Search results for ""author martin mclaughlin""

This book presents a collection of twelve essays on the interplay between individual lives and life-writing and the wider social and political history of Italy. It focuses on well-known writers and their varying anxieties about autobiographical writing.

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The first book in English to examine Leon Battista Alberti’s major literary works in Latin and Italian, which are often overshadowed by his achievements in architectureLeon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a 'Renaissance or Universal Man.' In this book, Martin McLaughlin counters this partial perspective on Alberti, considering him more broadly as a writer dedicated to literature and humanism, a major protagonist and experimentalist in the literary scene of early Renaissance Italy. McLaughlin, a noted authority on Alberti, examines all of Alberti’s major works in Latin and the Italian vernacular and analyzes his vast knowledge of classical texts and culture.McLaughlin begins with what we know of Alberti’s life

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Why Read the Classics? is an elegant defence of the value of great literature by one of the finest authors of the last century. Beginning with an essay on the attributes that define a classic (number one - classics are those books that people always say they are 'rereading', not 'reading'), this is an absorbing collection of Italo Calvino's witty and passionate criticism.

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Italo Calvino once said that he preferred to give false details about his biography since he felt that even the genuine data of a writer's life shed no light on the creative work. But this volume of posthumously collected personal writings is the closest we will ever come to the autobiography of this most private of writers. The pieces collected here range from the early 1950s to his last interview, completed just before his sudden death in 1985. Apart from providing a glimpse into his own formative experiences and evolution as an author, Calvino's autobiographical writings also examine the major events of twentieth-century history from a very personal viewpoint. This volume is full of ideas on literature and other writers, all conveyed with the author's distinctive lightness and intelligence.Italo Calvino, one of Italy's finest postwar writers, has delighted readers around the world with his deceptively simple, fable-like stories. Calvino was born in Cuba in 1923 and raised in San Remo, Italy; he fought for the Italian Resistance from 1943-45. His major works include Cosmicomics (1968), Invisible Cities (1972), and If on a winter's night a traveler (1979). He died in Sienna in 1985.

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Numbers in the Dark is a collection of short stories covering the length of Italo Calvino's extraordinary writing career, from when he was a teenager to shortly before his death. They include witty allegories and wise fables; a town where everything has been forbidden apart from the game of tip-cat; a pitiable tribe watching the flight paths of guided missiles from outside their mud huts; a computer programmer considering the possible sequence of a series of brutal acts; and dialogues with Henry Ford, a Neanderthal and the gloomy, overthrown Montezuma ...

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Set in Italy in the summer of 1940, this trio of stories explores the relationships between the different generations caught up in the war as well as Calvino's own experiences as a teenager. In the title story, 'Into the War', we are given an insight into what life was really like for those too young to be conscripted into Mussolini's army, while in 'The Avanguardisti in Menton', Calvino and his friends take a revealingly anti-climactic trip to the garrisoned French town of Menton, the sole Italian conquest of the early months of the conflict. The final story, 'UNPA Nights', is a touching, comic tale of friendship in a blackout, where the narrator's imagination wanders as he roams through the seedier parts of the darkened town instead of guarding the school buildings. Into the War is Calvino at his autobiographical best, combining brilliantly recollected memory with compelling wit and perfect prose.

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A fresh English translation of five Alberti works that illuminate new aspects of the literary aims and development of the first “Renaissance man.”Leon Battista Alberti (1404–1472) was one of the most famous figures of the Italian Renaissance. His extraordinary range of abilities as a writer, architect, art theorist, and even athlete earned him the controversial title of the first “Renaissance man.”The works collected in Biographical and Autobiographical Writings reflect Alberti’s lived experiences and his interests in the genre. This volume includes On the Advantages and Disadvantages of Literature, which partly reflects his experiences as a student in Bologna; The Life of St. Potitus, the biography of a Christian martyr, which also contains autobiographical projections and was to have been the first in a series of lives of saints; My Dog, a mock funeral oration for his dead dog; My Life, one of the first autobiographies of the early modern period and the main source for Jacob Burckhardt’s portrait of Alberti; and a comic encomium, The Fly. In particular, the last three works—My Dog, My Life, and The Fly—constitute a kind of trilogy, as the humanist finds one of his main themes, the portrait of the ideal life, with a strong emphasis on humor.This edition presents the first collected English translations of these works alongside an authoritative Latin text.

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Pin is a bawdy, adolescent cobbler's assistant, both arrogant and insecure who - while the Second World War rages - sings songs and tells jokes to endear himself to the grown-ups of his town - particularly jokes about his sister, who they all know as the town's 'mattress'. Among those his sister sleeps with is a German sailor, and Pin dares to steal his pistol, hiding it among the spiders' nests in an act of rebellion that entangles him in the adults' war.Italo Calvino, one of Italy's finest postwar writers, has delighted readers around the world with his deceptively simple, fable-like stories. He was born in Cuba in 1923 and raised in San Remo, Italy; he fought for the Italian Resistance from 1943-45. His major works include Cosmicomics (1968), Invisible Cities (1972), and If on a winter's night a traveler (1979). He died in Siena in 1985. Martin L. McLaughlin is Professor of Italian and Fiat-Serena Professor of Italian Studies at the University of Oxford where he is a Fellow of Magdalen College. In addition to his published academic works he is the English translator of Umberto Eco and Italo Calvino among many others.

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In five elegant autobiographical meditations Calvino delves into his past, remembering awkward childhood walks with his father, a lifelong obsession with the cinema and fighting in the Italian Resistance against the Fascists. He also muses on the social contracts, language and sensations associated with emptying the kitchen rubbish and the shape he would, if asked, consider the world. These reflections on the nature of memory itself are engaging, witty, and lit through with Calvino's alchemical brilliance.

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Italo Calvino's enchanting stories about the evolution of the universe, with characters that are fashioned from mathematical formulae and cellular structures, The Complete Cosmicomics is translated by Martin McLaughlin, Tim Parks and William Weaver in Penguin Modern Classics.'Naturally, we were all there, - dld Qfwfq said, - where else could we have been? Nobody knew then that there could be space. Or time either: what use did we have for time, packed in there like sardines?' The Cosmicomics tell the story of the history of the universe, from the big bang, through millennia and across galaxies. It is witnessed through the eyes of 'cosmic know-it-all' Qfwfq, an exuberant, chameleon-like figure, who takes the shape of a dinosaur, a mollusc, a steamer captain and a moon milk gatherer, among others. This is the first complete edition in English of Italo Calvino's funny, whimsical and delightful stories, which blend scientific fact, flights of fancy, parody and wordplay to show the strangeness and the wonders of the world. Italo Calvino (1923-1985), one of Italy's finest postwar writers, has delighted readers around the world with his deceptively simple, fable-like stories. Calvino was born in Cuba and raised in San Remo, Italy; he fought for the Italian Resistance from 1943-45. Among his other works published in Penguin Modern Classics are Italian Folktales, Hermit in Paris, Into the War, The Path to the Spiders' Nests, Numbers in the Dark, Six Memos for the Next Millennium and Why Read the Classics?If you liked The Complete Cosmicomics, you might enjoy Jorge Luis Borges' Fictions, also available in Penguin Modern Classics.'The complete and definitive collection ... a masterpiece' Gilbert Adair, Evening Standard'Dazzling ... a book of revelation' Tim Adams, Observer 'If you have never read Cosmicomics, you have before you the most joyful reading experience of your life' Salman Rushdie'A landmark in fiction, the work of a master' Ursula K Le Guin, Guardian

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This is the first collection in English of the extraordinary letters of one of the great writers of the twentieth century. Italy's most important postwar novelist, Italo Calvino (1923-1985) achieved worldwide fame with such books as Cosmicomics, Invisible Cities, and If on a Winter's Night a Traveler. But he was also an influential literary critic, an important literary editor, and a masterful letter writer whose correspondents included Umberto Eco, Primo Levi, Gore Vidal, Leonardo Sciascia, Natalia Ginzburg, Michelangelo Antonioni, Pier Paolo Pasolini, and Luciano Berio. This book includes a generous selection of about 650 letters, written between World War II and the end of Calvino's life. Selected and introduced by Michael Wood, the letters are expertly rendered into English and annotated by well-known Calvino translator Martin McLaughlin. The letters are filled with insights about Calvino's writing and that of others; about Italian, American, English, and French literature; about literary criticism and literature in general; and about culture and politics. The book also provides a kind of autobiography, documenting Calvino's Communism and his resignation from the party in 1957, his eye-opening trip to the United States in 1959-60, his move to Paris (where he lived from 1967 to 1980), and his trip to his birthplace in Cuba (where he met Che Guevara). Some lengthy letters amount almost to critical essays, while one is an appropriately brief defense of brevity, and there is an even shorter, reassuring note to his parents written on a scrap of paper while he and his brother were in hiding during the antifascist Resistance. This is a book that will fascinate and delight Calvino fans and anyone else interested in a remarkable portrait of a great writer at work.

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