Search results for ""author matthew kelly""

The environmental humanities are one of the most exciting and rapidly expanding areas of interdisciplinary study, and this collection of essays is a pioneering attempt to apply these approaches to the study of nineteenth-century Ireland. By bringing together historians, geographers and literary scholars, new insights are offered into familiar subjects and unfamiliar subjects are brought out into the light. Essays re-considering O’Connellism, Lord Palmerston and Isaac Butt rub shoulders with examinations of agricultural improvement, Dublin’s animal geographies and Ireland’s healing places. Literary writers like Emily Lawless and Seumas O’Sullivan are looked at anew, encouraging us to re-think Darwinian influences in Ireland and the history of the Irish literary revival, and transnational perspectives are brought to bear on Ireland’s national park history and the dynamics of Irish natural history. Much modern Irish history is concerned with access to natural resources, whether this reflects the catastrophic effect of the Great Famine or the conflicts associated with agrarian politics, but historical and literary analyses are rarely framed explicitly in these terms. The collection responds to the ‘material turn’ in the humanities and contemporary concern about the environment by re-imagining Ireland’s nineteenth century in fresh and original ways. List of contributors: Matthew Kelly, Helen O’Connell, David Brown, Colin W. Reid, Huston Gilmore, Ronan Foley, Juliana Adelman, Mary Orr, Patrick Maume and Seán Hewitt.

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Offering a revolutionary parable that goes beyond the work goals of pay rises and promotions, Kelly looks at the dreams that really matter to employees and poses an innovative solution for companies to help them achieve those dreams.

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Granite, a tough composite of quartz, feldspar and mica, is the stuff of Dartmoor, the most formidable of the five granite bosses punctuating Britain’s southwest peninsula. A miserable place of rain and bog or a sunny upland of exquisite natural beauty, here the elements are raw, the sky huge and nature seems ascendant.But it is no less a place made by human beings. Stone circles, crosses, dwellings and boundaries speak of the ancient, medieval and modern people that extracted a living from the moorscape and created what it is today. Where convicts are incarcerated, backpackers roam freely; where commoners graze livestock, the army is trained; where the National Park Authority exercises control, the Duchy of Cornwall claims ownership. And Dartmoor remains a place that provides. Reservoirs hold the water drunk by local people. China clay is extracted from its mineral reserves. Not long ago granite was quarried from its hillsides. What is modern Dartmoor and what should it be? Did druids officiate here? Can the bog be drained and crops grown? Is it the place for a prison? And what of its people’s future, and the fate of its ponies, cows and sheep? For three hundred years such questions have been asked of the moor. Quartz and Feldspar does not so much provide answers as unearth those who did and the arguments they provoked.

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Four decades have passed since reports of a mysterious “gay cancer” first appeared in US newspapers. In the ensuing years, the pandemic that would come to be called AIDS changed the world in innumerable ways. It also gave rise to one of the late twentieth century’s largest health-based empowerment movements. Scholars across diverse traditions have documented the rise of the AIDS activist movement, chronicling the impassioned echoes of protestors who took to the streets to demand “drugs into bodies.” And yet not all activism creates echoes. Included among the ranks of 1980s and 1990s-era AIDS activists were individuals whose expressions of empowerment differed markedly from those demanding open access to mainstream pharmaceutical agents. Largely forgotten today, this activist tradition was comprised of individuals who embraced unorthodox approaches for conceptualizing and treating their condition. Rejecting biomedical expertise, they shared alternative clinical paradigms, created underground networks for distributing unorthodox nostrums, and endorsed etiological models that challenged the association between HIV and AIDS. The theatre of their protests was not the streets of New York City’s Greenwich Village but rather their bodies. And their language was not the riotous chants of public demonstration but the often-invisible embrace of contrarian systems for defining and treating their disease. The Sounds of Furious Living seeks to understand the AIDS activist tradition, identifying the historical currents out of which it arose. Embracing a patient-centered, social historical lens, it traces historic shifts in popular understanding of health and perceptions of biomedicine through the nineteenth and twentieth centuries to explain the lasting appeal of unorthodox health activism into the modern era. In asking how unorthodox health activism flourished during the twentieth century’s last major pandemic, Kelly also seeks to inform our understanding of resistance to biomedical authority in the setting of the twenty-first century’s first major pandemic: COVID-19. As a deeply researched portrait of distrust and disenchantment, The Sounds of Furious Living helps explain the persistence of movements that challenge biomedicine’s authority well into a century marked by biomedical innovation, while simultaneously posing important questions regarding the meaning and metrics of patient empowerment in clinical practice.

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Four decades have passed since reports of a mysterious “gay cancer” first appeared in US newspapers. In the ensuing years, the pandemic that would come to be called AIDS changed the world in innumerable ways. It also gave rise to one of the late twentieth century’s largest health-based empowerment movements. Scholars across diverse traditions have documented the rise of the AIDS activist movement, chronicling the impassioned echoes of protestors who took to the streets to demand “drugs into bodies.” And yet not all activism creates echoes. Included among the ranks of 1980s and 1990s-era AIDS activists were individuals whose expressions of empowerment differed markedly from those demanding open access to mainstream pharmaceutical agents. Largely forgotten today, this activist tradition was comprised of individuals who embraced unorthodox approaches for conceptualizing and treating their condition. Rejecting biomedical expertise, they shared alternative clinical paradigms, created underground networks for distributing unorthodox nostrums, and endorsed etiological models that challenged the association between HIV and AIDS. The theatre of their protests was not the streets of New York City’s Greenwich Village but rather their bodies. And their language was not the riotous chants of public demonstration but the often-invisible embrace of contrarian systems for defining and treating their disease. The Sounds of Furious Living seeks to understand the AIDS activist tradition, identifying the historical currents out of which it arose. Embracing a patient-centered, social historical lens, it traces historic shifts in popular understanding of health and perceptions of biomedicine through the nineteenth and twentieth centuries to explain the lasting appeal of unorthodox health activism into the modern era. In asking how unorthodox health activism flourished during the twentieth century’s last major pandemic, Kelly also seeks to inform our understanding of resistance to biomedical authority in the setting of the twenty-first century’s first major pandemic: COVID-19. As a deeply researched portrait of distrust and disenchantment, The Sounds of Furious Living helps explain the persistence of movements that challenge biomedicine’s authority well into a century marked by biomedical innovation, while simultaneously posing important questions regarding the meaning and metrics of patient empowerment in clinical practice.

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A vibrant history of English landscape preservation over the last 150 years, told through the lives of four remarkable women In Britain today, a mosaic of regulations protects the natural environment and guarantees public access to green spaces. But this was not always so. Over the last 150 years, activists have campaigned tirelessly for the right to roam through the countryside and the vital importance of preserving Britain’s natural beauty. Matthew Kelly traces the history of landscape preservation through the lives of four remarkable women: Octavia Hill, Beatrix Potter, Pauline Dower, and Sylvia Sayer. From the commons of London to the Lake District, Northumberland, and Dartmoor, these women protected the English landscape at a crucial period through a mixture of environmental activism, networking, and sheer determination. They grappled with the challenges that urbanization and industrial modernity posed to human well-being as well as the natural environment. By tirelessly seeking to reconcile the needs of particular places to the broader public interest they helped reimagine the purpose of the English countryside for the democratic age.

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In 2022, my first book, ‘Fire! Fire! The Theatre’s on Fire’, was published. It focused on the devastating effect of theatres impacted by fire. It was nominated for ‘The STR Theatre Book Prize 2022’ which is awarded each year by the Society for Theatre Research. I was delighted with the compliments I received from the many people who bought my first book. Hopefully they will be just as complimentary about my second book! The chosen subject for this book are theatres which are still standing, (just!), but are extremely vulnerable. The majority of these theatres are identified in the official ‘Theatres at Risk Register’ published annually. This was created in 2006 and it records theatres that are in need of considerable help, effort and support from many organisations. If they do not receive this they will be lost forever. Thankfully, having had the much needed support, some theatres are no longer on this list. My first experience of a theatre closure was the sudden demise of my local theatre, ‘Dewsbury Empire’ in March 1955 and the life long effect it had on me, my family, the community, the town and the theatre world in general. As a tribute to all the hard work that the numerous theatre appreciation societies are carrying out, I have selected fifteen theatres and have completed extensive research on their history as well as including the now infamous ‘Did You Know…?’ gossip section! I sincerely hope that the members of the ‘Save the Theatre’ societies are successful in their magnificent efforts and that we see many more ‘Theatres At Risk’ saved for posterity. Thank you to you all for the marvellous efforts you are making in preserving these theatres and I would ask readers of this book to join me in assisting or donating to these good causes whenever possible.

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