story of Nathan and Tom, an uncle and nephew double-act. One in remission from lung cancer, divorced, and estranged from his only daughter, the other hiding away from his once-promising academic career, and, indeed, from life in general.Having accidentally ended up in the same Brooklyn neighbourhood, they discover a community teeming with life and passion. When Lucy, a little girl who refuses to speak, comes into their lives, there is suddenly a bridge from their pasts that offers them the possibility of redemption. Infused with character, mystery and humour, these lives intertwine and become bound together as Auster brilliantly explores the wider terrain of contemporary America - a crucible of broken dreams and of human folly. 'Auster at the top of his game. This superb novel about human folly turns out to be tremendously wise.' New Statesman

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'Six days ago, a man blew himself up by the side of a road in northern Wisconsin . . .'The explosion that detonates the narrative of Paul Auster's remarkable novel also ends the life of its hero, Benjamin Sachs, and brings two FBI agents to the home of one of Sachs's oldest friends, the writer Peter Aaron. What follows is Aaron's story, an intricate, subtle and gripping investigation of another man's life in all its richness and complexity. Combining an investigation of freedom and terrorism with all the tension, mystery and allusive richness familiar from Auster's The New York Trilogy or Sunset Park, Leviathan is an unmissable addition to the canon of 'one of America's most spectacularly inventive writers.' (Times Literary Supplement)'[A] Brownian motion experiment of a plot - chock-a-block with identity-swaps, sideways sweeps and lateral leaps.' Observer

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'That is how it works in the City. Every time you think you know the answer to a question, you discover that the question makes no sense . . .'This is the story of Anna Blume and her journey to find her lost brother, William, in the unnamed City. Like the City itself, however, it is a journey that is doomed, and so all that is left is Anna's unwritten account of what happened.Paul Auster takes us to an unspecified and devastated world in which the self disappears amidst the horrors that surround us. But this is not just an imaginary, futuristic world: like the settings of Kafka stories, it is one that echoes our own, and in doing so addresses some of our darker legacies. In the Country of Last Things is a tense, psychological take on the dystopian novel. It continues Auster's deep exploration of his central themes: the modern city, the mysteries of storytelling, and the elusive and unstable nature of truth.

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The highly acclaimed graphic novel adaptation of Paul Auster's classic City of Glass, featuring a new introduction by Art Spiegelman.Quinn writes mysteries. The Washington Post has described him as a post-existentialist private eye. An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print.Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster's groundbreaking, Edgar Award-nominated masterwork, the first in the New York Trilogy, has been astonishingly transformed into a new visual language.[This graphic novel] is, surprisingly, not just a worthy supplement to the novel, but a work of art that fully justifies its existence on its own terms.--The Guardian

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Meses después del accidente en el que murieron su mujer y su hijo, David Zimmer, escritor y profesor en Vermont, escribe un libro sobre la única persona que ha conseguido devolverle la sonrisa, el actor de cine mudo Hector Mann, desaparecido décadas atrás.En la décima novela de Paul Auster, la narración de la vida de Hector Mann contada por Zimmer se mezcla con lo que le sucede al profesor y con la filmografía del actor, configurando potentes historias entrecruzadas que difuminan los límites entre la ficción y la realidad.

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And then it started, little by little it started, until they were married five years later and his real life began.''Exquisite ... A super-abundantly gifted, big-hearted novelist.'' Ian McEwan''A writer whose work shines with intelligence and originality.'' Don DeLilloThe life of Sy Baumgartner noted author, and soon-to-be retired philosophy professor has been defined by his deep, abiding love for his wife. Now Anna is gone, and Baumgartner is trying to live with her absence. But Anna's voice is everywhere still, in every spiral of memory and reminiscence, in each recalled episode of the passionate forty years they shared.Rich with feeling, wit and an eye for beauty in the smallest, most transient episodes of ordinary life, Baumgartner is a luminous work a tender final masterpiece from one of the world''s greatest writers.''A master.'' The TimesWhat readers are saying:**

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** WINNER OF THE L.A. TIMES BOOK PRIZE FOR BIOGRAPHY **'Exhilarating.' Joyce Carol Oates, Times Literary Supplement Books of the Year'Sharp-eyed and revealing.' The New Yorker'Brilliant . . . Remarkable.' New York Journal of BooksStephen Crane produced an avalanche of sublime literature before he succumbed to tuberculosis at the age of twenty-eight. Yet his short life was an eventful one: from crushing poverty as a newcomer to Manhattan and his near-drowning in a shipwreck, to his stint as a war correspondent in Cuba and international fame at twenty-five, to his final years in England and friendships with Joseph Conrad and Henry James. In Burning Boy, celebrated novelist Paul Auster delves deeply into the story of Crane's tumultuous and dramatic life.

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On March 3rd, 1947, Archibald Isaac Ferguson, the only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson's life will take four simultaneous paths. Four Fergusons will go on to lead four parallel and entirely different lives. Family fortunes diverge. Loves and friendships and passions contrast. Each version of Ferguson's story rushes across the fractured terrain of mid-twentieth century America, in this sweeping story of birthright and possibility, of love and the fullness of life itself.

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Oracle Night is a compulsively readable novel by 'one of the great writers of our time.' (San Francisco Chronicle). Several months into his recovery from a near-fatal illness, novelist Sidney Orr enters a stationery shop in Brooklyn and buys a blue notebook. It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and bewildering events that threaten to destroy his marriage and undermine his faith in reality.If The New York Trilogy was Paul Auster's detective story, his mesmerizing eleventh novel reads like an old-fashioned ghost story. But there are no ghosts in this book - only flesh-and-blood human beings, wandering through the haunted realms of everyday life. Oracle Night is a narrative tour de force that confirms Auster's reputation as one of the boldest, most original writers at work in America today. 'His old-fashioned art of creating suspense . . . which rivals M. R. James or Conan Doyle. In fact, Oracle Night is best read as a post-modern ghost story.' The Guardian

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Encuadernación: Rústica con solapas.Colección: Los tres mundos.Es escritor, traductor y cineasta. Es autor de los libros Jugada de presión (1982), escrito bajo el pseudónimo Paul Benjamin; La invención de la soledad (1982); La trilogía de Nueva York (1987), compuesta por las novelas Ciudad de cristal (1985), Fantasmas (1986) y La habitación cerrada (1986); El país de las últimas cosas (1987); El Palacio de la Luna (1989); La música del azar (1990); Pista de despegue (1990); Cuento de Navidad (1990); Leviatán (1992); El cuaderno rojo (1992); Mr. Vértigo (1994); A salto de mata (1997); Tombuctú (1999); Experimentos con la verdad (2000); El libro de las ilusiones (2002); Historia de mi máquina de escribir (2002); La noche del oráculo (2003); Brooklyn Follies (2005); Viajes por el Scriptorium (2006); Un hombre en la oscuridad (2008); Invisible (2009); Sunset Park (2010) y Winter Journal (2012); y de los guiones de las películas Smoke (1995) y Blue in the Face (1995), en cuya direcci

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