Search results for ""author mark bradford""

Reprinting for February 2020 How can we encounter the risen Lord Jesus in a life-transforming way? How can we be equipped and strengthened to share the message of the resurrection with the world? The post-resurrection encounters between Jesus and the disciples provide us with some of the most profound and personal moments to be found in scripture. The risen Christ comes to his disciples in all their brokenness – their sadness, fear, doubt, shattered dreams and failure – and calls them to a future filled with hope, confidence, confirmed faith, new beginnings and restored lives. Encountering the Risen Christ reflects on the main characters in the post-resurrection accounts and shows how we too can encounter Jesus Christ in a life-transforming way. The seven chapters plus discussion material can be used across the seven weeks from Easter to Pentecost in individual reflection or group study, or at any time of year.

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The ‘liminal seasons of life’ – those transition times in which we have left one season of stability but not yet arrived at the next – can be times of great disorientation. Yet, for good or for ill, they are also the most transformative. In The Space Between, Mark Bradford provides the reader with a biblical and theological understanding of such seasons of life, connects them with the resources to live faithfully through them, and offers strength and hope for the journey. Praise for Encountering the Risen Christ: ‘Personal, perceptive, profound, provocative, well-resourced and well-written; Mark Bradford offers us an imaginative and encouraging exploration of encounter as the key and critical mode of Christian experience and discipleship.’ James Bell, former Bishop of Ripon

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This book gathers for the first time an extensive selection of American artist—or “builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured “merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. “The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; “If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same image over and over—war, violence, explosions, things being blown apart. As a citizen, you have to participate in that every day. You have to walk by until it's changed.” Eagerly anticipated, this is the first large-scale publication by a major publisher about the work of this important and increasingly influential artist. Artist and writer Malik Gaines considers Bradford's play with signs in relation to literary and performative theories of African-American forms; writer and cultural critic Ernest Hardy addresses social issues, in Los Angeles and more broadly, raised by Bradford's source material; Heidi Zuckerman Jacobson examines the language in the work as it relates to Concrete poetry; and Dia Art Foundation Director Philippe Vergne looks at the surface of the work and Bradford's processes of mining and excavation.

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