Search results for ""author mark shrager""

In 1968, a few women, mockingly labeled “jockettes” by a skeptical press, had begun demanding the right to apply for jockey licenses, citing the Civil Rights Act of 1964, which banned discrimination in hiring based on race, religion, sex, or national origin. Most of their applications were rejected by racing’s bureaucracy, which alleged that women were unqualified to participate due to “physical limitations” and “emotional instability.” Female jockeys who attempted to ride met with boycotts by male jockeys. Onto this uneven terrain stepped 20-year-old Diane Crump, who had long since demonstrated her riding proficiency during a thousand workout rides on a thousand difficult Thoroughbreds (“I basically got on all the horses that no one else wanted to ride"). On February 7, 1969, having been granted a permit to ride at Florida’s Hialeah Racetrack, Crump, surrounded by a protective phalanx of police officers, walked calmly toward the saddling enclosure as she endured heckles from the crowd. Diane’s mount would not earn victory that day, but the young rider had earned a more fundamental prize: the right to compete in her chosen field. Just over a year later, on May 2, 1970, after 95 years and 1,055 all-male entrants, Diane Crump shattered tradition by becoming the first woman to ride in the Kentucky Derby. Over her career she amassed 235 wins.

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In 1877 the members of the United States Senate postponed all business for the day so that they might attend a horse race—the iconic, polarizing post-Civil War event at the center of this story. The nation, still recovering from the depredations of the Civil War and the Reconstruction that followed, recognized it as a North vs. South encounter, pitting New York’s powerful thoroughbred Tom Ochiltree and New Jersey’s Parole—owned by the ostentatious Northern tycoons Pierre and George Lorrilard—against the already legendary “Kentucky crack,” Ten Broeck—owned by the teetotaling, plain-living Frank Harper and ridden by black jockey and former slave William Walker—representing a former slave state and its Southern values. The race and the colorful cast of characters involved reflected the still seething America during one of the nation’s most difficult and divisive periods. Shrager presents a fascinating and heart-pounding piece of history exposing the racial and economic tensions following the Civil War that culminated in one final race to the end.

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