Search results for ""author middleton"

Thomas Middleton is one of the major English Renaissance dramatists alongside Marlowe, Shakespeare and Jonson. Middleton continues to fascinate audiences and readers with his black humour, his wry and witty treatment of sexuality, morality, and politics. He is a consummate professional dramatist, experimenting with stagecraft in a manner that combines the visual and the verbal to startling effect. This book brings together these aspects of Middleton's craft through a detailed study of his major plays. Middleton experimented with, and helped to shape, a range of dramatic genres: city comedy, tragicomedy, romance, and revenge tragedy. This new guide analyses in detail how the plays work in terms of the early modern theatre and dramatic genres, as well as elucidating the broader cultural issues shaping the plays. It provides an introduction to critical readings of Middleton's works as well as modern performances, demonstrating how modern critics, producers, dramatists and film makers see Middleton's dark, playful and challenging plays as speaking to our times. Key Features *Ideal student guide with its wide ranging introduction to Middleton's city comedies, tragedies, and collaborative plays and its readings of key texts such as The Roaring Girl, Chaste Maid in Cheapside, Revenger's Tragedy, Women Beware Women, and The Changeling *Uses the most recent edition available, the Oxford Middleton (2007) *Provides background contexts guiding readers through criticism of the plays as well as recent work on early modern theatre and culture *Emphasis on Middleton's stagecraft and its assessment of modern adaptations and film versions of his plays

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FROM THE AUTHOR OF ITV'S OUR HOUSE COMES ANOTHER ADDICTIVE PSYCHOLOGICAL SUSPENSE YOU SIMPLY CAN'T PUT DOWN 'The best book I have read all year . . . keeps you guessing until the end' 5***** READER REVIEW 'I was gripped by this book' 5***** READER REVIEW ________ My name is Amber Fraser. I've just moved in at Number 40, Lime Park Road. You'll think of me as a loving wife, a thoughtful neighbour and a trusted friend. But this is a lie. When Christy and Joe Davenport are handed the keys to Number 40 on picture-perfect Lime Park Road, it should be a dream come true. But it's strange that the house was on the market for such a low price. And that the previous owners, the Frasers, had renovated the entire property yet moved out within a year. And that none of the neighbours will talk to Christy. As her curiosity begins to give way to obsession, Christy finds herself drawn deeper into the mystery of the house's previous occupants - and the dark and shocking secret that tore the street apart . . . ________ 'Hints of Rear Window . . . addictive and fun . . . it will keep you guessing until the end' Stylist 'Brilliantly obsessive' Red 'Tense and intriguing' Woman & Home 'Pacy and claustrophobic' Fabulous 'Smart and perceptive' Good Housekeeping

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Women Beware Women is among the most powerful and adroitly plotted of Jacobean tragedies. Written by Thomas Middleton, a later contemporary of Shakespeare, the play deals with topics of enduring fascination such as sexual and financial greed, the sexual exploitation of women by a manipulative older woman, murderous revenge and the sexual predatoriness of a man in a position of power. The storyline is based on the most public of Medici scandals in late sixteenth-century Florence, with the Grand Duke Francesco seducing and then marrying a beautiful Venetian runaway, after arranging the murder of her Florentine lower-class husband. The tragedy ends with a spectacular masque involving misdirected poison, flaming gold, poisoned arrows, poisoned smoke, physical mishaps and numerous deaths.This edition is designed for the classroom and for the reader interested in the best in Renaissance drama.

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FROM THE AUTHOR OF ITV'S OUR HOUSE COMES ANOTHER GRIPPING, TWISTY PSYCHOLOGICAL SUSPENSE YOU WON'T BE ABLE TO PUT DOWN'A novel that redefines the term "unputdownable"' HEAT________One summer can change everything . . . In the heady swelter of a suburban summer, the Elm Hill lido opens.For teacher Natalie Steele, the school holidays are always spent with her husband Ed and daughter Molly. But not this year.Despite Molly's extreme phobia of water, Natalie is drawn to the lido and its dazzling social scene, led by glamorous Lara Channing. Soon she's spending long days with Lara at the pool and intimate evenings at her home. Real life, and the person she used to be, begins to feel very far away.But is the new friendship everything it seems? Or has Natalie been swept dangerously out of her depth?________'Exquisitely written and addictively dark. Sheer perfection' Clare Mackintosh, author of Let Me Lie'A compulsive psychological thriller that will give you the shivers' Sunday Mirror'Clever, claustrophobic' Fabulous'Tautly plotted - a psychological drama with edge' Good Housekeeping

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Capitalised Education is not a biography of Kate Middleton, but, rather, understands her wedding on April 29th 2011 as a 'plateau', wherein a complex knot of social, political and economic forces collided. The chapters of the book make up a non-linear history of the royal wedding, a history that is underpinned by the ways in which power has been handled by the British royal family through time.

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An annotated edition of an important Jacobean comedy, which is currently receiving greater attention from critics and on stage because the leading character is based on a famous personality of the time, Moll Cutpurse. The history of Moll Cutpurse and its subsequent influence on the women's movement and feminist concerns make this book relevant to women's study courses and this is edition incorporates variant readings found in only one copy of the quarto.

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Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work. This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collaborative relationships that factor into a play’s meaning, including playwrights, actors, companies, playhouses, and patrons. This kaleidoscopic approach, which views the plays from all these perspectives, throws new light on the Middleton-Rowley oeuvre and on early modern dramatic collaboration as a whole.

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The relationship between the personal lives of writers and the works they produce is at the heart of this intriguing new study. In particular, it reconsiders the place of John Middleton Murry (1889-1957) in the development of literary modernism in Britain. Drawing on Murry's unpublished journals and long-forgotten novels, Circulating Genius examines his significance as a 'circulator' of ideas, reputations and critical positions in his roles of editor, literary critic, novelist, friend and lover and complicates the arguments of earlier biographers and critics about his relationships - both personal and professional - with Katherine Mansfield and D. H. Lawrence. Key Features * Rewrites standard assumptions about John Middleton Murry's relationships with Katherine Mansfield and D. H. Lawrence * Provides intertextual readings of fiction by Mansfield, Lawrence and Murry * Considers Murry's controversial role in the dissemination of modernist critical positions * Explores marginalisation and centrality in the creation of the modernist canon

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Adoption allows families to modify, either overtly or covertly, what is considered to be the natural order. Cures for Chance explores how early modern English theatre questioned the inevitability of the biological family and proposed new models of familial structure, financial inheritance, and gendered familial authority. Because the practice of adoption circumvents sexual reproduction, its portrayal obliges audiences to reconsider ideas of nature and kinship. This study elucidates the ways in which adoptive familial relations were defined, described, and envisioned on stage, particularly in the works of Shakespeare and Middleton. In the plays in question, families and individual characters create, alter, and manage familial relations. Throughout Cures for Chance, adoption is considered in the broader socioeconomic and political climate of the period. Literary works and a wide range of other early modern texts – including treatises on horticulture and natural history and household and conduct manuals – are analysed in their historical and cultural contexts. Erin Ellerbeck argues that dramatic representations of adoption test conventional notions of family by rendering the family unit a social construction rather than a biological certainty, and that in doing so, they evoke the alteration of nature by human hands that was already pervasive at the time.

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This title unveils the relationships and intertextualities between this coterie of modernist writers. The relationship between the personal lives of writers and the works they produce is at the heart of this intriguing new study. In particular, it reconsiders the place of John Middleton Murry (1889-1957) in the development of literary modernism in Britain. Drawing on Murry's unpublished journals and long-forgotten novels, "Circulating Genius" examines his significance as a 'circulator' of ideas, reputations and critical positions in his roles of editor, literary critic, novelist, friend and lover and complicates the arguments of earlier biographers and critics about his relationships - both personal and professional - with Katherine Mansfield and D. H. Lawrence. It rewrites standard assumptions about John Middleton Murry's relationships with Katherine Mansfield and D. H. Lawrence. It provides intertextual readings of fiction by Mansfield, Lawrence and Murry. It considers Murry's controversial role in the dissemination of modernist critical positions. It explores marginalisation and centrality in the creation of the modernist canon.

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This New Mermaids anthology brings together the four most popular and widely studied of Thomas Middleton's plays - Women Beware Women; The Changeling; The Roaring Girl and A Chaste Maid in Cheapside - with a new introduction by William Carroll, examining the plays in the context of early modern theatre, culture and politics, as well as their language, characters and themes. On-page commentary notes guide students to a better understanding and combine to make this an indispensable student edition ideal for study and classroom use from A Level upwards.

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You don't need a marketing degree or intensive training to build an attention-grabbing brand; you just need this book - and 30 days. Simon Middleton shows you how to create, manage and communicate your brand profoundly and effectively, in just 30 days, by following 30 clear exercises. How you work through the book is up to you, the result will be the same: an authentic, compelling, and highly distinctive brand that will attract and engage customers and fans. You will learn how to: Establish your brand values and positioning Get the all-important name right Bring your brand to life Turn your customers into your advocates Manage your PR and use your marketing budget wisely Inspire your staff to live the brand too Deal with problems when something goes wrong Branding isn't about funky logos and expensive advertising. Your brand is what your company means to the world. Getting that meaning right is the most important thing you can do in business. 'Passionate and persuasive, Simon Middleton has a natural instinct for uncovering the Wow! factor in every brand.' Dawn Gibbins MBE, Veuve Clicquot Business Woman of the Year and Star of Channel 4's The Secret Millionaire

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'The last line will make you literally shout with shock' Good Housekeeping'Terrifically twisty ... hooks from the first page' Sunday TimesOn a bright morning in the London suburbs, a family moves into the house they’ve just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn’t sell it.FOR BETTER, FOR WORSE. When Fi Lawson arrives home to find strangers moving into her house, she is plunged into terror and confusion. She and her husband Bram have owned their home on Trinity Avenue for years and have no intention of selling. How can this other family possibly think the house is theirs? And why has Bram disappeared when she needs him most?FOR RICHER, FOR POORER. Bram has made a catastrophic mistake and now he is paying. Unable to see his wife, his children or his home, he has nothing left but to settle scores. As the nightmare takes grip, both Bram and Fi try to make sense of the events that led to a devastating crime. What has he hidden from her – and what has she hidden from him? And will either survive the chilling truth – that there are far worse things you can lose than your house? TILL DEATH US DO PART.Praise for Our House: 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible’ Clare Mackintosh ‘I raced through it this weekend. Such a smart idea. Twisty, warped, credible. Brilliantly plotted and compelling. Deserves to be such a hit’ Sarah Vaughan ‘Louise Candlish is a great writer;she inhaled me into her nightmarish world where everything we think we know is ripped from under our feet’ Fiona Barton ''A masterfully plotted, compulsive page-turner' Guardian 'Keeps you guessing to the end - and beyond' Stylist 'Whip-smart, knowing and brilliantly plotted' India Knight 'A corker' Evening Standard 'Terrific premise' New York Times 'Wonderfully plotted' Jane Garvey, Woman's Hour 'A blood pressure-raising thriller' Red ‘Gripping and heartbreaking with an undercurrent of unease running through it’ Louise Jensen ‘What a book! Fast, edge-of-your-seat stuff. Each time I set the book down I had to remind myself to breathe’ broadbeanbooks ‘Oh Louise Candlish, you are a genius! Our House is just brilliant. Scarily believable with the BEST ending I have read in a long time. I devoured it!’ Claire Frost, Fabulous magazine

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Volume 3 of the new authoritative edition of Katherine Mansfield's complete correspondence Provides accurate transcriptions that shed new light on the everyday, intimate world of Mansfield as a letter-writer Presents all Mansfield's letters to John Middleton Murry from 1912 to 1918, foregrounding their years of intellectual apprenticeship and the impact of war, political upheavals and ill-health on their social and cultural environment Provides meticulous explanatory notes and rich contextual information Offers extensive attention to the cultural and socio-political context of the correspondence Unlike the first two volumes of this new edition of Katherine Mansfield's letters, which encompassed a dazzling variety of correspondents, this third volume focuses exclusively on letters to John Middleton Murry, chronologically arranged, from the day when he first became her lodger in 1912 through to the week after the Armistice in November 1918, when they were newly married. It is no exaggeration to say that over the course of these six years, their entire world was turned upside down. By the time the volume closes, they are married but already increasingly estranged; they have both become professional writers but grapple with increasing economic precarity; Europe lies ravaged by war; and the devastating diagnosis of tuberculosis has been pronounced, not, ironically, for Murry whose fragile health had preoccupied them for two years, but for Mansfield herself. This volume of letters documents the whole spectrum of changes, against a vivid historical and socio-cultural backcloth and contains entirely new, insightful and extensive annotations. A second volume of letters between the pair completes the edition.

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'The last line will make you literally shout with shock' Good Housekeeping'Terrifically twisty ... hooks from the first page' Sunday TimesOn a bright morning in the London suburbs, a family moves into the house they’ve just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn’t sell it.FOR BETTER, FOR WORSE. When Fi Lawson arrives home to find strangers moving into her house, she is plunged into terror and confusion. She and her husband Bram have owned their home on Trinity Avenue for years and have no intention of selling. How can this other family possibly think the house is theirs? And why has Bram disappeared when she needs him most?FOR RICHER, FOR POORER. Bram has made a catastrophic mistake and now he is paying. Unable to see his wife, his children or his home, he has nothing left but to settle scores. As the nightmare takes grip, both Bram and Fi try to make sense of the events that led to a devastating crime. What has he hidden from her – and what has she hidden from him? And will either survive the chilling truth – that there are far worse things you can lose than your house? TILL DEATH US DO PART.Praise for Our House: 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible’ Clare Mackintosh ‘I raced through it this weekend. Such a smart idea. Twisty, warped, credible. Brilliantly plotted and compelling. Deserves to be such a hit’ Sarah Vaughan ‘Louise Candlish is a great writer;she inhaled me into her nightmarish world where everything we think we know is ripped from under our feet’ Fiona Barton ''A masterfully plotted, compulsive page-turner' Guardian 'Keeps you guessing to the end - and beyond' Stylist 'Whip-smart, knowing and brilliantly plotted' India Knight 'A corker' Evening Standard 'Terrific premise' New York Times 'Wonderfully plotted' Jane Garvey, Woman's Hour 'A blood pressure-raising thriller' Red ‘Gripping and heartbreaking with an undercurrent of unease running through it’ Louise Jensen ‘What a book! Fast, edge-of-your-seat stuff. Each time I set the book down I had to remind myself to breathe’ broadbeanbooks ‘Oh Louise Candlish, you are a genius! Our House is just brilliant. Scarily believable with the BEST ending I have read in a long time. I devoured it!’ Claire Frost, Fabulous magazine

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'Enjoyable, lively … such a pleasure to read … renders the drama of Shakespeare’s contemporaries more than fringe entertainment’ Independent Shakespeare is one of the greatest of all English figures, considered a genius for all time. Yet as this enthralling book shows, he was at heart a man of the theatre, one among a community of artists in the teeming world of Renaissance London – from the enigmatic spy Christopher Marlowe to the self-aggrandizing Ben Jonson, from the actor Richard Burbage to the brilliant Thomas Middleton. By bringing Shakespeare’s contemporaries to life, Shakespeare & Co throws fresh new light on the man himself. ‘Warm, cheerful, generous … Wells sketches a whole gallery of Shakespeare’s fellow playwrights … He brings each vividly to life, making you feel that you’ve met them personally in some Blackfriars tavern’ Simon Callow ‘It was a time and place teeming with excitement, anecdote and incident, and Wells, in this richly enjoyable work, brings it to life with a novelist’s sense of the telling detail’ Dominic Dromgoole ‘Enthralling’ Observer‘This is one of the most sane and exciting books on Shakespeare I have read for a long time’ Scotland on Sunday

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A guidebook to 35 circular day walks and 7 longer trails exploring the eastern White Peak in the Peak District National Park. Covering Derbyshire and Staffordshire, the walks are suitable for beginner and experienced walkers alike. The day walks range in length from 7–19km (4–12 miles) and can be enjoyed in 2–6 hours. The longer trails take between 5 hours and 3 days to complete, cover 15–70km (10–42 miles), and include the White Peak Circular and Monsal Trail. 1:50,000 OS maps included for each walk GPX files available to download Detailed information on refreshment and transport options Easy access from Bakewell, Buxton and Sheffield Part of a 2-volume Cicerone series on the White Peak

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Find the motivation to live your best life and get into your best shape with social media influencer Zac Perna Consider this your personal (and hilarious) road map to becoming a lean and happy good influence in your own life. Let's begin.People worldwide know fitness guru Zac Perna for his informative, motivating, curious and very funny social media content. In this book Zac goes deeper, wider and more intimate than ever before. With lots of information about diet, nutrition, exercise and fitness, Zac also reflects on pivotal lessons he's learned about confidence, resilience and what it takes to create something tangible out of your dreams.Zac has done the hard work so you don't have to struggle through the same journey. Drawing on his experience establishing a mega social media brand, a hugely successful fitness-coaching business and the Slouch Potato pyjama brand, and on his extensive health knowledge, Zac offers life lessons through intimately personal and at times unbelievable anecdotes that will make you laugh, reflect on your own life, then laugh some more.If you want a new start, need a bit of encouragement or just want to be inspired, Good Influence is here to help you create healthy habits and become the very best version of yourself.

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The lives of five strangers collide on a London train carriage, as they become involved in an incident that will change them all forever. A shocking, intensely emotive and wildly original new thriller from Will Carver… ‘Impossibly original, stylish, sinister and heartfelt. The Daves Next Door is so wildly fresh and unmatched, and once again proves that Will Carver has talent and creativity to burn’ Chris Whitaker ‘Once again, Will bends and twists the genre with a novel that is astonishing, profound and hard-hitting’ David Jackson ‘So clever, so dark, so utterly original. Where does Will Carver get his ideas?’ Victoria Selman ‘Stirring. Ambitious. Irreverent. Compassionate. Completely devoid of giveable f*@ks’ Dominic Nolan ___________________________________________________________ A disillusioned nurse suddenly learns how to care. An injured young sportsman wakes up find that he can see only in black and white. A desperate old widower takes too many pills and believes that two angels have arrived to usher him through purgatory. Two agoraphobic men called Dave share the symptoms of a brain tumour, and frequently waken their neighbour with their ongoing rows. Separate lives, running in parallel, destined to collide and then explode. Like the suicide bomber, riding the Circle Line, day after day, waiting for the right time to detonate, waiting for answers to his questions: Am I God? Am I dead? Will I blow up this train? Shocking, intensely emotive and wildly original, Will Carver’s The Daves Next Door is an explosive existential thriller and a piercing examination of what it means to be human … or not. ___________________________________________________________ ‘Will Carver is a thought-provoking and masterful writer of gut-punching fiction ... a powerhouse of a novel. Think Ira Levin at his best’ Michael Wood ‘Will has this uncanny knack of delving into your soul and revealing all the things you really think but are too scared to voice. Absolute GENIUS’ Lisa Hall ‘Another ingenious genre-bender … provocative, twisted and mind-bendingly original’ Sarah Sultoon ‘Sharp, wild and thrilling’ Danielle Louise ‘Completely unpredictable and definitely unputdownable’ Little Miss Book Lover ‘Risk-taking, provocative fiction at its absolute finest … unmissable’ Hair Past a Freckle ‘You don't just read a Will Carver, you experience it. It draws you in and not only entertains, but challenges you’ From Belgium with Booklove Praise for Will Carver ‘One of the most exciting authors in Britain. After this, he’ll have his own cult following’ Daily Express ‘Unlike anything you’ll read this year’ Heat ‘Move the hell over Brett Easton Ellis and Chuck Palahniuk … Will Carver is the new lit prince of 21st-century disenfranchised, pop darkness’ Stephen J. Golds ‘Incredibly dark and very funny’ Harriet Tyce ‘I fell in love with Carver's murderous Maeve. This is an Eleanor Oliphant for crime fans. Carver truly at his best’ Sarah Pinborough ‘A darkly delicious page-turner’ S J Watson ‘One of the most compelling and original voices in crime fiction’ Alex North ‘Weirdly page-turning’ Sunday Times ‘Laying bare our 21st-century weaknesses and dilemmas, Carver has created a highly original state-of-the-nation novel’ Literary Review ‘Arguably the most original crime novel published this year’ Independent ‘This mesmeric novel paints a thought-provoking if depressing picture of modern life’ Guardian ‘This book is most memorable for its unrepentant darkness…’ Telegraph ‘Utterly mesmerising…’ Crime Monthly ‘Will Carver’s most exciting, original, hilarious and freaky outing yet’ Helen FitzGerald ‘Vivid and engaging and completely unexpected’ Lia Middleton

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