Search results for ""author neri"

Founded in 2004 and based in Shanghai and London, neri & hu design and research office works internationally providing architecture, interior, master planning, graphic, and product design services. They work on projects in many countries with a multi-cultural staff. This diversity emphasises the firm's vision to respond to a global worldview incorporating overlapping design disciplines. This first ever book on neri & hu design and research office documents a selection of their work in architecture and product design. With a lavishly illustrated beautiful design concept, it is structured in three sections: Buildings features seven renovation projects in Shanghai, complete refurbishments as well as interior redesigns. Products presents four designs for household goods and furniture. Projects documents ongoing and unrealized architectural work in Florida, London, Shanghai, and Kuala Lumpur. An introduction and a topical essay on renovation as well as an overview of neri & hu design and research office's projects to date round out the book. Lyndon Neri studied architecture at University of California, Berkeley, and Harvard Graduate School of Design. Before founding his own firm with Rossana Hu he has been working for more than ten years with Princeton-based Michael Graves & Associates and various architectural firms in New York. Rossana Hu studied architecture and music at University of California, Berkeley, and Princeton University. She worked with Michael Graves & Associates and Ralph Lerner Architect in Princeton; Skidmore, Owings & Merrill in New York; and The Architects Collaborative (TAC) in San Francisco before founding neri & hu design and research office.

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This engaging publication examines the prodigious body of work of American sculptor Manuel Neri (b. 1930) through the unique perspective of one of Neri’s former students. A near-contemporary of other notable California-based artists Richard Diebenkorn and Wayne Thiebaud, Neri is best known for his large-scale figurative sculptures that combine classical figuration with the dynamic mark-making of Abstract Expressionism. The book traces the compelling yet often contradictory thematic arcs of Neri’s powerful work and his greater impact on the field of sculpture. At the heart of the publication are Jock Reynolds’s personal reflections on Neri and his legacy as a teacher, adding insight and intimacy to the scholarly understanding of the artist. Photographs of Neri in his studio, archival images, and installation photos of the related exhibition at the Yale University Art Gallery round out the book. With its blend of art history and personal reflection, this unique book offers valuable insight into an important, understudied California artist. Distributed for the Yale University Art GalleryExhibition Schedule:Yale University Art Gallery (03/02/18–07/08/18)

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Founded in 2004 by partners Lyndon Neri and Rossana Hu, Neri&Hu Design and Research Office is an inter-disciplinary architectural design practice based in Shanghai, China. Neri&Hu works internationally providing architecture, interior, master planning, graphic, and product design services. Currently working on projects in many countries, Neri&Hu is composed of multi-cultural staff who speak over thirty different languages. The diversity of the team reinforces a core vision for the practice: to respond to a global worldview incorporating overlapping design disciplines for a new paradigm in architecture. This is the most comprehensive monograph of the studio’s work, featuring around thirty projects at all scales.With 404 illustrations

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Let Anne McCaffrey, storyteller extraordinare and New York Times and Sunday Times bestselling author, take you on a journey to a whole new world: Pern. A world of dragons and other worldly forces; a world of mighty power and ominous threat. If you like David Eddings, Brandon Sanderson and Douglas Adams, you will love this.'Anne McCaffrey, one of the queens of science fiction, knows exactly how to give her public what it wants' - THE TIMES'A delight' -- ***** Reader review'Enchanting' -- ***** Reader review'Fantastic' -- ***** Reader review'I love this book, and read it probably once a year' -- ***** Reader review'Anne McCaffrey at her best' -- ***** Reader review***********************************************************************************Nerilka's Story: we meet Lady Nerilka of Fort Hold in Moreta's time -- a time of legend, of heroic valour, of terrible Threadfall and the Great Plague that devastates both Holders and Dragonfolk. For Lady Nerilka, the tragedy is twofold, for with the death of her mother and her sister, her father's mistress takes possession of the Hold. Angry and betrayed, Nerilka decides to escape and, as Pern seethes in turmoil, she begins her perilous journey to Ruatha, Lord Alessan and an unknown destiny...The Coelura: When the Lady Caissa is told by her father to enter into an heir-contract with Cavernus Gustin, she is appalled. For although Gustin is genetically sound he is vain, pompous and intellectually inept. But Caissa's father is determined there should be a union - and Caissa cannot work out what his plans in this respect are. The, on a private flight over the forbidden areas of the North, she discovers a stranger who says his name is Murell -- a man surrounded by coelura, the incredible rainbow creatures whose very brilliance threatens their extinction. She learns her father's plans somehow relate to these beasts...and Murell is determined to save them.

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A fully illustrated examination of the use of color in clay, outlining its history and exploring the styles and techniques of the leading modern makers. Mix two or more colors of clay as part of a piece’s design, and you are creating nerikomi. There are many techniques – stacking, stretching, slicing – but with nerikomi, the decoration is built and fired into the work’s very fabric, rather than glazing it later. This beautifully illustrated introduction by accomplished nerikomi specialist Thomas Hoadley includes: – A brief history of the origins and international styles of colored clay – A section dedicated to the most honored Japanese Masters of nerikomi – Stunning examples of work from the world’s leading experts – Step-by-step examples of many of the techniques employed Whether you simply enjoy the beauty of multicolored clay, or are seeking inspiration, this essential volume contains everything you need to embark on your own nerikomi projects.

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Amēl-Marduk (561–560 BC), Neriglissar (559–556 BC), and Nabonidus (555–539 BC) were the last native kings of Babylon. In this modern scholarly edition of the complete extant corpus of royal inscriptions from each of their reigns, Frauke Weiershäuser and Jamie Novotny provide updated and reliable editions of the texts.The kings of the Neo-Babylonian Empire left hundreds of official inscriptions on objects such as clay cylinders, bricks, paving stones, vases, and stelae. These writings, ranging from lengthy narratives enumerating the deeds of a monarch to labels identifying a ruler as the builder of a given structure, supplement and inform our understanding of the empire. Beginning with a historical introduction to the reigns of these three kings and the corpus of inscriptions, Weiershäuser and Novotny then present each text with an introduction, a photograph of the inscribed object, the Akkadian text in a newly collated transliteration, an English translation, catalogue data, commentary, and an updated bibliography. Additionally, Weiershäuser and Novotny provide new translations of several related Akkadian texts and chronicles.Featuring meticulous yet readable transliterations and translations that have been carefully collated with the originals, this book will be the standard edition for scholars and students of Assyriology, the Neo-Babylonian dialect, and the Neo-Babylonian Empire for decades to come.

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Once considered marginal members of the animal world (at best) or vile and offensive creatures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in visual images—in illuminated manuscripts, still life paintings, the decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings—as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this “specimen logic” and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world—an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era. Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri’s work enhances our knowledge of the convergence of art, science, and commerce today.

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The Rat Bastard Protective Association was an inflammatory, close-knit community of artists who lived and worked in a building they dubbed Painterland in the Fillmore neighborhood of midcentury San Francisco. The artists who counted themselves among the Rat Bastards-which included Joan Brown, Bruce Conner, Jay DeFeo, Wally Hedrick, Michael McClure, and Manuel Neri - exhibited a unique fusion of radicalism, provocation, and community. Geographically isolated from a viable art market and refusing to conform to institutional expectations, they animated broader social and artistic discussions through their work and became a transformative part of American culture over time. Anastasia Aukeman presents new and little-known archival material in this authorized account of these artists and their circle, a colorful cultural milieu that intersected with the broader Beat scene.

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For fans of The Tea-Planter’s Wife and Victoria Hislop comes a gripping story of doomed love and secrets in 1940s Kashmir. Within one exotic land lie the secrets of a lifetime… In 1938, young bride Nerys Watkins accompanies her missionary husband on a posting to India. Up in Srinagar, the British live on beautiful wooden houseboats and dance and gossip as if there is no war. But when the men are sent away to fight Nerys is caught up in a dangerous friendship. Years later, when Mair Ellis clears out her father’s house, she finds an antique shawl with a lock of child’s hair wrapped up in its folds. Tracing her grandparents’ roots back to Kashmir, Mair uncovers a story of great love and great sacrifice.

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As part of the process of consideration for sainthood, the body of Filippo Neri, "the apostle of Rome," was dissected shortly after he died in 1595. The finest doctors of the papal court were brought in to ensure that the procedure was completed with the utmost care. These physicians found that Neri exhibited a most unusual anatomy. His fourth and fifth ribs had somehow been broken to make room for his strangely enormous and extraordinarily muscular heart. The physicians used this evidence to conclude that Neri had been touched by God, his enlarged heart a mark of his sanctity. In Pious Postmortems, Bradford A. Bouley considers the dozens of examinations performed on reputedly holy corpses in the sixteenth and seventeenth centuries at the request of the Catholic Church. Contemporary theologians, physicians, and laymen believed that normal human bodies were anatomically different from those of both very holy and very sinful individuals. Attempting to demonstrate the reality of miracles in the bodies of its saints, the Church introduced expert testimony from medical practitioners and increased the role granted to university-trained physicians in the search for signs of sanctity such as incorruption. The practitioners and physicians engaged in these postmortem examinations to further their study of human anatomy and irregularity in nature, even if their judgments regarding the viability of the miraculous may have been compromised by political expediency. Tracing the complicated relationship between the Catholic Church and medicine, Bouley concludes that neither religious nor scientific truths were self-evident but rather negotiated through a complex array of local and broader interests.

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`This is an extremely interesting book which succeeds in combining erudition with great clarity, respect of tradition with a refreshing search for new perspectives... It is also a book which sums up the work carried out in Italy and in France and often ignored by the Anglo-Saxon group analyst. In line with such work it links Freud, Bion and Foulkes within a group perspective.'- from the foreword by Malcolm PinesGroup explores the processes that take place within groups from a psychoanalytical perspective. Combining his own original concepts with a critique of established theories, Claudio Neri describes how groups are formed and develop, and analyses what non-verbal or extra-verbal phenomena are present in human communication, and how they occur in practice. The author uses examples from various art forms from around the world to show the universality of such human communication. Although it deals with difficult new ideas, the book contains user-friendly inserts within the text to explain particular concepts as they arise for those unfamiliar with the subject. A substantial glossary also provides explanation of the many complex terms used thoroughout the book.

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In Cattle Lords and Clansmen, Nerys Patterson provides an analysis of the social structure of medieval Ireland, focusing on the pre-Norman period. By combining difficult, often fragmentary primary sources with sociological and anthropological methods, Patterson produces a unique approach to the study of early Ireland—one that challenges previous scholarship. The second edition includes a chapter on seasonal rhythm, material derived from Patterson’s post-1991 publications, and an updated bibliography.

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In recent decades, an exciting new art movement has emerged in which artists utilize and illuminate the latest advances in science. Some of their provocative creations—a live rabbit implanted with the fluorescent gene of a jellyfish, a gigantic glass-and-chrome sculpture of the Big Bang (pictured on the cover)—can be seen in traditional art museums and magazines, while others are being made by leading designers at Pixar, Google’s Creative Lab, and the MIT Media Lab. In Colliding Worlds, Arthur I. Miller takes readers on a wild journey to explore this new frontier. Miller, the author of Einstein, Picasso and other celebrated books on science and creativity, traces the movement from its seeds a century ago—when Einstein’s theory of relativity helped shape the thinking of the Cubists—to its flowering today. Through interviews with innovative thinkers and artists across disciplines, Miller shows with verve and clarity how discoveries in biotechnology, cosmology, quantum physics, and beyond are animating the work of designers like Neri Oxman, musicians like David Toop, and the artists-in-residence at CERN’s Large Hadron Collider. From NanoArt to Big Data, Miller reveals the extraordinary possibilities when art and science collide.

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In this volume, thirty internationally recognized scholars have come together to celebrate the work of the famous Indo-Europeanist Alan J. Nussbaum. The topics range widely from Nussbaum's favourite subject of Indo-European nominal morphology, especially in the Classical languages, to the historical grammars of Tocharian, the stylistics of the Rigveda, Aristophanean philology, and much more. Nussbaum's work is honoured with contributions by such renowned experts as Heiner Eichner, Jay Jasanoff, Sergio Neri, Hayden Pelliccia, Richard Thomas, and Michael Weiss. A complete bibliography of Nussbaum's oeuvre is included, and the volume closes with a full word-index. Some contributions in German.

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Sonny is the answer to elderly care. Artificially intelligent robot carers placed in old peoples' homes that mimic the behaviour of their owners. Only there are rumours that something is wrong with the Sonny units. That they're too clever. That they are learning too much. Rhys sends his mother into a home to find out. But what will it cost him? CAST: Kai Owen (Rhys Williams), Nerys Hughes (Brenda Williams), Donna Berlin (Joy), Amerjit Deu (Prudeep), Shobu Kapoor (Priya), Steven Kynman (Sonny). Other parts played by members of the cast. NOTE: Torchwood contains adult material and may not be suitable for younger listeners.

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Exploring design works ranging from furniture and temporary art installations to interior design and architecture by CL3, founded by William Lim, and related studios Lim + Lu and Open UU, this book presents a fresh consideration of the essence of contemporary Asian design and how it has evolved over the past few decades. The projects selected share a sensitivity to Asian qualities: a deep appreciation of site and context, craft and design details, with imaginative architectural responses delivering a reinterpretation of cultural heritage and traditions. The book includes a contextual essay by Hong Kong-based architecture critic and author Catherine Shaw, a foreword by architecture and design curator Aric Chen, and a chapter dedicated to conversations on the modern interpretation of eastern aesthetics and the unique experience of designing for a new Asia between William Lim, Swedish museum director, art critic and writer Lars Nittve, and Shanghai-based architect Lyndon Neri. The projects are presented in a clear, vibrant graphic style designed by William Lim and artist and graphic designer Stanley Wong, aka anothermountainman, to evoke an Asian quality. Each chapter includes a text by William Lim and features original conceptual sketches, photographs, floor plans, and drawings.

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Tom Baker stars as the Fourth Doctor, with Louise Jameson as Leela and Nerys Hughes as new companion Margaret Hopwood, in this new box set of two four-part stories; 12.1 Ice Heist! by Guy Adams (4 parts). Recently, the world changed for Margaret Hopwood. Everything she knew was turned upside down by the arrival of a strange man in a blue box. And now nothing in her life seems the same. So when he comes back with a lady called Leela and an invitation to an unusual art gallery, she's more than happy to join him for the ride. And what a ride it is. Because it's an art gallery on a distant world... where a deadly plan is about to commence - one involving creatures called Ice Warriors. 12.2 Antillia the Lost by Phil Mulryne (4 parts). Antillia. A place of mystery. A manufactured island in space, lost to time. But now it's finally been found. The Doctor and his friends arrive on Antillia at the same time as an expeditionary party, delighted to solve one of the great mysteries of history. But they may have found more than they bargained for. Some things are better off lost. CAST: Tom Baker (The Doctor), Louise Jameson (Leela), Nerys Hughes (Margaret Hopwood), Anjli Mohindra (Theodora Markway), Nicholas Briggs (Ice Warriors), Oliver Chris (Dorn Callister / Security Guard), Beth Goddard (Allerdyce Benexa / Pangladasha), Keziah Joseph (Freya Brett), Richard Lumsden (Dr Vance), Adele Lynch (Kaltakk), Adrian Rawlins (Gilman Hari), Robert Whitelock (Stringer / Skoob).

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The 10 principles of good design set out by Dieter Rams in 1995 has influenced and inspired a new generation of designers in search of the perfect balance between practicality, simplicity and aesthetics. What does good design mean in the 21st century? How have the 10 principles influenced modern design? In this book, established and emerging designers tell us how they understand and put these rules into practice thereby contributing to the definition of what good design in the 21st century means, according to the criteria defined by Rams. The book showcases contemporary products from around the globe; a host of work by iconic designers, such as NENDO, NERI & HU, LARA BOHINC and so on.

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Celebrating the work of 31 of the most outstanding contemporary architecture practices and design firms - each a winner in the A+Firm Awards program from Architizer, the website used by over 335,000 architects throughout the world to celebrate and share innovationThis celebration of the finest and most innovative contemporary architecture practices around the world accompanies Architizer's inaugural A+Firm Awards program. Chosen by an international panel of experts, the winners include industry stars, such as Foster + Partners, Neri & Hu Design and Research Office and Michael Green Architecture, alongside emerging talents like Shulin Architectural Design and OfficeOffCourse. The ultimate accolade for collaborative creativity, recipients include architecture firms, landscape architects, engineers, interior designers, photographers and real estate developers.

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This book showcases the state of the art in the field of sensors and microsystems, revealing the impressive potential of novel methodologies and technologies. It covers a broad range of aspects, including: bio-, physical and chemical sensors, actuators, micro- and nano-structured materials, mechanisms of interaction and signal transduction, polymers and biomaterials, sensor electronics and instrumentation, analytical microsystems, recognition systems and signal analysis and sensor networks as well as manufacturing technologies, environmental, food, energy and biomedical applications. The contents reflect the outcomes of the activities of AISEM (Italian Association of Sensors and Microsystems) in 2021. Co-Edited by B. Andò, F. Baldini, G. Betta, D. Compagnone, S. Conoci, E. Comini, V. Ferrari, E. La Salandra, L. Lorenzelli, A.G. Mignani, G. Marrazza, G. Neri, P. Siciliano.

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What forms can religious experience take in a world without cult or creed? Organized religion is notably absent from J. R. R. Tolkien's Secondary Universe of elves, dwarves, men and hobbits despite the author's own deep Catholic faith. Tolkien stated that his goal was 'sub-creating' a universe whose natural form of religion would not directly contradict Catholic theology. Essays in Light Beyond All Shadows examine the full sweep of Tolkien's legendarium, not only The Lord of the Rings but also The Hobbit, The Silmarillion and The History of Middle-Earth series plus Peter Jackson's film trilogy. Contributions to Light Beyond All Shadows probe both the mind of the maker and the world he made to uncover some of his fictional strategies, such as communicating through imagery. They suggest that Tolkien's Catholic imagination was shaped by the visual appeal of his church's worship and iconography. They seek other influences in St. Ignatius Loyola's meditation technique and St. Philip Neri's 'Mediterranean' style of Catholicism. They propose that Tolkien communicates his story through Biblical typology familiar in the Middle Ages as well as mythic imagery with both Christian and pagan resonances. They defend his 'comedy of grace' from charges of occultism and Manichaean dualism. They analyze Tolkien's Christian friends the Inklings as a supportive literary community. They show that within Tolkien's world, Nature is the Creator's first book of revelation. Like its earlier companion volume, The Ring and the Cross, edited by Paul E. Kerry, scholarship gathered in Light Beyond All Shadows aids appreciation of what is real, meaningful, and truthful in Tolkien's work.

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To accompany The Design Museum's opening exhibition, which explores the anxiety and optimism inherent in contemporary designFear and Love, published to accompany the major exhibition that will open the Design Museum's highly anticipated new home in Kensington, London, examines the role of design in the twenty-first century. It proposes that, in a rapidly changing world, design is defined by both anxiety and optimism. Organized by five key themes - Network, Empathy, Body, Earth and Periphery - the book explores design's relationship to emotive issues. Eleven leading figures from across the spectrum of design provide a wide-ranging set of attitudes to design in our times: Andrés Jaque/Office for Political Innovation, OMA, Madeline Gannon, Metahaven, Hussein Chalayan, Neri Oxman, Christien Meindertsma, Ma Ke, Kenya Hara, Arquitectura Expandida and Rural Urban Framework.

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What forms can religious experience take in a world without cult or creed? Organized religion is notably absent from J. R. R. Tolkien's Secondary Universe of elves, dwarves, men and hobbits despite the author's own deep Catholic faith. Tolkien stated that his goal was 'sub-creating' a universe whose natural form of religion would not directly contradict Catholic theology. Essays in Light Beyond All Shadows examine the full sweep of Tolkien's legendarium, not only The Lord of the Rings but also The Hobbit, The Silmarillion and The History of Middle-Earth series plus Peter Jackson's film trilogy. Contributions to Light Beyond All Shadows probe both the mind of the maker and the world he made to uncover some of his fictional strategies, such as communicating through imagery. They suggest that Tolkien's Catholic imagination was shaped by the visual appeal of his church's worship and iconography. They seek other influences in St. Ignatius Loyola's meditation technique and St. Philip Neri's 'Mediterranean' style of Catholicism. They propose that Tolkien communicates his story through Biblical typology familiar in the Middle Ages as well as mythic imagery with both Christian and pagan resonances. They defend his 'comedy of grace' from charges of occultism and Manichaean dualism. They analyze Tolkien's Christian friends the Inklings as a supportive literary community. They show that within Tolkien's world, Nature is the Creator's first book of revelation. Like its earlier companion volume, The Ring and the Cross, edited by Paul E. Kerry, scholarship gathered in Light Beyond All Shadows aids appreciation of what is real, meaningful, and truthful in Tolkien's work.

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An interior design book showing how the alpine context, with its snowy landscapes and forests, influences the choice of colors, materials, and atmospheres.This book addresses a very specific topic within interior architecture, namely that of mountains, where the context of the surrounding landscape is strongly associated with the local identity.The houses published in this volume are all located in the Swiss Alps: in the canton of Ticino and in Engadine. They have been renovated and redeveloped, their interior spaces demolished and rethought. Francesca Neri Antonello is a master of domesticating natural and raw materials, using them to create a warm intimacy that is indispensable for designing the interiors of those who live with the cold alpine temperatures.Her projects center around stone, iron, and above all wood, which is often recovered or burned to obtain the characteristic burnished color. Wood is a living matter, the bearer of memory and, as the a

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Adriana Varejao s rich and diverse artistic oeuvre including her distinctive tile paintings, large-scale sculpture, photography and video installation embodies the mythic pluralism of Brazilian identity. Drawing upon the aesthetic traditions and visual legacy of colonialism and transnational exchange, she fuses mediums, surfaces, and historical lineages together in unprecedented ways. The resulting artwork is a metaphor for the modern world. In her first major monograph, the entirety of her rich body of work is fully explored from her earliest paintings from the 1990s to her most recent multimedia installations. The volume includes several contributions including, an extensive interview between Varejao and Jochen Volz, director of Pinacoteca de Sao Paulo; essays by Luisa Duarte, art historian and independent curator based in Sao Paulo, and Paul Preciado, influential cultural critic; an introduction by Gagosian director Louise Neri; and a chronology by art historian Angela Brown, and more.

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Pairs is a student-led journal at the Harvard University Graduate School of Design (GSD) dedicated to conversations about design that are down to earth and unguarded. Each issue is conceptualized by an editorial team—including GSD students—that proposes guests and objects to be in dialogue with one another. Pairs is non-thematic, meant instead for provisional thoughts and ideas in progress. Each issue seeks to organize diverse threads and concerns that are perceived to be relevant to our moment. Thus, Pairs creates a space for understanding and a greater degree of exchange, both between the design disciplines and with a larger public.Pairs 02 features conversations with Emmanuel Admassu, Rashid bin Shabib, Irma Boom, Gareth Doherty, David Foster, David Hartt, Sara Hendren, Jane Hutton, Sharon Johnston, Zachary Mollica, Lyndon Neri, Malkit Shoshan, Jorge Silvetti, John R. Stilgoe, Paola Sturla, Sumayya Vally, Terry Tempest Williams, and Kathryn Yusoff. Contributors include the editors and Emma Lewis, Elisa Ngan, and Maxwell Smith-Holmes.

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The studio of an architect is perhaps the most singular project in one's oeuvre complete. After their own house, it is the second most inward-looking space an architect designs. They are no longer just crafting ideas to meet the requirements proposed by others, but now face their own desires, both as architect and as client. What are the spatial qualities that one needs? How does the space conform to one's working method? How does the space best stimulate ideas and inspirations? Considering it is the place where those ideas and inspiration are born, how could it be shaped by and speak for them? With essays, projects, and interviews, Architects' Studios, the 2019 summer volume of Architecture China, offers a look into the studios of 14 outstanding Chinese architects: Atelier FCJZ, ZAO/standardarchitecture, MAD Architects, OPEN Architecture, Atelier Deshaus, Vector Architects, Neri&Hu Design and Research Office, AZL Architects, Archi-Union Architects, Atelier AZ+, People s Architecture Office, Atelier ArchMixing, Original Design Studio, and Naturalbuild. Additionally, Pritzker Prize winner Wang Shu reveals his desk in the cover imagery.

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The life, career and medieval biography of Gruffudd ap Cynan, king of Gwynedd 1095-1137. The reign of the North Welsh king Gruffudd ap Cynan [1075-1135] marked the culmination of a century of rapid social and political change. A product of three cultures [Welsh, Irish and Scandinavian], Gruffudd faced a Wales dividedby Norman incursion and dynastic rivalry; his re-creation of his kingdom saw him acting on the wider (and often deadly) stage of Anglo-Norman politics, and surviving where more `traditional' Welsh rulers failed. His reign encouraged a new growth in Welsh literature and creativity, and is often looked upon as a literary `golden age'. This collaborative biography analyses key aspects of the career and context of this remarkable king. Dr K.L. MAUNDteaches in the School of History and Archaeology, University of Wales, Cardiff. Other contributors: DAVID MOORE, C.P. LEWIS, DAVID E. THORNTON, K.L. MAUND, JUDITH JESCH, NERYS ANN JONES, CERI DAVIES, J.E. CAERWYN WILLIAMS

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The fascinating life of Starfleet’s celebrated captain, and Bajor’s Emissary of the Prophets, celebrating the 30th anniversary of Star Trek: Deep Space Nine. Benjamin Sisko tells the story of his career in Starfleet, and his life as a father and Bajor’s Emissary to the Prophets. Chart his rise through the ranks, his pioneering work designing the Defiant class, his critical role as ambassador and leader during the Dominion War, and his sacred standing as a religious leader of his adopted home. Explore the hidden history of his childhood and early career in Starfleet, and the innermost thoughts of the man who made first contact with the wormhole aliens and opened safe passage to the Gamma Quadrant, and united Starfleet, Klingon and Romulan forces to defeat the Dominion. Discover Sisko’s personal take on his confidantes Lieutenant Dax and Major Kira Nerys, the enigmatic Garak, and his adversaries, Gul Dukat and Kai Winn, as well as his fatherly advice for his son Jake. Passing on lessons from father to son, from his experiences with the Prophets to the writings of Benny Russell, Sisko’s story is a unique phenomenon in Starfleet and human history, told in the way only he can.

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The UNESCO headquarters in Paris. The Pirelli skyscraper in Milan. The Palazetto dello Sport in Rome. The "soaring beauty" of Pier Luigi Nervi's visionary designs and buildings changed cityscapes in the twentieth century. His uncanny ingenuity with reinforced concrete, combined with a gift for practical problem solving, revolutionized the use of open internal space in structures like arenas and concert halls. Aesthetics and Technology in Building: The Twenty-First-Century Edition introduces Nervi's ideas about architecture and engineering to a new generation of students and admirers. More than 200 photographs, details, drawings, and plans show how Nervi put his ideas into practice. Expanding on the seminal 1961 Norton Lectures at Harvard, Nervi analyzes various functional and construction problems. He also explains how precast and cast-in-place concrete can answer demands for economy, technical and functional soundness, and aesthetic perfection. Throughout, he uses his major projects to show how these now-iconic buildings emerged from structural truths and far-sighted construction processes. This new edition features dozens of added images, a new introduction, and essays by Joseph Abram, Roberto Einaudi, Alberto Bologna, Gabriele Neri, and Hans-Christian Schink on Nervi's life, work, and legacy.

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During the 1950s a few painters in the San Francisco Bay Area began to stage personal, dramatic defections from the prevailing style of Abstract Expressionism, creating what would come to be known as Bay Area Figurative Art. In 1949 David Park destroyed many of his nonobjective canvases and began a new style of consciously naive figuration. Soon Elmer Bischoff and Richard Diebenkorn joined Park and other painters such as Nathan Oliveira, Theophilus Brown, James Weeks, and Paul Wonner in the move away from abstraction and toward figurative subject matter. When artists such as Bruce McGaw, Manuel Neri, and Joan Brown emerged as a second generation of figurative artists, the momentum grew for a powerful new development in American painting. The achievement of Bay Area Figurative painters and sculptors has become directly relevant to current debates regarding abstraction and representation, as well as to discourses on modernism and postmodernism. Indeed, the historical phenomenon of the movement is an important case study in the evolution of modernism in America, serving as an early example of rupture in the formalist 'mainstream.' "Bay Area Figurative Art 1950-1965" was written to accompany an exhibition of the same name at the San Francisco Museum of Modern Art. Based on extensive archival research and interviews, it is the first study of the movement as a whole and is the broadest and most accurate account of the careers and interactions of ten Bay Area artists who worked in this new style.

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Guest-edited by Agostino De Rosa, Alessio Bortot and Francesco Bergamo Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this archetype in the contemporary world of architecture, investigating the ways it permeates different expressive forms – from critical theory to architectural drawing, from design and planning to photography. The contributors illustrate and discuss how penumbra has shaped their creativity and modified their approach to the design process. As a physical phenomenon, penumbra has supra-historical and global connotations; nonetheless, different cultures elaborate its symbolism in different ways. Its wide semantic spectrum powerfully inspires creative forms that hover between fullness and emptiness, presence and absence, past and future. The critical perspectives in this issue offer a wide analysis of penumbra’s expressive potential and the key to an in-depth understanding of this elusive layer of reality. Contributors: Matthias Bärmann, Silvia Benedito, Filippo Bricolo, Edwin Carels, Javier Corvalán, Dris Kettani, Stephen Kite, Giancarlo Mazzanti, Akira Mizuta Lippit, Susanna Pisciella, Renato Rizzi, Paul O Robinson, and Antonella Soldaini. Featured architects and artists: Alexander Savvich Brodsky, Neri&Hu studio, Quay Brothers, Ursula Schulz-Dornburg, and Marco Tirelli.

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WINNER OF THE SAPIR PRIZE 2022 ‘A mesmerising, disquieting tale of family estrangement … Unforgettable’ OBSERVER ‘A striking and memorable novel’ MEG WOLITZER ‘A stone-cold masterwork of psychological tension. Its final pages had me holding my breath’ NEW YORK TIMES ‘Hila Blum is my new favourite writer’ LOUISE KENNEDY ------------------------------------------- What damage do we do in the blindness of love? Thousands of miles from her home, a woman stands on a dark street, peeking through well-lit windows at two little girls. They are the daughters of her only daughter, the grandchildren she’s never met. At the centre of this mesmerising story is the woman’s quest to understand how a relationship that began in bliss – a mother besotted with her only child – arrived at a point of such unfathomable distance. Weaving back and forth in time, she unravels memories and long-buried feelings, retracing the infinite acts of parental care, each so mundane and apparently benign, that together may have undermined what she most treasured. With exquisite psychological precision, Blum traces the seemingly insignificant missteps and deceptions of family life, where it’s possible to cross the line between protectiveness and possession without even seeing it – and it’s uncertain whether, or how, we can find our way back. ------------------------------------------- 'When I read this book, I felt ... that a new and wonderful occurrence has transpired in Israeli literature' Neri Livne, Haaretz

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The production of architecture, both intellectually and physically, is on the brink of a fundamental change. Computational design enables architects to integrate ever more multifaceted and complex design information, while the industrial logics of conventional building construction are eroding rapidly in a context of increasingly ubiquitous computer-controlled manufacturing and fabrication. A novel convergence of computation and materialisation is about to emerge, bringing the virtual process of design and the physical realisation of architecture much closer together, more so than ever before. Computation provides a powerful agency for both informing the design process through specific material behaviour and characteristics, and in turn informing the organisation of matter and material across multiple scales based on feedback from the environment. Computational design and integrated materialisation processes allow for uncovering the inherent morphogenetic potential of materials and thus are opening up a largely uncharted field of possibilities for the way the built environment in the 21st century is conceived and produced. In order to effectively introduce and outline the enabling power of computational design along with its inherent relationship to a biological paradigm, this publication looks at formation and materialisation in nature, integrative computational design, and engineering and manufacturing integration. Architectural contributors include: Cristiano Cecatto, Neri Oxman, Skylar Tibbits and Michael Weinstock. A scientific perspective by Philip Ball and J Scott Turner. Features: Buro Happold's SMART group, DiniTech, Foster + Partners' Specialist Modelling Group, the Freeform Construction group and Stuttgart University's Institute for Computational Design.

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Some architects dream of 3D-printing houses. Some even fantasise about 3D-printing entire cities. But what is the real potential of 3D printing for architects? This issue focuses on another strand of 3D-printing practice emerging among architects operating at a much smaller scale that is potentially more significant. Several architects have been working with the fashion industry to produce some exquisitely designed 3D-printed wearables. Other architects have been 3D-printing food, jewellery and other items at the scale of the human body. But what is the significance of this work? And how do these 3D-printed body-scale items relate to the discipline of architecture? Are they merely a distraction from the real business of the architect? Or do they point towards a new form of proto-architecture – like furniture, espresso makers and pavilions before them – that tests out architectural ideas and explores tectonic properties at a smaller scale? Or does this work constitute an entirely new arena of design? In other words, is 3D printing at the human scale to be seen as a new genre of 'body architecture'? This issue contains some of the most exciting work in this field today, and seeks to chart and analyse its significance. Contributors include: Paola Antonelli/MoMA, Francis Bitonti, Niccolo Casas, Behnaz Farahi, Madeline Gannon, Eric Goldemberg/MONAD Studio, Kyle von Hasseln/3D Systems Culinary Lab, Rem D Koolhaas, Julia Kӧrner, Neil Leach, Steven Ma/Xuberance, Neri Oxman/MIT Media Lab, Ronald Rael and Virginia San Fratello, Gilles Retsin, Jessica Rosenkrantz/Nervous System, and Patrik Schumacher/Zaha Hadid Architects.

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The first monograph on a beloved American ceramicist who has been making joyful and original work for nearly 80 years Born in 1931, and living in New York, Alice Mackler today is still pushing forward not only her own art but also the boundaries of contemporary art across sculpture, painting, drawing and collage. While long beloved and admired by artists, Mackler over the last few years has finally found the wide and enthusiastic audience she deserves. With a focus on the female figure, Mackler’s work is, as Matthew Higgs writes in this book, “a visceral accumulation of her experiences translated into a material form.” Mackler’s vibrant, voluptuous ceramic sculptures evoke the Venus of Willendorf as well as versions of the female form by Willem de Kooning, Gaston Lachaise and Niki de Saint Phalle. At the same time, her work is in dialogue with contemporary ceramicists such as Ruby Neri, Magdalena Suarez Frimkess and Betty Woodman. The artist cites Paul Klee as an influence on her paintings, which feel rooted in modernism; her drawings call to mind Alexander Calder, Jean Dubuffet and Saul Steinberg. While these influences and references are telling, this comprehensive overview makes clear that her vision is genuinely her own. As Kelly Taxter writes in the book’s central essay, “Mackler’s visibility resists the seemingly inevitable invisibility that befalls ageing women.” Now approaching the beginning of her ninth decade, Alice Mackler and her art continue to be as vital, urgent and current as ever.

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