Search results for ""author nick walker""

A history, description and analysis of the Speed model family of cars made by Alvis Ltd 1932-40. These were and still are among the most desirable high-performance cars of their decade, and with their long, low build they inspired some of the most stylish coachwork of the era. In addition, they pioneered such major motor industry innovations as independent front suspension and an all-synchromesh gearbox. Starting with the Speed 20 of 1932, the author provides a highly detailed technical analysis of each model, covering every aspect of the chassis, running gear, engine and transmission, and going through the SA/SB/SC/SD Speed 20s, the 3 -litre, the Speed 25 and the ultimate expression of the marque, the 4.3. Each receives comprehensive treatment including information on differences from previous models, revisions, the range of bodies available from coachbuilders, performance and behaviour, and appearances in competition. There are also chapters on using the cars today and on the practicalities of ownership, with advice on parts availability, lubricants, maintenance and preservation. Illustrations include specially commissioned colour photography of five outstanding examples, along with archive photographs and Alvis publicity material.

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All car enthusiasts know, or think they know, what a vintage Bentley should look like. It should have a four-seater tourer body, and should be painted British Racing Green. But Bentleys weren't always like that. When these cars were new, other types of body by many different coachbuilders - saloons, limousines, fixed-head coupes, landaulets, cabriolets, drophead coupes, sedancas de ville - outnumbered the tourers and sports models. This book uses over 200 contemporary black-and-white illustrations and some 50 specially shot colour photographs to tell the story of Bentley coachwork during the 1920s, and up to 1931 when the company went into receivership. Each of the three classes of coachwork - saloons and limousines, drophead coupes, and tourers - is traced through that exciting decade.

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This book is a comprehensive illustrated study of coachbuilders and coachbuilding in Britain. The author sets the scene by describing advances in fashions and techniques of coachbuilding in separate chapters on the 1920s, 1930s and the postwar period. He then gives a unique illustrated A-Z coverage of more than 300 British coachbuilders. In addition, there is a chapter offering useful advice on assessing the condition and likely repair needs of a coachbuilt body today.

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Before World War II Aston Martin had made some stunning sports cars but had undergone numerous financial crises. The company was bought by David Brown in 1947, and in 1950 he launched the all-new DB2 with a brilliant engine designed by W.O. Bentley. The car was a sleek, beautiful and fast two-seater closed coupe of the highest pedigree and led to the highly successful DB3 and DB3S racers, which were entered by the works at Le Mans, Sebring and elsewhere, driven by star drivers from Stirling Moss to Roy Salvadori. All these Aston Martins are examined and analysed in detail here, with specially commissioned colour photography of seven outstanding examples of this rare, expensive and exotic breed of sporting motor car. The author is Librarian of the Vintage Sports Car Club and has written two previous titles in this series as well as the authoritative A-Z of British Coachbuilders. * Fully illustrated: with over 250 colour and black-and-white photographs * Models covered: DB1 1948-50, DB2 1950-53, DB2/4 1953-55, DB2/4 MkII 1955-57, DB2/4 MkIII 1957-59, plus Competition models DB3 1951-53 and DB3S 1953-56

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A history, description and analysis of the 3 1/2 and 4 1/2 Litre Bentleys built by Rolls-Royce during the 1930s following their surprise takeover of Bentley Motors early in the decade. Promoted as "the silent sports car", these cars proved to be an extraordinary success due to their performance and manners, the excellence of their engineering and construction, the wonderfully attractive coachwork offered on the Bentley chassis, and the association of the Bentley with the illustrious reputation of Rolls-Royce. After outlining the story of Bentley Motors and the Rolls-Royce takeover, the author gives a thoroughgoing account of Rolls-Royce's search for a car with which to relaunch Bentley before the earlier glories began to fade. Then he gives a highly detailed technical analysis of the 3 1/2 Litre, covering every aspect of the chassis, running gear, engine and transmission. This is followed by equivalent coverage of the succeeding 4 1/2 Litre and the short-lived Mark V. Each of these receives comprehensive treatment, including information on differences from previous models, revisions, the range of bodies available from coachbuilders, performance and behaviour, and appearances in competitive events. There are also chapters on using the cars today and on the practicalities of ownership, with advice on parts availability, maintenance and preservation. The 70 colour photographs, some of them specially commissioned, feature outstanding examples of the coachbuilder's art, and are backed up by some 140 images from the archives.

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Guitar Basics Sight-reading offers bite-sized exercises and specimen pieces to help young players improve their sight-reading and general musicianship skills in a fun and unintimidating manner. Carefully devised by established authors Nick Walker and James Longworth, this step-by-step approach will get players cruising through their sightreading before they know what’s happened! • Short and approachable exercises, ideal for use in individual and group lessons when time is of the essence • Unintimidating approach develops players’ skills gradually over time • Bespoke advice and practical tips that will help prepare students for the Grade 1 sight-reading tests (ABRSM and Trinity)

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Guitar Basics Teacher’s Book presents accompaniment parts for over 60 pieces in the best-selling Guitar Basics pupil’s book, plus helpful notes and tips for teachers. These materials were previously available on the pupil’s book ECD. Guitar Basics is a landmark method for young guitarists. It starts at absolute beginner level and progresses to Initial/Preparatory Grade. The method is set out in sixteen stages and contains original pieces and traditional tunes in an array of styles including classical, folk and world music as well as well-known favourites.

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Adorno’s lectures on ontology and dialectics from 1960–61 comprise his most sustained and systematic analysis of Heidegger’s philosophy. They also represent a continuation of a project that he shared with Walter Benjamin – ‘to demolish Heidegger’. Following the publication of the latter’s magnum opus Being and Time, and long before his notorious endorsement of Nazism at Freiburg University, both Adorno and Benjamin had already rejected Heidegger’s fundamental ontology. After his return to Germany from his exile in the United States, Adorno became Heidegger’s principal intellectual adversary, engaging more intensively with his work than with that of any other contemporary philosopher. Adorno regarded Heidegger as an extremely limited thinker and for that reason all the more dangerous. In these lectures, he highlights Heidegger’s increasing fixation with the concept of ontology to show that the doctrine of being can only truly be understood through a process of dialectical thinking. Rather than exploiting overt political denunciation, Adorno deftly highlights the connections between Heidegger’s philosophy and his political views and, in doing so, offers an alternative plea for enlightenment and rationality. These seminal lectures, in which Adorno dissects the thought of one of the most influential twentieth-century philosophers, will appeal to students and scholars in philosophy and critical theory and throughout the humanities and social sciences.

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Containing over forty pieces, Guitar Basics Repertoire offers a rich and varied mixture of folksongs from around the world (Aura Lee, Sakura), classical tunes (Bizet - March of the Kings, J. S. Bach - Minuet in G) and popular film music (including themes from Pirates of the Caribbean and Harry Potter), alongside evocative originals (Falling Leaves, Havana Goodtime, Samurai Sword, Tudor Dance) and established guitar repertoire by Sor and Carulli. Designed both to consolidate the areas of study covered in Guitar Basics and present new topics in the fun but clear style of the popular method book, Guitar Basics Repertoire introduces accidentals, moving up the neck, two part music, arpeggios and plucked chords, as well as fun extended techniques that even a beginner can master. Guitar Basics Repertoire contains both solo and ensemble pieces, backing tracks for many of which are available below, and is the perfect companion to Guitar Basics whether being used for group teaching or to prepare students for graded examinations. Both solo and ensemble repertoire is included, with backing tracks and teachers' parts for many pieces available to download online.

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Adorno’s lectures on ontology and dialectics from 1960–61 comprise his most sustained and systematic analysis of Heidegger’s philosophy. They also represent a continuation of a project that he shared with Walter Benjamin – ‘to demolish Heidegger’. Following the publication of the latter’s magnum opus Being and Time, and long before his notorious endorsement of Nazism at Freiburg University, both Adorno and Benjamin had already rejected Heidegger’s fundamental ontology. After his return to Germany from his exile in the United States, Adorno became Heidegger’s principal intellectual adversary, engaging more intensively with his work than with that of any other contemporary philosopher. Adorno regarded Heidegger as an extremely limited thinker and for that reason all the more dangerous. In these lectures, he highlights Heidegger’s increasing fixation with the concept of ontology to show that the doctrine of being can only truly be understood through a process of dialectical thinking. Rather than exploiting overt political denunciation, Adorno deftly highlights the connections between Heidegger’s philosophy and his political views and, in doing so, offers an alternative plea for enlightenment and rationality. These seminal lectures, in which Adorno dissects the thought of one of the most influential twentieth-century philosophers, will appeal to students and scholars in philosophy and critical theory and throughout the humanities and social sciences.

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Guitar Basics is a landmark method for young guitarists. It starts at absolute beginner level and progresses to Initial/Preparatory Grade. The method is set out in sixteen stages and contains original pieces and traditional tunes in an array of styles including classical, folk and world music as well as well-known favourite film and TV themes such as James Bond, Batman and The Flintstones. There is a thorough introduction to standard notation, with sections on chords and TAB, whilst ensemble pieces are ideal for group teaching, including ‘Wider Opportunities’. Accompaniment parts and teachers’ notes are available in Guitar Basics Teacher’s Book, and the fun backing tracks are available to download online. The companion book, Guitar Basics Repertoire, provides over 40 fun solos and ensemble pieces for both individual and group learning. It is designed to consolidate material learnt in the Guitar Basics Tutor and present new topics, including accidentals, moving up the neck, two-part music, arpeggios and plucked chords.

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