Search results for ""author markus gabriel""

In this highly original book, Markus Gabriel offers an account of the human self that overcomes the deadlocks inherent in the standard positions of contemporary philosophy of mind. His view, Neo-Existentialism, is thoroughly anti-naturalist in that it repudiates any theory according to which the ensemble of our best natural-scientific knowledge is able to account fully for human mindedness. Instead, he shows that human mindedness consists in an open-ended proliferation of mentalistic vocabularies. Their role in the human life form consists in making sense of the fact that the human being does not merely blend in with inanimate nature and the rest of the animal kingdom. Humans rely on a self-portrait that locates them in the broadest conceivable context of the universe. What distinguishes this self-portrait from our knowledge of natural reality is that we change in light of our true and false beliefs about the human being. Gabriel’s argument is challenged in this volume by Charles Taylor, Andrea Kern and Jocelyn Benoist. In defending his argument against these and other objections and in spelling out his theory of self-constitution, Gabriel refutes naturalism’s metaphysical claim to epistemic exclusiveness and opens up new paths for future self-knowledge beyond the contemporary ideology of the scientific worldview.

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We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist? According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators. Art expresses, in a disguised form, the power of something else – like money – that lies behind it. In one word, art has lost its autonomy. In this short book, Markus Gabriel rejects this view. He argues that art is essentially uncontrollable. It is in the nature of the work of art to be autonomous to such a degree that the art world will never manage to overpower it. Ever since the cave paintings of Lascaux, art has taken hold of the human mind and implemented itself in our very being. Thanks to the emergence of art we became human beings, that is, beings who lead their lives in light of an image of the human being and its position in the world and in relation to other species. Due to its structural, ontological power, art itself is and remains radically autonomous. Yet, this power is highly ambiguous, as we cannot control its unfolding. In this book, a leading proponent of New Realism applies this philosophical perspective to art to create a new aesthetic realism.

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In this highly original book, Markus Gabriel offers an account of the human self that overcomes the deadlocks inherent in the standard positions of contemporary philosophy of mind. His view, Neo-Existentialism, is thoroughly anti-naturalist in that it repudiates any theory according to which the ensemble of our best natural-scientific knowledge is able to account fully for human mindedness. Instead, he shows that human mindedness consists in an open-ended proliferation of mentalistic vocabularies. Their role in the human life form consists in making sense of the fact that the human being does not merely blend in with inanimate nature and the rest of the animal kingdom. Humans rely on a self-portrait that locates them in the broadest conceivable context of the universe. What distinguishes this self-portrait from our knowledge of natural reality is that we change in light of our true and false beliefs about the human being. Gabriel’s argument is challenged in this volume by Charles Taylor, Andrea Kern and Jocelyn Benoist. In defending his argument against these and other objections and in spelling out his theory of self-constitution, Gabriel refutes naturalism’s metaphysical claim to epistemic exclusiveness and opens up new paths for future self-knowledge beyond the contemporary ideology of the scientific worldview.

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From ancient philosophy to contemporary theories of fiction, it is a common practice to relegate illusory appearances to the realm of the non-existent, like shadows on the wall of Plato's cave. Contrary to this traditional mode of drawing a metaphysical distinction between reality and fiction, Markus Gabriel argues that the realm of the illusory, fictional, imaginary and conceptually indeterminate is as real as it gets. Being in touch with reality need not and cannot require that we overcome appearances in order to grasp a meaningless reality which exists out there', outside and maybe even beyond our minds. Human mindedness (Geist) exists in the mode of fictions through which we achieve self-consciousness. This novel approach provides a fresh perspective on our existence as subjects who lead their lives in the light of self-conceptions. Fictionsalso develops a social ontology according to which the social unfolds as a constant renegotiation of dissent, of different points of view

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Presents a new realist ontology based on the concept of fields of sense. Markus Gabriel presents us with an innovative answer to one of the central questions of philosophy: what is the meaning of 'being' - or, rather, 'existence' - and how does that concept relate to the totality of what there is? This ontology hinges on Gabriel's concept of fields of sense, which shows that he fundamentally opposes the idea that mathematics or the natural sciences could ever replace a richer philosophical understanding of what there is and how we know about it. The first contribution to a speculative epistemology on the basis of an ontology first method and develops a new realist ontology as well as outlining a realist epistemology grounded in ontology.

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We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist? According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators. Art expresses, in a disguised form, the power of something else – like money – that lies behind it. In one word, art has lost its autonomy. In this short book, Markus Gabriel rejects this view. He argues that art is essentially uncontrollable. It is in the nature of the work of art to be autonomous to such a degree that the art world will never manage to overpower it. Ever since the cave paintings of Lascaux, art has taken hold of the human mind and implemented itself in our very being. Thanks to the emergence of art we became human beings, that is, beings who lead their lives in light of an image of the human being and its position in the world and in relation to other species. Due to its structural, ontological power, art itself is and remains radically autonomous. Yet, this power is highly ambiguous, as we cannot control its unfolding. In this book, a leading proponent of New Realism applies this philosophical perspective to art to create a new aesthetic realism.

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From populist propaganda attacking knowledge as ‘fake news’ to the latest advances in artificial intelligence, human thought is under unprecedented attack today. If computers can do what humans can do and they can do it much faster, what’s so special about human thought? In this new book, bestselling philosopher Markus Gabriel steps back from the polemics to re-examine the very nature of human thought. He conceives of human thinking as a ‘sixth sense’, a kind of sense organ that is closely tied our biological reality as human beings. Our thinking is not a form of data processing but rather the linking together of images and imaginary ideas which we process in different sensory modalities. Our time frame expands far beyond the present moment, as our ideas and beliefs stretch far beyond the here and now. We are living beings and the whole of evolution is built into our life story. In contrast to some of the exaggerated claims made by proponents of AI, Gabriel argues that our thinking is a complex structure and organic process that is not easily replicated and very far from being superseded by computers. With his usual wit and intellectual verve, Gabriel combines philosophical insight with pop culture to set out a bold defence of the human and a plea for an enlightened humanism for the 21st century. This timely book will be of great value to anyone interested in the nature of human thought and the relations between human beings and machines in an age of rapid technological change.

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At the centre of modern epistemology lurks the problem of scepticism: how can we know that the forms of our cognition are compatible with the world? How can we state success conditions for knowledge claims without somehow transcending our discursive and fallible nature as knowers? By distinguishing different forms of scepticism, Markus Gabriel shows how all objective knowledge relies on shared discourses and how the essential corrigibility of knowledge claims is a crucial condition of their objectivity. We should understand scepticism not so much as posing a threat, but as offering a vital lesson about the fallibility of discursive thinking. By heeding this lesson, we can begin to reintegrate the solipsistic subject of modern epistemology back into the community of actual knowers. Taking his cue from Hegel, Wittgenstein and Brandom, Gabriel shows how intentionality as such is a public rather than a private phenomenon. He concedes that the sceptic can prove the necessary finitude of objective knowledge, but denies that this has to lead us into an aporia. Instead, it shows us the limits of the modern project of epistemology. Through an examination of different kinds of sceptical paradoxes, Gabriel not only demonstrates their indispensable role within epistemological theorising, but also argues for the necessary failure of all totalizing knowledge claims. In this way, epistemology, as the discipline that claims knowledge about knowledge, begins to grasp its own fallibility and, as a result, the true nature of its objectivity. The Limits of Epistemology will be of great value to students and scholars of philosophy.

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Where do we come from? Are we merely a cluster of elementary particles in a gigantic world receptacle? And what does it all mean? In this highly original new book, the philosopher Markus Gabriel challenges our notion of what exists and what it means to exist. He questions the idea that there is a world that encompasses everything like a container life, the universe, and everything else. This all-inclusive being does not exist and cannot exist. For the world itself is not found in the world. And even when we think about the world, the world about which we think is obviously not identical with the world in which we think. For, as we are thinking about the world, this is only a very small event in the world. Besides this, there are still innumerable other objects and events: rain showers, toothaches and the World Cup. Drawing on the recent history of philosophy, Gabriel asserts that the world cannot exist at all, because it is not found in the world. Yet with the exception of the world, everything else exists; even unicorns on the far side of the moon wearing police uniforms. Revelling in witty thought experiments, word play, and the courage of provocation, Markus Gabriel demonstrates the necessity of a questioning mind and the role that humour can play in coming to terms with the abyss of human existence.

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The challenges we face today are unprecedented, from the existential crisis of climate change to the global security threats posed by aggression in Ukraine and elsewhere. Add to this the crisis of liberal democracy and we seem to be swirling in a state of moral disarray, unsure whether there are any principles to which we can appeal today that would be anything other than particularistic. In contrast to this view, Markus Gabriel puts forward the bold argument that there are guiding moral principles for human behaviour. These guiding principles extend across cultures; they are universally valid and form the source of universal values in the twenty-first century. In developing what he calls a ‘New Moral Realism’, Gabriel breathes fresh life into the idea that humanity’s task on our planet is to enable moral progress through cooperation. It is only by achieving moral progress in a way that incorporates universal values – and thus embraces all of humanity – that we can avoid the abyss into which we will otherwise slide. Written with verve, wit and imagination, Gabriel's call for a new enlightenment is a welcome antidote to the value relativism and nihilism of our times, and it lays out a moral framework within which we can work together – as surely we must – to deal with the great challenges we now face.

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Is it possible for reality as a whole to be part of itself? Can the world appear within itself without thereby undermining the consistency of our thought and knowledge-claims concerning more local matters of fact? This is a question on which Markus Gabriel and Graham Priest disagree. Gabriel argues that the world cannot exist precisely because it is understood to be an absolutely totality. Priest responds by developing a special form of mereology according to which reality is a single all-encompassing whole, everything, which counts itself among its denizens. Their disagreement results in a debate about everything and nothing: Gabriel argues that we experience nothingness once we overcome our urge to contain reality in an all-encompassing thought, whereas Priest develops an account of nothing according to which it is the ground of absolutely everything. A debate about everything and nothing, but also a reflection on the very possibility of metaphysics.

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Is it possible for reality as a whole to be part of itself? Can the world appear within itself without thereby undermining the consistency of our thought and knowledge-claims concerning more local matters of fact? This is a question on which Markus Gabriel and Graham Priest disagree. Gabriel argues that the world cannot exist precisely because it is understood to be an absolutely totality. Priest responds by developing a special form of mereology according to which reality is a single all-encompassing whole, everything, which counts itself among its denizens. Their disagreement results in a debate about everything and nothing: Gabriel argues that we experience nothingness once we overcome our urge to contain reality in an all-encompassing thought, whereas Priest develops an account of nothing according to which it is the ground of absolutely everything. A debate about everything and nothing, but also a reflection on the very possibility of metaphysics.

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At the centre of modern epistemology lurks the problem of scepticism: how can we know that the forms of our cognition are compatible with the world? How can we state success conditions for knowledge claims without somehow transcending our discursive and fallible nature as knowers? By distinguishing different forms of scepticism, Markus Gabriel shows how all objective knowledge relies on shared discourses and how the essential corrigibility of knowledge claims is a crucial condition of their objectivity. We should understand scepticism not so much as posing a threat, but as offering a vital lesson about the fallibility of discursive thinking. By heeding this lesson, we can begin to reintegrate the solipsistic subject of modern epistemology back into the community of actual knowers. Taking his cue from Hegel, Wittgenstein and Brandom, Gabriel shows how intentionality as such is a public rather than a private phenomenon. He concedes that the sceptic can prove the necessary finitude of objective knowledge, but denies that this has to lead us into an aporia. Instead, it shows us the limits of the modern project of epistemology. Through an examination of different kinds of sceptical paradoxes, Gabriel not only demonstrates their indispensable role within epistemological theorising, but also argues for the necessary failure of all totalizing knowledge claims. In this way, epistemology, as the discipline that claims knowledge about knowledge, begins to grasp its own fallibility and, as a result, the true nature of its objectivity. The Limits of Epistemology will be of great value to students and scholars of philosophy.

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Many consider the nature of human consciousness to be one of the last great unsolved mysteries. Why should the light turn on, so to speak, in human beings at all? And how is the electrical storm of neurons under our skull connected with our consciousness? Is the self only our brain’s user interface, a kind of stage on which a show is performed that we cannot freely direct? In this book, philosopher Markus Gabriel challenges an increasing trend in the sciences towards neurocentrism, a notion which rests on the assumption that the self is identical to the brain. Gabriel raises serious doubts as to whether we can know ourselves in this way. In a sharp critique of this approach, he presents a new defense of the free will and provides a timely introduction to philosophical thought about the self – all with verve, humor, and surprising insights. Gabriel criticizes the scientific image of the world and takes us on an eclectic journey of self-reflection by way of such concepts as self, consciousness, and freedom, with the aid of Kant, Schopenhauer, and Nagel but also Dr. Who, The Walking Dead, and Fargo.

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Metaphysik und Religion verweisen wechselseitig aufeinander. Warum ist das so? Ihr thematisches Zentrum bildet ein gemeinsamer Inhalt. Dieser Inhalt ist Gott oder das Absolute. Was aber Gott oder das Absolute eigentlich sind, d.h. ob Gott bzw. das Absolute Gegenstand einer positiven Erkenntnis sein können, ist nicht ohne Weiteres klar. In der vorliegenden Gedenkschrift greifen die Beiträge diese und andere Themen auf. Sie geben damit Jens Halfwassen die Ehre, der 2020 verstorben ist. Sein eigenes Denken drang in den Kern der Einheit von Metaphysik und Religion und versuchte diese Einheit aus der Transzendenz des Absoluten zu begreifen - einer Transzendenz, die der Ursprung der Wahrheit und der Freiheit ist und die zugleich die Tür zur negativen Theologie öffnet.

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Was ist Wirklichkeit? Welchen Zugang haben wir zu ihr in einer zunehmend medialen und digitalisierten Gesellschaft? Oder befinden wir uns mit diesen Fragen vielleicht selbst schon in einem illusionären oder imaginären Zusammenhang, weil die Realität jedem Verstehen zuvorkommt? Und: Was heißt es, mit diesen Fragen philosophisch und theologisch im gegenwärtigen Realismus-Streit angemessen umzugehen? Diesen Problemen wenden sich Markus Gabriel und Malte Dominik Krüger zu, die jeweils aus der Sicht des Neuen Realismus und der (Bild-) Hermeneutischen Theologie argumentieren und auch aufeinander Bezug nehmen. Dabei werden alte Grundfragen des philosophischen und theologischen Wirklichkeitsverständnisses neu verhandelt und in aktuellen Konzepten greifbar. Dokumentiert werden damit - einschließlich der Grußworte - die Vorträge der 1. Internationalen Bultmann-Lecture 2017 in Marburg.

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Where do we come from? Are we merely a cluster of elementary particles in a gigantic world receptacle? And what does it all mean? In this highly original new book, the philosopher Markus Gabriel challenges our notion of what exists and what it means to exist. He questions the idea that there is a world that encompasses everything like a container life, the universe, and everything else. This all-inclusive being does not exist and cannot exist. For the world itself is not found in the world. And even when we think about the world, the world about which we think is obviously not identical with the world in which we think. For, as we are thinking about the world, this is only a very small event in the world. Besides this, there are still innumerable other objects and events: rain showers, toothaches and the World Cup. Drawing on the recent history of philosophy, Gabriel asserts that the world cannot exist at all, because it is not found in the world. Yet with the exception of the world, everything else exists; even unicorns on the far side of the moon wearing police uniforms. Revelling in witty thought experiments, word play, and the courage of provocation, Markus Gabriel demonstrates the necessity of a questioning mind and the role that humour can play in coming to terms with the abyss of human existence.

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Unverkennbar gibt es seit einigen Jahren in der Philosophie Europas wieder ein programmatisches Bekenntnis zum Realismus. Es ist das Resultat einer am Ende des zwanzigsten Jahrhunderts fällig gewordenen Korrektur. Gleichzeitig lässt sich auch eine Renaissance idealistischer Denkansätze feststellen. Dieser Band vereinigt französische, deutsche und italienische Autorinnen und Autoren, die den Dialog zwischen Realismus und Idealismus aus historischer, erkenntnistheoretischer, phänomenologischer und ästhetischer Perspektive fortsetzen. Dieser Dialog, so zeigt sich, dient nach wie vor zur philosophischen Orientierung.

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What role can the humanities play in shaping our common future? What are the values that guide us in the 21st century? How can we unleash the potential the humanities offer in a time of multiple crises? This volume tackles some of these fundamental questions, acknowledging and developing the changing role of academic discourse in a turbulent world. This timely book argues that the humanities engender conceptual tools that are capable of reconciling theory and practice. In a bold move, we call for the humanities to reach beyond the confines of universities and engage in the most urgent debates facing humanity today in a multidisciplinary, transformative, and constructive way. This is a blueprint for how societal change can be inclusive and equitable for the good of humans and non-humans alike.

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