Search results for ""author mungo thomson""

An artist’s book compendium of the Hammer’s Museum’s entire incoming mail, designed in the style of a mail-order catalog For Mail, Los Angeles–based artist Mungo Thomson (born 1969) asked the Hammer Museum in Los Angeles to let its incoming mail accumulate unopened during the run of the exhibition. Over the course of the show a pile of correspondence and packages grew, forming a temporary archive. This book functions both as an artwork and as an elaborate and exhaustive documentation of the work as realized by the artist. Every letter, package, notice, magazine, flyer, restaurant menu, exhibition postcard, vendor catalog and piece of junk mail is represented. Featuring an essay by Hammer Museum curator Aram Moshayedi, Mail performs a kind of autopsy of the sculpture, displaying every facet and revealing the infrastructure of both the artwork and the museum. The design of the book loosely mimics a popular mail-order catalog, and Thomson’s photography of the items in the mail pile at the Hammer was undertaken with this catalog design in mind.

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Thomson’s epic stop-animation project opens a startling and profound conversation about history, technology and perception This volume documents eight short stop-motion animations by Los Angeles–based artist Mungo Thomson (born 1969) that use reference encyclopedias, photobooks, how-to guides and production manuals as their raw material. The project imagines these books being scanned by a high-speed robotic book scanner of the type used by universities and tech companies to digitize libraries, and proposes such a device as a new kind of filmmaking apparatus. Thomson exploits the dualities of the digital and the analog, the video and the book, the automated and the handmade, binding them each together. The videos feature soundtracks by Andrea Centazzo and Pierre Favre, Laurie Spiegel, Sven-Åke Johansson, Lee Ranaldo, Ernst Karel, Pauline Oliveros, Adrian Garcia and John McEntire. The New York Times called Time Life a "thrilling accomplishment, adding a new chapter to the long conversation about photographs, mechanical reproduction and ways of seeing."

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