Search results for ""author michael taylor""

Michael Taylor is the author of The Interest: How the British Establishment Resisted the Abolition of Slavery, which was shortlisted for the Orwell Prize 2021, chosen as a Daily Telegraph Book of the Year and described as 'riveting' (The Times) and 'compulsively readable' (Guardian). He was born in 1988 and graduated with a double first in history from the University of Cambridge, where he earned his PhD. He has since been Lecturer in Modern British History at Balliol College, Oxford, and a Visiting Fellow at the British Library's Eccles Centre for American Studies.

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Impossible Monsters is the captivating story of the discovery of the dinosaurs and how it upended our understanding of the origins of the world.An astonishing book about an extraordinary subject'' PETER FRANKOPAN''As thrilling as it is sweeping'' TOM HOLLAND''This book dazzles in its originality . . . a triumph' SATHNAM SANGHERAIn 1811, a twelve-year-old girl uncovered some strange-looking bones in Britain's southern shoreline. They belonged to no known creature and were buried beneath a hundred feet of rock. Over the next two decades, as several more of these impossible monsters' emerged from the soil, the leading scientists of the day were forced to confront a profoundly disturbing possibility: the Bible, as a historical account of the Earth''s origins, was wildly wrong.This is the dramatic story of the crisis that engulfed science and religion when we discovered the dinosaurs. It takes us into the lives and minds

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Discover how the campaign to end slavery divided Britain and was almost thwarted by some of the most powerful and famous figures of the era.**SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL WRITING**In 1807, Parliament outlawed the slave trade in the British Empire. But for the next 25 years more than 700,000 people remained enslaved, due to the immensely powerful pro-slavery group the 'West India Interest'.This ground-breaking history discloses the extent to which the 'Interest' were supported by nearly every figure of the British establishment - fighting, not to abolish slavery, but to maintain it for profit. Gripping and unflinching, The Interest is the long-overdue exposé of one of Britain's darkest, most turbulent times.A DAILY TELEGRAPH BOOK OF THE YEAR'Scintillating . . . compulsively readable' Guardian'A magnificent book . . . riveting' Evening Standard'A critical piece of history and a devastating exposé' Shashi Tharoor, author of Inglorious Empire'Thoroughly researched and potent' David Lammy MP'Essential reading' Simon Sebag Montefiore

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A teenage king in 223 BC, Antiochus III inherited an empire in shambles, ravaged by civil strife and eroded by territorial secessions. He proved himself a true heir of Alexander: he defeated rebel armies and embarked on a campaign of conquest and reunification. Although repulsed by Ptolemy IV at the Battle of Raphia, his eastern campaigns reaffirmed Seleucid hegemony as far as modern Afghanistan and Pakistan. Returning westward, he defeated Ptolemy V at Panion (200 BC) and succeeded in adding Koile Syria to the Seleucid realm. At the height of his powers, he challenged growing Roman power, unimpressed by their recent successes against Carthage and Macedon. His expeditionary force was crushed at Thermopylae and evacuated. Refusing to bow before Roman demands, Antiochus energetically mobilized against Roman invasion, but was again decisively defeated at the epic battle of Magnesia. Despite the loss of territory and prestige enshrined in the subsequent Peace of Apamea, Antiochus III left the Seleucid Empire in far better condition than he found it. Although sometimes presented as a failure against the unstoppable might of Rome, Antiochus III must rank as one of the most energetic and effective rulers of the Ancient world. In addition to discussing the career of Antiochus III, Michael Taylor examines Seleucid military organization and royal administration.

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The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers - a new, modern-spelling text, collated and edited from all existing printings - On-page commentary and notes explain meaning, staging, language, and allusions - Detailed introduction considers the first performance in 1592 in relation to the 1623 folio, structure, theatrical history, and the role of women in the play - Illustrated with production photographs and related art - Full index to introduction and commentary - Durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Finger string games are a wonderful opportunity for today's children to practise meaningful movement, explore space, interact with others, and exercise their creative spirits. They're also great fun!String games can be particularly useful with children who struggle at school, are dyslexic or who are learning concepts such as 'left and right', 'up and down'. The book contains games that will delight all children, from the very young to those with greater dexterity.Michael Taylor has many years of experience in working with children and has shared his string figures at schools and camps throughout the world. This book contains over 80 inventive and imaginative string games and stories, all clearly illustrated with step-by-step colour diagrams. The book is particularly designed to require as little page-turning as possible in the middle of making a string shape!Includes two brightly coloured strings to get you started.

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Thomas Middleton (1580-1627) was a writer of great versatility, and his career as a London dramatist spans the most productive, innovative, and exciting period of theatrical activity in the history of English drama. Best known for his tragedies, he also wrote many successful comedies of city life. This volume brings together the greatest among them: A Mad World, My Masters, Michaelmas Term, A Trick to Catch the Old One, and No Wit, No Help Like a Woman's. The first three plays, written between 1604 and 1606, are witty and rambunctious satires on the predatory life of the aspiring London citizen. Sex and money are the characters' obsessions; their caustic exposure Middleton's. In the later play, No Wit (1612), satire shades into romance, prose into verse. Together the four plays reveal the range and exuberance of Middleton's writing for the comic stage. Under the General Editorship of Michael Cordner of the University of York, the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction and detailed annotation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Biomechanics is the application of mechanical principles to living organisms, and it is one of the most exciting and fastest growing research areas. In forensic science, it is biomechanics that explains trauma to the body at a crime scene or the fracture of fibers and textiles, and helps interpret blood spatter. Forensic Biomechanics is a comprehensive overview of the role of biomechanics in forensics. Well-illustrated with real-life case studies, and using a multidisciplinary approach, this unique book is an invaluable reference for practicing forensic scientists, lawyers, and researchers.

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'Now is the winter of our discontent Made glorious summer by this sun of York'Shakespeare's final drama of the Wars of the Roses cycle begins as the dust settles on England after bloody civil war, and the bitter hunchback Richard, brother of the king, secretly plots to seize the throne. Charming and duplicitous, powerfully eloquent and viciously cruel, he is prepared to go to any lengths to achieve his goal. Richard III shows a man who, in his skilful manipulation of events and people, is a chilling incarnation of the temptations of power in a land shocked by war.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by E. A. J. HonigmannIntroduction by Michael Taylor

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